A tanner's worth of tune: rediscovering the post-war British musical
A Tanner's Worth of Tune is the first book to be written on the post-war British musical, and the first major assessment of the British musical for a quarter of a century, reviving interest in a vast archive of musicals that have been dismissed to the footnotes of theatrical history. This timel...
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Woodbridge
Boydell
2010
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Schlagworte: | |
Online-Zugang: | BSB01 UBG01 Volltext |
Zusammenfassung: | A Tanner's Worth of Tune is the first book to be written on the post-war British musical, and the first major assessment of the British musical for a quarter of a century, reviving interest in a vast archive of musicals that have been dismissed to the footnotes of theatrical history. This timely reappraisal of the genre and its social background, before the "international" British musicals began appearing in the 1970s, argues for a radical understanding of the shows and their writers, and a rethinking of our attitude towards them. The musical plays of Ivor Novello and Noel Coward - both pre- and post-war - are discussed in detail, as are the two composers who came todominate the 1950s, Sandy Wilson and Julian Slade, and the little school of plein air musicals that threaded through that decade. The book brings together 'adopted' British musicals, discusses the rise and fall of the British "verismo" and the biomusical, whether of Dr Crippen or the Rector of Stiffkey, finally charting the collapse of the British musical's nationalism in the 1960s as witnessed by John Osborne and Lionel Bart. The book draws on Adrian Wright's lifelong passion for British theatre music, its writers, composers, performers and craftsmen. Provocative, idiosyncratic and unfailingly entertaining, A Tanner's Worth of Tune makes a compelling plea for a rediscovery of an era of pleasures which have too long been forgotten. ADRIAN WRIGHT is the author of Foreign Country: The Life of L.P. Hartley [(1996), John Lehmann: A Pagan Adventure (1998), The Innumerable Dance: The Life and Work of William Alwyn [2008] and the novel Maroon (2010). He lives in Norfolk, where he also runs Must Close Saturday Records, a company dedicated to British musical theatre |
Beschreibung: | Title from publisher's bibliographic system (viewed on 09 Mar 2023) |
Beschreibung: | 1 Online-Ressource (xii, 308 Seiten) |
ISBN: | 9781846158162 |
DOI: | 10.1017/9781846158162 |
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spelling | Wright, Adrian 1947- (DE-588)1147580081 aut A tanner's worth of tune rediscovering the post-war British musical Adrian Wright Woodbridge Boydell 2010 1 Online-Ressource (xii, 308 Seiten) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 09 Mar 2023) A Tanner's Worth of Tune is the first book to be written on the post-war British musical, and the first major assessment of the British musical for a quarter of a century, reviving interest in a vast archive of musicals that have been dismissed to the footnotes of theatrical history. This timely reappraisal of the genre and its social background, before the "international" British musicals began appearing in the 1970s, argues for a radical understanding of the shows and their writers, and a rethinking of our attitude towards them. The musical plays of Ivor Novello and Noel Coward - both pre- and post-war - are discussed in detail, as are the two composers who came todominate the 1950s, Sandy Wilson and Julian Slade, and the little school of plein air musicals that threaded through that decade. The book brings together 'adopted' British musicals, discusses the rise and fall of the British "verismo" and the biomusical, whether of Dr Crippen or the Rector of Stiffkey, finally charting the collapse of the British musical's nationalism in the 1960s as witnessed by John Osborne and Lionel Bart. The book draws on Adrian Wright's lifelong passion for British theatre music, its writers, composers, performers and craftsmen. Provocative, idiosyncratic and unfailingly entertaining, A Tanner's Worth of Tune makes a compelling plea for a rediscovery of an era of pleasures which have too long been forgotten. ADRIAN WRIGHT is the author of Foreign Country: The Life of L.P. Hartley [(1996), John Lehmann: A Pagan Adventure (1998), The Innumerable Dance: The Life and Work of William Alwyn [2008] and the novel Maroon (2010). He lives in Norfolk, where he also runs Must Close Saturday Records, a company dedicated to British musical theatre Geschichte 1945-1978 gnd rswk-swf Musicals / Great Britain / History and criticism Musical theater / Great Britain / History / 20th century Musical (DE-588)4040801-2 gnd rswk-swf Großbritannien (DE-588)4022153-2 gnd rswk-swf Großbritannien (DE-588)4022153-2 g Musical (DE-588)4040801-2 s Geschichte 1945-1978 z DE-604 Erscheint auch als Druck-Ausgabe 978-1-84383-542-4 https://doi.org/10.1017/9781846158162 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Wright, Adrian 1947- A tanner's worth of tune rediscovering the post-war British musical Musicals / Great Britain / History and criticism Musical theater / Great Britain / History / 20th century Musical (DE-588)4040801-2 gnd |
subject_GND | (DE-588)4040801-2 (DE-588)4022153-2 |
title | A tanner's worth of tune rediscovering the post-war British musical |
title_auth | A tanner's worth of tune rediscovering the post-war British musical |
title_exact_search | A tanner's worth of tune rediscovering the post-war British musical |
title_exact_search_txtP | A tanner's worth of tune rediscovering the post-war British musical |
title_full | A tanner's worth of tune rediscovering the post-war British musical Adrian Wright |
title_fullStr | A tanner's worth of tune rediscovering the post-war British musical Adrian Wright |
title_full_unstemmed | A tanner's worth of tune rediscovering the post-war British musical Adrian Wright |
title_short | A tanner's worth of tune |
title_sort | a tanner s worth of tune rediscovering the post war british musical |
title_sub | rediscovering the post-war British musical |
topic | Musicals / Great Britain / History and criticism Musical theater / Great Britain / History / 20th century Musical (DE-588)4040801-2 gnd |
topic_facet | Musicals / Great Britain / History and criticism Musical theater / Great Britain / History / 20th century Musical Großbritannien |
url | https://doi.org/10.1017/9781846158162 |
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