Theatrical event-machines: encounters between theatre and theory in british farce from the 1960s to the 1980s
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Abschlussarbeit Buch |
| Sprache: | English |
| Veröffentlicht: |
Würzburg
Königshausen & Neumann
[2023]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | 303 Seiten 23.5 cm x 15.5 cm |
| ISBN: | 9783826078712 3826078713 |
Internformat
MARC
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| 245 | 1 | 0 | |a Theatrical event-machines |b encounters between theatre and theory in british farce from the 1960s to the 1980s |c Kerstin Howaldt |
| 264 | 1 | |a Würzburg |b Königshausen & Neumann |c [2023] | |
| 300 | |a 303 Seiten |c 23.5 cm x 15.5 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 502 | |b Dissertation |c Universität Erfurt |d 2021 | ||
| 648 | 7 | |a Geschichte 1960-1990 |2 gnd |9 rswk-swf | |
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| 651 | 7 | |a Großbritannien |0 (DE-588)4022153-2 |2 gnd |9 rswk-swf | |
| 653 | |a Theatre, Britain | ||
| 653 | |a Farce | ||
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| 689 | 1 | 1 | |a Farce |0 (DE-588)4153738-5 |D s |
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Datensatz im Suchindex
| _version_ | 1804185262511620096 |
|---|---|
| adam_txt |
CONTENTS
1
INTRODUCTION:
"AS
THE
CURTAIN
RISES.
"
11
1.1
ABOUT
THIS
STUDY
11
1.2
PLAY/TEXT:
"
EVERYBODY
SEEMS
TO
KNOW
WHAT
A
FARCE
IS
"
12
1.2.1
FARCE
NOW
AND
THEN
12
1.2.2
FARCE
AND
COMEDY,
FARCE
AS
COMEDY,
FARCE
OR
COMEDY?
20
1.3
STATE
OF
THE
ART
24
1.3.1
SCHOLARLY
LITERATURE:
STUCK
WITH
TAXONOMIES
24
1.3.2
SCHOLARLY
DISCOURSE:
FARCE
AND
THE
POPULAR
TRADITION
32
1.4
ENTRANCE/EXIT:
EVENTS
-
IN
FARCE
AND
ELSEWHERE
36
1.5
OUTLINE
48
2
"
STOP
IN
THE
NAME
OF
THE
LAW!
"
IMPURE
STAGES
51
2.1
REVISITING
THE
LAW
OF
GENRE:
A
BRIEF
OUTLINE
FOR
FARCE
51
2.2
CRIMES
IN/OF
THE
THEATRE
56
2.2.1
TERMS
AND
TAXONOMIES:
CONTAMINATION,
HYBRIDITY,
JUXTAPOSITION
56
2.2.2
A
"
RANDOM
DRIFT
THAT
CAN
ALWAYS
RENDER
IT
OTHER
"
:
DERRIDA
'
S
"
THE
LAW
OF
GENRE
"
60
2.2.3
GENRE
MEETS
MEDIUM:
THE
CRIME
SCENE
AS/ON
STAGE
71
2.3
SCARCITY
AND
ABUNDANCE:
NEG(OTI)ATIONS
OF
THE
LAW
77
2.3.1
SHOWBUSINESS
AND/AS
CRIME:
STOPPARD
'
S
STATIC
STAGES
77
2.3.2
"
WHAT
HAPPENED,
INSPECTOR?
"
ARTISTIC
PERFORMANCES
AND
ABSENT
CASES
IN
AFTER
MAGRITTE
79
2.3.3
THE
ILLEGITIMACY
OF
THE
LAW
IN
JUMPERS
89
2.3.4
DISTURBING
META-THEATRICALITY
IN
THE
REAL
INSPECTOR
HOUND
98
2.3.5
TRANSGRESSING
THE
LAWS
OF
GENRE
AND
GENDER
IN
ORTON
'
S
FARCE
116
2.3.6
FAILED
ENTRANCES
AND
A
MECHANICAL
ENDING
IN
W
HAT
THE
B
UTLER
SAW
121
2.3.7
"
I
WOULDN
'
T
WISH
TO
PLACE
MYSELF
OUTSIDE
THE
LAW
"
:
DISGUISE
AND
DEDUCTION
IN
LOOT
132
3
A
POETICS
OF
REHEARSING:
TO
COME
GOING
ON
STAGE
147
3.1
UNTHINKING
THE
TEXT/THEATRE
DIVIDE
147
3.2
A
POETICS
OF
REHEARSING
AS
A
POETICS
OF
FARCE
153
3.2.1
PRE-/RE-ITERATION
AND
IMPERFECTION
153
3.2.2
A
TRIP
TO
BERLIN:
KIERKEGAARD
'
S
REPETITION
161
3.3
REHEARSAL
PLAYS
BEFORE
THE
TWENTIETH
CENTURY
168
3.4
IMPERFECT
PERFORMANCES
IN
FARCE:
FROM
A
PROGRAMMATIC
APPROACH
TO
THE
DISSOLUTION
OF
THEATRICAL
BOUNDARIES
175
3.4.1
"
THAT
'
S
THE
THEATRE
"
:
ENDLESS
REHEARSING
IN NOISES
OFF
175
3.4.2
"
SHOW
BUSINESS
IS
MY
MAIN
INTEREST
"
:
REHEARSALS
BEYOND
THE
THEATRE
IN
JUMPERS
191
3.4.3
THE
DEFERRED
ENDING
IN/OF
JUMPERS
201
4
"
MACHINES
MADE
FOR
SAYING
THE
EVENT
"
:
MEDIATING
(ON)
THE
STAGE
221
4.1
STAGING
MEDIA
AND
THE
STAGE
AS
MEDIUM
221
4.2
WRITING
(ON)
THE
STAGE
226
4.2.1
PAGE
AND
STAGE:
MEDIA
AS
ALIBI
226
4.2.2
WRITING
"
THE
MOST
EVENT-RIDDEN
UTTERANCE
THERE
IS
"
232
4.3
(RE-)WRITING
EVENTS
IN
AYCKBOURN
'
S
FARCES
238
4.3.1
OFFSTAGE
ACTION:
EXPERIMENTS
WITH
SPACE
238
4.3.2
"
DIFFICULT
TO
WORD
"
:
ABSURD
PERSON
S
UNFINISHED
LETTERS
241
4.3.3
DIFFICULT
TO
READ:
EPISTOLARY
SPEECH-EVENTS
IN
TAKING
STEPS
248
4.3.4
DIFFICULT
TO
UNDERSTAND:
UNSIGNED
LETTERS
IN
TAKING
STEPS
253
4.4
"
A
PHONE
CALL
[.],
RATHER,
TO
BEGIN
"
?
CALLING
FOR
A
YES
258
4.4.1
BEFORE
THE
PHONE
CALL:
AT
THE
TELEPHONE
258
4.4.2
"YES,
AT
THE
BEGINNING
OF
THE
PHONE
CALL
"
:
ANSWERING
THE
PHONE
261
4.5
BOUND
TO
RING:
INEVITABLE
CALLS
FROM
OFFSTAGE
264
4.5.1
WAITING TOWARDS
THE
TELEPHONE
IN
THE
REAL
INSPECTOR
HOUND
264
4.5.2
INITIATORY
PHONE
CALLS
IN
NOISES
OFF
270
4.5.3
MUTUAL
MEDIA
CONFIRMATIONS
IN
TAKING
STEPS
274
5
CODA
279
WORKS
CITED
285 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Howaldt, Kerstin |
| author_GND | (DE-588)1312859148 |
| author_facet | Howaldt, Kerstin |
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| ctrlnum | (OCoLC)1401211977 (DE-599)DNB1282545337 |
| discipline | Allgemeines Anglistik / Amerikanistik |
| discipline_str_mv | Allgemeines Anglistik / Amerikanistik |
| era | Geschichte 1960-1990 gnd |
| era_facet | Geschichte 1960-1990 |
| format | Thesis Book |
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| geographic_facet | Großbritannien |
| id | DE-604.BV048999795 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T22:09:11Z |
| indexdate | 2024-07-10T09:52:26Z |
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| language | English |
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| owner_facet | DE-19 DE-BY-UBM DE-20 DE-12 DE-11 |
| physical | 303 Seiten 23.5 cm x 15.5 cm |
| publishDate | 2023 |
| publishDateSearch | 2023 |
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| publisher | Königshausen & Neumann |
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| spelling | Howaldt, Kerstin Verfasser (DE-588)1312859148 aut Theatrical event-machines encounters between theatre and theory in british farce from the 1960s to the 1980s Kerstin Howaldt Würzburg Königshausen & Neumann [2023] 303 Seiten 23.5 cm x 15.5 cm txt rdacontent n rdamedia nc rdacarrier Dissertation Universität Erfurt 2021 Geschichte 1960-1990 gnd rswk-swf Theater (DE-588)4059702-7 gnd rswk-swf Englisch (DE-588)4014777-0 gnd rswk-swf Farce (DE-588)4153738-5 gnd rswk-swf Großbritannien (DE-588)4022153-2 gnd rswk-swf Theatre, Britain Farce (DE-588)4113937-9 Hochschulschrift gnd-content Großbritannien (DE-588)4022153-2 g Theater (DE-588)4059702-7 s Farce (DE-588)4153738-5 s Geschichte 1960-1990 z DE-604 Englisch (DE-588)4014777-0 s Verlag Königshausen & Neumann (DE-588)4778714-4 pbl Erscheint auch als Online-Ausgabe 978-3-8260-7872-9 DNB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034262986&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p vlb 20230305 DE-101 https://d-nb.info/provenance/plan#vlb |
| spellingShingle | Howaldt, Kerstin Theatrical event-machines encounters between theatre and theory in british farce from the 1960s to the 1980s Theater (DE-588)4059702-7 gnd Englisch (DE-588)4014777-0 gnd Farce (DE-588)4153738-5 gnd |
| subject_GND | (DE-588)4059702-7 (DE-588)4014777-0 (DE-588)4153738-5 (DE-588)4022153-2 (DE-588)4113937-9 |
| title | Theatrical event-machines encounters between theatre and theory in british farce from the 1960s to the 1980s |
| title_auth | Theatrical event-machines encounters between theatre and theory in british farce from the 1960s to the 1980s |
| title_exact_search | Theatrical event-machines encounters between theatre and theory in british farce from the 1960s to the 1980s |
| title_exact_search_txtP | Theatrical event-machines encounters between theatre and theory in british farce from the 1960s to the 1980s |
| title_full | Theatrical event-machines encounters between theatre and theory in british farce from the 1960s to the 1980s Kerstin Howaldt |
| title_fullStr | Theatrical event-machines encounters between theatre and theory in british farce from the 1960s to the 1980s Kerstin Howaldt |
| title_full_unstemmed | Theatrical event-machines encounters between theatre and theory in british farce from the 1960s to the 1980s Kerstin Howaldt |
| title_short | Theatrical event-machines |
| title_sort | theatrical event machines encounters between theatre and theory in british farce from the 1960s to the 1980s |
| title_sub | encounters between theatre and theory in british farce from the 1960s to the 1980s |
| topic | Theater (DE-588)4059702-7 gnd Englisch (DE-588)4014777-0 gnd Farce (DE-588)4153738-5 gnd |
| topic_facet | Theater Englisch Farce Großbritannien Hochschulschrift |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034262986&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT howaldtkerstin theatricaleventmachinesencountersbetweentheatreandtheoryinbritishfarcefromthe1960stothe1980s AT verlagkonigshausenneumann theatricaleventmachinesencountersbetweentheatreandtheoryinbritishfarcefromthe1960stothe1980s |