Historicizing the Enlightenment: Michael McKeon Volume 2 Literature, the arts and the aesthetic in Britain
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Lewisburg, Pennsylvania
Bucknell University Press
[2023]
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | vi, 258 Seiten Illustration |
| ISBN: | 9781684484751 9781684484768 |
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Datensatz im Suchindex
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Contents Introduction i (Neo)classic and Romantic 3 The Radical Break 5 Imitation and Expression, the Mirror and the Lamp "Revolution” 9 Preromanticism 12 Modernism: Structuralism and Poststructuralism "Rules” and the Genre System 15 The Novel Tradition 18 7 15 1 The Sciences as a Model for the Arts: A Synchronic Inquiry 20 Ancients and Moderns, Arts and Sciences 20 Experience and Experiment 22 Controlling for Time, Place, and Persons: The Two Unities 25 Controlling for Time, Place, and Persons: The Dramatic Aesthetic 28 The New Principle of Pleasure 30 The Judgment of Aesthetic Value 35 The Aesthetic Imagination and the Origins of the Social Sciences 39 Controlling for Time, Place, and Persons: The Narrative Claim to Historicity 46 Novelistic Plots as Experimental Hypotheses 49 Controlling for Time, Place, and Persons: The Novel Aesthetic, or Realism 54 2 From Ancient Mimesis to Modern Realism: A Diachronic Inquiry 61 Aristotelian Mimesis 61 Verisimilitude: Italian Theory 62 Verisimilitude: French Theory 63 Probability: English Theory 67 Realism 70 The Rise of Fictionality? 77 3 The Historicity of Literary Conventions: Family Romance 80 The History of a Convention? 80 Literary Conversion as Social Convention 82 Family Romance as Ideology 84 True Nobility in the Service of Patrilineal Nobility 86
Contents True Nobility as Female 87 True Nobility as Puritan 89 Novelistic Parody of Patrilineal Nobility Discovery Within 94 Conclusion too 90 4 The Historicity of Literary Genres: Pastoral Poetry What Is Pastoral? 103 Pastoral and Periodization 107 Capitalism Began in the Countryside no From Forms to Fetters? 116 Pastoral Poetry: Changing Places 117 Retreat 120 Locational Pastoral 121 Taking the Measure of the City 125 Renaissance Pastoral Parodied 130 Explicit Critique of the Pastoral Tradition 133 Object as Subject: Laboring Pastoral 135 Women’s Pastoral 138 Pastoral Internalized: Micro-pastoral 141 Pastoral Externalized: Macro-pastoral 144 The North-South Axis 145 The East-West Axis 148 5 Political Poetry: Comparative Historicizing, 1650-1700, 1930-1980 154 The Modern Problem of Political Poetry 154 Politics as Form 165 Tradition: The Tacit Distinction of Politics and Poetry State Poetry: The Enlightenment Emergence of “Political Poetry” 176 A Model: Religious Poetry and “Religious Poetry” 6 103 Paradise Lost as Parody: Period, Genre, and Conjectural Interpretation 187 Parody 187 Mock Epic 188 Christian Typology 190 Christian Accommodation 192 Domestication 194 Heroic Poetry 199 Secret History 203 Obviating Accommodation, Forgoing Domestication, Precluding Allegory 209 The Novel 213 Acknowledgments Notes 221 Source Notes 251 Index — 253 219 171 183
Enlightenment critics were the first to conceive the modern principle of the aes thetic, the view that art entails a double reflection: a reflection of the world, and a reflection on the process by which that reflection is accomplished. Tire Enlightenment aesthetic is constitutively aware of the difference between what it knows and how it knows it. However, its posterity has reduced “neoclassicism” and “Augustanism” to a naive imitation of classical texts and an unselfconscious representation of the world. Two modern movements, Ro manticism and modernism, have appropriated these Enlightenment innovations as their own. Romantic ideology has imposed on the eighteenth century a dichotomous periodiza tion: imitation versus imagination, the Enlightenment mirror versus the Romantic lamp. Modernist ideology—structuralism and poststructuralism—has dichotomized narrative Telling” and imitative "showing,” form and content, structure and history. |
| adam_txt |
Contents Introduction i (Neo)classic and Romantic 3 The Radical Break 5 Imitation and Expression, the Mirror and the Lamp "Revolution” 9 Preromanticism 12 Modernism: Structuralism and Poststructuralism "Rules” and the Genre System 15 The Novel Tradition 18 7 15 1 The Sciences as a Model for the Arts: A Synchronic Inquiry 20 Ancients and Moderns, Arts and Sciences 20 Experience and Experiment 22 Controlling for Time, Place, and Persons: The Two Unities 25 Controlling for Time, Place, and Persons: The Dramatic Aesthetic 28 The New Principle of Pleasure 30 The Judgment of Aesthetic Value 35 The Aesthetic Imagination and the Origins of the Social Sciences 39 Controlling for Time, Place, and Persons: The Narrative Claim to Historicity 46 Novelistic Plots as Experimental Hypotheses 49 Controlling for Time, Place, and Persons: The Novel Aesthetic, or Realism 54 2 From Ancient Mimesis to Modern Realism: A Diachronic Inquiry 61 Aristotelian Mimesis 61 Verisimilitude: Italian Theory 62 Verisimilitude: French Theory 63 Probability: English Theory 67 Realism 70 The Rise of Fictionality? 77 3 The Historicity of Literary Conventions: Family Romance 80 The History of a Convention? 80 Literary Conversion as Social Convention 82 Family Romance as Ideology 84 True Nobility in the Service of Patrilineal Nobility 86
Contents True Nobility as Female 87 True Nobility as Puritan 89 Novelistic Parody of Patrilineal Nobility Discovery Within 94 Conclusion too 90 4 The Historicity of Literary Genres: Pastoral Poetry What Is Pastoral? 103 Pastoral and Periodization 107 Capitalism Began in the Countryside no From Forms to Fetters? 116 Pastoral Poetry: Changing Places 117 Retreat 120 Locational Pastoral 121 Taking the Measure of the City 125 Renaissance Pastoral Parodied 130 Explicit Critique of the Pastoral Tradition 133 Object as Subject: Laboring Pastoral 135 Women’s Pastoral 138 Pastoral Internalized: Micro-pastoral 141 Pastoral Externalized: Macro-pastoral 144 The North-South Axis 145 The East-West Axis 148 5 Political Poetry: Comparative Historicizing, 1650-1700, 1930-1980 154 The Modern Problem of Political Poetry 154 Politics as Form 165 Tradition: The Tacit Distinction of Politics and Poetry State Poetry: The Enlightenment Emergence of “Political Poetry” 176 A Model: Religious Poetry and “Religious Poetry” 6 103 Paradise Lost as Parody: Period, Genre, and Conjectural Interpretation 187 Parody 187 Mock Epic 188 Christian Typology 190 Christian Accommodation 192 Domestication 194 Heroic Poetry 199 Secret History 203 Obviating Accommodation, Forgoing Domestication, Precluding Allegory 209 The Novel 213 Acknowledgments Notes 221 Source Notes 251 Index — 253 219 171 183
Enlightenment critics were the first to conceive the modern principle of the aes thetic, the view that art entails a double reflection: a reflection of the world, and a reflection on the process by which that reflection is accomplished. Tire Enlightenment aesthetic is constitutively aware of the difference between what it knows and how it knows it. However, its posterity has reduced “neoclassicism” and “Augustanism” to a naive imitation of classical texts and an unselfconscious representation of the world. Two modern movements, Ro manticism and modernism, have appropriated these Enlightenment innovations as their own. Romantic ideology has imposed on the eighteenth century a dichotomous periodiza tion: imitation versus imagination, the Enlightenment mirror versus the Romantic lamp. Modernist ideology—structuralism and poststructuralism—has dichotomized narrative Telling” and imitative "showing,” form and content, structure and history. |
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| spelling | McKeon, Michael 1943- Verfasser (DE-588)13166879X aut Historicizing the Enlightenment Michael McKeon Volume 2 Literature, the arts and the aesthetic in Britain Lewisburg, Pennsylvania Bucknell University Press [2023] vi, 258 Seiten Illustration txt rdacontent n rdamedia nc rdacarrier Geschichte 1650-1800 gnd rswk-swf Aufklärung (DE-588)4003524-4 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Großbritannien (DE-588)4022153-2 gnd rswk-swf Großbritannien (DE-588)4022153-2 g Aufklärung (DE-588)4003524-4 s Rezeption (DE-588)4049716-1 s Geschichte 1650-1800 z DE-604 (DE-604)BV049002058 2 Erscheint auch als Online-Ausgabe, EPUB 978-168448-477-5 Erscheint auch als Online-Ausgabe, PDF 978-168448-478-2 Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034265233&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034265233&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
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| title | Historicizing the Enlightenment Michael McKeon |
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| title_exact_search | Historicizing the Enlightenment Michael McKeon |
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| title_full | Historicizing the Enlightenment Michael McKeon Volume 2 Literature, the arts and the aesthetic in Britain |
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| title_short | Historicizing the Enlightenment |
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| title_sub | Michael McKeon |
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