Heiner Goebbels and curatorial composing after Cage: from staging works to musicalising encounters
"This Element introduces the notion of curatorial composing to account for certain musical practices that emerged from the 1960s as the founding concepts of music as an art - instituted in the modern era - were systematically dismantled. It raises the key question of how musical value and autho...
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore
Cambridge University Press
2022
|
| Series: | Elements in music since 1945
|
| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Summary: | "This Element introduces the notion of curatorial composing to account for certain musical practices that emerged from the 1960s as the founding concepts of music as an art - instituted in the modern era - were systematically dismantled. It raises the key question of how musical value and authority might be produced without recourse to an external principle, origin, transcendental framework, or other foundation. It argues that these practices do not dismiss the issue of value or simply relativise it but shift the paradigm to a curatorial concern for composing public encounters and staging events. The Element shows that Lydia Goehr's elaboration of the work-concept provides a framework that was transformed by John Cage in his work from 0'00" (1962) onwards. The Element then introduces Heiner Goebbels' practice and focus on his role as Artistic Director of the Ruhrtriennale (2012-14), which it argues was an extension of his curatorial composing"-- |
| Physical Description: | 76 Seiten Illustrationen 23 cm |
| ISBN: | 9781009337601 |
Staff View
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV049027961 | ||
| 003 | DE-604 | ||
| 005 | 20231012 | ||
| 007 | t | ||
| 008 | 230630s2022 a||| b||| 00||| eng d | ||
| 020 | |a 9781009337601 |c paperback |9 978-1-00-933760-1 | ||
| 035 | |a (OCoLC)1401184546 | ||
| 035 | |a (DE-599)BVBBV049027961 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 | ||
| 084 | |a MUS |q DE-12 |2 fid | ||
| 100 | 1 | |a McKeon, Ed |d ca. 20./21. Jh. |e Verfasser |0 (DE-588)1229526641 |4 aut | |
| 245 | 1 | 0 | |a Heiner Goebbels and curatorial composing after Cage |b from staging works to musicalising encounters |c Ed McKeon |
| 264 | 1 | |a Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore |b Cambridge University Press |c 2022 | |
| 300 | |a 76 Seiten |b Illustrationen |c 23 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a Elements in music since 1945 | |
| 505 | 8 | |a 1. Musical Elements -- 2. The Work-Concept And Its Limits -- 3. Variable Time: Cage After Schoenberg -- 4. Heiner Goebbels: Questioning Authority -- 5. Spaces of Appearance -- 6. After Words -- References | |
| 520 | 3 | |a "This Element introduces the notion of curatorial composing to account for certain musical practices that emerged from the 1960s as the founding concepts of music as an art - instituted in the modern era - were systematically dismantled. It raises the key question of how musical value and authority might be produced without recourse to an external principle, origin, transcendental framework, or other foundation. It argues that these practices do not dismiss the issue of value or simply relativise it but shift the paradigm to a curatorial concern for composing public encounters and staging events. The Element shows that Lydia Goehr's elaboration of the work-concept provides a framework that was transformed by John Cage in his work from 0'00" (1962) onwards. The Element then introduces Heiner Goebbels' practice and focus on his role as Artistic Director of the Ruhrtriennale (2012-14), which it argues was an extension of his curatorial composing"-- | |
| 600 | 1 | 7 | |a Goebbels, Heiner |d 1952- |0 (DE-588)122659589 |2 gnd |9 rswk-swf |
| 611 | 2 | 7 | |a Ruhrtriennale |0 (DE-588)5555595-0 |2 gnd |9 rswk-swf |
| 648 | 7 | |a Geschichte 2012-2014 |2 gnd |9 rswk-swf | |
| 648 | 7 | |a Geschichte 1945- |2 gnd |9 rswk-swf | |
| 650 | 0 | 7 | |a Autorschaft |0 (DE-588)4130545-0 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Aufführung |0 (DE-588)4143388-9 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Werk |0 (DE-588)4117633-9 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Performance |g Künste |0 (DE-588)4173750-7 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Bühnenwerk |0 (DE-588)4461958-3 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Komposition |0 (DE-588)4032012-1 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Ästhetik |0 (DE-588)4000626-8 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Musik |0 (DE-588)4040802-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Komposition |g Musik |0 (DE-588)4133320-2 |2 gnd |9 rswk-swf |
| 653 | 0 | |a Music in museums | |
| 653 | 0 | |a Music / Philosophy and aesthetics | |
| 653 | 0 | |a Performance art / Germany | |
| 653 | 0 | |a Performing arts / Philosophy | |
| 653 | 0 | |a Creation (Literary, artistic, etc.) | |
| 653 | 0 | |a Art and music | |
| 653 | 0 | |a Sound art / History and criticism | |
| 653 | 0 | |a Sound installations (Art) | |
| 653 | 2 | |a Ruhrtriennale / (2012-2014) | |
| 653 | 2 | |a Ruhrtriennale | |
| 653 | 0 | |a Art and music | |
| 653 | 0 | |a Creation (Literary, artistic, etc.) | |
| 653 | 0 | |a Music in museums | |
| 653 | 0 | |a Music / Philosophy and aesthetics | |
| 653 | 0 | |a Performance art | |
| 653 | 0 | |a Performing arts / Philosophy | |
| 653 | 0 | |a Sound art | |
| 653 | 0 | |a Sound installations (Art) | |
| 653 | 2 | |a Germany | |
| 653 | 6 | |a Criticism, interpretation, etc | |
| 689 | 0 | 0 | |a Musik |0 (DE-588)4040802-4 |D s |
| 689 | 0 | 1 | |a Komposition |0 (DE-588)4032012-1 |D s |
| 689 | 0 | 2 | |a Werk |0 (DE-588)4117633-9 |D s |
| 689 | 0 | 3 | |a Ästhetik |0 (DE-588)4000626-8 |D s |
| 689 | 0 | 4 | |a Geschichte 1945- |A z |
| 689 | 0 | |5 DE-604 | |
| 689 | 1 | 0 | |a Goebbels, Heiner |d 1952- |0 (DE-588)122659589 |D p |
| 689 | 1 | 1 | |a Komposition |g Musik |0 (DE-588)4133320-2 |D s |
| 689 | 1 | 2 | |a Bühnenwerk |0 (DE-588)4461958-3 |D s |
| 689 | 1 | 3 | |a Autorschaft |0 (DE-588)4130545-0 |D s |
| 689 | 1 | 4 | |a Aufführung |0 (DE-588)4143388-9 |D s |
| 689 | 1 | 5 | |a Performance |g Künste |0 (DE-588)4173750-7 |D s |
| 689 | 1 | 6 | |a Ruhrtriennale |0 (DE-588)5555595-0 |D f |
| 689 | 1 | 7 | |a Geschichte 2012-2014 |A z |
| 689 | 1 | |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 9781009337618 |
| 856 | 4 | 2 | |m Digitalisierung BSB München - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034290722&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 940 | 1 | |q BSB_NED_20231011 | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-034290722 | ||
| 942 | 1 | 1 | |c 780.9 |e 22/bsb |f 0904 |
| 942 | 1 | 1 | |c 780.9 |e 22/bsb |f 090512 |g 4355 |
| 942 | 1 | 1 | |c 780.1 |e 22/bsb |f 090512 |g 4355 |
| 942 | 1 | 1 | |c 781.4 |e 22/bsb |f 090512 |g 4355 |
| 942 | 1 | 1 | |c 780.9 |e 22/bsb |f 0905 |
Record in the Search Index
| _version_ | 1804185310090756096 |
|---|---|
| adam_text | Contents 1 Musical Elements 2 The Work-Concept and Its Limits 1 5 3 Variable Time: Cage after Schoenberg 11 4 Heiner Goebbels: Questioning Authority 28 5 Spaces of Appearance 38 6 After Words 67 References 69
|
| adam_txt |
Contents 1 Musical Elements 2 The Work-Concept and Its Limits 1 5 3 Variable Time: Cage after Schoenberg 11 4 Heiner Goebbels: Questioning Authority 28 5 Spaces of Appearance 38 6 After Words 67 References 69 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | McKeon, Ed ca. 20./21. Jh |
| author_GND | (DE-588)1229526641 |
| author_facet | McKeon, Ed ca. 20./21. Jh |
| author_role | aut |
| author_sort | McKeon, Ed ca. 20./21. Jh |
| author_variant | e m em |
| building | Verbundindex |
| bvnumber | BV049027961 |
| contents | 1. Musical Elements -- 2. The Work-Concept And Its Limits -- 3. Variable Time: Cage After Schoenberg -- 4. Heiner Goebbels: Questioning Authority -- 5. Spaces of Appearance -- 6. After Words -- References |
| ctrlnum | (OCoLC)1401184546 (DE-599)BVBBV049027961 |
| era | Geschichte 2012-2014 gnd Geschichte 1945- gnd |
| era_facet | Geschichte 2012-2014 Geschichte 1945- |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>05027nam a2200973 c 4500</leader><controlfield tag="001">BV049027961</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20231012 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">230630s2022 a||| b||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781009337601</subfield><subfield code="c">paperback</subfield><subfield code="9">978-1-00-933760-1</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1401184546</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV049027961</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MUS</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">McKeon, Ed</subfield><subfield code="d">ca. 20./21. Jh.</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1229526641</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Heiner Goebbels and curatorial composing after Cage</subfield><subfield code="b">from staging works to musicalising encounters</subfield><subfield code="c">Ed McKeon</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore</subfield><subfield code="b">Cambridge University Press</subfield><subfield code="c">2022</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">76 Seiten</subfield><subfield code="b">Illustrationen</subfield><subfield code="c">23 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Elements in music since 1945</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">1. Musical Elements -- 2. The Work-Concept And Its Limits -- 3. Variable Time: Cage After Schoenberg -- 4. Heiner Goebbels: Questioning Authority -- 5. Spaces of Appearance -- 6. After Words -- References</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"This Element introduces the notion of curatorial composing to account for certain musical practices that emerged from the 1960s as the founding concepts of music as an art - instituted in the modern era - were systematically dismantled. It raises the key question of how musical value and authority might be produced without recourse to an external principle, origin, transcendental framework, or other foundation. It argues that these practices do not dismiss the issue of value or simply relativise it but shift the paradigm to a curatorial concern for composing public encounters and staging events. The Element shows that Lydia Goehr's elaboration of the work-concept provides a framework that was transformed by John Cage in his work from 0'00" (1962) onwards. The Element then introduces Heiner Goebbels' practice and focus on his role as Artistic Director of the Ruhrtriennale (2012-14), which it argues was an extension of his curatorial composing"--</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Goebbels, Heiner</subfield><subfield code="d">1952-</subfield><subfield code="0">(DE-588)122659589</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="611" ind1="2" ind2="7"><subfield code="a">Ruhrtriennale</subfield><subfield code="0">(DE-588)5555595-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 2012-2014</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1945-</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Autorschaft</subfield><subfield code="0">(DE-588)4130545-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Aufführung</subfield><subfield code="0">(DE-588)4143388-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Werk</subfield><subfield code="0">(DE-588)4117633-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Performance</subfield><subfield code="g">Künste</subfield><subfield code="0">(DE-588)4173750-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Bühnenwerk</subfield><subfield code="0">(DE-588)4461958-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Komposition</subfield><subfield code="0">(DE-588)4032012-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Ästhetik</subfield><subfield code="0">(DE-588)4000626-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musik</subfield><subfield code="0">(DE-588)4040802-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Komposition</subfield><subfield code="g">Musik</subfield><subfield code="0">(DE-588)4133320-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Music in museums</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Music / Philosophy and aesthetics</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Performance art / Germany</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Performing arts / Philosophy</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Creation (Literary, artistic, etc.)</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Art and music</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Sound art / History and criticism</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Sound installations (Art)</subfield></datafield><datafield tag="653" ind1=" " ind2="2"><subfield code="a">Ruhrtriennale / (2012-2014)</subfield></datafield><datafield tag="653" ind1=" " ind2="2"><subfield code="a">Ruhrtriennale</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Art and music</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Creation (Literary, artistic, etc.)</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Music in museums</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Music / Philosophy and aesthetics</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Performance art</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Performing arts / Philosophy</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Sound art</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Sound installations (Art)</subfield></datafield><datafield tag="653" ind1=" " ind2="2"><subfield code="a">Germany</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">Criticism, interpretation, etc</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Musik</subfield><subfield code="0">(DE-588)4040802-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Komposition</subfield><subfield code="0">(DE-588)4032012-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Werk</subfield><subfield code="0">(DE-588)4117633-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Ästhetik</subfield><subfield code="0">(DE-588)4000626-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Geschichte 1945-</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Goebbels, Heiner</subfield><subfield code="d">1952-</subfield><subfield code="0">(DE-588)122659589</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Komposition</subfield><subfield code="g">Musik</subfield><subfield code="0">(DE-588)4133320-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="2"><subfield code="a">Bühnenwerk</subfield><subfield code="0">(DE-588)4461958-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="3"><subfield code="a">Autorschaft</subfield><subfield code="0">(DE-588)4130545-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="4"><subfield code="a">Aufführung</subfield><subfield code="0">(DE-588)4143388-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="5"><subfield code="a">Performance</subfield><subfield code="g">Künste</subfield><subfield code="0">(DE-588)4173750-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="6"><subfield code="a">Ruhrtriennale</subfield><subfield code="0">(DE-588)5555595-0</subfield><subfield code="D">f</subfield></datafield><datafield tag="689" ind1="1" ind2="7"><subfield code="a">Geschichte 2012-2014</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe</subfield><subfield code="z">9781009337618</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung BSB München - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034290722&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">BSB_NED_20231011</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034290722</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.9</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.9</subfield><subfield code="e">22/bsb</subfield><subfield code="f">090512</subfield><subfield code="g">4355</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.1</subfield><subfield code="e">22/bsb</subfield><subfield code="f">090512</subfield><subfield code="g">4355</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.4</subfield><subfield code="e">22/bsb</subfield><subfield code="f">090512</subfield><subfield code="g">4355</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.9</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0905</subfield></datafield></record></collection> |
| id | DE-604.BV049027961 |
| illustrated | Illustrated |
| index_date | 2024-07-03T22:15:43Z |
| indexdate | 2024-07-10T09:53:12Z |
| institution | BVB |
| isbn | 9781009337601 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034290722 |
| oclc_num | 1401184546 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 76 Seiten Illustrationen 23 cm |
| psigel | BSB_NED_20231011 |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | Cambridge University Press |
| record_format | marc |
| series2 | Elements in music since 1945 |
| spelling | McKeon, Ed ca. 20./21. Jh. Verfasser (DE-588)1229526641 aut Heiner Goebbels and curatorial composing after Cage from staging works to musicalising encounters Ed McKeon Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore Cambridge University Press 2022 76 Seiten Illustrationen 23 cm txt rdacontent n rdamedia nc rdacarrier Elements in music since 1945 1. Musical Elements -- 2. The Work-Concept And Its Limits -- 3. Variable Time: Cage After Schoenberg -- 4. Heiner Goebbels: Questioning Authority -- 5. Spaces of Appearance -- 6. After Words -- References "This Element introduces the notion of curatorial composing to account for certain musical practices that emerged from the 1960s as the founding concepts of music as an art - instituted in the modern era - were systematically dismantled. It raises the key question of how musical value and authority might be produced without recourse to an external principle, origin, transcendental framework, or other foundation. It argues that these practices do not dismiss the issue of value or simply relativise it but shift the paradigm to a curatorial concern for composing public encounters and staging events. The Element shows that Lydia Goehr's elaboration of the work-concept provides a framework that was transformed by John Cage in his work from 0'00" (1962) onwards. The Element then introduces Heiner Goebbels' practice and focus on his role as Artistic Director of the Ruhrtriennale (2012-14), which it argues was an extension of his curatorial composing"-- Goebbels, Heiner 1952- (DE-588)122659589 gnd rswk-swf Ruhrtriennale (DE-588)5555595-0 gnd rswk-swf Geschichte 2012-2014 gnd rswk-swf Geschichte 1945- gnd rswk-swf Autorschaft (DE-588)4130545-0 gnd rswk-swf Aufführung (DE-588)4143388-9 gnd rswk-swf Werk (DE-588)4117633-9 gnd rswk-swf Performance Künste (DE-588)4173750-7 gnd rswk-swf Bühnenwerk (DE-588)4461958-3 gnd rswk-swf Komposition (DE-588)4032012-1 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Komposition Musik (DE-588)4133320-2 gnd rswk-swf Music in museums Music / Philosophy and aesthetics Performance art / Germany Performing arts / Philosophy Creation (Literary, artistic, etc.) Art and music Sound art / History and criticism Sound installations (Art) Ruhrtriennale / (2012-2014) Ruhrtriennale Performance art Sound art Germany Criticism, interpretation, etc Musik (DE-588)4040802-4 s Komposition (DE-588)4032012-1 s Werk (DE-588)4117633-9 s Ästhetik (DE-588)4000626-8 s Geschichte 1945- z DE-604 Goebbels, Heiner 1952- (DE-588)122659589 p Komposition Musik (DE-588)4133320-2 s Bühnenwerk (DE-588)4461958-3 s Autorschaft (DE-588)4130545-0 s Aufführung (DE-588)4143388-9 s Performance Künste (DE-588)4173750-7 s Ruhrtriennale (DE-588)5555595-0 f Geschichte 2012-2014 z Erscheint auch als Online-Ausgabe 9781009337618 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034290722&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | McKeon, Ed ca. 20./21. Jh Heiner Goebbels and curatorial composing after Cage from staging works to musicalising encounters 1. Musical Elements -- 2. The Work-Concept And Its Limits -- 3. Variable Time: Cage After Schoenberg -- 4. Heiner Goebbels: Questioning Authority -- 5. Spaces of Appearance -- 6. After Words -- References Goebbels, Heiner 1952- (DE-588)122659589 gnd Ruhrtriennale (DE-588)5555595-0 gnd Autorschaft (DE-588)4130545-0 gnd Aufführung (DE-588)4143388-9 gnd Werk (DE-588)4117633-9 gnd Performance Künste (DE-588)4173750-7 gnd Bühnenwerk (DE-588)4461958-3 gnd Komposition (DE-588)4032012-1 gnd Ästhetik (DE-588)4000626-8 gnd Musik (DE-588)4040802-4 gnd Komposition Musik (DE-588)4133320-2 gnd |
| subject_GND | (DE-588)122659589 (DE-588)5555595-0 (DE-588)4130545-0 (DE-588)4143388-9 (DE-588)4117633-9 (DE-588)4173750-7 (DE-588)4461958-3 (DE-588)4032012-1 (DE-588)4000626-8 (DE-588)4040802-4 (DE-588)4133320-2 |
| title | Heiner Goebbels and curatorial composing after Cage from staging works to musicalising encounters |
| title_auth | Heiner Goebbels and curatorial composing after Cage from staging works to musicalising encounters |
| title_exact_search | Heiner Goebbels and curatorial composing after Cage from staging works to musicalising encounters |
| title_exact_search_txtP | Heiner Goebbels and curatorial composing after Cage from staging works to musicalising encounters |
| title_full | Heiner Goebbels and curatorial composing after Cage from staging works to musicalising encounters Ed McKeon |
| title_fullStr | Heiner Goebbels and curatorial composing after Cage from staging works to musicalising encounters Ed McKeon |
| title_full_unstemmed | Heiner Goebbels and curatorial composing after Cage from staging works to musicalising encounters Ed McKeon |
| title_short | Heiner Goebbels and curatorial composing after Cage |
| title_sort | heiner goebbels and curatorial composing after cage from staging works to musicalising encounters |
| title_sub | from staging works to musicalising encounters |
| topic | Goebbels, Heiner 1952- (DE-588)122659589 gnd Ruhrtriennale (DE-588)5555595-0 gnd Autorschaft (DE-588)4130545-0 gnd Aufführung (DE-588)4143388-9 gnd Werk (DE-588)4117633-9 gnd Performance Künste (DE-588)4173750-7 gnd Bühnenwerk (DE-588)4461958-3 gnd Komposition (DE-588)4032012-1 gnd Ästhetik (DE-588)4000626-8 gnd Musik (DE-588)4040802-4 gnd Komposition Musik (DE-588)4133320-2 gnd |
| topic_facet | Goebbels, Heiner 1952- Ruhrtriennale Autorschaft Aufführung Werk Performance Künste Bühnenwerk Komposition Ästhetik Musik Komposition Musik |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034290722&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT mckeoned heinergoebbelsandcuratorialcomposingaftercagefromstagingworkstomusicalisingencounters |