When music takes over in film:
Gespeichert in:
| Körperschaft: | |
|---|---|
| Weitere Verfasser: | , , |
| Format: | Tagungsbericht Buch |
| Sprache: | English |
| Veröffentlicht: |
Cham, Switzerland
Palgrave Macmillan
[2023]
|
| Schriftenreihe: | Palgrave studies in audio-visual culture
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | xviii, 255 Seiten Illustrationen |
| ISBN: | 9783030891565 9783030891541 |
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Datensatz im Suchindex
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| adam_text |
Contents 1 From Unheard to Meaningful: When Music Takes Over in Film Anna K. Windisch, Claus Tieber, and Phil Powrie 1 Part I What The Musical Moment Can Do—Theoretical Approaches 2 3 Dark Times: Fabulation, Synchrony, and the Musical Moment Reprised Amy Herzog 15 The Acoustic Wound: Reflections on the Crystal-Song in Five American Films Phil Powrie 35 Part II 4 5 How The Musical Moment Was Created—Musical Numbers in Silent and Early Sound Cinema Musical Moments as Narrative and Emotional Catalysts in Three Silent Films by Jacques Feyder Dominique Nasta 57 The Rhythm of the Night: Abstraction and Sexuality as Destabilisers in Austrian Silent Cinema Claus Tieber 75 xi
xii CONTENTS 6 All Singing! All Talking! All British! Musical Moments in Early British Talkies 1929 to 1932 95 Laraine Porter Part III Musical Dis/Placements—Musical Moments in Global Cinema 7 Musical Numbers in Bollywood Cinema’s Homeland and Diaspora 117 Rajinder Dudrah 8 The Afterlife of Continental Romance: Musical Moments in Ichikawa Ron’s Passion Without End (1949) and Eragrance of the Night (1951) 141 Junko Yamazaki 9 Redemption Songs: Musical Moments in Joseph Gai Ramaka’s Karmen Gei (2001) and Flora Gomes’s Nha Fala (2002) 161 Yifen Beus 10 ‘No Hay Nada Que Celebrar’: Mūšią Migration, and Violence in Luis Estrada’s El Infierno (2010) 181 Jacqueline Avila Part IV From Romance to Dystopia 11 Can You Hear the Love Tonight? Creating Cinematic Romance with Diegetic Songs 203 Katja Hettich 12 Desperately Funny: Comedy, Performance and the Musical Moment in Toni Erdmann (2016) 225 Rhiannon Harries Index 247 |
| adam_txt |
Contents 1 From Unheard to Meaningful: When Music Takes Over in Film Anna K. Windisch, Claus Tieber, and Phil Powrie 1 Part I What The Musical Moment Can Do—Theoretical Approaches 2 3 Dark Times: Fabulation, Synchrony, and the Musical Moment Reprised Amy Herzog 15 The Acoustic Wound: Reflections on the Crystal-Song in Five American Films Phil Powrie 35 Part II 4 5 How The Musical Moment Was Created—Musical Numbers in Silent and Early Sound Cinema Musical Moments as Narrative and Emotional Catalysts in Three Silent Films by Jacques Feyder Dominique Nasta 57 The Rhythm of the Night: Abstraction and Sexuality as Destabilisers in Austrian Silent Cinema Claus Tieber 75 xi
xii CONTENTS 6 All Singing! All Talking! All British! Musical Moments in Early British Talkies 1929 to 1932 95 Laraine Porter Part III Musical Dis/Placements—Musical Moments in Global Cinema 7 Musical Numbers in Bollywood Cinema’s Homeland and Diaspora 117 Rajinder Dudrah 8 The Afterlife of Continental Romance: Musical Moments in Ichikawa Ron’s Passion Without End (1949) and Eragrance of the Night (1951) 141 Junko Yamazaki 9 Redemption Songs: Musical Moments in Joseph Gai Ramaka’s Karmen Gei (2001) and Flora Gomes’s Nha Fala (2002) 161 Yifen Beus 10 ‘No Hay Nada Que Celebrar’: Mūšią Migration, and Violence in Luis Estrada’s El Infierno (2010) 181 Jacqueline Avila Part IV From Romance to Dystopia 11 Can You Hear the Love Tonight? Creating Cinematic Romance with Diegetic Songs 203 Katja Hettich 12 Desperately Funny: Comedy, Performance and the Musical Moment in Toni Erdmann (2016) 225 Rhiannon Harries Index 247 |
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| author_facet | Windisch, Anna Katharina Tieber, Claus 1966- Powrie, Phil When the Music Takes Over: Musical Numbers in Film and Television (Veranstaltung) Salzburg |
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| dewey-ones | 791 - Public performances |
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| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Conference Proceeding Book |
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| spelling | When the Music Takes Over: Musical Numbers in Film and Television (Veranstaltung) 2018 Salzburg Verfasser (DE-588)1293283827 aut When music takes over in film Anna K. Windisch, Claus Tieber, Phil Powrie (editors) Cham, Switzerland Palgrave Macmillan [2023] © 2023 xviii, 255 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Palgrave studies in audio-visual culture Geschichte gnd rswk-swf Audio-Visual Culture Music Motion pictures Filmmusik (DE-588)4017129-2 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf (DE-588)1071861417 Konferenzschrift 2018 Salzburg gnd-content Filmmusik (DE-588)4017129-2 s Film (DE-588)4017102-4 s Musik (DE-588)4040802-4 s Geschichte z DE-604 Windisch, Anna Katharina (DE-588)1047549581 edt Tieber, Claus 1966- (DE-588)133707997 edt Powrie, Phil (DE-588)140906401 edt Erscheint auch als Online-Ausgabe 978-3-030-89155-8 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034273152&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| title | When music takes over in film |
| title_auth | When music takes over in film |
| title_exact_search | When music takes over in film |
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| title_full | When music takes over in film Anna K. Windisch, Claus Tieber, Phil Powrie (editors) |
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| topic_facet | Audio-Visual Culture Music Motion pictures Filmmusik Musik Film Konferenzschrift 2018 Salzburg |
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