The Routledge anthology of women's theatre theory and dramatic criticism:
"The Routledge Anthology of Women's Theatre Theory and Dramatic Criticism is the first wide-ranging anthology of theatre theory and dramatic criticism by women writers. Reproducing key primary documents contextualized by short essays, the collection situates women's writing within, an...
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| Format: | Buch |
| Sprache: | English |
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London ; New York
Routledge
2024
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| Schriftenreihe: | Drama and theatre studies
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "The Routledge Anthology of Women's Theatre Theory and Dramatic Criticism is the first wide-ranging anthology of theatre theory and dramatic criticism by women writers. Reproducing key primary documents contextualized by short essays, the collection situates women's writing within, and also reframes the field's male-defined and male-dominated traditions. Its collection of documents demonstrates women's consistent and wide-ranging engagement with writing about theatre and performance and offers a more expansive understanding of the forms and locations of such theoretical and critical writing, dealing with performances that often lay outside established publication venues. This alternative tradition of theatre writing that emerges allow contemporary readers to form new ways of conceptualizing the field, bringing to the fore a long-neglected, vibrant, intelligent, deeply informed, and expanded canon that generates a new era of scholarship, learning, and artistry. The Routledge Anthology of Women's Theatrical Theory and Dramatic Criticism is an important intervention into the fields of Theatre & Performance Studies, Literary Studies, and Cultural History, while adding new dimensions to Feminist, Gender & Sexuality Studies"--Verlagsinformation |
| Beschreibung: | xxxviii, 652 Seiten Illustrationen |
| ISBN: | 9780367439873 9780367439866 |
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Contents Contributors Acknowledgments Introduction xxiii xxxvi 1 CATHERINE BURROUGHS AND J. ELLEN GAINOR 1 Five Medieval Women: St. Perpetua (c. 185-203), Hildegard of Bingen (1098-1179), Hadewijch (c. 1200-c. 1250), Katherine Sutton (d. 1376), Margery Kempe (c. 1373-1438) б ANDREW GALLOWAY Introduction 6 St. Perpetua 12 Excerptfrom Passio Sanctarum Perpetuae et Felicitatis, Chaps. 6, 10 (c. 203) 12 Hildegard ofBingen 13 Excerptfrom Letters to and from Mistress Tengswich (c. 1148-1150) 13 Excerpt from Scivias, “Symphony of the Blessed ” (1141—1151) 15 Hadewijch 17 Excerpt from Visions (c. 1250) 17 Katherine Sutton, Abbess of Barking Abbey 18 Excerptfrom the Barking Ordinale and Customary (c.1375) 18 Margery Kempe 21 Excerpt fromAhe Book of Margery Kempe (c.1430) 21 2 Hrotsvit of Gandersheim (c. 935-c. 1002) ANDREW GALLOWAY Introduction 24 Hrotsvit of Gandersheim 26 “Preface to the Dramas ” (c. 1000) 26 24
viii Contents 3 Margaret Lucas Cavendish (c. 1623-1673) 28 SUJATA IYENGAR AND MIKAELA WARNER Introduction 28 Margaret Lucas Cavendish 29 Excerpt from “An Oration Concerning Plays and Players, "Orations of Diverse Sorts, Accommodated to Diverse Places (1662) 29 Excerpt from Preface 3, Plays ( 1662) 30 Excerpt from Preface 5, Plays ( 1662) 31 Excerpt from “zl General Prologue to all my Plays, ” Plays ( 1662) 32 Excerpt from Sociable Letters, no. 29(1664) 32 Excerpt from Sociable Letters, no. 123(166 !) 33 Excerpt from Sociable Letters, no. 143 (1661) 33 Excerptfroml'hK Blazing World, Part 2: The purpose ofplays (16 68) 33 4 Aphra Behn (1640-1689) 35 JOSEPHI колеи Introduction 35 Aphra Hehn 36 “To Mrs. Ellen Guin,” Dedicatory Epistle to The feign’d Curtezans; Or, Λ Night’s Intrigue (1679) 36 5 Anne Finch (1661-1720) 39 CHRISTINA BLACK Introduction 39 Anne Finch, Countess of Winchilsea 41 Excerptfrom The Poems of Anne Countess of Winchilsea (1701, 1709) 41 Excerpts Лот Те Anne Finch Wellesley Manuscript Poems, (1714-1717) 44 6 Susanna Centlivre (c. 1669-1723) 46 GILLIAN SKINNER Introduction 46 Susanna Centlivre 48 “Preface” to The Perplex’d Lovers (1712) 48 “Preface” to The Gotham Election (1715) 48 7 Charlotte Lennox (1729-1804) ELIZABETH KRAFT Introduction 51 Charlotte Lennox 53 Excerptfrom Shakespear Illustrated (1753-1754) 53 51
Contents ix 8 Charlotte Charke (1713-1760) 58 MOLLY MAROTTA Introduction 58 Charlotte Charke 60 Excerptfrom A Narrative of the Life of Mrs. Charlotte Charke (1755) 60 9 Frances Burney (1752-1840) 62 SERENA BAIESI Introduction 62 Frances Burney 63 Excerptsfrom The EarlyJournals and Letters of Fanny Burney, Volume II—1774-1777 63 Excerpts from The Early Journals and Letters of Fanny Burney, Volume III—The Streatham Years, Part 1:1778-1779 64 Excerptfrom The Early Journals and Letters of Fanny Burney, Volume IV—The Streatham Years, Part II: 1780-1781 66 Excerpt from Diary and Letters of Madame D ‘Arblay, Vol III—1788 to 1796 67 10 Hannah Cowley (1743-1809) 69 MELINDA C. FINBERG AND ANGELA ESCOTT Introduction 69 Hannah Cowley 71 “Address "from School for Greybeards (1786) 71 “Advertisement”for A. Day in Turkey (1792) 73 “Preface” to The Town Before You (1794) 73 11 Lady Eglantine Wallace (c. 1754-1803) 76 LILLA MARIA CRISAFULLI Introduction 76 Lady Eglantine Wallace 78 Excerptfrom The Whim, a Comedy in three Acts. [. J With an Address to the Public upon the Arbitrary and Unjust Aspersion of the Licenser Against Its Political Sentiments. Offered to Be Acted for the Benefit of the Hospital and Poor of The Isle of Thanet, but Refused the Royal Licence (1795) 78 12 Sally Siddons (1775-1803) LAURA ENGEL Introduction 83 Sally Siddons 84 83
X Contents Excelpts from: An Artist’s Ьле Story: Toki in the letters of Sir Thomas Lawrence, Mrs. Siddons, and her Daughters (1798-1801, pub. 1905) 84 13 Elizabeth Inchbald (1753-1821) g§ LISA A EREEMAN Introduction 88 Elizabeth htchbald 89 Remarks on King 1.eat (1806) 89 14 Joanna Baillie (1762-1851) 93 THIOMASC CROCIIUNIS Introduction 97 Joanna llaillie 9/ Ext etpt from “To the Reader, “prefatory to the Third Volume of A Series of Plays [.on I the Stronger Passions of the Mind (1812) 94 15 Felicia I lemans (1793-1835) 99 DILCO SAGLIA hitioduction 99 Eelicia Hernans 100 Excerpt from “Italian Literature No. 111.” (1821) 100 16 Adelaide O’Keeffe (1776-1865) 107 DONELLE RUWE Introduction 107 Adelaide O'Keeffe 109 Excerpt from “Memoir“ in O’Keeffe’s Legacy to his Daughter, Being the Poetic Works of the Late John O’Keeffe, Esq., the Dramatic Author (1834) 109 17 Sarah Siddons (1755-1831) 113 DANIEL O’QUINN Introduction 113 Sarah Siddons 114 Excerpt from “Memoranda: Remarks on the Character ofLady Macbeth ” in Thomas Campbell, Life of Mrs. Siddons (1834) 114 18 "Anonymous" MARJEAN D. PURINTON Introduction 121 “Anonymous” 123 Excerpt from “Nance Oldfield: The Tragedy Queen: A Comic Drama in One Act” (c. 1848) 123 121
Contents xi 19 Mary Russell Mitford (1787-1855) 125 SERENA BAIESI Introduction 125 Mary Russell Mitford 126 Excerpt from “Introduction” to Dramatic Works (1854) 126 20 Amelia Chesson (1833-1902) 131 TRACY C. DAVIS Introduction 131 Amelia Chesson 133 The Handel Festival, Second Day ’s Performance (1857) 133 137 21 Frances A. Kemble (1809-1893) CATHERINE BURROUGHS Introduction 137 Frances Anne Kemble 138 Excerptfrom “On the Stage” (1882) 138 22 Olive Logan (1839-1909) 141 MERRITT DENMAN POPP Introduction 141 Olive Logan 142 Excerpt from Apropos of Women and Theatres With a Paper or Two on Parisian Topics (1869) 142 23 Michael Field [Katharine Harris Bradley (1846-1914) and Edith Emma Cooper (1861-1913)] 147 JILL R.EHNENN Introduction 147 Michael Field 148 Preface to Callirrhoë (1884) 148 Preface to William Rufus (1885) 149 Excerpt from Letter, Katharine Bradley to Edith Cooper (28 August, 1885) 150 Excerpt from Preface to Canute the Great (1887) 150 Excerpt from Preface to The Tragic Mary (1890) 151 24 Charlotte Perkins Gilman (1860-1935) ANDREW TOLLE Introduction 154 Charlotte Perkins Stetson [Gilman] 156 “A Dramatic View” [“The Quarrel”] (1890) 156 154
xii Contents "Danie Nature Interviewed On Ί'/ie Woman Question as It Looks to 11er ” (1890) /57 25 Phyllis Robbins (1883-1972) 161 KIM MARRA Introduction 161 Excerpts from “Remembrances of Miss Maude Adams: Scrapbooks Compiled by Phyllis Robbins" (1898-1953) 161 26 Lady Augusta Gregory (1852-1932) 172 MARJORIE HOWES Introduction 172 Augusta Gregory 17-1 Excerpt from "The Pelons of Our Land " (1900) 171 27 Edith Craig (1869-1947) 178 KATTIARINE COCKIN Introduction 178 Edith Craig 179 “Producing a Play " (1907) 179 28 Christopher St. John (1871-1960) 185 LESLEY FERRIS Introduction 185 Christopher St. John 187 Excerptfrom “The First Actress" (1911) 187 29 Binodini Dasi (1862-1941) 195 APARNA DHARWADKER Introduction 195 Binodini Dasi 197 Excerpt from Amar katha ([My Story] 1912) 197 30 Florence Kiper (1886-1976) SHARON FRIEDMAN Introduction 202 Florence Kiper 204 Excerpt from “Some American Plays: From the Feminist Viewpoint ” (1914) 204 202
Contents xiii 31 May Isabel Fisk (1872-1955) 209 JENNIFER SCHMIDT Introduction 209 May Isabel Fisk 211 “The Art of Giving a Monologue ” (1914) 211 32 Djuna Barnes (1892-1982) 214 NICK SALVATO Introduction 214 Djuna Barnes 216 “When the Puppets Come to Town” (1917) 216 33 Sophie Treadwell (1885-1970) 222 JERRY DICKEY Introduction 222 Sophie Treadwell 224 “Writing a Play ” (1925) 224 34 Virginia Woolf (1882-1941) 229 SHILO MCGIFF Introduction 229 Virginia Woolf 231 “Notes on an Elizabethan Play ” (1925) 231 35 Elizabeth Robins (1862-1952) 238 JOANNE E. GATES Introduction 238 Elizabeth Robins 239 Excerpt from Ibsen and the Actress (1928) 239 36 Lena Ashwell (1872-1957) 245 MAGGIE B. GALE Introduction 245 Lena Ashwell 247 Excerpt from “Beauty in Strange Places ” (1929) 247 37 Constance Rourke (1885-1941) CHARLOTTE Μ. CANNING Introduction 252 Constance Rourke 254 Excerpt from American Humor: A Study of the National Character (1931) 254 252
xiv Contents 38 Cornelia Otis Skinner (1899-1979) 259 JENNIFER SCHMIDT Introduction 259 Cornelia Otis Skinner 260 "Monologue to Theatre: An Exponent of a Solo Art Discusses Its Rise from the Ranks of the Amateurs” (1931 ) 260 39 Gertrude Stein (1874-1916) 263 scon W KLEIN Introduction 263 Gettrade Stein 265 Excerpt from "Plays ” (I935 ) 265 40 Susan Glaspell (1876-1918) 268 1 ELLEN GAINOR AND ELIZABEIII A. OSBORNE Introduction 268 Susan Glaspcll 270 “Speech on the Redend Theatre Project ” (c. 1937) 270 41 Hallie Flanagan (1889-1969) 274 ELIZANET H A. OSBORNE Introduction 27-1 Hallie Hanagan 275 Excerpt from ARENA (1940) 275 42 Joan Littlewood (1914-2002) 280 FATlNE BAHAR KARLIDAG Introduction 280 Joan Littlewood 282 “The Theatre and Communism: Some Ideas Inspired by a Recent Visit to Czechoslovakia”(c. 1949) 282 43 Alice Childress (1916-1994) MEENAKSHI PONNUSWAMI Introduction 287 Alice Childress 289 Excerpt from “For a Negro Theatre” (1951) 289 Excerpt from “A Candle in a Gale Wind” (1953/56) 290 Excerpt from “The Negro Woman in American Literature” (1965) 291 Excerpt from “The Black Experience: ‘Why Talk About That?’” (1967) 292 Excerptfrom “Black Writers ’ Views on Literary Lions and Values ” (1968) 293 Excerpt from “But I Do My Thing” (1969) 294 287
Contents 44 Ann Jellicoe (1927-2017) XV 296 KATE PIERSON Introduction 296 Ann Jellicoe 298 Excerptfrom “Some Unconscious Influences in the Theatre” (1967) 298 45 Barbara Ann Teer (1937-2008) 302 LA DONNA L. FORSGREN Introduction 302 Barbara Ann Teer 304 “We Can Be What We Were Born to Be” (1968) 304 46 Judith Malina (1926-2015) 308 KATE BREDESON Introduction 308 Judith Malina 309 Excerptsfrom the Diaries ofJudith Malina (1969) 309 47 Rose Yuen Ow (1895—?) 313 KRYSTYN MOON Introduction 313 Rose Yuen Ow 314 Excerpt from Interview (1970) 314 48 Marguerite Duras (1914-1996) 319 SHELLEY ORR Introduction 319 Marguerite Duros 321 Excerptfrom India Song (1973) 321 49 Megan Terry (1932-2023) MAYA E. ROTH Introduction 322 Megan Terry 324 Excerpt from “Preface” to Ex-Miss Copper Queen on a Set of Pills (1966) 324 Excerptfrom Molly Bailey’s Traveling Family Circus featuring Scenes from the Life of Mother Jones (1983) 324 Excerpt from Interview with Dinah L. Leavitt (1981) 324 Excerptfrom Interview with Felicia Londré (1996) 325 Excerpts from Right Brain Vacation Photos (1992) 326 322
\vi Contents 5 0 Dorothy Hlewett (1923-2002) _ 040 AOI SIRANITORD Introduction 328 1 forothy Hewett 330 Exceipt from "Why Does Salif Bow?" ( 1977) 330 51 Maria Irene For nés (1930-2018) 332 i INDA M.N/VI Iiitrodiu tion 332 Maria Irene Fontes 334 Excerpt fiom Inten’iew with David Savran, "Maria Irene Fontes " (1988) 334 Exempt pom "Creative Danger: Exploring the Woman's Voice in Drama" (1985) 335 Exempt pom Fontes, “Maria Irene Eonies " ( 1983) 336 Exempt pom Eonies, "I Write These Messages That Come” ( 1977) 336 Excel fit from Delgado, "Maria Irene Eonies Discusses Foitf Years in Theatre with Malta Μ. Delgado" ( 1999) 337 52 Jane Chambers (1937-1983) 339 SARA WARNER Introduction 339 Jane Chambers 340 " The Arrogant Playwright as Humble Actor” ( 1981) 340 53 Elfriede Jelinek (b.1946) 344 ANKE CHIARTON Introduction 344 ElfriedeJelinek 345 Ί Want to be Shallow” (1983) 345 54 Sue-Ellen Case (b.1942) 349 FENNY FARFAN Introduction 349 Sue-Ellen Case 351 Excerpt from “Classic Drag: The Greek Creation of Male Parts ” (1985) 351 Excerpt from “Towards a Butch-Femme Aesthetic ” (1988-1989) 353 55 Adrienne Kennedy (b. 1931) MAYA E. ROTH Introduction 357 357
Contents xvii Adrienne Kennedy 359 Excerpts from People Who Led to My Plays (1987) 359 56 Liz Lochhead (b.1947) 366 AOISE STRATFORD Introduction 366 Liz Lochhead 368 Excerptfrom “Introduction” to Mary Queen of Scots Got Her Head Chopped Off (1987) 368 57 Constance Congdon (b.1944) 371 RYAN PLATT Introduction 371 Constance Congdon 372 Excerptfrom “How to Talk to a Playwright” (1990) 372 58 Elizabeth MacLennan (1938-2015) 374 GIOIA ANGELETTI Introduction 374 Elizabeth MacLennan 376 Excerpts from The Moon Belongs to Everyone: Making Theatre with 7:84 (1990) 376 59 Monstrous Regiment (1975-1993) 384 ELAINE ASTON Introduction 384 Monstrous Regiment 386 Excerptfrom Interview with Monstrous Regiment company members Chris Bowler, Gillian Hanna and Mary McCusker conducted by Elaine Aston and Gabriele Griffin (1990) 386 60 Jill Dolan (b.1957) 391 JESSICA DEL VECCHIO Introduction 391 Jill Dolan 392 Excerptfrom The Feminist Spectator as Critic (1988/1991) 392 61 The Divina Project (1989-1998) JULIET GUZZETTA Introduction 399 The Divina Project 401 Excerpt from Life Events, Theater Events (1992) 401 399
xviii Contents 62 Nehad Selaiha (1945-2017) 403 MARVIN CARLSON Introduction 403 Nehad Selaiha 404 Excerpt from “Women Playwrights in Egypt” ( 1992) 404 Excerpt from “Art and Politics” (1999) 405 Excerptfrom “A Year of Revolutionary Theatre” (2011) 406 63 Peggy Phelan (b.1959) 409 DANIEL SACK Introduction 409 Peggy Phelan 411 Excerpt from “The Ontology of Performance ” (1993) 411 64 Suzan-Lor Parks (b.1963) 415 KRISTEN WRIGHT Introduction 415 Suzan-Lori Parks 417 “From Elements of Style ” (1994) 417 65 Kate Bornstein (b.1948) 426 KARA RAPHAELI Introduction 426 Kate Bornstein 427 “Transsexual Lesbian Playwright Tells All!” (1990) 427 “Theater, and the Future of the Body ” (2005) 429 66 Elin Diamond (b. 1948) 432 JEN-SCOTT MOBLEY Introduction 432 Elin Diamond 434 Excerpt from “Introduction ” to Unmaking Mimesis (1997) 434 67 Hélène Cixous (b.1937) RACHEL MORRIS WATSON Introduction 440 Hélène Cixous 441 “The Theatre Surprised by Puppets” (1999) 441 440
Contents xix 68 Mîcere Gîthae Mûgo (1942-2023) 447 KELLEN HOXWORTH Introduction 447 Mîcere Gthae Mûgo 449 Excerpt from “Popular Paradigms and Conceptions: Orature-Based Community Theater” (1999) 449 69 Diane Glancy (b.1941) 455 BIRGIT DÄWES Introduction 455 Diane Glancy 45 7 “Further (Farther): Creating Dialogue to Talk about Native American Plays” (1999/2002) 457 70 Lois Weaver (b.1949) 460 BENJAMIN GILLESPIE Introduction 460 Lois Weaver 461 Excerpts from Performance Protocols: Long Table Dinner Party (2003) 461 Porch Sitting (2012) 462 Care Café (2016) 463 71 Judith Thompson (b. 1954) 466 ERICA STEVENS ABBITT Introduction 466 Judith Thompson 468 Excerptfrom “That Stinking Hot Summer” (2010) 468 72 Cherrie Moraga (b.1952) 474 LINDSAY B. CUMMINGS Introduction 474 Cherrie L. Moraga 475 Excerptfrom “An Irrevocable Promise: Staging the Story Xicana” (2002/2011) 475 73 Amal Allana (b. 1947) APARNA DHARWADKER Introduction 481 Amal Allana 483 Excerpt from “Introduction ” to The Act of Becoming: Actors Talk (2013) 483 481
XX Contents 74 Naomi Wallace (b. 1960) 488 LINDSAY B. CUMMINGS Introduction 488 Naomi Wallace 489 Excerpt from “Let the Hight One In: On Resistance, Hospitality, and New Wilting for the American Stage” (2013) 489 75 Mojisola Adebayo (b. 1971) 495 KELLEN HIOXWORTII Introduction 495 Mojisola Adebayo 497 Excerpt from “Everything Ion Know About Qjteerness You Learnt From Blackness: The Afri-Quia Theatre of Black Dykes, Crips and Kids” (2015) 497 76 Lauren Gunderson (b.1982) 502 ΝΟΕΙ 1Л HIERNANDO-REAL Introduction 502 Lauren Gunderson 504 Excerpt from “Survival of the Storied: Why Science Needs Art and Art Needs Science” (2015) 504 77 Sarah Ruhl (b.1974) 510 AMY MUSE Introduction 510 Sarah Ruhl 511 Excerpts from 100 Essays I Don’t Have Time to Write: On Umbrellas and Sword Fights, Parades and Dogs, Fire Alarms, Children, and Theater (2014) 511 78 Elaine Aston (b.1958) 516 GERALDINE HARRIS Introduction 516 Elaine Aston 518 Excerpt from “Agitatingfor Change: Theatre and a Feminist ‘Network of Resistance’” (2016) 518 79 Dame Harriet Walter (b.1950) ROSEMARY MALAGUE Introduction 523 Dame Harriet Walter 525 523
Contents xxi Excerpt from “Helena: Heroine or Harpy?” Brutus and Other Heroines (2016) 525 80 Catherine Kodicek (b.1972) 529 KITTY GURNOS-DAVIES Introduction 529 Catherine Kodicek 530 “Stop Treating Costume Professionals as Second-Class Workers” (2017) 530 81 Spiderwoman Theater (1976-) and Muriel Miguel (b.1937) 533 LILIAN MENGESHA Introduction 533 Spiderwoman Theater and Muriel Miguel 535 Excerpt from the National Endowment for the Arts Interview with Spiderwoman Theater’s Muriel Miguel by Josephine Reed (2017) 535 82 Emma Rice (b.1967) 541 SIOUXSIE EASTER Introduction 541 Emma Rice 543 “Dear Future Artistic Director of Shakespeare’s Globe” (2017) 543 83 Paula Vogel (b.1951) 546 MEGHAN BRODIE Introduction 546 Paula Vogel 548 Excerptfrom Victoria Myers’ “An Interview with Paula Vogel” (2017) 548 84 Elaine Romero 553 JIMMY A. NORIEGA Introduction 553 Elaine Romero 555 “The Power of Space” (2018) 555 85 Velina Hasu Houston (b.1957) EUNHANA Introduction 560 Velina Hasu Houston 561 Excerpts from matchabook (2018) 561 560
xxii Contents 86 Quiara Alegria Hudes (b.1977) and Gabriela Serena Sanchez 555 J. ELLEN GAINOR Introduction 566 Quiara Alegria Hudes and Gabriela Serena Sanchez 568 Excerpt from “Pausing and Breathing: Two Sisters Deliver the ATHE 2018 Conference Keynote Address ” (2018) 568 87 Winsome Pinnock (b.1961) 576 GABRIELE GRIFFIN Introduction 576 Winsome Pinnock 578 Excerpts from Interviews (1999-2019) 5 78 88 Takemoto Koshikô (b,1953) 584 MAKI ISAKA Introduction 584 Takemato Koshikô 586 Excerpt from Interview with Maki Isaka (2019) 586 89 Emilie Monnet (b. 1979) 588 LINDSAY LACHANCE Introduction 588 Emilie Monnet 589 Excerpts from Okinum (2020) 589 Works Cited Index 602 635 |
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| genre | (DE-588)4002214-6 Anthologie gnd-content (DE-588)4143413-4 Aufsatzsammlung gnd-content |
| genre_facet | Anthologie Aufsatzsammlung |
| id | DE-604.BV049024577 |
| illustrated | Illustrated |
| index_date | 2024-07-03T22:14:43Z |
| indexdate | 2024-07-10T09:53:06Z |
| institution | BVB |
| isbn | 9780367439873 9780367439866 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034287409 |
| oclc_num | 1408339326 |
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| owner_facet | DE-188 DE-703 DE-19 DE-BY-UBM DE-12 DE-473 DE-BY-UBG DE-739 |
| physical | xxxviii, 652 Seiten Illustrationen |
| publishDate | 2024 |
| publishDateSearch | 2024 |
| publishDateSort | 2024 |
| publisher | Routledge |
| record_format | marc |
| series2 | Drama and theatre studies |
| spelling | The Routledge anthology of women's theatre theory and dramatic criticism edited by Catherine Burroughs and J. Ellen Gainor Anthology of women's theatre theory and dramatic criticism London ; New York Routledge 2024 xxxviii, 652 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Drama and theatre studies "The Routledge Anthology of Women's Theatre Theory and Dramatic Criticism is the first wide-ranging anthology of theatre theory and dramatic criticism by women writers. Reproducing key primary documents contextualized by short essays, the collection situates women's writing within, and also reframes the field's male-defined and male-dominated traditions. Its collection of documents demonstrates women's consistent and wide-ranging engagement with writing about theatre and performance and offers a more expansive understanding of the forms and locations of such theoretical and critical writing, dealing with performances that often lay outside established publication venues. This alternative tradition of theatre writing that emerges allow contemporary readers to form new ways of conceptualizing the field, bringing to the fore a long-neglected, vibrant, intelligent, deeply informed, and expanded canon that generates a new era of scholarship, learning, and artistry. The Routledge Anthology of Women's Theatrical Theory and Dramatic Criticism is an important intervention into the fields of Theatre & Performance Studies, Literary Studies, and Cultural History, while adding new dimensions to Feminist, Gender & Sexuality Studies"--Verlagsinformation Theatertheorie (DE-588)4185056-7 gnd rswk-swf Frauentheater (DE-588)4153987-4 gnd rswk-swf Dramentheorie (DE-588)4070570-5 gnd rswk-swf Dramatic criticism Women theater critics Feminist criticism (DE-588)4002214-6 Anthologie gnd-content (DE-588)4143413-4 Aufsatzsammlung gnd-content Frauentheater (DE-588)4153987-4 s Dramentheorie (DE-588)4070570-5 s Theatertheorie (DE-588)4185056-7 s DE-604 Burroughs, Catherine B. 1958- (DE-588)1055084142 edt Gainor, J. Ellen 1958- (DE-588)140946446 edt Erscheint auch als Online-Ausgabe 978-1-003-00692-3 Digitalisierung UB Bamberg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034287409&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | The Routledge anthology of women's theatre theory and dramatic criticism Theatertheorie (DE-588)4185056-7 gnd Frauentheater (DE-588)4153987-4 gnd Dramentheorie (DE-588)4070570-5 gnd |
| subject_GND | (DE-588)4185056-7 (DE-588)4153987-4 (DE-588)4070570-5 (DE-588)4002214-6 (DE-588)4143413-4 |
| title | The Routledge anthology of women's theatre theory and dramatic criticism |
| title_alt | Anthology of women's theatre theory and dramatic criticism |
| title_auth | The Routledge anthology of women's theatre theory and dramatic criticism |
| title_exact_search | The Routledge anthology of women's theatre theory and dramatic criticism |
| title_exact_search_txtP | The Routledge anthology of women's theatre theory and dramatic criticism |
| title_full | The Routledge anthology of women's theatre theory and dramatic criticism edited by Catherine Burroughs and J. Ellen Gainor |
| title_fullStr | The Routledge anthology of women's theatre theory and dramatic criticism edited by Catherine Burroughs and J. Ellen Gainor |
| title_full_unstemmed | The Routledge anthology of women's theatre theory and dramatic criticism edited by Catherine Burroughs and J. Ellen Gainor |
| title_short | The Routledge anthology of women's theatre theory and dramatic criticism |
| title_sort | the routledge anthology of women s theatre theory and dramatic criticism |
| topic | Theatertheorie (DE-588)4185056-7 gnd Frauentheater (DE-588)4153987-4 gnd Dramentheorie (DE-588)4070570-5 gnd |
| topic_facet | Theatertheorie Frauentheater Dramentheorie Anthologie Aufsatzsammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034287409&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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