Sarah Cain - enter the center:
Los Angeles-based painter Sarah Cain (born 1979) works on canvases of all sizes, often modifying them by cutting and braiding, painting on all sides and installing the canvas with the back of the painting facing the viewer. She also paints on other surfaces, including interior and exterior walls, fl...
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Saratoga Springs, NY
The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College
June 2022
New York DelMonico Books, D.A.P. |
| Ausgabe: | First edition |
| Schriftenreihe: | Opener
33 |
| Schlagworte: | |
| Zusammenfassung: | Los Angeles-based painter Sarah Cain (born 1979) works on canvases of all sizes, often modifying them by cutting and braiding, painting on all sides and installing the canvas with the back of the painting facing the viewer. She also paints on other surfaces, including interior and exterior walls, floors and dollar bills. She uses vivid colors and shapes, and often includes found objects such as jewelry, pompoms, hula hoops and other items she has a personal attachment to. Cain's process often involves altering and disfiguring a composition until the original image is no longer recognizable. The creation and destruction of her paintings is part of Cain's process that, in part, revolves around self-discovery. Cain describes herself as a feminist painter, using elements that are traditionally seen as feminine and "girly" as an act of nonconformity and antipathy to the patriarchal hierarchies of painting. "Almost everything about Cain's paintings--their speed, their brashness, their noodling compositions, their splashes and spray-painted scribbles, their tacky accouterments, their sense of absurdity--seems to undermine the gravitas that large-scale painting traditionally projects," wrote Jonathan Griffin, in the New York Times |
| Beschreibung: | Seite 135: "Published on the occasion of the exhibition "Sarah Cain - Enter The Center". Curated by Ian Berry in collaboration with the artist. The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, July 10-December 19, 2021." - Includes bibliographical references (pages 130-131) |
| Beschreibung: | 135 Seiten 29 cm |
| ISBN: | 9781636810140 1636810144 |
Internformat
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| 245 | 1 | 0 | |a Sarah Cain - enter the center |c Ian Berry ; with texts by Andy Campbell, Lauren Haynes, and Bernadette Mayer |
| 246 | 1 | 3 | |a Enter the center |
| 250 | |a First edition | ||
| 264 | 1 | |a Saratoga Springs, NY |b The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College |c June 2022 | |
| 264 | 1 | |a New York |b DelMonico Books, D.A.P. | |
| 300 | |a 135 Seiten |c 29 cm | ||
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| 500 | |a Seite 135: "Published on the occasion of the exhibition "Sarah Cain - Enter The Center". Curated by Ian Berry in collaboration with the artist. The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, July 10-December 19, 2021." - Includes bibliographical references (pages 130-131) | ||
| 520 | 3 | |a Los Angeles-based painter Sarah Cain (born 1979) works on canvases of all sizes, often modifying them by cutting and braiding, painting on all sides and installing the canvas with the back of the painting facing the viewer. She also paints on other surfaces, including interior and exterior walls, floors and dollar bills. She uses vivid colors and shapes, and often includes found objects such as jewelry, pompoms, hula hoops and other items she has a personal attachment to. Cain's process often involves altering and disfiguring a composition until the original image is no longer recognizable. The creation and destruction of her paintings is part of Cain's process that, in part, revolves around self-discovery. Cain describes herself as a feminist painter, using elements that are traditionally seen as feminine and "girly" as an act of nonconformity and antipathy to the patriarchal hierarchies of painting. "Almost everything about Cain's paintings--their speed, their brashness, their noodling compositions, their splashes and spray-painted scribbles, their tacky accouterments, their sense of absurdity--seems to undermine the gravitas that large-scale painting traditionally projects," wrote Jonathan Griffin, in the New York Times | |
| 600 | 1 | 7 | |a Cain, Sarah |d 1979- |0 (DE-588)174388659 |2 gnd |9 rswk-swf |
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| 689 | 0 | 0 | |a Cain, Sarah |d 1979- |0 (DE-588)174388659 |D p |
| 689 | 0 | 1 | |a Malerei |0 (DE-588)4037220-0 |D s |
| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |a Berry, Ian |d 1971- |0 (DE-588)13647716X |4 edt | |
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Datensatz im Suchindex
| _version_ | 1811019813094424576 |
|---|---|
| adam_text | |
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author2 | Berry, Ian 1971- |
| author2_role | edt |
| author2_variant | i b ib |
| author_GND | (DE-588)174388659 (DE-588)13647716X (DE-588)1188257021 (DE-588)1045163619 (DE-588)13284107X |
| author_facet | Berry, Ian 1971- |
| building | Verbundindex |
| bvnumber | BV048997220 |
| classification_rvk | LI 99999 |
| ctrlnum | (OCoLC)1377389704 (DE-599)KXP1843594897 |
| dewey-full | 709.2 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 709 - History, geographic treatment, biography |
| dewey-raw | 709.2 |
| dewey-search | 709.2 |
| dewey-sort | 3709.2 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| discipline_str_mv | Kunstgeschichte |
| edition | First edition |
| format | Book |
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| genre_facet | Ausstellungskatalog Frances Young Tang Teaching Museum and Art Gallery 10.07.2021-19.12.2021 Saratoga Springs, NY Bildband |
| id | DE-604.BV048997220 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T22:08:48Z |
| indexdate | 2024-09-23T20:24:42Z |
| institution | BVB |
| institution_GND | (DE-588)10039875-3 |
| isbn | 9781636810140 1636810144 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034260446 |
| oclc_num | 1377389704 |
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| owner | DE-255 |
| owner_facet | DE-255 |
| physical | 135 Seiten 29 cm |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College DelMonico Books, D.A.P. |
| record_format | marc |
| series | Opener |
| series2 | Opener |
| spelling | Cain, Sarah 1979- (DE-588)174388659 art Sarah Cain - enter the center Ian Berry ; with texts by Andy Campbell, Lauren Haynes, and Bernadette Mayer Enter the center First edition Saratoga Springs, NY The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College June 2022 New York DelMonico Books, D.A.P. 135 Seiten 29 cm sti rdacontent txt rdacontent n rdamedia nc rdacarrier Opener 33 Seite 135: "Published on the occasion of the exhibition "Sarah Cain - Enter The Center". Curated by Ian Berry in collaboration with the artist. The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, July 10-December 19, 2021." - Includes bibliographical references (pages 130-131) Los Angeles-based painter Sarah Cain (born 1979) works on canvases of all sizes, often modifying them by cutting and braiding, painting on all sides and installing the canvas with the back of the painting facing the viewer. She also paints on other surfaces, including interior and exterior walls, floors and dollar bills. She uses vivid colors and shapes, and often includes found objects such as jewelry, pompoms, hula hoops and other items she has a personal attachment to. Cain's process often involves altering and disfiguring a composition until the original image is no longer recognizable. The creation and destruction of her paintings is part of Cain's process that, in part, revolves around self-discovery. Cain describes herself as a feminist painter, using elements that are traditionally seen as feminine and "girly" as an act of nonconformity and antipathy to the patriarchal hierarchies of painting. "Almost everything about Cain's paintings--their speed, their brashness, their noodling compositions, their splashes and spray-painted scribbles, their tacky accouterments, their sense of absurdity--seems to undermine the gravitas that large-scale painting traditionally projects," wrote Jonathan Griffin, in the New York Times Cain, Sarah 1979- (DE-588)174388659 gnd rswk-swf Malerei (DE-588)4037220-0 gnd rswk-swf Cain, Sarah / 1979- / Exhibitions 2000-2099 Mixed media (Art) / United States / Exhibitions Site-specific installations (Art) / United States / Exhibitions Painting, Abstract / United States / Exhibitions (DE-588)4135467-9 Ausstellungskatalog Frances Young Tang Teaching Museum and Art Gallery 10.07.2021-19.12.2021 Saratoga Springs, NY gnd-content (DE-588)4145395-5 Bildband gnd-content Cain, Sarah 1979- (DE-588)174388659 p Malerei (DE-588)4037220-0 s DE-604 Berry, Ian 1971- (DE-588)13647716X edt Campbell, Andy 1982- (DE-588)1188257021 wst Haynes, Lauren (DE-588)1045163619 wst Mayer, Bernadette 1945-2022 (DE-588)13284107X wst Frances Young Tang Teaching Museum and Art Gallery (Saratoga Springs, NY) (DE-588)10039875-3 his isb Opener 33 (DE-604)BV021329594 33 |
| spellingShingle | Sarah Cain - enter the center Opener Cain, Sarah 1979- (DE-588)174388659 gnd Malerei (DE-588)4037220-0 gnd |
| subject_GND | (DE-588)174388659 (DE-588)4037220-0 (DE-588)4135467-9 (DE-588)4145395-5 |
| title | Sarah Cain - enter the center |
| title_alt | Enter the center |
| title_auth | Sarah Cain - enter the center |
| title_exact_search | Sarah Cain - enter the center |
| title_exact_search_txtP | Sarah Cain - enter the center |
| title_full | Sarah Cain - enter the center Ian Berry ; with texts by Andy Campbell, Lauren Haynes, and Bernadette Mayer |
| title_fullStr | Sarah Cain - enter the center Ian Berry ; with texts by Andy Campbell, Lauren Haynes, and Bernadette Mayer |
| title_full_unstemmed | Sarah Cain - enter the center Ian Berry ; with texts by Andy Campbell, Lauren Haynes, and Bernadette Mayer |
| title_short | Sarah Cain - enter the center |
| title_sort | sarah cain enter the center |
| topic | Cain, Sarah 1979- (DE-588)174388659 gnd Malerei (DE-588)4037220-0 gnd |
| topic_facet | Cain, Sarah 1979- Malerei Ausstellungskatalog Frances Young Tang Teaching Museum and Art Gallery 10.07.2021-19.12.2021 Saratoga Springs, NY Bildband |
| volume_link | (DE-604)BV021329594 |
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