Theatre closure and the paradoxical rise of English Renaissance drama in the civil wars:
Focusing on the production and reception of drama during the theatre closures of 1642 to 1660, Heidi Craig shows how the 'death' of contemporary theatre in fact gave birth to English Renaissance drama as a critical field. While the prohibition on playing in many respects killed the English...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
2023
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| Schlagworte: | |
| Online-Zugang: | BSB01 UBG01 URL des Erstveröffentlichers |
| Zusammenfassung: | Focusing on the production and reception of drama during the theatre closures of 1642 to 1660, Heidi Craig shows how the 'death' of contemporary theatre in fact gave birth to English Renaissance drama as a critical field. While the prohibition on playing in many respects killed the English stage, drama thrived in print, with stationers publishing unprecedented numbers of previously unprinted professional plays, vaunting playbooks' ties to the receding theatrical past. Marketed in terms of novelty and nostalgia, plays unprinted before 1642 gained new life. Stationers also anatomized the whole corpus of English drama, printing the first anthologies and comprehensive catalogues of drama. Craig captures this crucial turning-point in English theatre history with chapters on royalist nostalgia, clandestine theatrical revivals, dramatic compendia, and the mysteriously small number of Shakespeare editions issued during the period, as well as a new incisive reading of Beaumont and Fletcher's A King and No King |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 03 Mar 2023) |
| Beschreibung: | 1 Online-Ressource (x, 245 Seiten) |
| ISBN: | 9781009224017 |
| DOI: | 10.1017/9781009224017 |
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Datensatz im Suchindex
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| doi_str_mv | 10.1017/9781009224017 |
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| id | DE-604.BV049028231 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T22:15:52Z |
| indexdate | 2024-07-10T09:53:12Z |
| institution | BVB |
| isbn | 9781009224017 |
| language | English |
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| spelling | Craig, Heidi 1985- aut Theatre closure and the paradoxical rise of English Renaissance drama in the civil wars Heidi Craig Cambridge Cambridge University Press 2023 1 Online-Ressource (x, 245 Seiten) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 03 Mar 2023) Focusing on the production and reception of drama during the theatre closures of 1642 to 1660, Heidi Craig shows how the 'death' of contemporary theatre in fact gave birth to English Renaissance drama as a critical field. While the prohibition on playing in many respects killed the English stage, drama thrived in print, with stationers publishing unprecedented numbers of previously unprinted professional plays, vaunting playbooks' ties to the receding theatrical past. Marketed in terms of novelty and nostalgia, plays unprinted before 1642 gained new life. Stationers also anatomized the whole corpus of English drama, printing the first anthologies and comprehensive catalogues of drama. Craig captures this crucial turning-point in English theatre history with chapters on royalist nostalgia, clandestine theatrical revivals, dramatic compendia, and the mysteriously small number of Shakespeare editions issued during the period, as well as a new incisive reading of Beaumont and Fletcher's A King and No King Theater and society / England / History / 17th century English drama / 17th century / History and criticism Theater audiences / England / History / 17th century Authors and readers / England / History / 17th century Erscheint auch als Druck-Ausgabe (hardback) 978-1-00-922403-1 Erscheint auch als Druck-Ausgabe (paperback) 978-1-00-922405-5 https://doi.org/10.1017/9781009224017 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Craig, Heidi 1985- Theatre closure and the paradoxical rise of English Renaissance drama in the civil wars Theater and society / England / History / 17th century English drama / 17th century / History and criticism Theater audiences / England / History / 17th century Authors and readers / England / History / 17th century |
| title | Theatre closure and the paradoxical rise of English Renaissance drama in the civil wars |
| title_auth | Theatre closure and the paradoxical rise of English Renaissance drama in the civil wars |
| title_exact_search | Theatre closure and the paradoxical rise of English Renaissance drama in the civil wars |
| title_exact_search_txtP | Theatre closure and the paradoxical rise of English Renaissance drama in the civil wars |
| title_full | Theatre closure and the paradoxical rise of English Renaissance drama in the civil wars Heidi Craig |
| title_fullStr | Theatre closure and the paradoxical rise of English Renaissance drama in the civil wars Heidi Craig |
| title_full_unstemmed | Theatre closure and the paradoxical rise of English Renaissance drama in the civil wars Heidi Craig |
| title_short | Theatre closure and the paradoxical rise of English Renaissance drama in the civil wars |
| title_sort | theatre closure and the paradoxical rise of english renaissance drama in the civil wars |
| topic | Theater and society / England / History / 17th century English drama / 17th century / History and criticism Theater audiences / England / History / 17th century Authors and readers / England / History / 17th century |
| topic_facet | Theater and society / England / History / 17th century English drama / 17th century / History and criticism Theater audiences / England / History / 17th century Authors and readers / England / History / 17th century |
| url | https://doi.org/10.1017/9781009224017 |
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