Economies of early modern drama: Shakespeare, Jonson, and Middleton
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Oxford
Oxford University Press
[2023]
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Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis Klappentext |
Beschreibung: | viii, 268 Seiten |
ISBN: | 9780192866813 |
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Contents Acknowledgements A Note on Transcription vii ix Introduction Early Modern Commercial Theatre Theatre and Economics Oeconomy and Commerce The Revaluation of Interest ‘Wisdom of Business’, or the Transformation of Prudence Generic Cross-Pollination The Book 1 2 6 8 12 16 20 22 1. Household Management and Commerce in Early Modern England Introduction The Household in Classical and Early Modern Writings Xenophon’s Oeconomicus The Aristotelian Oikos The Early Modern Oikos Tropical Exchanges and the Family as ‘First Society’ The Power Axis of Household Government: Marriage Household Guardian or ‘Perpetuali Enemie’ Early Modern Commerce Mercantile Writings Unnatural Acquisition: Aristotle and Trade Justice in Exchange Trade as Godly Calling and the Limits of Sufficiency Legitimate Profit Mercantilist and Bullionist Writers Culture of Credit Conclusion « 24 24 27 31 34 36 37 42 44 47 53 57 59 61 66 69 73 77 2. Oeconomy in A Chaste Maid in Cheapside and Macbeth Introduction A Chaste Maid in Cheapside: The Oikos in a Marketplace of Desires Liminal Domestic Spaces Sexuality as Commodity The Logic of the Marketplace Household Politics and Private Interests in Macbeth The Household as Dramatic Subject 79 79 83 85 89 96 98 101
VI CONTENTS Household Space The Female Body and Household Space From Ethics to Efficiency in the Service of Private Interest Private Interests and the Motivating Force of Passion The Politics of Exchange Conclusion 103 109 113 116 119 123 3. Mercantile Agency and Service in Othello and The Alchemist Introduction The Household as ‘Venture Tripartite’: ‘Wisdom of Business’ in The Alchemist The Prudent Captain Persuasion through Amplification The Alchemical Trope ‘Shows of Service’ and Mercantile Agency in Othello Transnational Travel and Social Mobility ‘Wisdom of Business’: Skills and Strategies Debasement: Credit and Value Jealousy and Envy as Affective Coordinates of a Mobile Society Conclusion 128 128 4. Asynchronous Exchanges in Volpone and Timon ofAthens Introduction Asynchronous Exchange and Accumulation in Volpone The Temporality of the Gift Strategic Delay: The Temporality and Intentionality of the Promise Delay as Pleasure Principle Mastery and Self-Aggrandizement Delay and Dilation : Principles of Credit and Plot Timon ofAthens: Competing Paradigms of Exchange The Gift as Investment The Moral Economy of the Gift Futurity and the Failure of the Promise Friendship and Fortune Exploring the Interval: Delay and Dilation as Plot Devices , Conclusion 176 176 179 181 183 188 191 196 201 202 206 212 215 219 222 Conclusion Oeconomy and Commerce The Discontents of Social Mobility The Architecture of Fortune’ and the Future 226 228 232 234 Works Cited Index 238 261 132 136 143 147 151 155 159 162 169 173
This book provides new insights into how theatre responded to changing economic practices and structures. It reviews discourses on household management and commerce to create a rich context for a discussion of socio-economic actions and transactions in Macbeth, Othello, and Timon ofAthens, as well as in city comedies by Ben Jonson and Thomas Middleton. By approaching discourses on economy and commerce as complementary, the book opens up a diverse field of socio-economic practices, including the gendered division of duties in the household, new modes of valuation, and evolving instruments of credit. Theatre provides unique access to this field. In contrast to practical and policyorientated discourses, it addresses socio-economic change and its vicissitudes in a spirit of experimentation, testing the ethical limits of socio-economic action and accustoming audiences to the demands of a changing socio-economic reality. Theatre thus offers a vital contribution to the prehistory of political economy. On the London stages, self-interest emerges as a key motive of socio-economic action, and theatre playfully explores its ambiguous status as a partly rational and partly excessive force that has a new ordering function, but also creates social conflict. At the same time, by staging the contradictory demands of ethics and efficiency in economic decision making, early modern plays offer access to a changing understanding of prudence that has a Machiavellian touch: by aligning with the pursuit of private interest, prudence sheds some of its ethical content and becomes foremost an
instrumental faculty. |
adam_txt |
Contents Acknowledgements A Note on Transcription vii ix Introduction Early Modern Commercial Theatre Theatre and Economics Oeconomy and Commerce The Revaluation of Interest ‘Wisdom of Business’, or the Transformation of Prudence Generic Cross-Pollination The Book 1 2 6 8 12 16 20 22 1. Household Management and Commerce in Early Modern England Introduction The Household in Classical and Early Modern Writings Xenophon’s Oeconomicus The Aristotelian Oikos The Early Modern Oikos Tropical Exchanges and the Family as ‘First Society’ The Power Axis of Household Government: Marriage Household Guardian or ‘Perpetuali Enemie’ Early Modern Commerce Mercantile Writings Unnatural Acquisition: Aristotle and Trade Justice in Exchange Trade as Godly Calling and the Limits of Sufficiency Legitimate Profit Mercantilist and Bullionist Writers Culture of Credit Conclusion « 24 24 27 31 34 36 37 42 44 47 53 57 59 61 66 69 73 77 2. Oeconomy in A Chaste Maid in Cheapside and Macbeth Introduction A Chaste Maid in Cheapside: The Oikos in a Marketplace of Desires Liminal Domestic Spaces Sexuality as Commodity The Logic of the Marketplace Household Politics and Private Interests in Macbeth The Household as Dramatic Subject 79 79 83 85 89 96 98 101
VI CONTENTS Household Space The Female Body and Household Space From Ethics to Efficiency in the Service of Private Interest Private Interests and the Motivating Force of Passion The Politics of Exchange Conclusion 103 109 113 116 119 123 3. Mercantile Agency and Service in Othello and The Alchemist Introduction The Household as ‘Venture Tripartite’: ‘Wisdom of Business’ in The Alchemist The Prudent Captain Persuasion through Amplification The Alchemical Trope ‘Shows of Service’ and Mercantile Agency in Othello Transnational Travel and Social Mobility ‘Wisdom of Business’: Skills and Strategies Debasement: Credit and Value Jealousy and Envy as Affective Coordinates of a Mobile Society Conclusion 128 128 4. Asynchronous Exchanges in Volpone and Timon ofAthens Introduction Asynchronous Exchange and Accumulation in Volpone The Temporality of the Gift Strategic Delay: The Temporality and Intentionality of the Promise Delay as Pleasure Principle Mastery and Self-Aggrandizement Delay and Dilation : Principles of Credit and Plot Timon ofAthens: Competing Paradigms of Exchange The Gift as Investment The Moral Economy of the Gift Futurity and the Failure of the Promise Friendship and Fortune Exploring the Interval: Delay and Dilation as Plot Devices , Conclusion 176 176 179 181 183 188 191 196 201 202 206 212 215 219 222 Conclusion Oeconomy and Commerce The Discontents of Social Mobility The Architecture of Fortune’ and the Future 226 228 232 234 Works Cited Index 238 261 132 136 143 147 151 155 159 162 169 173
This book provides new insights into how theatre responded to changing economic practices and structures. It reviews discourses on household management and commerce to create a rich context for a discussion of socio-economic actions and transactions in Macbeth, Othello, and Timon ofAthens, as well as in city comedies by Ben Jonson and Thomas Middleton. By approaching discourses on economy and commerce as complementary, the book opens up a diverse field of socio-economic practices, including the gendered division of duties in the household, new modes of valuation, and evolving instruments of credit. Theatre provides unique access to this field. In contrast to practical and policyorientated discourses, it addresses socio-economic change and its vicissitudes in a spirit of experimentation, testing the ethical limits of socio-economic action and accustoming audiences to the demands of a changing socio-economic reality. Theatre thus offers a vital contribution to the prehistory of political economy. On the London stages, self-interest emerges as a key motive of socio-economic action, and theatre playfully explores its ambiguous status as a partly rational and partly excessive force that has a new ordering function, but also creates social conflict. At the same time, by staging the contradictory demands of ethics and efficiency in economic decision making, early modern plays offer access to a changing understanding of prudence that has a Machiavellian touch: by aligning with the pursuit of private interest, prudence sheds some of its ethical content and becomes foremost an
instrumental faculty. |
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author | Enderwitz, Anne 1974- |
author_GND | (DE-588)1084012537 |
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author_variant | a e ae |
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classification_rvk | HI 1161 HI 3385 HI 2875 HI 2555 HI 1269 |
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dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 822 - English drama |
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discipline_str_mv | Anglistik / Amerikanistik |
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spelling | Enderwitz, Anne 1974- Verfasser (DE-588)1084012537 aut Economies of early modern drama Shakespeare, Jonson, and Middleton Anne Enderwitz Oxford Oxford University Press [2023] © 2023 viii, 268 Seiten txt rdacontent n rdamedia nc rdacarrier Shakespeare, William 1564-1616 (DE-588)118613723 gnd rswk-swf Jonson, Ben 1572-1637 (DE-588)118558323 gnd rswk-swf Middleton, Thomas 1580-1627 (DE-588)11873380X gnd rswk-swf Wirtschaft Motiv (DE-588)4190031-5 gnd rswk-swf Englisch (DE-588)4014777-0 gnd rswk-swf Drama (DE-588)4012899-4 gnd rswk-swf Shakespeare, William / 1564-1616 / Criticism and interpretation Jonson, Ben / 1573?-1637 / Criticism and interpretation Middleton, Thomas / -1627 / Criticism and interpretation Economics in literature Sociology in literature Shakespeare, William 1564-1616 (DE-588)118613723 p Jonson, Ben 1572-1637 (DE-588)118558323 p Middleton, Thomas 1580-1627 (DE-588)11873380X p Englisch (DE-588)4014777-0 s Drama (DE-588)4012899-4 s Wirtschaft Motiv (DE-588)4190031-5 s DE-604 Erscheint auch als Online-Ausgabe 978-0-19-269222-1 Erscheint auch als Online-Ausgabe 978-0-19-195774-1 Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034290324&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034290324&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
spellingShingle | Enderwitz, Anne 1974- Economies of early modern drama Shakespeare, Jonson, and Middleton Shakespeare, William 1564-1616 (DE-588)118613723 gnd Jonson, Ben 1572-1637 (DE-588)118558323 gnd Middleton, Thomas 1580-1627 (DE-588)11873380X gnd Wirtschaft Motiv (DE-588)4190031-5 gnd Englisch (DE-588)4014777-0 gnd Drama (DE-588)4012899-4 gnd |
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title | Economies of early modern drama Shakespeare, Jonson, and Middleton |
title_auth | Economies of early modern drama Shakespeare, Jonson, and Middleton |
title_exact_search | Economies of early modern drama Shakespeare, Jonson, and Middleton |
title_exact_search_txtP | Economies of early modern drama Shakespeare, Jonson, and Middleton |
title_full | Economies of early modern drama Shakespeare, Jonson, and Middleton Anne Enderwitz |
title_fullStr | Economies of early modern drama Shakespeare, Jonson, and Middleton Anne Enderwitz |
title_full_unstemmed | Economies of early modern drama Shakespeare, Jonson, and Middleton Anne Enderwitz |
title_short | Economies of early modern drama |
title_sort | economies of early modern drama shakespeare jonson and middleton |
title_sub | Shakespeare, Jonson, and Middleton |
topic | Shakespeare, William 1564-1616 (DE-588)118613723 gnd Jonson, Ben 1572-1637 (DE-588)118558323 gnd Middleton, Thomas 1580-1627 (DE-588)11873380X gnd Wirtschaft Motiv (DE-588)4190031-5 gnd Englisch (DE-588)4014777-0 gnd Drama (DE-588)4012899-4 gnd |
topic_facet | Shakespeare, William 1564-1616 Jonson, Ben 1572-1637 Middleton, Thomas 1580-1627 Wirtschaft Motiv Englisch Drama |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034290324&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034290324&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
work_keys_str_mv | AT enderwitzanne economiesofearlymoderndramashakespearejonsonandmiddleton |