Appropriating antiquity for modern Chinese painting:
"The pursuit of antiquity was important for scholarly artists in constructing their knowledge of history and cultural identity in late imperial China. By examining versatile trends within paintings in modern China, this book asks to what extent historical relics have been used to represent the...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York ; London ; Dublin
Bloomsbury Visual Arts
2023
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| Schlagworte: | |
| Zusammenfassung: | "The pursuit of antiquity was important for scholarly artists in constructing their knowledge of history and cultural identity in late imperial China. By examining versatile trends within paintings in modern China, this book asks to what extent historical relics have been used to represent the ethnic identity for modern Chinese art? Did the antiquarian movements ultimately serve as a tool for re-writing art historiography in modern China on purpose? In searching for the public meaning of inventively reinforced private collecting activity, this book draws on modes of artistic creation to speak of an apposite use of antiquities through their imaginative links between ancient civilization and modern lives. It also addresses artistic exchanges between China, Japan and the West and how modernity was translated and appropriated at the turn of the twentieth century."-- |
| Beschreibung: | xix, 308 Seiten, 32 ungezählte Seiten Tafeln Illustrationen 23 cm |
| ISBN: | 9781501358371 1501358375 |
Internformat
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| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 505 | 8 | 0 | |t Introduction: Jinshi in Modern Context -- |t From Evidential Learning to Antiquarian Art |t Jinshixue and Cultural Landscape in the Lower Yangtze River |t Illustrated Records of Investigating Steles |t The Stele School and Re-evaluation of Bafenshu |t A Revival of Pre-Tang Scripts and its Impact on Art -- |t Rubbing into Painting: Transmedia Appropriation of New Scholarly Painting |t New Look of Collectors' Accumulated Antiquities |t Dashou and Composite Rubbing |t Intertextual and Transmedia Approaches |t From Evidential Learning to Festive Offering |t Prelude to Jinshi Art -- |t From Deification to Quotidian: Jinshi and the four accomplishments |t Dimension of Mobility in Wartime |t Life of Jinshi Objects after the Taiping Rebellions |t Antiquarian Approaches to Seal Carving |t New Brush Mode Derived from Northern Wei Calligraphy |t Jinshi Characteristics in Painting |t Archaeological Elements in Commercial Art and Popular Culture -- |t Nature as Culture: Historicizing of Antiquity and Translated Modernity |t Evidential Learning and the Culture of Investigating Nature: From Bogu to Bowu |t Tradition of Miscellaneous Painting |t Illustrations of Local Resources |t Natural History Paintings Made in China |t Historification of Translated Modernity |t Translating Bowu into National Essence -- |t Cultural Orthodoxy in the New Nation: a Political Use of Jinshi -- |t Another Role of Jinshi Society: Shanghai Tijinguan Epigraphy, Calligraphy and Painting Society (1911-26) |t Defining Literati Painting Through Jinshi: Society of the Virtuous (1912-42) |
| 505 | 8 | 0 | |t Reclaiming Cultural Identity: Society of Cang Jie Study (1916-c. 1941) |t Jinshi Society as Museum or Art Market? |t Political Use of Jinshi: Re-writing History with Archaic Models -- |t Conclusion: Multiplicity and modernity |
| 520 | 3 | |a "The pursuit of antiquity was important for scholarly artists in constructing their knowledge of history and cultural identity in late imperial China. By examining versatile trends within paintings in modern China, this book asks to what extent historical relics have been used to represent the ethnic identity for modern Chinese art? Did the antiquarian movements ultimately serve as a tool for re-writing art historiography in modern China on purpose? In searching for the public meaning of inventively reinforced private collecting activity, this book draws on modes of artistic creation to speak of an apposite use of antiquities through their imaginative links between ancient civilization and modern lives. It also addresses artistic exchanges between China, Japan and the West and how modernity was translated and appropriated at the turn of the twentieth century."-- | |
| 546 | |a Text in Englisch, teilweise in Chinesisch | ||
| 546 | |b Teilweise chinesische Schriftzeichen | ||
| 648 | 7 | |a Geschichte 1800-1945 |2 gnd |9 rswk-swf | |
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| 653 | 0 | |a Appropriation (Art) / China | |
| 653 | 0 | |a Art, Chinese / History | |
| 653 | 0 | |a Painting, Chinese / History | |
| 653 | 0 | |a Art, Chinese / 19th century / History and criticism | |
| 653 | 0 | |a Art, Chinese / 20th century / History and criticism | |
| 653 | 0 | |a Antiques / China | |
| 653 | 0 | |a Antiquities in art / 20th century | |
| 653 | 0 | |a Art / Historiography | |
| 653 | 0 | |a Art chinois / 20e siècle / Histoire et critique | |
| 653 | 0 | |a Antiquités (Objets anciens) / Chine | |
| 653 | 0 | |a Art chinois / Histoire | |
| 653 | 0 | |a Art / Historiographie | |
| 653 | 0 | |a Art chinois / 19e siècle / Histoire et critique | |
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| 653 | 0 | |a Art, Chinese | |
| 653 | 0 | |a Art / Historiography | |
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| 653 | 4 | |a 1800-1999 | |
| 653 | 6 | |a Criticism, interpretation, etc | |
| 653 | 6 | |a History | |
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Datensatz im Suchindex
| _version_ | 1807864532752662528 |
|---|---|
| adam_text | |
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Yang, Chia-Ling |
| author_GND | (DE-588)1081649216 |
| author_facet | Yang, Chia-Ling |
| author_role | aut |
| author_sort | Yang, Chia-Ling |
| author_variant | c l y cly |
| building | Verbundindex |
| bvnumber | BV049009222 |
| contents | Introduction: Jinshi in Modern Context -- From Evidential Learning to Antiquarian Art Jinshixue and Cultural Landscape in the Lower Yangtze River Illustrated Records of Investigating Steles The Stele School and Re-evaluation of Bafenshu A Revival of Pre-Tang Scripts and its Impact on Art -- Rubbing into Painting: Transmedia Appropriation of New Scholarly Painting New Look of Collectors' Accumulated Antiquities Dashou and Composite Rubbing Intertextual and Transmedia Approaches From Evidential Learning to Festive Offering Prelude to Jinshi Art -- From Deification to Quotidian: Jinshi and the four accomplishments Dimension of Mobility in Wartime Life of Jinshi Objects after the Taiping Rebellions Antiquarian Approaches to Seal Carving New Brush Mode Derived from Northern Wei Calligraphy Jinshi Characteristics in Painting Archaeological Elements in Commercial Art and Popular Culture -- Nature as Culture: Historicizing of Antiquity and Translated Modernity Evidential Learning and the Culture of Investigating Nature: From Bogu to Bowu Tradition of Miscellaneous Painting Illustrations of Local Resources Natural History Paintings Made in China Historification of Translated Modernity Translating Bowu into National Essence -- Cultural Orthodoxy in the New Nation: a Political Use of Jinshi -- Another Role of Jinshi Society: Shanghai Tijinguan Epigraphy, Calligraphy and Painting Society (1911-26) Defining Literati Painting Through Jinshi: Society of the Virtuous (1912-42) Reclaiming Cultural Identity: Society of Cang Jie Study (1916-c. 1941) Jinshi Society as Museum or Art Market? Political Use of Jinshi: Re-writing History with Archaic Models -- Conclusion: Multiplicity and modernity |
| ctrlnum | (OCoLC)1385294208 (DE-599)BVBBV049009222 |
| era | Geschichte 1800-1945 gnd |
| era_facet | Geschichte 1800-1945 |
| format | Book |
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| geographic | China (DE-588)4009937-4 gnd |
| geographic_facet | China |
| id | DE-604.BV049009222 |
| illustrated | Illustrated |
| index_date | 2024-07-03T22:11:06Z |
| indexdate | 2024-08-20T00:32:52Z |
| institution | BVB |
| isbn | 9781501358371 1501358375 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034272326 |
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| owner_facet | DE-255 |
| physical | xix, 308 Seiten, 32 ungezählte Seiten Tafeln Illustrationen 23 cm |
| publishDate | 2023 |
| publishDateSearch | 2023 |
| publishDateSort | 2023 |
| publisher | Bloomsbury Visual Arts |
| record_format | marc |
| spelling | Yang, Chia-Ling Verfasser (DE-588)1081649216 aut Appropriating antiquity for modern Chinese painting Chia-ling Yang New York ; London ; Dublin Bloomsbury Visual Arts 2023 xix, 308 Seiten, 32 ungezählte Seiten Tafeln Illustrationen 23 cm txt rdacontent sti rdacontent n rdamedia nc rdacarrier Introduction: Jinshi in Modern Context -- From Evidential Learning to Antiquarian Art Jinshixue and Cultural Landscape in the Lower Yangtze River Illustrated Records of Investigating Steles The Stele School and Re-evaluation of Bafenshu A Revival of Pre-Tang Scripts and its Impact on Art -- Rubbing into Painting: Transmedia Appropriation of New Scholarly Painting New Look of Collectors' Accumulated Antiquities Dashou and Composite Rubbing Intertextual and Transmedia Approaches From Evidential Learning to Festive Offering Prelude to Jinshi Art -- From Deification to Quotidian: Jinshi and the four accomplishments Dimension of Mobility in Wartime Life of Jinshi Objects after the Taiping Rebellions Antiquarian Approaches to Seal Carving New Brush Mode Derived from Northern Wei Calligraphy Jinshi Characteristics in Painting Archaeological Elements in Commercial Art and Popular Culture -- Nature as Culture: Historicizing of Antiquity and Translated Modernity Evidential Learning and the Culture of Investigating Nature: From Bogu to Bowu Tradition of Miscellaneous Painting Illustrations of Local Resources Natural History Paintings Made in China Historification of Translated Modernity Translating Bowu into National Essence -- Cultural Orthodoxy in the New Nation: a Political Use of Jinshi -- Another Role of Jinshi Society: Shanghai Tijinguan Epigraphy, Calligraphy and Painting Society (1911-26) Defining Literati Painting Through Jinshi: Society of the Virtuous (1912-42) Reclaiming Cultural Identity: Society of Cang Jie Study (1916-c. 1941) Jinshi Society as Museum or Art Market? Political Use of Jinshi: Re-writing History with Archaic Models -- Conclusion: Multiplicity and modernity "The pursuit of antiquity was important for scholarly artists in constructing their knowledge of history and cultural identity in late imperial China. By examining versatile trends within paintings in modern China, this book asks to what extent historical relics have been used to represent the ethnic identity for modern Chinese art? Did the antiquarian movements ultimately serve as a tool for re-writing art historiography in modern China on purpose? In searching for the public meaning of inventively reinforced private collecting activity, this book draws on modes of artistic creation to speak of an apposite use of antiquities through their imaginative links between ancient civilization and modern lives. It also addresses artistic exchanges between China, Japan and the West and how modernity was translated and appropriated at the turn of the twentieth century."-- Text in Englisch, teilweise in Chinesisch Teilweise chinesische Schriftzeichen Geschichte 1800-1945 gnd rswk-swf Kalligrafie (DE-588)4073168-6 gnd rswk-swf Malerei (DE-588)4037220-0 gnd rswk-swf Traditionalismus (DE-588)4192500-2 gnd rswk-swf China (DE-588)4009937-4 gnd rswk-swf Appropriation (Art) / China Art, Chinese / History Painting, Chinese / History Art, Chinese / 19th century / History and criticism Art, Chinese / 20th century / History and criticism Antiques / China Antiquities in art / 20th century Art / Historiography Art chinois / 20e siècle / Histoire et critique Antiquités (Objets anciens) / Chine Art chinois / Histoire Art / Historiographie Art chinois / 19e siècle / Histoire et critique Antiques Art, Chinese China 1800-1999 Criticism, interpretation, etc History China (DE-588)4009937-4 g Malerei (DE-588)4037220-0 s Kalligrafie (DE-588)4073168-6 s Traditionalismus (DE-588)4192500-2 s Geschichte 1800-1945 z DE-604 Erscheint auch als Online-Ausgabe, PDF 978-1-5013-5835-7 Erscheint auch als Online-Ausgabe 978-1-5013-5836-4 |
| spellingShingle | Yang, Chia-Ling Appropriating antiquity for modern Chinese painting Introduction: Jinshi in Modern Context -- From Evidential Learning to Antiquarian Art Jinshixue and Cultural Landscape in the Lower Yangtze River Illustrated Records of Investigating Steles The Stele School and Re-evaluation of Bafenshu A Revival of Pre-Tang Scripts and its Impact on Art -- Rubbing into Painting: Transmedia Appropriation of New Scholarly Painting New Look of Collectors' Accumulated Antiquities Dashou and Composite Rubbing Intertextual and Transmedia Approaches From Evidential Learning to Festive Offering Prelude to Jinshi Art -- From Deification to Quotidian: Jinshi and the four accomplishments Dimension of Mobility in Wartime Life of Jinshi Objects after the Taiping Rebellions Antiquarian Approaches to Seal Carving New Brush Mode Derived from Northern Wei Calligraphy Jinshi Characteristics in Painting Archaeological Elements in Commercial Art and Popular Culture -- Nature as Culture: Historicizing of Antiquity and Translated Modernity Evidential Learning and the Culture of Investigating Nature: From Bogu to Bowu Tradition of Miscellaneous Painting Illustrations of Local Resources Natural History Paintings Made in China Historification of Translated Modernity Translating Bowu into National Essence -- Cultural Orthodoxy in the New Nation: a Political Use of Jinshi -- Another Role of Jinshi Society: Shanghai Tijinguan Epigraphy, Calligraphy and Painting Society (1911-26) Defining Literati Painting Through Jinshi: Society of the Virtuous (1912-42) Reclaiming Cultural Identity: Society of Cang Jie Study (1916-c. 1941) Jinshi Society as Museum or Art Market? Political Use of Jinshi: Re-writing History with Archaic Models -- Conclusion: Multiplicity and modernity Kalligrafie (DE-588)4073168-6 gnd Malerei (DE-588)4037220-0 gnd Traditionalismus (DE-588)4192500-2 gnd |
| subject_GND | (DE-588)4073168-6 (DE-588)4037220-0 (DE-588)4192500-2 (DE-588)4009937-4 |
| title | Appropriating antiquity for modern Chinese painting |
| title_alt | Introduction: Jinshi in Modern Context -- From Evidential Learning to Antiquarian Art Jinshixue and Cultural Landscape in the Lower Yangtze River Illustrated Records of Investigating Steles The Stele School and Re-evaluation of Bafenshu A Revival of Pre-Tang Scripts and its Impact on Art -- Rubbing into Painting: Transmedia Appropriation of New Scholarly Painting New Look of Collectors' Accumulated Antiquities Dashou and Composite Rubbing Intertextual and Transmedia Approaches From Evidential Learning to Festive Offering Prelude to Jinshi Art -- From Deification to Quotidian: Jinshi and the four accomplishments Dimension of Mobility in Wartime Life of Jinshi Objects after the Taiping Rebellions Antiquarian Approaches to Seal Carving New Brush Mode Derived from Northern Wei Calligraphy Jinshi Characteristics in Painting Archaeological Elements in Commercial Art and Popular Culture -- Nature as Culture: Historicizing of Antiquity and Translated Modernity Evidential Learning and the Culture of Investigating Nature: From Bogu to Bowu Tradition of Miscellaneous Painting Illustrations of Local Resources Natural History Paintings Made in China Historification of Translated Modernity Translating Bowu into National Essence -- Cultural Orthodoxy in the New Nation: a Political Use of Jinshi -- Another Role of Jinshi Society: Shanghai Tijinguan Epigraphy, Calligraphy and Painting Society (1911-26) Defining Literati Painting Through Jinshi: Society of the Virtuous (1912-42) Reclaiming Cultural Identity: Society of Cang Jie Study (1916-c. 1941) Jinshi Society as Museum or Art Market? Political Use of Jinshi: Re-writing History with Archaic Models -- Conclusion: Multiplicity and modernity |
| title_auth | Appropriating antiquity for modern Chinese painting |
| title_exact_search | Appropriating antiquity for modern Chinese painting |
| title_exact_search_txtP | Appropriating antiquity for modern Chinese painting |
| title_full | Appropriating antiquity for modern Chinese painting Chia-ling Yang |
| title_fullStr | Appropriating antiquity for modern Chinese painting Chia-ling Yang |
| title_full_unstemmed | Appropriating antiquity for modern Chinese painting Chia-ling Yang |
| title_short | Appropriating antiquity for modern Chinese painting |
| title_sort | appropriating antiquity for modern chinese painting |
| topic | Kalligrafie (DE-588)4073168-6 gnd Malerei (DE-588)4037220-0 gnd Traditionalismus (DE-588)4192500-2 gnd |
| topic_facet | Kalligrafie Malerei Traditionalismus China |
| work_keys_str_mv | AT yangchialing appropriatingantiquityformodernchinesepainting |