Black iconography and colonial (re)production at the ICC: (in)dependence Cha Cha Cha?
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge, Taylor & Francis Group
2023
|
| Schriftenreihe: | Directions and developments in criminal justice and law
8 |
| Schlagworte: | |
| Online-Zugang: | Cover Inhaltsverzeichnis |
| Beschreibung: | Zielgruppe: 5PBD, Bezug zu Völkern afrikanischer Abstammung (5PBD) Interessenniveau: 05, College/higher education: For universities and colleges of further and higher education. (05) Interessenniveau: 06, Professional and scholarly: For an expert adult audience, including academic research. (06) |
| Beschreibung: | xvi, 251 Seiten Illustrationen |
| Produktionsangaben: | This book explores the reproduction of colonialism at the International Criminal Court (ICC) and examines international criminal law (ICL) vs the black body through an immersive format of art, music, poetry, and architecture and post-colonial/critical race theory lens.Taking a multi-disciplinary approach, the book interrogates the operationalisation of the Rome Statute to detail a Eurocentric hegemony at the core of ICL. It explores how colonialism and slavery have come to shape ICL, exposing the perpetuation of the colonial, and warns that it has ominous contemporary and future implications for Africa. As currently envisaged and acted out at the ICC, this law is founded on deceptive and colonial ideas of 'what is wrong' in/with the world. The book finds that the contemporary ICL regime is founded on white supremacy that corrupts the law's interaction with the African. The African is but a unit utilised by the global elite to exploit and extract resources. From time to time, these alliances disintegrate with ICL becoming a retaliatory tool of choice. What is at stake is power, not justice. This power has been hierarchical with Eurocentrism at the top throughout modern history. Colonialism is seen not to have ended but to have regerminated through the foundation of the 'independent' African state. The ICC reproduces the colonial by use of European law and, ultimately, the over-representation of the black accused. To conclude, the book provides a liberated African forum that can address conflicts in the content, with a call for the end of the ICC's involvement in Africa. The demand is made for an African court that utilises non-colonising African norms which are uniquely suited to address local conflicts.Multidisciplinary in nature, this book will be of great interest to students and scholars of international criminal law, criminal justice, human rights law, African studies, global social justice, sociology, anthropology, postcolonial studies, and philosoph |
| ISBN: | 9781032302553 9781032302560 |
Internformat
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| 508 | |a This book explores the reproduction of colonialism at the International Criminal Court (ICC) and examines international criminal law (ICL) vs the black body through an immersive format of art, music, poetry, and architecture and post-colonial/critical race theory lens.Taking a multi-disciplinary approach, the book interrogates the operationalisation of the Rome Statute to detail a Eurocentric hegemony at the core of ICL. It explores how colonialism and slavery have come to shape ICL, exposing the perpetuation of the colonial, and warns that it has ominous contemporary and future implications for Africa. As currently envisaged and acted out at the ICC, this law is founded on deceptive and colonial ideas of 'what is wrong' in/with the world. The book finds that the contemporary ICL regime is founded on white supremacy that corrupts the law's interaction with the African. The African is but a unit utilised by the global elite to exploit and extract resources. From time to time, these alliances disintegrate with ICL becoming a retaliatory tool of choice. What is at stake is power, not justice. This power has been hierarchical with Eurocentrism at the top throughout modern history. Colonialism is seen not to have ended but to have regerminated through the foundation of the 'independent' African state. The ICC reproduces the colonial by use of European law and, ultimately, the over-representation of the black accused. To conclude, the book provides a liberated African forum that can address conflicts in the content, with a call for the end of the ICC's involvement in Africa. The demand is made for an African court that utilises non-colonising African norms which are uniquely suited to address local conflicts.Multidisciplinary in nature, this book will be of great interest to students and scholars of international criminal law, criminal justice, human rights law, African studies, global social justice, sociology, anthropology, postcolonial studies, and philosoph | ||
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Datensatz im Suchindex
| _version_ | 1805078767542992896 |
|---|---|
| adam_text | |
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Wanjiru, Stanley Mwangi |
| author_facet | Wanjiru, Stanley Mwangi |
| author_role | aut |
| author_sort | Wanjiru, Stanley Mwangi |
| author_variant | s m w sm smw |
| building | Verbundindex |
| bvnumber | BV049013593 |
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| dewey-hundreds | 300 - Social sciences |
| dewey-ones | 345 - Criminal law |
| dewey-raw | 345.01 |
| dewey-search | 345.01 |
| dewey-sort | 3345.01 |
| dewey-tens | 340 - Law |
| discipline | Rechtswissenschaft |
| discipline_str_mv | Rechtswissenschaft |
| format | Book |
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| id | DE-604.BV049013593 |
| illustrated | Illustrated |
| index_date | 2024-07-03T22:12:21Z |
| indexdate | 2024-07-20T06:34:19Z |
| institution | BVB |
| isbn | 9781032302553 9781032302560 |
| language | English |
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| physical | xvi, 251 Seiten Illustrationen |
| publishDate | 2023 |
| publishDateSearch | 2023 |
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| publisher | Routledge, Taylor & Francis Group |
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| series | Directions and developments in criminal justice and law |
| series2 | Directions and developments in criminal justice and law |
| spelling | Wanjiru, Stanley Mwangi Verfasser aut Black iconography and colonial (re)production at the ICC (in)dependence Cha Cha Cha? Stanley Mwangi Wanjiru London ; New York Routledge, Taylor & Francis Group 2023 xvi, 251 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Directions and developments in criminal justice and law 8 Zielgruppe: 5PBD, Bezug zu Völkern afrikanischer Abstammung (5PBD) Interessenniveau: 05, College/higher education: For universities and colleges of further and higher education. (05) Interessenniveau: 06, Professional and scholarly: For an expert adult audience, including academic research. (06) This book explores the reproduction of colonialism at the International Criminal Court (ICC) and examines international criminal law (ICL) vs the black body through an immersive format of art, music, poetry, and architecture and post-colonial/critical race theory lens.Taking a multi-disciplinary approach, the book interrogates the operationalisation of the Rome Statute to detail a Eurocentric hegemony at the core of ICL. It explores how colonialism and slavery have come to shape ICL, exposing the perpetuation of the colonial, and warns that it has ominous contemporary and future implications for Africa. As currently envisaged and acted out at the ICC, this law is founded on deceptive and colonial ideas of 'what is wrong' in/with the world. The book finds that the contemporary ICL regime is founded on white supremacy that corrupts the law's interaction with the African. The African is but a unit utilised by the global elite to exploit and extract resources. From time to time, these alliances disintegrate with ICL becoming a retaliatory tool of choice. What is at stake is power, not justice. This power has been hierarchical with Eurocentrism at the top throughout modern history. Colonialism is seen not to have ended but to have regerminated through the foundation of the 'independent' African state. The ICC reproduces the colonial by use of European law and, ultimately, the over-representation of the black accused. To conclude, the book provides a liberated African forum that can address conflicts in the content, with a call for the end of the ICC's involvement in Africa. The demand is made for an African court that utilises non-colonising African norms which are uniquely suited to address local conflicts.Multidisciplinary in nature, this book will be of great interest to students and scholars of international criminal law, criminal justice, human rights law, African studies, global social justice, sociology, anthropology, postcolonial studies, and philosoph Internationaler Strafgerichtshof (DE-588)3042935-3 gnd rswk-swf Critical race theory (DE-588)1205510435 gnd rswk-swf Entkolonialisierung (DE-588)4070860-3 gnd rswk-swf Black & Asian studies Colonialism & imperialism Ethnische Gruppen und multikulturelle Studien International courts & procedures International criminal law Internationales Recht: Gerichtshöfe und Verfahrensrecht Internationales Öffentliches Recht: Strafrecht Kolonialismus und Imperialismus LAW / Courts LAW / Criminal Law / General LAW / International POL045000 SOC070000 SOCIAL SCIENCE / Criminology SOCIAL SCIENCE / Penology Internationaler Strafgerichtshof (DE-588)3042935-3 b Entkolonialisierung (DE-588)4070860-3 s Critical race theory (DE-588)1205510435 s DE-604 Erscheint auch als Online-Ausgabe 978-1-003-30417-3 Directions and developments in criminal justice and law 8 (DE-604)BV049052664 8 http://www.dietmardreier.de/annot/426F6F6B446174617C7C393738313033323330323535337C7C434F50.jpg?sq=5 Verlag Cover B:DE-Frei85 V:DE-576 https://swbplus.bsz-bw.de/bsz1808681703inh.htm 20221206193123 Inhaltsverzeichnis |
| spellingShingle | Wanjiru, Stanley Mwangi Black iconography and colonial (re)production at the ICC (in)dependence Cha Cha Cha? Directions and developments in criminal justice and law Internationaler Strafgerichtshof (DE-588)3042935-3 gnd Critical race theory (DE-588)1205510435 gnd Entkolonialisierung (DE-588)4070860-3 gnd |
| subject_GND | (DE-588)3042935-3 (DE-588)1205510435 (DE-588)4070860-3 |
| title | Black iconography and colonial (re)production at the ICC (in)dependence Cha Cha Cha? |
| title_auth | Black iconography and colonial (re)production at the ICC (in)dependence Cha Cha Cha? |
| title_exact_search | Black iconography and colonial (re)production at the ICC (in)dependence Cha Cha Cha? |
| title_exact_search_txtP | Black iconography and colonial (re)production at the ICC (in)dependence Cha Cha Cha? |
| title_full | Black iconography and colonial (re)production at the ICC (in)dependence Cha Cha Cha? Stanley Mwangi Wanjiru |
| title_fullStr | Black iconography and colonial (re)production at the ICC (in)dependence Cha Cha Cha? Stanley Mwangi Wanjiru |
| title_full_unstemmed | Black iconography and colonial (re)production at the ICC (in)dependence Cha Cha Cha? Stanley Mwangi Wanjiru |
| title_short | Black iconography and colonial (re)production at the ICC |
| title_sort | black iconography and colonial re production at the icc in dependence cha cha cha |
| title_sub | (in)dependence Cha Cha Cha? |
| topic | Internationaler Strafgerichtshof (DE-588)3042935-3 gnd Critical race theory (DE-588)1205510435 gnd Entkolonialisierung (DE-588)4070860-3 gnd |
| topic_facet | Internationaler Strafgerichtshof Critical race theory Entkolonialisierung |
| url | http://www.dietmardreier.de/annot/426F6F6B446174617C7C393738313033323330323535337C7C434F50.jpg?sq=5 https://swbplus.bsz-bw.de/bsz1808681703inh.htm |
| volume_link | (DE-604)BV049052664 |
| work_keys_str_mv | AT wanjirustanleymwangi blackiconographyandcolonialreproductionattheiccindependencechachacha |