All the President's Men:
"Through a close reading of key scenes, performances and stylistic decisions, Christian Keathley and Robert B. Ray show how the film derives its narrative power through a series of controlled oppositions: silence vs. noise; stationary vs. moving camera; dark vs. well-lit scenes and shallow vs....
Gespeichert in:
Hauptverfasser: | , |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
London
British Film Institute
2023
|
Schriftenreihe: | BFI film classics
|
Schlagworte: | |
Zusammenfassung: | "Through a close reading of key scenes, performances and stylistic decisions, Christian Keathley and Robert B. Ray show how the film derives its narrative power through a series of controlled oppositions: silence vs. noise; stationary vs. moving camera; dark vs. well-lit scenes and shallow vs. deep focus, tracing how these elements combine to create an underlying formal design crucial to the film's achievement. They argue that the film does not fit the auteurist model of New Hollywood film-makers such as Coppola and Scorsese. Instead, All the President's Men more closely resembles a studio-era film, the result of a collaboration between a producer (Robert Redford), multiple scriptwriters, a skilful director, important stars (Robert Redford and Dustin Hoffman), a distinctive cameraman (Gordon Willis), an imaginative art director (George Jenkins) and ingenious sound designers, who together created an enduringly great film."-- |
Beschreibung: | 112 Seiten Illustrationen 19 cm |
ISBN: | 9781839024047 |
Internformat
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520 | 3 | |a "Through a close reading of key scenes, performances and stylistic decisions, Christian Keathley and Robert B. Ray show how the film derives its narrative power through a series of controlled oppositions: silence vs. noise; stationary vs. moving camera; dark vs. well-lit scenes and shallow vs. deep focus, tracing how these elements combine to create an underlying formal design crucial to the film's achievement. They argue that the film does not fit the auteurist model of New Hollywood film-makers such as Coppola and Scorsese. Instead, All the President's Men more closely resembles a studio-era film, the result of a collaboration between a producer (Robert Redford), multiple scriptwriters, a skilful director, important stars (Robert Redford and Dustin Hoffman), a distinctive cameraman (Gordon Willis), an imaginative art director (George Jenkins) and ingenious sound designers, who together created an enduringly great film."-- | |
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700 | 1 | |a Ray, Robert B. |d 1943- |e Verfasser |0 (DE-588)136063462 |4 aut | |
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Datensatz im Suchindex
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id | DE-604.BV049017596 |
illustrated | Illustrated |
index_date | 2024-07-03T22:13:15Z |
indexdate | 2024-07-10T09:52:55Z |
institution | BVB |
isbn | 9781839024047 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034280537 |
oclc_num | 1392136665 |
open_access_boolean | |
owner | DE-12 DE-M472 |
owner_facet | DE-12 DE-M472 |
physical | 112 Seiten Illustrationen 19 cm |
psigel | BSB_NED_20230802 |
publishDate | 2023 |
publishDateSearch | 2023 |
publishDateSort | 2023 |
publisher | British Film Institute |
record_format | marc |
series2 | BFI film classics |
spelling | Keathley, Christian Verfasser (DE-588)174031106 aut All the President's Men Christian Keathley and Robert B. Ray London British Film Institute 2023 112 Seiten Illustrationen 19 cm txt rdacontent n rdamedia nc rdacarrier BFI film classics "Through a close reading of key scenes, performances and stylistic decisions, Christian Keathley and Robert B. Ray show how the film derives its narrative power through a series of controlled oppositions: silence vs. noise; stationary vs. moving camera; dark vs. well-lit scenes and shallow vs. deep focus, tracing how these elements combine to create an underlying formal design crucial to the film's achievement. They argue that the film does not fit the auteurist model of New Hollywood film-makers such as Coppola and Scorsese. Instead, All the President's Men more closely resembles a studio-era film, the result of a collaboration between a producer (Robert Redford), multiple scriptwriters, a skilful director, important stars (Robert Redford and Dustin Hoffman), a distinctive cameraman (Gordon Willis), an imaginative art director (George Jenkins) and ingenious sound designers, who together created an enduringly great film."-- All the president's men (DE-588)7676911-2 gnd rswk-swf All the president's men (Motion picture) Motion pictures / Production and direction / United States / History / 20th century All the president's men (DE-588)7676911-2 u DE-604 Ray, Robert B. 1943- Verfasser (DE-588)136063462 aut Erscheint auch als Online-Ausgabe, EPUB 978-1-83902-405-4 Erscheint auch als Online-Ausgabe, PDF 978-1-83902-406-1 |
spellingShingle | Keathley, Christian Ray, Robert B. 1943- All the President's Men All the president's men (DE-588)7676911-2 gnd |
subject_GND | (DE-588)7676911-2 |
title | All the President's Men |
title_auth | All the President's Men |
title_exact_search | All the President's Men |
title_exact_search_txtP | All the President's Men |
title_full | All the President's Men Christian Keathley and Robert B. Ray |
title_fullStr | All the President's Men Christian Keathley and Robert B. Ray |
title_full_unstemmed | All the President's Men Christian Keathley and Robert B. Ray |
title_short | All the President's Men |
title_sort | all the president s men |
topic | All the president's men (DE-588)7676911-2 gnd |
topic_facet | All the president's men |
work_keys_str_mv | AT keathleychristian allthepresidentsmen AT rayrobertb allthepresidentsmen |