"Race is everything": art and human difference
‘Race Is Everything’ looks at ideas of ‘racial science’ in the nineteenth century and the first half of the twentieth century, and how art was influenced by them. It looks at race in general, but with a particular concentration on attitudes towards and representations of people of African and Jewish...
Gespeichert in:
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London, UK
Reaktion Books
2023
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | ‘Race Is Everything’ looks at ideas of ‘racial science’ in the nineteenth century and the first half of the twentieth century, and how art was influenced by them. It looks at race in general, but with a particular concentration on attitudes towards and representations of people of African and Jewish descent. David Bindman argues that behind all racial ideas is the belief that outward appearance, and especially skull-shape, can be correlated with inner character and intelligence, and that these could be used to create a seemingly scientific hierarchy of races. This book considers many aspects, including the skull as a racial marker; ancient Egypt as a precedent for Southern slavery; Darwin, race and aesthetics; the ‘Mediterranean race’; the visual aspects of eugenics; and the racial politics of Emil Nolde. |
| Beschreibung: | 344 Seiten Illustrationen |
| ISBN: | 9781789146967 |
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Datensatz im Suchindex
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CONTENTS Foreword 7 HENRY LOUIS GATES JR Preface ιι Introduction: Racial Science and Visual Culture 19 PART I THE RACIAL BODY I Measuring Racial Difference 42 2 Bumps on the Head: From Phrenology to Physiognomy 3 Head and Body, Skull and Skeleton 63 53 PARTI! RACE AND NATIONALISM 4 Germans, Teutons and the Anglo-Saxon Race 8~ PART III ANCIENT EGYPTIANS, JEWS AND THE MODERN RACE 5 Egypt’s Land: Racial Determinism and the Art of the Ancient World 138 6 Semites: Jews and the Orient 189 PART IV CHARLES DARWIN: EVOLUTION AND THE AESTHETICS OF RACE 7 The Aesthetics of Evolution: Race, Beauty and Ugliness 204 PART V FROM RACE TO EUGENICS: NATIONS UNDER THREAT 8 France Divided: From the Franco-Prussian War to the Dreyfus Affair 221 9 Eugenics and the Defence of the White Races 247 PART VI INTO THE TWENTIETH CENTURY: RACE IN THE WORLD 10 The Ape, the Coon and the Savage: From Racial Science to Racist Imagery 275 H Responses to Racial Science and Eugenics 283 Postscript 306
‘Race Is Everything’ looks at ideas of‘racial science’ in the nineteenth century and the first half of the twentieth century, and how art was influenced by them. It looks at race in general, but with a particular concentration on attitudes towards and representations of people of African and Jewish descent. David Bindman argues that behind all racial ideas is the belief that outward appearance, especially skull-shape, can be correlated with inner character and intelligence, and that these could be used to create a seemingly scientific hierarchy of races. This book considers many aspects, including the skull as a racial marker; ancient Egypt as a precedent for Southern slavery; Darwin, race and aesthetics; the ‘Mediterranean race’; the visual aspects of eugenics; and the racial politics of Emil Nolde. With io# illustrations, n in colour
is Emeritus DurningLawrence Professor of the History of Art, University College London, and a Fellow of the Hutchins Center, Harvard University. He is the author or editor of many books, including Ape to Apollo: Aesthetics and the Idea ofRace in the 18th Century (Reaktion, 2002). DAVID BINDMAN |
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| discipline | Kunstgeschichte Sozial-/Kulturanthropologie / Empirische Kulturwissenschaft |
| discipline_str_mv | Sozial-/Kulturanthropologie / Empirische Kulturwissenschaft |
| era | Geschichte gnd |
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| title_full | "Race is everything" art and human difference David Bindman ; foreword by Henry Louis Gates Jr |
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