The return of magic: the transformation of the body in Chinese cinema and its cultural memory
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Abschlussarbeit Buch |
| Sprache: | English |
| Veröffentlicht: |
Baden-Baden
Ergon Verlag
[2023]
|
| Schriftenreihe: | Bibliotheca Academica Reihe Kunstwissenschaft
Band 3 |
| Schlagworte: | |
| Online-Zugang: | Inhaltstext Inhaltsverzeichnis |
| Beschreibung: | Die Bandangabe 3 ist richtig, die Bandzählung 3 wurde 2017 auch für den Band aus der früheren Reihe Bibliotheca Academica / Kunst/Altertumswissenschaft vergeben. |
| Beschreibung: | 269 Seiten Illustrationen 24 cm x 17 cm |
| ISBN: | 9783987400384 3987400382 |
Internformat
MARC
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| 100 | 1 | |a Lou, Yi |e Verfasser |0 (DE-588)1294481991 |4 aut | |
| 245 | 1 | 0 | |a The return of magic |b the transformation of the body in Chinese cinema and its cultural memory |c Yi Lou |
| 264 | 1 | |a Baden-Baden |b Ergon Verlag |c [2023] | |
| 264 | 4 | |c @2023 | |
| 300 | |a 269 Seiten |b Illustrationen |c 24 cm x 17 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 1 | |a Bibliotheca Academica Reihe Kunstwissenschaft |v Band 3 | |
| 500 | |a Die Bandangabe 3 ist richtig, die Bandzählung 3 wurde 2017 auch für den Band aus der früheren Reihe Bibliotheca Academica / Kunst/Altertumswissenschaft vergeben. | ||
| 502 | |b Dissertation |c Ludwig-Maximilians-Universität München |d 2022 | ||
| 648 | 7 | |a Geschichte |2 gnd |9 rswk-swf | |
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| 653 | |a Filmgeschichte | ||
| 653 | |a Filmästhetik und -theorie | ||
| 653 | |a kulturelles Gedächtnis | ||
| 653 | |a Erinnerungskultur | ||
| 653 | |a chinesischer Film | ||
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Datensatz im Suchindex
| _version_ | 1804185312730021888 |
|---|---|
| adam_text | TABLE
OF
CONTENTS
LIST
OF
FIGURES
.......................................................................................................
17
ACKNOWLEDGEMENTS
..............................................................................................
19
INTRODUCTION:
THE
DISCOVERY
OF
TRANSFORMING
BODIES
IN
CHINESE
CINEMA
21
ASPECTS
OF
THE
BODILY
TRANSFORMATION
.......................................................
21
AN
INTERDISCIPLINARY
APPROACH
...................................................................
29
OUTLINE
OF
THE
DISSERTATION
...........................................................................
34
CHAPTER
1.
THE
OVERARCHING
DISCOURSES
ON
THE
BODILY
TRANSFORMATION
....
39
1.1
THE
BODY
SPEAKS
LOUDER:
CORPOREALITY
IN
FILM
THEORY
.................
39
1.2
PORTRAYING
THE
STRANGE:
A
CHINESE
NARRATIVE
TRADITION
..................
47
1.3
POETICS
OF
THE
BODILY
TRANSFORMATION
................................................
50
DISGUISE:
ACHILLES
ARMOR AND
HIS
HEEL
.....................................
51
SEDUCTION:
A
GAME
OF
APPEARANCE
..............................................
54
IMPOSSIBLE
LOVE:
THE
DISTRIBUTION
OF
THE
SENSIBLE
...................
57
CHAPTER
2.
BEYOND
THE
BODY:
THE
FILM
AS
MEMORY
DISPOSITIF
...................
61
2.1
THEORETICAL
GROUNDS
FOR
JUXTAPOSING
FILM
AND
MEMORY
................
62
REVISITING
THE
MYTHICAL
PAST
..........................................................
62
MEMORY
FIGURES
AND
THE
SELF-IMAGE
IN
POWER
RELATIONS
..........
66
FILM
AS
MNEMONIC
DEVICE
............................................................
69
2.2
REMEMBERING
AND
FORGETTING
IN
CHINESE
MEMORY
CULTURE
...........
77
THE
MECHANISMS
OF
MEMORY
IN
ANCIENT
CHINA
........................
78
THE
DESTRUCTION
OF
MEMORY
ACTIVATES
REMEMBERING
...............
80
CANONIZED
MEMORY
FORMULATES
THE
OVERRIDING
VOICE
............
83
THE
MAKEOVER
OF
MEMORY
LEADS
TO
FORGET
.................................
87
2.3
THE
AFTERLIFE
OF
MAGIC
IN
CHINESE
CINEMA
........................................
90
THE
NARRATIVE
OF
THE
STRANGE
AS
A
RESULT
OF
COLLECTIVE
MEMORY
90
THE
FILM
AS
A
DISCOURSE
OF
POPULAR
MEMORY
.............................
94
THE
TRANSFORMING
BODY
AS
A
PRACTICE
OF
COUNTER-MEMORY
.....
100
13
CHAPTER
3.
THE
WEB
OF
DESIRE
...........................................................................
105
3.1
THE
CAVE
OF
THE
SILKEN
WEB
(PAN
SI
DONG,
1927):
REGAINING
A
LOST
CULTURAL
MEMORY
...........................................................................
105
A
JOURNEY
TO
THE
WEST
AND
ITS
WAY
HOME
..................................
105
THE
T
RANSFORMATION
OF
THE
BODY
AS
UGLINESS
.............................
ILL
THE
TRANSFORMATION
OF
THE
BODY
AS
COMICAL
.............................
114
THE
TRANSFORMATION
OF
THE
BODY
AS
METAPHORS
OF
DESIRE
.......
118
3.2
GREEN
SNAKE
(1993):
SEDUCTIVE
BODIES
AND
THE
SUBVERSION
OF
CULTURAL
MEMORY
...................................................................................
124
RETELLING
OF
THE
LEGEND
..................................................................
124
THE
MAKING
OF
SEDUCTIVE
BODIES:
ANIMALITY
AND
EROTIC
ATTRIBUTES
.........................................................................................
128
TRANSGRESSION
IN
EROTIC
ENCOUNTERS:
CHALLENGING
THE
OVERRIDING
DISCOURSE
.....................................................................
135
3.3
THE
PAINTED
SKIN:
A
MODERN
ICON
OF
THE
FEMME
FATALE
AND
THE
MAKEOVER
OF
MEMORY
............................................................................
140
SKIN
AS
THE
BOUNDARY
OF
THE
BODY
................................................
141
HORROR
PRODUCED
BY
THE
TRANSFORMATION
OF
THE
BODY
.............
144
THE
PAINTED
SKIN
IN
SOFTCORE
PORNOGRAPHY
.................................
149
EMPATHY
IN
THE
BODILY
TRANSFORMATION
AND
A
CROSS-BORDER
PHENOMENON
156
CHAPTER
4.
GENDER
DISGUISE
IN
THE
TALES
OF
BUTTERFLY
AND
THE
MEMORY
ILLUSION
.........................................................................
169
4.1
THE
FALSE
MEMORY
EVOKED
BY
THE
GENDER
DISGUISE
........................
170
4.2
THE
OPERA
FILMS
OF
LIANG
SHANBO
AND
ZHU
YINGTAI:
THE
ABSENCE
OF
SEXUALITY
......................................................................
178
CHINESE
OPERA
FILM
AND
NATIONAL
DISCOURSE
.............................
178
CROSS-DRESSING
IN
THE
OPERA
FILMS
AND
ITS
ATTRACTION
.............
183
DOUBLE
SEX-ROLE
REVERSALS
AND
THE
COVERED
(HOMO)SEXUALITY
193
4.3
THE
LOVERS
(1994):
FIXING
THE
UNSTABLE
MEMORY
AND
THE
PRESENCE
OF
SEXUALITY
.............................................................................
204
REPAIRING
THE
DISLOCATION
OF
GENDER
...........................................
204
REFOCUSING
THE
REVOLUTIONARY
ATTRIBUTE
INHERENT
IN
THE
MELANCHOLIC
LOVE
............................................................................
206
4.4
M.
BUTTERFLY:
THE
INVASION
OF
THE
FALSE
MEMORY
IN
REALITY
............
211
THE
BUTTERFLY
LOVERS
AS
THE
FALSE
MEMORY
IN
REALITY
................
211
THE
BODY
AS
A
SITE
OF
ILLUSION
IN
DAVID
HENRY
HWANG
S
M.
BUTTERFLY
(PLAY)
...........................................................................
212
14
THE
BUTTERFLY
PARADOX
IN
THE
FILM
M.
BUTTERFLY
(1993)
.............
215
CHAPTER
5.
PAIN,
SCAR,
AND
THE
EXTINCT
POWER
OF
MAGIC
.................................
221
5.1
GOOD
HUNTING
(2019):
THE
BODY
IN
PAIN
AND
THE
SCAR
LEFT
IN
MEMORY
...................................................................................................
221
HUMILIATION
.....................................................................................
222
TORTURE
.............................................................................................
224
ABANDONING
THE
FLESH
.....................................................................
227
5.2
THE
MECHANISMS
OF
FORGETTING
MAGIC
..................................................
230
THE
NEGATION
OF
MAGIC
..................................................................
230
SO
LONG,
THE
MAGIC
FROM
THE
SOIL
..................................................
232
FEAR
EATS
THE
SOUL
............................................................................
235
CONCLUSION:
THE
PATHOS
OF
TRANSFORMING
BODIES
...........................................
239
BIBLIOGRAPHY
..........................................................................................................
247
15
|
| adam_txt |
TABLE
OF
CONTENTS
LIST
OF
FIGURES
.
17
ACKNOWLEDGEMENTS
.
19
INTRODUCTION:
THE
DISCOVERY
OF
TRANSFORMING
BODIES
IN
CHINESE
CINEMA
21
ASPECTS
OF
THE
BODILY
TRANSFORMATION
.
21
AN
INTERDISCIPLINARY
APPROACH
.
29
OUTLINE
OF
THE
DISSERTATION
.
34
CHAPTER
1.
THE
OVERARCHING
DISCOURSES
ON
THE
BODILY
TRANSFORMATION
.
39
1.1
THE
BODY
SPEAKS
LOUDER:
CORPOREALITY
IN
FILM
THEORY
.
39
1.2
PORTRAYING
THE
STRANGE:
A
CHINESE
NARRATIVE
TRADITION
.
47
1.3
POETICS
OF
THE
BODILY
TRANSFORMATION
.
50
DISGUISE:
ACHILLES
'
ARMOR AND
HIS
HEEL
.
51
SEDUCTION:
A
GAME
OF
APPEARANCE
.
54
IMPOSSIBLE
LOVE:
THE
DISTRIBUTION
OF
THE
SENSIBLE
.
57
CHAPTER
2.
BEYOND
THE
BODY:
THE
FILM
AS
MEMORY
DISPOSITIF
.
61
2.1
THEORETICAL
GROUNDS
FOR
JUXTAPOSING
FILM
AND
MEMORY
.
62
REVISITING
THE
MYTHICAL
PAST
.
62
MEMORY
FIGURES
AND
THE
SELF-IMAGE
IN
POWER
RELATIONS
.
66
FILM
AS
MNEMONIC
DEVICE
.
69
2.2
REMEMBERING
AND
FORGETTING
IN
CHINESE
MEMORY
CULTURE
.
77
THE
MECHANISMS
OF
MEMORY
IN
ANCIENT
CHINA
.
78
THE
DESTRUCTION
OF
MEMORY
ACTIVATES
REMEMBERING
.
80
CANONIZED
MEMORY
FORMULATES
THE
OVERRIDING
VOICE
.
83
THE
MAKEOVER
OF
MEMORY
LEADS
TO
FORGET
.
87
2.3
THE
AFTERLIFE
OF
MAGIC
IN
CHINESE
CINEMA
.
90
THE
NARRATIVE
OF
THE
STRANGE
AS
A
RESULT
OF
COLLECTIVE
MEMORY
90
THE
FILM
AS
A
DISCOURSE
OF
POPULAR
MEMORY
.
94
THE
TRANSFORMING
BODY
AS
A
PRACTICE
OF
COUNTER-MEMORY
.
100
13
CHAPTER
3.
THE
WEB
OF
DESIRE
.
105
3.1
THE
CAVE
OF
THE
SILKEN
WEB
(PAN
SI
DONG,
1927):
REGAINING
A
LOST
CULTURAL
MEMORY
.
105
A
JOURNEY
TO
THE
WEST
AND
ITS
WAY
HOME
.
105
THE
T
RANSFORMATION
OF
THE
BODY
AS
UGLINESS
.
ILL
THE
TRANSFORMATION
OF
THE
BODY
AS
COMICAL
.
114
THE
TRANSFORMATION
OF
THE
BODY
AS
METAPHORS
OF
DESIRE
.
118
3.2
GREEN
SNAKE
(1993):
SEDUCTIVE
BODIES
AND
THE
SUBVERSION
OF
CULTURAL
MEMORY
.
124
RETELLING
OF
THE
LEGEND
.
124
THE
MAKING
OF
SEDUCTIVE
BODIES:
ANIMALITY
AND
EROTIC
ATTRIBUTES
.
128
TRANSGRESSION
IN
EROTIC
ENCOUNTERS:
CHALLENGING
THE
OVERRIDING
DISCOURSE
.
135
3.3
THE
PAINTED
SKIN:
A
MODERN
ICON
OF
THE
FEMME
FATALE
AND
THE
MAKEOVER
OF
MEMORY
.
140
SKIN
AS
THE
BOUNDARY
OF
THE
BODY
.
141
HORROR
PRODUCED
BY
THE
TRANSFORMATION
OF
THE
BODY
.
144
THE
PAINTED
SKIN
IN
SOFTCORE
PORNOGRAPHY
.
149
EMPATHY
IN
THE
BODILY
TRANSFORMATION
AND
A
CROSS-BORDER
PHENOMENON
156
CHAPTER
4.
GENDER
DISGUISE
IN
THE
TALES
OF
BUTTERFLY
AND
THE
MEMORY
ILLUSION
.
169
4.1
THE
FALSE
MEMORY
EVOKED
BY
THE
GENDER
DISGUISE
.
170
4.2
THE
OPERA
FILMS
OF
LIANG
SHANBO
AND
ZHU
YINGTAI:
THE
ABSENCE
OF
SEXUALITY
.
178
CHINESE
OPERA
FILM
AND
NATIONAL
DISCOURSE
.
178
CROSS-DRESSING
IN
THE
OPERA
FILMS
AND
ITS
ATTRACTION
.
183
DOUBLE
SEX-ROLE
REVERSALS
AND
THE
COVERED
(HOMO)SEXUALITY
193
4.3
THE
LOVERS
(1994):
FIXING
THE
UNSTABLE
MEMORY
AND
THE
PRESENCE
OF
SEXUALITY
.
204
REPAIRING
THE
DISLOCATION
OF
GENDER
.
204
REFOCUSING
THE
REVOLUTIONARY
ATTRIBUTE
INHERENT
IN
THE
MELANCHOLIC
LOVE
.
206
4.4
M.
BUTTERFLY:
THE
INVASION
OF
THE
FALSE
MEMORY
IN
REALITY
.
211
THE
BUTTERFLY
LOVERS
AS
THE
FALSE
MEMORY
IN
REALITY
.
211
THE
BODY
AS
A
SITE
OF
ILLUSION
IN
DAVID
HENRY
HWANG
'
S
M.
BUTTERFLY
(PLAY)
.
212
14
THE
BUTTERFLY
PARADOX
IN
THE
FILM
M.
BUTTERFLY
(1993)
.
215
CHAPTER
5.
PAIN,
SCAR,
AND
THE
EXTINCT
POWER
OF
MAGIC
.
221
5.1
GOOD
HUNTING
(2019):
THE
BODY
IN
PAIN
AND
THE
SCAR
LEFT
IN
MEMORY
.
221
HUMILIATION
.
222
TORTURE
.
224
ABANDONING
THE
FLESH
.
227
5.2
THE
MECHANISMS
OF
FORGETTING
MAGIC
.
230
THE
NEGATION
OF
MAGIC
.
230
SO
LONG,
THE
MAGIC
FROM
THE
SOIL
.
232
FEAR
EATS
THE
SOUL
.
235
CONCLUSION:
THE
PATHOS
OF
TRANSFORMING
BODIES
.
239
BIBLIOGRAPHY
.
247
15 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Lou, Yi |
| author_GND | (DE-588)1294481991 |
| author_facet | Lou, Yi |
| author_role | aut |
| author_sort | Lou, Yi |
| author_variant | y l yl |
| building | Verbundindex |
| bvnumber | BV049029427 |
| classification_rvk | AP 44962 |
| ctrlnum | (OCoLC)1383754858 (DE-599)DNB1289275106 |
| discipline | Allgemeines |
| discipline_str_mv | Allgemeines |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Thesis Book |
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| genre | (DE-588)4113937-9 Hochschulschrift gnd-content |
| genre_facet | Hochschulschrift |
| geographic | China (DE-588)4009937-4 gnd |
| geographic_facet | China |
| id | DE-604.BV049029427 |
| illustrated | Illustrated |
| index_date | 2024-07-03T22:16:15Z |
| indexdate | 2024-07-10T09:53:14Z |
| institution | BVB |
| institution_GND | (DE-588)4755404-6 |
| isbn | 9783987400384 3987400382 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034292159 |
| oclc_num | 1383754858 |
| open_access_boolean | |
| owner | DE-19 DE-BY-UBM DE-12 DE-11 |
| owner_facet | DE-19 DE-BY-UBM DE-12 DE-11 |
| physical | 269 Seiten Illustrationen 24 cm x 17 cm |
| psigel | BSB_NED_20230802 |
| publishDate | 2023 |
| publishDateSearch | 2023 |
| publishDateSort | 2023 |
| publisher | Ergon Verlag |
| record_format | marc |
| series | Bibliotheca Academica Reihe Kunstwissenschaft |
| series2 | Bibliotheca Academica Reihe Kunstwissenschaft |
| spelling | Lou, Yi Verfasser (DE-588)1294481991 aut The return of magic the transformation of the body in Chinese cinema and its cultural memory Yi Lou Baden-Baden Ergon Verlag [2023] @2023 269 Seiten Illustrationen 24 cm x 17 cm txt rdacontent n rdamedia nc rdacarrier Bibliotheca Academica Reihe Kunstwissenschaft Band 3 Die Bandangabe 3 ist richtig, die Bandzählung 3 wurde 2017 auch für den Band aus der früheren Reihe Bibliotheca Academica / Kunst/Altertumswissenschaft vergeben. Dissertation Ludwig-Maximilians-Universität München 2022 Geschichte gnd rswk-swf Metamorphose Motiv (DE-588)4169647-5 gnd rswk-swf Kollektives Gedächtnis (DE-588)4200793-8 gnd rswk-swf Körper Motiv (DE-588)4164424-4 gnd rswk-swf Spielfilm (DE-588)1286825091 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf China (DE-588)4009937-4 gnd rswk-swf Filmgeschichte Filmästhetik und -theorie kulturelles Gedächtnis Erinnerungskultur chinesischer Film (DE-588)4113937-9 Hochschulschrift gnd-content China (DE-588)4009937-4 g Spielfilm (DE-588)1286825091 s Körper Motiv (DE-588)4164424-4 s Metamorphose Motiv (DE-588)4169647-5 s Geschichte z DE-604 Film (DE-588)4017102-4 s Kollektives Gedächtnis (DE-588)4200793-8 s Ergon-Verlag (DE-588)4755404-6 pbl Bibliotheca Academica Reihe Kunstwissenschaft Band 3 (DE-604)BV049058083 3 X:MVB text/html http://deposit.dnb.de/cgi-bin/dokserv?id=efd39dd2712c4b48bf983552b4975267&prov=M&dok_var=1&dok_ext=htm Inhaltstext DNB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034292159&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p vlb 20230512 DE-101 https://d-nb.info/provenance/plan#vlb |
| spellingShingle | Lou, Yi The return of magic the transformation of the body in Chinese cinema and its cultural memory Bibliotheca Academica Reihe Kunstwissenschaft Metamorphose Motiv (DE-588)4169647-5 gnd Kollektives Gedächtnis (DE-588)4200793-8 gnd Körper Motiv (DE-588)4164424-4 gnd Spielfilm (DE-588)1286825091 gnd Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4169647-5 (DE-588)4200793-8 (DE-588)4164424-4 (DE-588)1286825091 (DE-588)4017102-4 (DE-588)4009937-4 (DE-588)4113937-9 |
| title | The return of magic the transformation of the body in Chinese cinema and its cultural memory |
| title_auth | The return of magic the transformation of the body in Chinese cinema and its cultural memory |
| title_exact_search | The return of magic the transformation of the body in Chinese cinema and its cultural memory |
| title_exact_search_txtP | The return of magic the transformation of the body in Chinese cinema and its cultural memory |
| title_full | The return of magic the transformation of the body in Chinese cinema and its cultural memory Yi Lou |
| title_fullStr | The return of magic the transformation of the body in Chinese cinema and its cultural memory Yi Lou |
| title_full_unstemmed | The return of magic the transformation of the body in Chinese cinema and its cultural memory Yi Lou |
| title_short | The return of magic |
| title_sort | the return of magic the transformation of the body in chinese cinema and its cultural memory |
| title_sub | the transformation of the body in Chinese cinema and its cultural memory |
| topic | Metamorphose Motiv (DE-588)4169647-5 gnd Kollektives Gedächtnis (DE-588)4200793-8 gnd Körper Motiv (DE-588)4164424-4 gnd Spielfilm (DE-588)1286825091 gnd Film (DE-588)4017102-4 gnd |
| topic_facet | Metamorphose Motiv Kollektives Gedächtnis Körper Motiv Spielfilm Film China Hochschulschrift |
| url | http://deposit.dnb.de/cgi-bin/dokserv?id=efd39dd2712c4b48bf983552b4975267&prov=M&dok_var=1&dok_ext=htm http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034292159&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV049058083 |
| work_keys_str_mv | AT louyi thereturnofmagicthetransformationofthebodyinchinesecinemaanditsculturalmemory AT ergonverlag thereturnofmagicthetransformationofthebodyinchinesecinemaanditsculturalmemory |