Medieval polyphony and song:
What characterises medieval polyphony and song? Who composed this music, sang it, and wrote it down? Where and when did the different genres originate, and under what circumstances were they created and performed? This book gives a comprehensive introduction to the rich variety of polyphonic practic...
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| Hauptverfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
2023
|
| Schriftenreihe: | Cambridge introductions to music
|
| Schlagworte: | |
| Online-Zugang: | DE-12 DE-473 DE-19 Volltext |
| Zusammenfassung: | What characterises medieval polyphony and song? Who composed this music, sang it, and wrote it down? Where and when did the different genres originate, and under what circumstances were they created and performed? This book gives a comprehensive introduction to the rich variety of polyphonic practices and song traditions during the Middle Ages. It explores song from across Europe, in Latin and vernacular languages (precursors to modern Dutch, English, French, German, Italian, Portuguese and Spanish); and polyphony from early improvised organum to rhythmically and harmonically complex late medieval motets. Each chapter focuses on a particular geographical location, setting out the specific local contexts of the music created there. Guiding the reader through the musical techniques of melody, harmony, rhythm, and notation that distinguish the different genres of polyphony and song, the authors also consider the factors that make modern performances of this music sound so different from one another |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 01 May 2023) Introduction and Historical Outline -- Monastic Centres in the Early Middle Ages -- Court and Cloister in Aquitaine and Occitania -- City, Cathedral, and University in Paris -- Courts and Cities in Northern France -- Scribes, Scholars, and Secretaries in Fourteenth-Century France -- England After the Norman Conquest -- On The Shores of the Mediterranean : Italy, Sicily, and the Iberian Peninsula -- The German- and Dutch-Speaking Lands -- Medievalisms : Modern Encounters with Medieval Polyphony and Song |
| Beschreibung: | 1 Online-Ressource (xiv, 247 Seiten) |
| ISBN: | 9781316584781 |
| DOI: | 10.1017/9781316584781 |
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| 520 | |a What characterises medieval polyphony and song? Who composed this music, sang it, and wrote it down? Where and when did the different genres originate, and under what circumstances were they created and performed? This book gives a comprehensive introduction to the rich variety of polyphonic practices and song traditions during the Middle Ages. It explores song from across Europe, in Latin and vernacular languages (precursors to modern Dutch, English, French, German, Italian, Portuguese and Spanish); and polyphony from early improvised organum to rhythmically and harmonically complex late medieval motets. Each chapter focuses on a particular geographical location, setting out the specific local contexts of the music created there. Guiding the reader through the musical techniques of melody, harmony, rhythm, and notation that distinguish the different genres of polyphony and song, the authors also consider the factors that make modern performances of this music sound so different from one another | ||
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| discipline | Musikwissenschaft |
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| spelling | Deeming, Helen (DE-588)1033311731 aut Medieval polyphony and song Helen Deeming, Frieda van der Heijden Cambridge Cambridge University Press 2023 1 Online-Ressource (xiv, 247 Seiten) txt rdacontent c rdamedia cr rdacarrier Cambridge introductions to music Title from publisher's bibliographic system (viewed on 01 May 2023) Introduction and Historical Outline -- Monastic Centres in the Early Middle Ages -- Court and Cloister in Aquitaine and Occitania -- City, Cathedral, and University in Paris -- Courts and Cities in Northern France -- Scribes, Scholars, and Secretaries in Fourteenth-Century France -- England After the Norman Conquest -- On The Shores of the Mediterranean : Italy, Sicily, and the Iberian Peninsula -- The German- and Dutch-Speaking Lands -- Medievalisms : Modern Encounters with Medieval Polyphony and Song What characterises medieval polyphony and song? Who composed this music, sang it, and wrote it down? Where and when did the different genres originate, and under what circumstances were they created and performed? This book gives a comprehensive introduction to the rich variety of polyphonic practices and song traditions during the Middle Ages. It explores song from across Europe, in Latin and vernacular languages (precursors to modern Dutch, English, French, German, Italian, Portuguese and Spanish); and polyphony from early improvised organum to rhythmically and harmonically complex late medieval motets. Each chapter focuses on a particular geographical location, setting out the specific local contexts of the music created there. Guiding the reader through the musical techniques of melody, harmony, rhythm, and notation that distinguish the different genres of polyphony and song, the authors also consider the factors that make modern performances of this music sound so different from one another Geschichte 500-1400 gnd rswk-swf Vocal music / 500-1400 / History and criticism Music / 500-1400 / History and criticism Polyfonie (DE-588)4175288-0 gnd rswk-swf Mehrstimmigkeit Musik (DE-588)4169330-9 gnd rswk-swf Lied (DE-588)4035669-3 gnd rswk-swf Musikpflege (DE-588)4128827-0 gnd rswk-swf Europa (DE-588)4015701-5 gnd rswk-swf Europa (DE-588)4015701-5 g Lied (DE-588)4035669-3 s Mehrstimmigkeit Musik (DE-588)4169330-9 s Polyfonie (DE-588)4175288-0 s Musikpflege (DE-588)4128827-0 s Geschichte 500-1400 z DE-604 Van der Heijden, Frieda aut Erscheint auch als Druck-Ausgabe 978-1-1071-5116-1 https://doi.org/10.1017/9781316584781 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Deeming, Helen Van der Heijden, Frieda Medieval polyphony and song Vocal music / 500-1400 / History and criticism Music / 500-1400 / History and criticism Polyfonie (DE-588)4175288-0 gnd Mehrstimmigkeit Musik (DE-588)4169330-9 gnd Lied (DE-588)4035669-3 gnd Musikpflege (DE-588)4128827-0 gnd |
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| title | Medieval polyphony and song |
| title_auth | Medieval polyphony and song |
| title_exact_search | Medieval polyphony and song |
| title_exact_search_txtP | Medieval polyphony and song |
| title_full | Medieval polyphony and song Helen Deeming, Frieda van der Heijden |
| title_fullStr | Medieval polyphony and song Helen Deeming, Frieda van der Heijden |
| title_full_unstemmed | Medieval polyphony and song Helen Deeming, Frieda van der Heijden |
| title_short | Medieval polyphony and song |
| title_sort | medieval polyphony and song |
| topic | Vocal music / 500-1400 / History and criticism Music / 500-1400 / History and criticism Polyfonie (DE-588)4175288-0 gnd Mehrstimmigkeit Musik (DE-588)4169330-9 gnd Lied (DE-588)4035669-3 gnd Musikpflege (DE-588)4128827-0 gnd |
| topic_facet | Vocal music / 500-1400 / History and criticism Music / 500-1400 / History and criticism Polyfonie Mehrstimmigkeit Musik Lied Musikpflege Europa |
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