Collective creativity and artistic agency in colonial Latin America:
This volume addresses and expands the role of the artist in colonial Latin American society, featuring essays by specialists in the field that consider the ways society conceived of artists and the ways artists defined themselves. Broadening the range of ways that creativity can be understood, contr...
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| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Gainesville
University of Florida Press
[2023]
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| Schlagworte: | |
| Zusammenfassung: | This volume addresses and expands the role of the artist in colonial Latin American society, featuring essays by specialists in the field that consider the ways society conceived of artists and the ways artists defined themselves. Broadening the range of ways that creativity can be understood, contributors show that artists functioned as political figures, activists, agents in commerce, definers of a canon, and revolutionaries. Chapters provide studies of artists in Peru, Mexico, and Cuba between the sixteenth and early nineteenth centuries. Instead of adopting the paradigm of individuals working alone to chart new artistic paths, contributors focus on human relationships, collaborations, and exchanges. The volume offers new perspectives on colonial artworks, some well known and others previously overlooked, including discussions of manuscript painting, featherwork, oil painting, sculpture, and mural painting. Most notably, the volume examines attitudes and policies related to race and ethnicity, exploring various ethnoracial dynamics of artists within their social contexts. Through a decolonial lens not often used in the art history of the era and region, Collective Creativity and Artistic Agency in Colonial Latin America examines artists’ engagement in society and their impact within it |
| Beschreibung: | viii, 249 Seiten Illustrationen 24 cm |
| ISBN: | 9781683403661 9781683403524 |
Internformat
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| 505 | 8 | |a Introduction: Artists as Agents beyond the Frame / Maya Stanfield-Mazzi and Margarita Vargas-Betancourt -- Artists as Activists: The Development of Indigenous Artists? Rights -- during the Sixteenth Century / Maya Stanfield-Mazzi -- Indigenous Artistic Practice and Collaboration at the Colegio de Santa Cruz in Mexico City (1534-1575) / Jennifer R. Saracino -- The Pochtecatl Angelina Martina: Supplying Mexico City's Art World in the Sixteenth Century / Margarita Vargas-Betancourt -- The Power of Expertise: Artists as Arbiters of the Miraculous in New Spain / Derek S. Burdette -- The Brush and the Burin: Copies, Originals, and True Portraits in Juan María de Guevara y Cantos's Corona de la divinissima María (Lima, 1644) / Emily C. Floyd -- Art-Making and Art-Breaking in the Era of Andean Insurgencies / Ananda Cohen-Aponte -- Paint and Poison: Black Artists and Elite Anxieties in Eighteenth-Century Havana / Linda Marie Rodriguez -- Conclusion: Artistic Presences in Colonial Latin America / Aaron M. Hyman and Barbara E. Mundy | |
| 520 | 3 | |a This volume addresses and expands the role of the artist in colonial Latin American society, featuring essays by specialists in the field that consider the ways society conceived of artists and the ways artists defined themselves. Broadening the range of ways that creativity can be understood, contributors show that artists functioned as political figures, activists, agents in commerce, definers of a canon, and revolutionaries. Chapters provide studies of artists in Peru, Mexico, and Cuba between the sixteenth and early nineteenth centuries. Instead of adopting the paradigm of individuals working alone to chart new artistic paths, contributors focus on human relationships, collaborations, and exchanges. The volume offers new perspectives on colonial artworks, some well known and others previously overlooked, including discussions of manuscript painting, featherwork, oil painting, sculpture, and mural painting. Most notably, the volume examines attitudes and policies related to race and ethnicity, exploring various ethnoracial dynamics of artists within their social contexts. Through a decolonial lens not often used in the art history of the era and region, Collective Creativity and Artistic Agency in Colonial Latin America examines artists’ engagement in society and their impact within it | |
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Datensatz im Suchindex
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| contents | Introduction: Artists as Agents beyond the Frame / Maya Stanfield-Mazzi and Margarita Vargas-Betancourt -- Artists as Activists: The Development of Indigenous Artists? Rights -- during the Sixteenth Century / Maya Stanfield-Mazzi -- Indigenous Artistic Practice and Collaboration at the Colegio de Santa Cruz in Mexico City (1534-1575) / Jennifer R. Saracino -- The Pochtecatl Angelina Martina: Supplying Mexico City's Art World in the Sixteenth Century / Margarita Vargas-Betancourt -- The Power of Expertise: Artists as Arbiters of the Miraculous in New Spain / Derek S. Burdette -- The Brush and the Burin: Copies, Originals, and True Portraits in Juan María de Guevara y Cantos's Corona de la divinissima María (Lima, 1644) / Emily C. Floyd -- Art-Making and Art-Breaking in the Era of Andean Insurgencies / Ananda Cohen-Aponte -- Paint and Poison: Black Artists and Elite Anxieties in Eighteenth-Century Havana / Linda Marie Rodriguez -- Conclusion: Artistic Presences in Colonial Latin America / Aaron M. Hyman and Barbara E. Mundy |
| ctrlnum | (OCoLC)1381693777 (DE-599)BVBBV049024591 |
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| format | Book |
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| id | DE-604.BV049024591 |
| illustrated | Illustrated |
| index_date | 2024-07-03T22:14:43Z |
| indexdate | 2024-07-20T05:48:34Z |
| institution | BVB |
| isbn | 9781683403661 9781683403524 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034287423 |
| oclc_num | 1381693777 |
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| physical | viii, 249 Seiten Illustrationen 24 cm |
| publishDate | 2023 |
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| spelling | Collective creativity and artistic agency in colonial Latin America edited by Maya Stanfield-Mazzi and Margarita Vargas-Betancourt Gainesville University of Florida Press [2023] viii, 249 Seiten Illustrationen 24 cm txt rdacontent n rdamedia nc rdacarrier Introduction: Artists as Agents beyond the Frame / Maya Stanfield-Mazzi and Margarita Vargas-Betancourt -- Artists as Activists: The Development of Indigenous Artists? Rights -- during the Sixteenth Century / Maya Stanfield-Mazzi -- Indigenous Artistic Practice and Collaboration at the Colegio de Santa Cruz in Mexico City (1534-1575) / Jennifer R. Saracino -- The Pochtecatl Angelina Martina: Supplying Mexico City's Art World in the Sixteenth Century / Margarita Vargas-Betancourt -- The Power of Expertise: Artists as Arbiters of the Miraculous in New Spain / Derek S. Burdette -- The Brush and the Burin: Copies, Originals, and True Portraits in Juan María de Guevara y Cantos's Corona de la divinissima María (Lima, 1644) / Emily C. Floyd -- Art-Making and Art-Breaking in the Era of Andean Insurgencies / Ananda Cohen-Aponte -- Paint and Poison: Black Artists and Elite Anxieties in Eighteenth-Century Havana / Linda Marie Rodriguez -- Conclusion: Artistic Presences in Colonial Latin America / Aaron M. Hyman and Barbara E. Mundy This volume addresses and expands the role of the artist in colonial Latin American society, featuring essays by specialists in the field that consider the ways society conceived of artists and the ways artists defined themselves. Broadening the range of ways that creativity can be understood, contributors show that artists functioned as political figures, activists, agents in commerce, definers of a canon, and revolutionaries. Chapters provide studies of artists in Peru, Mexico, and Cuba between the sixteenth and early nineteenth centuries. Instead of adopting the paradigm of individuals working alone to chart new artistic paths, contributors focus on human relationships, collaborations, and exchanges. The volume offers new perspectives on colonial artworks, some well known and others previously overlooked, including discussions of manuscript painting, featherwork, oil painting, sculpture, and mural painting. Most notably, the volume examines attitudes and policies related to race and ethnicity, exploring various ethnoracial dynamics of artists within their social contexts. Through a decolonial lens not often used in the art history of the era and region, Collective Creativity and Artistic Agency in Colonial Latin America examines artists’ engagement in society and their impact within it Geschichte 1500-1900 gnd rswk-swf Indigenes Volk (DE-588)4187207-1 gnd rswk-swf Kolonialismus (DE-588)4073624-6 gnd rswk-swf Künstler (DE-588)4033423-5 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Schwarze (DE-588)4116433-7 gnd rswk-swf Lateinamerika (DE-588)4074032-8 gnd rswk-swf Art, Colonial / Latin America Art, Latin American / History Artists / Latin America / History Art, Colonial Art, Latin American Artists Latin America History (DE-588)4143413-4 Aufsatzsammlung gnd-content Lateinamerika (DE-588)4074032-8 g Kolonialismus (DE-588)4073624-6 s Indigenes Volk (DE-588)4187207-1 s Schwarze (DE-588)4116433-7 s Kunst (DE-588)4114333-4 s Künstler (DE-588)4033423-5 s Geschichte 1500-1900 z DE-604 Stanfield-Mazzi, Maya Selama 1972- (DE-588)1045719986 edt Vargas-Betancourt, Margarita edt Erscheint auch als Online-Ausgabe 978-1-68340-393-7 |
| spellingShingle | Collective creativity and artistic agency in colonial Latin America Introduction: Artists as Agents beyond the Frame / Maya Stanfield-Mazzi and Margarita Vargas-Betancourt -- Artists as Activists: The Development of Indigenous Artists? Rights -- during the Sixteenth Century / Maya Stanfield-Mazzi -- Indigenous Artistic Practice and Collaboration at the Colegio de Santa Cruz in Mexico City (1534-1575) / Jennifer R. Saracino -- The Pochtecatl Angelina Martina: Supplying Mexico City's Art World in the Sixteenth Century / Margarita Vargas-Betancourt -- The Power of Expertise: Artists as Arbiters of the Miraculous in New Spain / Derek S. Burdette -- The Brush and the Burin: Copies, Originals, and True Portraits in Juan María de Guevara y Cantos's Corona de la divinissima María (Lima, 1644) / Emily C. Floyd -- Art-Making and Art-Breaking in the Era of Andean Insurgencies / Ananda Cohen-Aponte -- Paint and Poison: Black Artists and Elite Anxieties in Eighteenth-Century Havana / Linda Marie Rodriguez -- Conclusion: Artistic Presences in Colonial Latin America / Aaron M. Hyman and Barbara E. Mundy Indigenes Volk (DE-588)4187207-1 gnd Kolonialismus (DE-588)4073624-6 gnd Künstler (DE-588)4033423-5 gnd Kunst (DE-588)4114333-4 gnd Schwarze (DE-588)4116433-7 gnd |
| subject_GND | (DE-588)4187207-1 (DE-588)4073624-6 (DE-588)4033423-5 (DE-588)4114333-4 (DE-588)4116433-7 (DE-588)4074032-8 (DE-588)4143413-4 |
| title | Collective creativity and artistic agency in colonial Latin America |
| title_auth | Collective creativity and artistic agency in colonial Latin America |
| title_exact_search | Collective creativity and artistic agency in colonial Latin America |
| title_exact_search_txtP | Collective creativity and artistic agency in Colonial Latin America |
| title_full | Collective creativity and artistic agency in colonial Latin America edited by Maya Stanfield-Mazzi and Margarita Vargas-Betancourt |
| title_fullStr | Collective creativity and artistic agency in colonial Latin America edited by Maya Stanfield-Mazzi and Margarita Vargas-Betancourt |
| title_full_unstemmed | Collective creativity and artistic agency in colonial Latin America edited by Maya Stanfield-Mazzi and Margarita Vargas-Betancourt |
| title_short | Collective creativity and artistic agency in colonial Latin America |
| title_sort | collective creativity and artistic agency in colonial latin america |
| topic | Indigenes Volk (DE-588)4187207-1 gnd Kolonialismus (DE-588)4073624-6 gnd Künstler (DE-588)4033423-5 gnd Kunst (DE-588)4114333-4 gnd Schwarze (DE-588)4116433-7 gnd |
| topic_facet | Indigenes Volk Kolonialismus Künstler Kunst Schwarze Lateinamerika Aufsatzsammlung |
| work_keys_str_mv | AT stanfieldmazzimayaselama collectivecreativityandartisticagencyincoloniallatinamerica AT vargasbetancourtmargarita collectivecreativityandartisticagencyincoloniallatinamerica |