Screening the creative process: genius, gender, and the contemporary biopic
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Abschlussarbeit Buch |
| Sprache: | English |
| Veröffentlicht: |
Paderborn
Brill | Fink
2023
|
| Schriftenreihe: | Medienkulturwissenschaft
Volume 4 |
| Schlagworte: | |
| Online-Zugang: | Inhaltstext https://www.brill.com/abstract/title/63991 Inhaltsverzeichnis |
| Beschreibung: | XXXIX, 213 Seiten 23.5 cm x 15.5 cm, 1 g |
| ISBN: | 9783770567744 3770567749 |
Internformat
MARC
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| 100 | 1 | |a Baccanti, Anna |e Verfasser |0 (DE-588)1244873659 |4 aut | |
| 245 | 1 | 0 | |a Screening the creative process |b genius, gender, and the contemporary biopic |c Anna Baccanti |
| 264 | 1 | |a Paderborn |b Brill | Fink |c 2023 | |
| 300 | |a XXXIX, 213 Seiten |c 23.5 cm x 15.5 cm, 1 g | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 1 | |a Medienkulturwissenschaft |v Volume 4 | |
| 502 | |b Dissertation |c Ludwig-Maximilians-Universität München |d 2023 | ||
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| 653 | |a Artist couples | ||
| 653 | |a Biography | ||
| 653 | |a Creativity | ||
| 653 | |a Craft | ||
| 653 | |a Painting | ||
| 653 | |a Imagination | ||
| 653 | |a Visualisation | ||
| 653 | |a Femininity | ||
| 653 | |a Masculinity | ||
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Datensatz im Suchindex
| _version_ | 1804185270939025408 |
|---|---|
| adam_text | TABLE
OF
CONTENTS
PREFACE
..................................................................................................
XI
INTRODUCTION:
CREATIVITY
AND
GENDER
IN
THE
CONTEMPORARY
BIOPIC
.........................................................................
XIII
I.
LIVES
ON
SCREEN:
THE
BIOPIC
AS
A
FILM
GENRE
.......................................
I
1.1
DEFINING
THE
BIOPIC
........................................................................
I
1.1.1
THE
BIOPIC
BETWEEN
FACT
AND
FICTION
.....................................
6
1.1.2
NARRATIVE
CHARACTERISTICS
OF
THE
BIOPIC
.................................
8
1.2
THE
BIOPIC
IN
ACADEMIC
LITERATURE
...............................................
IO
1.3
A
SHORT
HISTORY
OF
THE
BIOPIC
........................................................
18
1.3.1
CINEMA
AND
THE
BIOGRAPHICAL
TRADITION
................................
18
1.3.2
SOME
REMARKS
ON
PERIODISATION
............................................
20
1.3.3
THE
BIOPIC
S
EVOLUTION
FROM
SILENT
MOVIES
TO
POSTMODERN
EXPERIMENTATION
...............................................
22
2.
POLLOCK:
A
COWBOY
ARTIST
BETWEEN
AUTHENTICITY
AND
PERFORMANCE
...
37
2.1
JACKSON
POLLOCK
BETWEEN
ARTIST
LEGENDS
AND
NEW
MODELS
OF
MASCULINITY
.......................................................................
40
2.1.1
THE
TORTURED
ARTIST:
CREATIVITY
AND
DEVIANCE
.......................
40
2.1.2
CONSTRUCTING
AN
AMERICAN
HERO
............................................
47
2.2
THE
ARTIST
COUPLE
...........................................................................
51
2.2.1
FIRST
ENCOUNTERS:
THE
ARTISTS
STUDIOS
...................................
52
2.2.2
THE
WOMAN
BEHIND
THE
MAN:
THE
PORTRAYAL
OF
LEE
KRASNER
.
55
2.2.3
MALE
AND
FEMALE
:
CONFLICTING
APPROACHES
TO
PAINTING
.......
63
2.3
FLOWING
MOVEMENT,
FLOWING
PAINT:
STAGING
THE
ARTISTIC
PROCESS
..
68
2.3.1
ABSTRACT
PAINTING
ON
SCREEN
...................................................
68
2.3.2
THE
PAINTER
IN
ACTION
.............................................................
70
2.4
MEDIATISATION,
SUCCESS,
AND
DECLINE
OF
THE
ARTIST
.......................
77
2.4.1
THE
OPENING
SEQUENCE
..........................................................
78
2.4.2
THE
SILENT
ARTIST
TALKS:
INTERVIEWS
..........................................
81
2.4.3
STAGED
SPONTANEITY:JACKSON
S
LOSS
OF
AUTONOMY
AND
AUTHENTICITY
ON
FILM
.....................................................
84
2.5
CONCLUSIONS:
SELF-REFLEXIVITY
AND
AUTHENTICITY
IN
POLLOCK
...........
86
VIII
TABLE
OF
CONTENTS
3.
ART
FROM
THE
MARTYRED
BODY:
PICTURING
THE
CREATIVE
PROCESS
IN
FRIDA
....................................................................................................
89
3.1
GAME
OF
MIRRORS:
NAVIGATING
KAHLO
S
LIFE
OF
SELF-INVENTION
.......
92
3.1.1
FRAMING
FRIDA:
THE
OPENING
SEQUENCE
.................................
94
3.1.2
LIFE
AND
ART:
PAINTING
AS
AUTHENTIC
SELF-EXPRESSION
..............
96
3.2
PAIN,
PAINTING,
AND
THE
FEMALE
BODY
............................................
99
3.2.1
BECOMING
AN
ARTIST:
FRIDA S
ACCIDENT
.....................................
103
3.2.2
THE
BARREN
BODY:
CREATIVITY
AND
PROCREATIVITY
.....................
108
3.3
THE
ELEPHANT
AND
THE
DOVE:
DIEGO
AND
FRIDA
..............................
112
3.3.1
LOOKING
UP,
LOOKING
DOWN:
POWER
DYNAMICS
OF
THE
DESIRING
GAZE
........................................................................
114
3.3.2
FRIDA,
DIEGO,
AND
OTHER
LOVERS
..............................................
116
3.3.3
THE
PERSONAL
AND
THE
POLITICAL:
FRIDA S
AND
DIEGO S
APPROACHES
TO
ART
.....................................................
119
3.4
VISUALISING
THE
ARTIST
S
IMAGINATION
..............................................
122
3.4.1
FRIDA S
SURREALIST)
VISION
......................................................
123
3.4.2
THE
TWO
FRIDAS :
SELF-PORTRAITS
OF
A
FRAGMENTED
SUBJECT
....
126
3.5
CONCLUSIONS:
A
JOYFUL
EXIT
.............................................................
133
4.
INTERWOVEN
IMAGINATIONS:
LOVE
AND
CREATIVITY
IN
BRIGHT
STAR
...........
137
4.1
THE
CHAMELEON
POET:
KEATS
POETICS
IN
BRIGHT
STAR
.....................
143
4.1.1
ROMANTIC
POETS
AS
BIOPIC
SUBJECTS
........................................
143
4.1.2
FEMINISING
KEATS .
BRIGHT
STAR
AND
THE
BIOGRAPHICAL
TRADITION
..........................................................
145
4.1.3
NEGATIVE
CAPABILITY
AND
A
FEMININE
MODEL
OF
AUTHORSHIP
...
146
4.1.4
LIGHT,
TOUCH,
AND
TEXTURES:
VISUAL
POETICS
IN
BRIGHT
STAR
....
149
4.2
THE
NEEDLE
AND
THE
PEN:
ART,
CRAFT,
AND
GENDER
.........................
152
4.2.1
FEMININITY
AND
TEXTILE
WORK
IN
THE
ART/CRAFT
DIVIDE
............
152
4.2.2
COSTUME
DRAMA:
SEWING
BETWEEN
EMPOWERMENT
AND
DOMESTIC
CONSTRAINT
.............................................................
155
4.2.3
SEWING
AND
WRITING
IN
BRIGHT
STAR
S OPENING
SCENES
............
157
4.2.4
RESTORING
THE
UNITY
OF
TEXT
AND
TEXTILES
................................
160
4.3
CHALLENGING
AND
CELEBRATING
ROMANTIC
GENIUS
IN
BRIGHT
STAR
...
162
4.3.1
DOMESTIC
COMMUNITIES
AND
COLLABORATIVE
WORK
..................
162
4.3.2
THE
CONSTELLATION
OF
CHARACTERS
AND
DIFFERENT
MODELS
OF
CREATIVITY
..................................................................
164
4.3.3
ARTIST
AND
MUSE:
A
SUBVERSION
OF
GENDER
ROLES?
..................
167
4.4
INTERWOVEN
IMAGINATIONS:
A
MODEL
OF
CREATIVE
PARTNERSHIP
....
171
TABLE
OF
CONTENTS
IX
4.4.1
LOVE
AS
THE
TENTH
MUSE
..........................................................
171
4.4.2
RECURRING
MOTIFS
AND
METAPHORS
..........................................
173
4.4.3
THE
MOMENT
OF
INSPIRATION:
(
ODE
TO
A
NIGHTINGALE
,
..............
175
4.4.4
LOVE,
IMAGINATION,
AND
THE
REFUSAL
OF
REALITY
.......................
181
4.5
CONCLUSIONS:
GENDER
AND
GENIUS
IN
BRIGHT
STAR
..........................
184
CONCLUSIONS:
THE
PERSISTENCE
OF
GENIUS
IN
THE
CONTEMPORARY
BIOPIC
...........................................................................
187
BIBLIOGRAPHY
...........................................................................................
203
SELECTED
FILMOGRAPHY
......................................................................
211
|
| adam_txt |
TABLE
OF
CONTENTS
PREFACE
.
XI
INTRODUCTION:
CREATIVITY
AND
GENDER
IN
THE
CONTEMPORARY
BIOPIC
.
XIII
I.
LIVES
ON
SCREEN:
THE
BIOPIC
AS
A
FILM
GENRE
.
I
1.1
DEFINING
THE
BIOPIC
.
I
1.1.1
THE
BIOPIC
BETWEEN
FACT
AND
FICTION
.
6
1.1.2
NARRATIVE
CHARACTERISTICS
OF
THE
BIOPIC
.
8
1.2
THE
BIOPIC
IN
ACADEMIC
LITERATURE
.
IO
1.3
A
SHORT
HISTORY
OF
THE
BIOPIC
.
18
1.3.1
CINEMA
AND
THE
BIOGRAPHICAL
TRADITION
.
18
1.3.2
SOME
REMARKS
ON
PERIODISATION
.
20
1.3.3
THE
BIOPIC
'
S
EVOLUTION
FROM
SILENT
MOVIES
TO
POSTMODERN
EXPERIMENTATION
.
22
2.
POLLOCK:
A
COWBOY
ARTIST
BETWEEN
AUTHENTICITY
AND
PERFORMANCE
.
37
2.1
JACKSON
POLLOCK
BETWEEN
ARTIST
LEGENDS
AND
NEW
MODELS
OF
MASCULINITY
.
40
2.1.1
THE
TORTURED
ARTIST:
CREATIVITY
AND
DEVIANCE
.
40
2.1.2
CONSTRUCTING
AN
AMERICAN
HERO
.
47
2.2
THE
ARTIST
COUPLE
.
51
2.2.1
FIRST
ENCOUNTERS:
THE
ARTISTS
'
STUDIOS
.
52
2.2.2
THE
WOMAN
BEHIND
THE
MAN:
THE
PORTRAYAL
OF
LEE
KRASNER
.
55
2.2.3
MALE
AND
FEMALE
'
:
CONFLICTING
APPROACHES
TO
PAINTING
.
63
2.3
FLOWING
MOVEMENT,
FLOWING
PAINT:
STAGING
THE
ARTISTIC
PROCESS
.
68
2.3.1
ABSTRACT
PAINTING
ON
SCREEN
.
68
2.3.2
THE
PAINTER
IN
ACTION
.
70
2.4
MEDIATISATION,
SUCCESS,
AND
DECLINE
OF
THE
ARTIST
.
77
2.4.1
THE
OPENING
SEQUENCE
.
78
2.4.2
THE
SILENT
ARTIST
TALKS:
INTERVIEWS
.
81
2.4.3
STAGED
SPONTANEITY:JACKSON
'
S
LOSS
OF
AUTONOMY
AND
AUTHENTICITY
ON
FILM
.
84
2.5
CONCLUSIONS:
SELF-REFLEXIVITY
AND
AUTHENTICITY
IN
POLLOCK
.
86
VIII
TABLE
OF
CONTENTS
3.
ART
FROM
THE
MARTYRED
BODY:
PICTURING
THE
CREATIVE
PROCESS
IN
FRIDA
.
89
3.1
GAME
OF
MIRRORS:
NAVIGATING
KAHLO
'
S
LIFE
OF
SELF-INVENTION
.
92
3.1.1
FRAMING
FRIDA:
THE
OPENING
SEQUENCE
.
94
3.1.2
LIFE
AND
ART:
PAINTING
AS
AUTHENTIC
SELF-EXPRESSION
.
96
3.2
PAIN,
PAINTING,
AND
THE
FEMALE
BODY
.
99
3.2.1
BECOMING
AN
ARTIST:
FRIDA'S
ACCIDENT
.
103
3.2.2
THE
BARREN
BODY:
CREATIVITY
AND
PROCREATIVITY
.
108
3.3
THE
ELEPHANT
AND
THE
DOVE:
DIEGO
AND
FRIDA
.
112
3.3.1
LOOKING
UP,
LOOKING
DOWN:
POWER
DYNAMICS
OF
THE
DESIRING
GAZE
.
114
3.3.2
FRIDA,
DIEGO,
AND
OTHER
LOVERS
.
116
3.3.3
THE
PERSONAL
AND
THE
POLITICAL:
FRIDA'S
AND
DIEGO'S
APPROACHES
TO
ART
.
119
3.4
VISUALISING
THE
ARTIST
'
S
IMAGINATION
.
122
3.4.1
FRIDA'S
SURREALIST)
VISION
.
123
3.4.2
'
THE
TWO
FRIDAS':
SELF-PORTRAITS
OF
A
FRAGMENTED
SUBJECT
.
126
3.5
CONCLUSIONS:
A
JOYFUL
EXIT
.
133
4.
INTERWOVEN
IMAGINATIONS:
LOVE
AND
CREATIVITY
IN
BRIGHT
STAR
.
137
4.1
THE
CHAMELEON
POET:
KEATS
'
POETICS
IN
BRIGHT
STAR
.
143
4.1.1
ROMANTIC
POETS
AS
BIOPIC
SUBJECTS
.
143
4.1.2
FEMINISING
KEATS'.
BRIGHT
STAR
AND
THE
BIOGRAPHICAL
TRADITION
.
145
4.1.3
NEGATIVE
CAPABILITY
AND
A
FEMININE
MODEL
OF
AUTHORSHIP
.
146
4.1.4
LIGHT,
TOUCH,
AND
TEXTURES:
VISUAL
POETICS
IN
BRIGHT
STAR
.
149
4.2
THE
NEEDLE
AND
THE
PEN:
ART,
CRAFT,
AND
GENDER
.
152
4.2.1
FEMININITY
AND
TEXTILE
WORK
IN
THE
ART/CRAFT
DIVIDE
.
152
4.2.2
COSTUME
DRAMA:
SEWING
BETWEEN
EMPOWERMENT
AND
DOMESTIC
CONSTRAINT
.
155
4.2.3
SEWING
AND
WRITING
IN
BRIGHT
STAR
'
S OPENING
SCENES
.
157
4.2.4
RESTORING
THE
UNITY
OF
TEXT
AND
TEXTILES
.
160
4.3
CHALLENGING
AND
CELEBRATING
ROMANTIC
GENIUS
IN
BRIGHT
STAR
.
162
4.3.1
DOMESTIC
COMMUNITIES
AND
COLLABORATIVE
WORK
.
162
4.3.2
THE
CONSTELLATION
OF
CHARACTERS
AND
DIFFERENT
MODELS
OF
CREATIVITY
.
164
4.3.3
ARTIST
AND
MUSE:
A
SUBVERSION
OF
GENDER
ROLES?
.
167
4.4
INTERWOVEN
IMAGINATIONS:
A
MODEL
OF
CREATIVE
PARTNERSHIP
.
171
TABLE
OF
CONTENTS
IX
4.4.1
LOVE
AS
THE
TENTH
MUSE
.
171
4.4.2
RECURRING
MOTIFS
AND
METAPHORS
.
173
4.4.3
THE
MOMENT
OF
INSPIRATION:
(
ODE
TO
A
NIGHTINGALE
,
.
175
4.4.4
LOVE,
IMAGINATION,
AND
THE
REFUSAL
OF
REALITY
.
181
4.5
CONCLUSIONS:
GENDER
AND
GENIUS
IN
BRIGHT
STAR
.
184
CONCLUSIONS:
THE
PERSISTENCE
OF
GENIUS
IN
THE
CONTEMPORARY
BIOPIC
.
187
BIBLIOGRAPHY
.
203
SELECTED
FILMOGRAPHY
.
211 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Baccanti, Anna |
| author_GND | (DE-588)1244873659 |
| author_facet | Baccanti, Anna |
| author_role | aut |
| author_sort | Baccanti, Anna |
| author_variant | a b ab |
| building | Verbundindex |
| bvnumber | BV049004497 |
| ctrlnum | (OCoLC)1385299074 (DE-599)DNB1269613219 |
| format | Thesis Book |
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| genre | (DE-588)4113937-9 Hochschulschrift gnd-content |
| genre_facet | Hochschulschrift |
| id | DE-604.BV049004497 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T22:10:31Z |
| indexdate | 2024-07-10T09:52:34Z |
| institution | BVB |
| institution_GND | (DE-588)1026174619 |
| isbn | 9783770567744 3770567749 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034267625 |
| oclc_num | 1385299074 |
| open_access_boolean | |
| owner | DE-19 DE-BY-UBM DE-12 DE-M472 |
| owner_facet | DE-19 DE-BY-UBM DE-12 DE-M472 |
| physical | XXXIX, 213 Seiten 23.5 cm x 15.5 cm, 1 g |
| psigel | BSB_NED_20230703 |
| publishDate | 2023 |
| publishDateSearch | 2023 |
| publishDateSort | 2023 |
| publisher | Brill | Fink |
| record_format | marc |
| series | Medienkulturwissenschaft |
| series2 | Medienkulturwissenschaft |
| spelling | Baccanti, Anna Verfasser (DE-588)1244873659 aut Screening the creative process genius, gender, and the contemporary biopic Anna Baccanti Paderborn Brill | Fink 2023 XXXIX, 213 Seiten 23.5 cm x 15.5 cm, 1 g txt rdacontent n rdamedia nc rdacarrier Medienkulturwissenschaft Volume 4 Dissertation Ludwig-Maximilians-Universität München 2023 Frida Film (DE-588)4729316-0 gnd rswk-swf Pollock Film (DE-588)4803131-8 gnd rswk-swf Bright star (DE-588)7685832-7 gnd rswk-swf Genie Motiv (DE-588)4259674-9 gnd rswk-swf Biografischer Film (DE-588)4373947-7 gnd rswk-swf Künstlerische Tätigkeit (DE-588)4262436-8 gnd rswk-swf Geschlechterrolle Motiv (DE-588)4222106-7 gnd rswk-swf Geschlecht Motiv (DE-588)4308421-7 gnd rswk-swf Schaffensprozess Motiv (DE-588)1298761263 gnd rswk-swf Kreativität Motiv (DE-588)4256443-8 gnd rswk-swf Film Female Artists Artist couples Biography Creativity Craft Painting Imagination Visualisation Femininity Masculinity (DE-588)4113937-9 Hochschulschrift gnd-content Biografischer Film (DE-588)4373947-7 s Künstlerische Tätigkeit (DE-588)4262436-8 s Geschlecht Motiv (DE-588)4308421-7 s DE-604 Pollock Film (DE-588)4803131-8 u Frida Film (DE-588)4729316-0 u Bright star (DE-588)7685832-7 u Schaffensprozess Motiv (DE-588)1298761263 s Geschlechterrolle Motiv (DE-588)4222106-7 s Kreativität Motiv (DE-588)4256443-8 s Genie Motiv (DE-588)4259674-9 s Wilhelm Fink GmbH & Co. Verlags-KG (DE-588)1026174619 pbl Erscheint auch als Online-Ausgabe 978-3-8467-6774-0 Medienkulturwissenschaft Volume 4 (DE-604)BV047605502 4 X:MVB text/html http://deposit.dnb.de/cgi-bin/dokserv?id=0403cf0f40cc4ab59425ecd9fb25d269&prov=M&dok_var=1&dok_ext=htm Inhaltstext X:MVB https://www.brill.com/abstract/title/63991 DNB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034267625&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p vlb 20221006 DE-101 https://d-nb.info/provenance/plan#vlb |
| spellingShingle | Baccanti, Anna Screening the creative process genius, gender, and the contemporary biopic Medienkulturwissenschaft Frida Film (DE-588)4729316-0 gnd Pollock Film (DE-588)4803131-8 gnd Bright star (DE-588)7685832-7 gnd Genie Motiv (DE-588)4259674-9 gnd Biografischer Film (DE-588)4373947-7 gnd Künstlerische Tätigkeit (DE-588)4262436-8 gnd Geschlechterrolle Motiv (DE-588)4222106-7 gnd Geschlecht Motiv (DE-588)4308421-7 gnd Schaffensprozess Motiv (DE-588)1298761263 gnd Kreativität Motiv (DE-588)4256443-8 gnd |
| subject_GND | (DE-588)4729316-0 (DE-588)4803131-8 (DE-588)7685832-7 (DE-588)4259674-9 (DE-588)4373947-7 (DE-588)4262436-8 (DE-588)4222106-7 (DE-588)4308421-7 (DE-588)1298761263 (DE-588)4256443-8 (DE-588)4113937-9 |
| title | Screening the creative process genius, gender, and the contemporary biopic |
| title_auth | Screening the creative process genius, gender, and the contemporary biopic |
| title_exact_search | Screening the creative process genius, gender, and the contemporary biopic |
| title_exact_search_txtP | Screening the creative process genius, gender, and the contemporary biopic |
| title_full | Screening the creative process genius, gender, and the contemporary biopic Anna Baccanti |
| title_fullStr | Screening the creative process genius, gender, and the contemporary biopic Anna Baccanti |
| title_full_unstemmed | Screening the creative process genius, gender, and the contemporary biopic Anna Baccanti |
| title_short | Screening the creative process |
| title_sort | screening the creative process genius gender and the contemporary biopic |
| title_sub | genius, gender, and the contemporary biopic |
| topic | Frida Film (DE-588)4729316-0 gnd Pollock Film (DE-588)4803131-8 gnd Bright star (DE-588)7685832-7 gnd Genie Motiv (DE-588)4259674-9 gnd Biografischer Film (DE-588)4373947-7 gnd Künstlerische Tätigkeit (DE-588)4262436-8 gnd Geschlechterrolle Motiv (DE-588)4222106-7 gnd Geschlecht Motiv (DE-588)4308421-7 gnd Schaffensprozess Motiv (DE-588)1298761263 gnd Kreativität Motiv (DE-588)4256443-8 gnd |
| topic_facet | Frida Film Pollock Film Bright star Genie Motiv Biografischer Film Künstlerische Tätigkeit Geschlechterrolle Motiv Geschlecht Motiv Schaffensprozess Motiv Kreativität Motiv Hochschulschrift |
| url | http://deposit.dnb.de/cgi-bin/dokserv?id=0403cf0f40cc4ab59425ecd9fb25d269&prov=M&dok_var=1&dok_ext=htm https://www.brill.com/abstract/title/63991 http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034267625&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV047605502 |
| work_keys_str_mv | AT baccantianna screeningthecreativeprocessgeniusgenderandthecontemporarybiopic AT wilhelmfinkgmbhcoverlagskg screeningthecreativeprocessgeniusgenderandthecontemporarybiopic |