The aesthetics of (digital) machine sculpture: automatization, mechanization, and mathematization in Minimal, Serial, Conceptual, and Computer Art
Today’s 3D-printed digital sculpture can be traced back—not only in a technical sense—to the 1960s, when our digital culture developed. Using the examples of pioneers Robert Mallary and Charles Csuri, this paper reconstructs and distinguishes computer-based productions of sculpture, its reception, a...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Artikel |
| Sprache: | English |
| Veröffentlicht: |
[2023]
|
| Schlagworte: | |
| Zusammenfassung: | Today’s 3D-printed digital sculpture can be traced back—not only in a technical sense—to the 1960s, when our digital culture developed. Using the examples of pioneers Robert Mallary and Charles Csuri, this paper reconstructs and distinguishes computer-based productions of sculpture, its reception, and its ontology. One focus is the discourse of sculpture, image, and form. A comparison with Minimal, Serial, and Conceptual Art is suggested not only because Minimal Art was a hot spot of sculptural discourse, but also because it reveals correspondences between digital and non-digital arts, which exist on the level of draft, production, and discourse: a creation with certain machines, mathematization, automatization, mechanization, and a 2D/3D-discourse.It will be argued that the examined digital and non-digital artforms in the 1960s, the time of pre-post-digital art, are only understandable in relation to each other and their common historical con-text: cybernetics, systems theory, the Cold War, and computerization. Taking the cultural-historical and politico-economic context into account, it will be demonstrated that one can identify specific reactions to digital technology and media and its impacts on art and society—which is why I call the non-digital artforms "co-digital art." |
| Beschreibung: | Illustrationen |
| ISBN: | 978-3-11-077505-1 |
Internformat
MARC
| LEADER | 00000naa a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV048998621 | ||
| 003 | DE-604 | ||
| 005 | 20230621 | ||
| 007 | t | ||
| 008 | 230613s2023 a||| |||| 00||| eng d | ||
| 035 | |a (OCoLC)1385289466 | ||
| 035 | |a (DE-599)BVBBV048998621 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-255 | ||
| 100 | 1 | |a Rottmann, Michael |d ca. 20. Jh. |e Verfasser |0 (DE-588)1068894849 |4 aut | |
| 245 | 1 | 0 | |a The aesthetics of (digital) machine sculpture |b automatization, mechanization, and mathematization in Minimal, Serial, Conceptual, and Computer Art |c Michael Rottmann |
| 264 | 1 | |c [2023] | |
| 300 | |b Illustrationen | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 520 | 3 | |a Today’s 3D-printed digital sculpture can be traced back—not only in a technical sense—to the 1960s, when our digital culture developed. Using the examples of pioneers Robert Mallary and Charles Csuri, this paper reconstructs and distinguishes computer-based productions of sculpture, its reception, and its ontology. One focus is the discourse of sculpture, image, and form. A comparison with Minimal, Serial, and Conceptual Art is suggested not only because Minimal Art was a hot spot of sculptural discourse, but also because it reveals correspondences between digital and non-digital arts, which exist on the level of draft, production, and discourse: a creation with certain machines, mathematization, automatization, mechanization, and a 2D/3D-discourse.It will be argued that the examined digital and non-digital artforms in the 1960s, the time of pre-post-digital art, are only understandable in relation to each other and their common historical con-text: cybernetics, systems theory, the Cold War, and computerization. Taking the cultural-historical and politico-economic context into account, it will be demonstrated that one can identify specific reactions to digital technology and media and its impacts on art and society—which is why I call the non-digital artforms "co-digital art." | |
| 600 | 1 | 7 | |a Mallary, Robert |d 1917-1997 |0 (DE-588)174242514 |2 gnd |9 rswk-swf |
| 600 | 1 | 7 | |a Csuri, Charles A. |d 1922- |0 (DE-588)122437497 |2 gnd |9 rswk-swf |
| 648 | 7 | |a Geschichte 1960-2021 |2 gnd |9 rswk-swf | |
| 650 | 0 | 7 | |a Plastik |0 (DE-588)4046277-8 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Computerkunst |0 (DE-588)4010453-9 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a 3D-Technologie |0 (DE-588)1124023283 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Virtualisierung |0 (DE-588)4839180-3 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Ästhetik |0 (DE-588)4000626-8 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Digitalisierung |0 (DE-588)4123065-6 |2 gnd |9 rswk-swf |
| 689 | 0 | 0 | |a Plastik |0 (DE-588)4046277-8 |D s |
| 689 | 0 | 1 | |a Digitalisierung |0 (DE-588)4123065-6 |D s |
| 689 | 0 | 2 | |a Virtualisierung |0 (DE-588)4839180-3 |D s |
| 689 | 0 | 3 | |a 3D-Technologie |0 (DE-588)1124023283 |D s |
| 689 | 0 | 4 | |a Computerkunst |0 (DE-588)4010453-9 |D s |
| 689 | 0 | 5 | |a Ästhetik |0 (DE-588)4000626-8 |D s |
| 689 | 0 | 6 | |a Geschichte 1960-2021 |A z |
| 689 | 0 | |5 DE-604 | |
| 689 | 1 | 0 | |a Csuri, Charles A. |d 1922- |0 (DE-588)122437497 |D p |
| 689 | 1 | 1 | |a Mallary, Robert |d 1917-1997 |0 (DE-588)174242514 |D p |
| 689 | 1 | |5 DE-604 | |
| 773 | 1 | 8 | |g pages:58-79 |
| 773 | 0 | 8 | |t The sculptural in the (post-)digital age / Mara-Johanna Kölmel, Ursula Ströbele (eds.) |d Berlin, [2023] |g Seite 58-79 |k Schriftenreihe des Studienzentrums zur Moderne: Bibliothek Herzog Franz von Bayern am Zentralinstitut für Kunstgeschichte ; Band 4 |w (DE-604)BV048997075 |z 978-3-11-077505-1 |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-034261832 | ||
| 941 | |s 58-79 | ||
Datensatz im Suchindex
| _version_ | 1804185260467945472 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| article_link | (DE-604)BV048997075 |
| author | Rottmann, Michael ca. 20. Jh |
| author_GND | (DE-588)1068894849 |
| author_facet | Rottmann, Michael ca. 20. Jh |
| author_role | aut |
| author_sort | Rottmann, Michael ca. 20. Jh |
| author_variant | m r mr |
| building | Verbundindex |
| bvnumber | BV048998621 |
| ctrlnum | (OCoLC)1385289466 (DE-599)BVBBV048998621 |
| era | Geschichte 1960-2021 gnd |
| era_facet | Geschichte 1960-2021 |
| format | Article |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03569naa a2200529 c 4500</leader><controlfield tag="001">BV048998621</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20230621 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">230613s2023 a||| |||| 00||| eng d</controlfield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1385289466</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV048998621</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-255</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Rottmann, Michael</subfield><subfield code="d">ca. 20. Jh.</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1068894849</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The aesthetics of (digital) machine sculpture</subfield><subfield code="b">automatization, mechanization, and mathematization in Minimal, Serial, Conceptual, and Computer Art</subfield><subfield code="c">Michael Rottmann</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="c">[2023]</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">Today’s 3D-printed digital sculpture can be traced back—not only in a technical sense—to the 1960s, when our digital culture developed. Using the examples of pioneers Robert Mallary and Charles Csuri, this paper reconstructs and distinguishes computer-based productions of sculpture, its reception, and its ontology. One focus is the discourse of sculpture, image, and form. A comparison with Minimal, Serial, and Conceptual Art is suggested not only because Minimal Art was a hot spot of sculptural discourse, but also because it reveals correspondences between digital and non-digital arts, which exist on the level of draft, production, and discourse: a creation with certain machines, mathematization, automatization, mechanization, and a 2D/3D-discourse.It will be argued that the examined digital and non-digital artforms in the 1960s, the time of pre-post-digital art, are only understandable in relation to each other and their common historical con-text: cybernetics, systems theory, the Cold War, and computerization. Taking the cultural-historical and politico-economic context into account, it will be demonstrated that one can identify specific reactions to digital technology and media and its impacts on art and society—which is why I call the non-digital artforms "co-digital art."</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Mallary, Robert</subfield><subfield code="d">1917-1997</subfield><subfield code="0">(DE-588)174242514</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Csuri, Charles A.</subfield><subfield code="d">1922-</subfield><subfield code="0">(DE-588)122437497</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1960-2021</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Plastik</subfield><subfield code="0">(DE-588)4046277-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Computerkunst</subfield><subfield code="0">(DE-588)4010453-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">3D-Technologie</subfield><subfield code="0">(DE-588)1124023283</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Virtualisierung</subfield><subfield code="0">(DE-588)4839180-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Ästhetik</subfield><subfield code="0">(DE-588)4000626-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Digitalisierung</subfield><subfield code="0">(DE-588)4123065-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Plastik</subfield><subfield code="0">(DE-588)4046277-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Digitalisierung</subfield><subfield code="0">(DE-588)4123065-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Virtualisierung</subfield><subfield code="0">(DE-588)4839180-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">3D-Technologie</subfield><subfield code="0">(DE-588)1124023283</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Computerkunst</subfield><subfield code="0">(DE-588)4010453-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="5"><subfield code="a">Ästhetik</subfield><subfield code="0">(DE-588)4000626-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="6"><subfield code="a">Geschichte 1960-2021</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Csuri, Charles A.</subfield><subfield code="d">1922-</subfield><subfield code="0">(DE-588)122437497</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Mallary, Robert</subfield><subfield code="d">1917-1997</subfield><subfield code="0">(DE-588)174242514</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="773" ind1="1" ind2="8"><subfield code="g">pages:58-79</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="t">The sculptural in the (post-)digital age / Mara-Johanna Kölmel, Ursula Ströbele (eds.)</subfield><subfield code="d">Berlin, [2023]</subfield><subfield code="g">Seite 58-79</subfield><subfield code="k">Schriftenreihe des Studienzentrums zur Moderne: Bibliothek Herzog Franz von Bayern am Zentralinstitut für Kunstgeschichte ; Band 4</subfield><subfield code="w">(DE-604)BV048997075</subfield><subfield code="z">978-3-11-077505-1</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034261832</subfield></datafield><datafield tag="941" ind1=" " ind2=" "><subfield code="s">58-79</subfield></datafield></record></collection> |
| id | DE-604.BV048998621 |
| illustrated | Illustrated |
| index_date | 2024-07-03T22:08:59Z |
| indexdate | 2024-07-10T09:52:24Z |
| institution | BVB |
| isbn | 978-3-11-077505-1 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034261832 |
| oclc_num | 1385289466 |
| open_access_boolean | |
| owner | DE-255 |
| owner_facet | DE-255 |
| physical | Illustrationen |
| publishDate | 2023 |
| publishDateSearch | 2023 |
| publishDateSort | 2023 |
| record_format | marc |
| spelling | Rottmann, Michael ca. 20. Jh. Verfasser (DE-588)1068894849 aut The aesthetics of (digital) machine sculpture automatization, mechanization, and mathematization in Minimal, Serial, Conceptual, and Computer Art Michael Rottmann [2023] Illustrationen txt rdacontent n rdamedia nc rdacarrier Today’s 3D-printed digital sculpture can be traced back—not only in a technical sense—to the 1960s, when our digital culture developed. Using the examples of pioneers Robert Mallary and Charles Csuri, this paper reconstructs and distinguishes computer-based productions of sculpture, its reception, and its ontology. One focus is the discourse of sculpture, image, and form. A comparison with Minimal, Serial, and Conceptual Art is suggested not only because Minimal Art was a hot spot of sculptural discourse, but also because it reveals correspondences between digital and non-digital arts, which exist on the level of draft, production, and discourse: a creation with certain machines, mathematization, automatization, mechanization, and a 2D/3D-discourse.It will be argued that the examined digital and non-digital artforms in the 1960s, the time of pre-post-digital art, are only understandable in relation to each other and their common historical con-text: cybernetics, systems theory, the Cold War, and computerization. Taking the cultural-historical and politico-economic context into account, it will be demonstrated that one can identify specific reactions to digital technology and media and its impacts on art and society—which is why I call the non-digital artforms "co-digital art." Mallary, Robert 1917-1997 (DE-588)174242514 gnd rswk-swf Csuri, Charles A. 1922- (DE-588)122437497 gnd rswk-swf Geschichte 1960-2021 gnd rswk-swf Plastik (DE-588)4046277-8 gnd rswk-swf Computerkunst (DE-588)4010453-9 gnd rswk-swf 3D-Technologie (DE-588)1124023283 gnd rswk-swf Virtualisierung (DE-588)4839180-3 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Digitalisierung (DE-588)4123065-6 gnd rswk-swf Plastik (DE-588)4046277-8 s Digitalisierung (DE-588)4123065-6 s Virtualisierung (DE-588)4839180-3 s 3D-Technologie (DE-588)1124023283 s Computerkunst (DE-588)4010453-9 s Ästhetik (DE-588)4000626-8 s Geschichte 1960-2021 z DE-604 Csuri, Charles A. 1922- (DE-588)122437497 p Mallary, Robert 1917-1997 (DE-588)174242514 p pages:58-79 The sculptural in the (post-)digital age / Mara-Johanna Kölmel, Ursula Ströbele (eds.) Berlin, [2023] Seite 58-79 Schriftenreihe des Studienzentrums zur Moderne: Bibliothek Herzog Franz von Bayern am Zentralinstitut für Kunstgeschichte ; Band 4 (DE-604)BV048997075 978-3-11-077505-1 |
| spellingShingle | Rottmann, Michael ca. 20. Jh The aesthetics of (digital) machine sculpture automatization, mechanization, and mathematization in Minimal, Serial, Conceptual, and Computer Art Mallary, Robert 1917-1997 (DE-588)174242514 gnd Csuri, Charles A. 1922- (DE-588)122437497 gnd Plastik (DE-588)4046277-8 gnd Computerkunst (DE-588)4010453-9 gnd 3D-Technologie (DE-588)1124023283 gnd Virtualisierung (DE-588)4839180-3 gnd Ästhetik (DE-588)4000626-8 gnd Digitalisierung (DE-588)4123065-6 gnd |
| subject_GND | (DE-588)174242514 (DE-588)122437497 (DE-588)4046277-8 (DE-588)4010453-9 (DE-588)1124023283 (DE-588)4839180-3 (DE-588)4000626-8 (DE-588)4123065-6 |
| title | The aesthetics of (digital) machine sculpture automatization, mechanization, and mathematization in Minimal, Serial, Conceptual, and Computer Art |
| title_auth | The aesthetics of (digital) machine sculpture automatization, mechanization, and mathematization in Minimal, Serial, Conceptual, and Computer Art |
| title_exact_search | The aesthetics of (digital) machine sculpture automatization, mechanization, and mathematization in Minimal, Serial, Conceptual, and Computer Art |
| title_exact_search_txtP | The aesthetics of (digital) machine sculpture automatization, mechanization, and mathematization in Minimal, Serial, Conceptual, and Computer Art |
| title_full | The aesthetics of (digital) machine sculpture automatization, mechanization, and mathematization in Minimal, Serial, Conceptual, and Computer Art Michael Rottmann |
| title_fullStr | The aesthetics of (digital) machine sculpture automatization, mechanization, and mathematization in Minimal, Serial, Conceptual, and Computer Art Michael Rottmann |
| title_full_unstemmed | The aesthetics of (digital) machine sculpture automatization, mechanization, and mathematization in Minimal, Serial, Conceptual, and Computer Art Michael Rottmann |
| title_short | The aesthetics of (digital) machine sculpture |
| title_sort | the aesthetics of digital machine sculpture automatization mechanization and mathematization in minimal serial conceptual and computer art |
| title_sub | automatization, mechanization, and mathematization in Minimal, Serial, Conceptual, and Computer Art |
| topic | Mallary, Robert 1917-1997 (DE-588)174242514 gnd Csuri, Charles A. 1922- (DE-588)122437497 gnd Plastik (DE-588)4046277-8 gnd Computerkunst (DE-588)4010453-9 gnd 3D-Technologie (DE-588)1124023283 gnd Virtualisierung (DE-588)4839180-3 gnd Ästhetik (DE-588)4000626-8 gnd Digitalisierung (DE-588)4123065-6 gnd |
| topic_facet | Mallary, Robert 1917-1997 Csuri, Charles A. 1922- Plastik Computerkunst 3D-Technologie Virtualisierung Ästhetik Digitalisierung |
| work_keys_str_mv | AT rottmannmichael theaestheticsofdigitalmachinesculptureautomatizationmechanizationandmathematizationinminimalserialconceptualandcomputerart |