Essays on the history of English music in honour of John Caldwell: sources, style, performance, historiography
Articles on English music, from the medieval period to the present day, centred on four of the major areas of scholarly enquiry. The major themes of the essays in this collection reflect the work of the distinguished scholar John Caldwell, professor of music at Oxford University and a composer in hi...
Gespeichert in:
Weitere Verfasser: | , |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Woodbridge
Boydell Press
2010
|
Schlagworte: | |
Online-Zugang: | BSB01 UBG01 Volltext |
Zusammenfassung: | Articles on English music, from the medieval period to the present day, centred on four of the major areas of scholarly enquiry. The major themes of the essays in this collection reflect the work of the distinguished scholar John Caldwell, professor of music at Oxford University and a composer in his own right. There is a strong focus on early music, with contributions considering the medieval carol, sources for seventeenth- and eighteenth-century harpsichord music, and the transmission of fifteenth-century English music to the Continent; but they range right up to the twentieth century, with an examination of music in Oxford. All are concerned in one way or another with themes which recur in Professor Caldwell's scholarship: sources; style; performance; and historiography. Contributors: SALLY HARPER, DAVID HILEY, EMMA HORNBY, HARRY JOHNSTONE, MARGARET BENT, DAVID MAW, MATTHIAS RANGE, REINHARD STROHM, PETER WRIGHT, MAGNUS WILLIAMSON, JOHN HARPER, SIMON MCVEIGH, CHRISTOPHER PAGE, OWEN REES, SUSAN WOLLENBERG, JOHN ARTHUR SMITH, BENNETT ZON, DAVID MAW. |
Beschreibung: | Title from publisher's bibliographic system (viewed on 02 Mar 2023) Traces of lost late medieval offices? The Sanctilogium Angliae, Walliae, Scotiae, et Hiberniae of John of Tynemouth (fl. 1350) / Sally Harper -- The saints venerated in medieval Peterborough as reflected in the Antiphoner Cambridge, Magdalene College, F.4.10 / David Hiley -- Interactions between Brittany and Christ Church, Canterbury in the tenth century : The Linenthal leaf / Emma Hornby -- A new source of late seventeenth- and early eighteenth-century English harpsichord music by Barrett, Blow, Clarke, Croft, Purcell and others / H. Diack Johnstone -- The earliest fifteenth-century transmission of English music to the continent / Margaret Bent -- 'Phantasy mania' : Quest for a national style / David Maw -- Purcell's 1694 Te Deum and Jubilate : Its successors, and its performance history / Matthias Range -- Imitative counterpoint in mid-fifteenth-century English mass settings / Reinhard Strohm -- Double cantus firmus compostitions in the Eton choirbook / Magnus Williamson -- Englishness in a Kyrie (Mis)attributed to Du Fay / Peter Wright -- Continuity, discontinuity, fragments and connections : The organ in church, c. 1500-1640 / John Harper -- 'As the sand on the sea shore' : Women violinists in London's concert life around 1900 / Simon McVeigh -- The carol in Anglo-Saxon Canterbury? / Christopher Page -- Luisa de Carvajal y Mendoza and music in an English Catholic house in 1605 / Owen Rees -- Music in Oxford, 1945-1960 : The years of change / Susan Wollenberg -- Three Anglican church historians on liturgy and psalmody in the ancient synagogue and the early church / John Arthur Smith -- Histories of British music and the land without music : National identity and the idea of the hero / Bennett Zon -- John Caldwell (b 1938) : Scholar, composer, teacher, musician / David Maw |
Beschreibung: | 1 Online-Ressource (xv, 348 Seiten) |
ISBN: | 9781846158018 |
DOI: | 10.1017/9781846158018 |
Internformat
MARC
LEADER | 00000nmm a2200000zc 4500 | ||
---|---|---|---|
001 | BV049026442 | ||
003 | DE-604 | ||
005 | 00000000000000.0 | ||
007 | cr|uuu---uuuuu | ||
008 | 230629s2010 |||| o||u| ||||||eng d | ||
020 | |a 9781846158018 |c Online |9 978-1-84615-801-8 | ||
035 | |a (ZDB-20-CBO)CR9781846158018 | ||
035 | |a (OCoLC)1389175421 | ||
035 | |a (DE-599)BVBBV049026442 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-12 |a DE-473 | ||
082 | 0 | |a 780.942 | |
245 | 1 | 0 | |a Essays on the history of English music in honour of John Caldwell |b sources, style, performance, historiography |c edited by Emma Hornby and David Maw |
264 | 1 | |a Woodbridge |b Boydell Press |c 2010 | |
300 | |a 1 Online-Ressource (xv, 348 Seiten) | ||
336 | |b txt |2 rdacontent | ||
337 | |b c |2 rdamedia | ||
338 | |b cr |2 rdacarrier | ||
500 | |a Title from publisher's bibliographic system (viewed on 02 Mar 2023) | ||
500 | |a Traces of lost late medieval offices? The Sanctilogium Angliae, Walliae, Scotiae, et Hiberniae of John of Tynemouth (fl. 1350) / Sally Harper -- The saints venerated in medieval Peterborough as reflected in the Antiphoner Cambridge, Magdalene College, F.4.10 / David Hiley -- Interactions between Brittany and Christ Church, Canterbury in the tenth century : The Linenthal leaf / Emma Hornby -- A new source of late seventeenth- and early eighteenth-century English harpsichord music by Barrett, Blow, Clarke, Croft, Purcell and others / H. Diack Johnstone -- The earliest fifteenth-century transmission of English music to the continent / Margaret Bent -- 'Phantasy mania' : Quest for a national style / David Maw -- Purcell's 1694 Te Deum and Jubilate : Its successors, and its performance history / Matthias Range -- Imitative counterpoint in mid-fifteenth-century English mass settings / Reinhard Strohm -- Double cantus firmus compostitions in the Eton choirbook / Magnus Williamson -- Englishness in a Kyrie (Mis)attributed to Du Fay / Peter Wright -- Continuity, discontinuity, fragments and connections : The organ in church, c. 1500-1640 / John Harper -- 'As the sand on the sea shore' : Women violinists in London's concert life around 1900 / Simon McVeigh -- The carol in Anglo-Saxon Canterbury? / Christopher Page -- Luisa de Carvajal y Mendoza and music in an English Catholic house in 1605 / Owen Rees -- Music in Oxford, 1945-1960 : The years of change / Susan Wollenberg -- Three Anglican church historians on liturgy and psalmody in the ancient synagogue and the early church / John Arthur Smith -- Histories of British music and the land without music : National identity and the idea of the hero / Bennett Zon -- John Caldwell (b 1938) : Scholar, composer, teacher, musician / David Maw | ||
520 | |a Articles on English music, from the medieval period to the present day, centred on four of the major areas of scholarly enquiry. The major themes of the essays in this collection reflect the work of the distinguished scholar John Caldwell, professor of music at Oxford University and a composer in his own right. There is a strong focus on early music, with contributions considering the medieval carol, sources for seventeenth- and eighteenth-century harpsichord music, and the transmission of fifteenth-century English music to the Continent; but they range right up to the twentieth century, with an examination of music in Oxford. All are concerned in one way or another with themes which recur in Professor Caldwell's scholarship: sources; style; performance; and historiography. Contributors: SALLY HARPER, DAVID HILEY, EMMA HORNBY, HARRY JOHNSTONE, MARGARET BENT, DAVID MAW, MATTHIAS RANGE, REINHARD STROHM, PETER WRIGHT, MAGNUS WILLIAMSON, JOHN HARPER, SIMON MCVEIGH, CHRISTOPHER PAGE, OWEN REES, SUSAN WOLLENBERG, JOHN ARTHUR SMITH, BENNETT ZON, DAVID MAW. | ||
650 | 4 | |a Music / England / History and criticism | |
700 | 1 | |a Caldwell, John |d 1938- |e Sonstige |0 (DE-588)138769362 |4 oth | |
700 | 1 | |a Hornby, Emma |d 1973- |0 (DE-588)1063148642 |4 edt | |
700 | 1 | |a Maw, David |0 (DE-588)103331160X |4 edt | |
776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |z 978-1-84383-535-6 |
856 | 4 | 0 | |u https://doi.org/10.1017/9781846158018 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
912 | |a ZDB-20-CBO | ||
999 | |a oai:aleph.bib-bvb.de:BVB01-034289239 | ||
966 | e | |u https://doi.org/10.1017/9781846158018 |l BSB01 |p ZDB-20-CBO |q BSB_PDA_CBO |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1017/9781846158018 |l UBG01 |p ZDB-20-CBO |q UBG_PDA_CBO |x Verlag |3 Volltext |
Datensatz im Suchindex
_version_ | 1804185307499724800 |
---|---|
adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author2 | Hornby, Emma 1973- Maw, David |
author2_role | edt edt |
author2_variant | e h eh d m dm |
author_GND | (DE-588)138769362 (DE-588)1063148642 (DE-588)103331160X |
author_facet | Hornby, Emma 1973- Maw, David |
building | Verbundindex |
bvnumber | BV049026442 |
collection | ZDB-20-CBO |
ctrlnum | (ZDB-20-CBO)CR9781846158018 (OCoLC)1389175421 (DE-599)BVBBV049026442 |
dewey-full | 780.942 |
dewey-hundreds | 700 - The arts |
dewey-ones | 780 - Music |
dewey-raw | 780.942 |
dewey-search | 780.942 |
dewey-sort | 3780.942 |
dewey-tens | 780 - Music |
discipline | Musikwissenschaft |
discipline_str_mv | Musikwissenschaft |
doi_str_mv | 10.1017/9781846158018 |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04503nmm a2200409zc 4500</leader><controlfield tag="001">BV049026442</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">230629s2010 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781846158018</subfield><subfield code="c">Online</subfield><subfield code="9">978-1-84615-801-8</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-20-CBO)CR9781846158018</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1389175421</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV049026442</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-473</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">780.942</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Essays on the history of English music in honour of John Caldwell</subfield><subfield code="b">sources, style, performance, historiography</subfield><subfield code="c">edited by Emma Hornby and David Maw</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Woodbridge</subfield><subfield code="b">Boydell Press</subfield><subfield code="c">2010</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (xv, 348 Seiten)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Title from publisher's bibliographic system (viewed on 02 Mar 2023)</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Traces of lost late medieval offices? The Sanctilogium Angliae, Walliae, Scotiae, et Hiberniae of John of Tynemouth (fl. 1350) / Sally Harper -- The saints venerated in medieval Peterborough as reflected in the Antiphoner Cambridge, Magdalene College, F.4.10 / David Hiley -- Interactions between Brittany and Christ Church, Canterbury in the tenth century : The Linenthal leaf / Emma Hornby -- A new source of late seventeenth- and early eighteenth-century English harpsichord music by Barrett, Blow, Clarke, Croft, Purcell and others / H. Diack Johnstone -- The earliest fifteenth-century transmission of English music to the continent / Margaret Bent -- 'Phantasy mania' : Quest for a national style / David Maw -- Purcell's 1694 Te Deum and Jubilate : Its successors, and its performance history / Matthias Range -- Imitative counterpoint in mid-fifteenth-century English mass settings / Reinhard Strohm -- Double cantus firmus compostitions in the Eton choirbook / Magnus Williamson -- Englishness in a Kyrie (Mis)attributed to Du Fay / Peter Wright -- Continuity, discontinuity, fragments and connections : The organ in church, c. 1500-1640 / John Harper -- 'As the sand on the sea shore' : Women violinists in London's concert life around 1900 / Simon McVeigh -- The carol in Anglo-Saxon Canterbury? / Christopher Page -- Luisa de Carvajal y Mendoza and music in an English Catholic house in 1605 / Owen Rees -- Music in Oxford, 1945-1960 : The years of change / Susan Wollenberg -- Three Anglican church historians on liturgy and psalmody in the ancient synagogue and the early church / John Arthur Smith -- Histories of British music and the land without music : National identity and the idea of the hero / Bennett Zon -- John Caldwell (b 1938) : Scholar, composer, teacher, musician / David Maw</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Articles on English music, from the medieval period to the present day, centred on four of the major areas of scholarly enquiry. The major themes of the essays in this collection reflect the work of the distinguished scholar John Caldwell, professor of music at Oxford University and a composer in his own right. There is a strong focus on early music, with contributions considering the medieval carol, sources for seventeenth- and eighteenth-century harpsichord music, and the transmission of fifteenth-century English music to the Continent; but they range right up to the twentieth century, with an examination of music in Oxford. All are concerned in one way or another with themes which recur in Professor Caldwell's scholarship: sources; style; performance; and historiography. Contributors: SALLY HARPER, DAVID HILEY, EMMA HORNBY, HARRY JOHNSTONE, MARGARET BENT, DAVID MAW, MATTHIAS RANGE, REINHARD STROHM, PETER WRIGHT, MAGNUS WILLIAMSON, JOHN HARPER, SIMON MCVEIGH, CHRISTOPHER PAGE, OWEN REES, SUSAN WOLLENBERG, JOHN ARTHUR SMITH, BENNETT ZON, DAVID MAW.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Music / England / History and criticism</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Caldwell, John</subfield><subfield code="d">1938-</subfield><subfield code="e">Sonstige</subfield><subfield code="0">(DE-588)138769362</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Hornby, Emma</subfield><subfield code="d">1973-</subfield><subfield code="0">(DE-588)1063148642</subfield><subfield code="4">edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Maw, David</subfield><subfield code="0">(DE-588)103331160X</subfield><subfield code="4">edt</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="z">978-1-84383-535-6</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1017/9781846158018</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-20-CBO</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034289239</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1017/9781846158018</subfield><subfield code="l">BSB01</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">BSB_PDA_CBO</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1017/9781846158018</subfield><subfield code="l">UBG01</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">UBG_PDA_CBO</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
id | DE-604.BV049026442 |
illustrated | Not Illustrated |
index_date | 2024-07-03T22:15:15Z |
indexdate | 2024-07-10T09:53:09Z |
institution | BVB |
isbn | 9781846158018 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034289239 |
oclc_num | 1389175421 |
open_access_boolean | |
owner | DE-12 DE-473 DE-BY-UBG |
owner_facet | DE-12 DE-473 DE-BY-UBG |
physical | 1 Online-Ressource (xv, 348 Seiten) |
psigel | ZDB-20-CBO ZDB-20-CBO BSB_PDA_CBO ZDB-20-CBO UBG_PDA_CBO |
publishDate | 2010 |
publishDateSearch | 2010 |
publishDateSort | 2010 |
publisher | Boydell Press |
record_format | marc |
spelling | Essays on the history of English music in honour of John Caldwell sources, style, performance, historiography edited by Emma Hornby and David Maw Woodbridge Boydell Press 2010 1 Online-Ressource (xv, 348 Seiten) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 02 Mar 2023) Traces of lost late medieval offices? The Sanctilogium Angliae, Walliae, Scotiae, et Hiberniae of John of Tynemouth (fl. 1350) / Sally Harper -- The saints venerated in medieval Peterborough as reflected in the Antiphoner Cambridge, Magdalene College, F.4.10 / David Hiley -- Interactions between Brittany and Christ Church, Canterbury in the tenth century : The Linenthal leaf / Emma Hornby -- A new source of late seventeenth- and early eighteenth-century English harpsichord music by Barrett, Blow, Clarke, Croft, Purcell and others / H. Diack Johnstone -- The earliest fifteenth-century transmission of English music to the continent / Margaret Bent -- 'Phantasy mania' : Quest for a national style / David Maw -- Purcell's 1694 Te Deum and Jubilate : Its successors, and its performance history / Matthias Range -- Imitative counterpoint in mid-fifteenth-century English mass settings / Reinhard Strohm -- Double cantus firmus compostitions in the Eton choirbook / Magnus Williamson -- Englishness in a Kyrie (Mis)attributed to Du Fay / Peter Wright -- Continuity, discontinuity, fragments and connections : The organ in church, c. 1500-1640 / John Harper -- 'As the sand on the sea shore' : Women violinists in London's concert life around 1900 / Simon McVeigh -- The carol in Anglo-Saxon Canterbury? / Christopher Page -- Luisa de Carvajal y Mendoza and music in an English Catholic house in 1605 / Owen Rees -- Music in Oxford, 1945-1960 : The years of change / Susan Wollenberg -- Three Anglican church historians on liturgy and psalmody in the ancient synagogue and the early church / John Arthur Smith -- Histories of British music and the land without music : National identity and the idea of the hero / Bennett Zon -- John Caldwell (b 1938) : Scholar, composer, teacher, musician / David Maw Articles on English music, from the medieval period to the present day, centred on four of the major areas of scholarly enquiry. The major themes of the essays in this collection reflect the work of the distinguished scholar John Caldwell, professor of music at Oxford University and a composer in his own right. There is a strong focus on early music, with contributions considering the medieval carol, sources for seventeenth- and eighteenth-century harpsichord music, and the transmission of fifteenth-century English music to the Continent; but they range right up to the twentieth century, with an examination of music in Oxford. All are concerned in one way or another with themes which recur in Professor Caldwell's scholarship: sources; style; performance; and historiography. Contributors: SALLY HARPER, DAVID HILEY, EMMA HORNBY, HARRY JOHNSTONE, MARGARET BENT, DAVID MAW, MATTHIAS RANGE, REINHARD STROHM, PETER WRIGHT, MAGNUS WILLIAMSON, JOHN HARPER, SIMON MCVEIGH, CHRISTOPHER PAGE, OWEN REES, SUSAN WOLLENBERG, JOHN ARTHUR SMITH, BENNETT ZON, DAVID MAW. Music / England / History and criticism Caldwell, John 1938- Sonstige (DE-588)138769362 oth Hornby, Emma 1973- (DE-588)1063148642 edt Maw, David (DE-588)103331160X edt Erscheint auch als Druck-Ausgabe 978-1-84383-535-6 https://doi.org/10.1017/9781846158018 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Essays on the history of English music in honour of John Caldwell sources, style, performance, historiography Music / England / History and criticism |
title | Essays on the history of English music in honour of John Caldwell sources, style, performance, historiography |
title_auth | Essays on the history of English music in honour of John Caldwell sources, style, performance, historiography |
title_exact_search | Essays on the history of English music in honour of John Caldwell sources, style, performance, historiography |
title_exact_search_txtP | Essays on the history of English music in honour of John Caldwell sources, style, performance, historiography |
title_full | Essays on the history of English music in honour of John Caldwell sources, style, performance, historiography edited by Emma Hornby and David Maw |
title_fullStr | Essays on the history of English music in honour of John Caldwell sources, style, performance, historiography edited by Emma Hornby and David Maw |
title_full_unstemmed | Essays on the history of English music in honour of John Caldwell sources, style, performance, historiography edited by Emma Hornby and David Maw |
title_short | Essays on the history of English music in honour of John Caldwell |
title_sort | essays on the history of english music in honour of john caldwell sources style performance historiography |
title_sub | sources, style, performance, historiography |
topic | Music / England / History and criticism |
topic_facet | Music / England / History and criticism |
url | https://doi.org/10.1017/9781846158018 |
work_keys_str_mv | AT caldwelljohn essaysonthehistoryofenglishmusicinhonourofjohncaldwellsourcesstyleperformancehistoriography AT hornbyemma essaysonthehistoryofenglishmusicinhonourofjohncaldwellsourcesstyleperformancehistoriography AT mawdavid essaysonthehistoryofenglishmusicinhonourofjohncaldwellsourcesstyleperformancehistoriography |