A new anatomy of storyworlds: what is, what if, as if
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Columbus
The Ohio State University Press
[2022]
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| Schriftenreihe: | Theory and interpretation of narrative
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | x, 226 Seiten Illustrationen, Diagramme |
| ISBN: | 9780814215081 0814215084 9780814258415 0814258417 |
Internformat
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CONTENTS List of Illustrations vii Acknowledgments ix INTRODUCTION Grounding Narratology in the Concept of World CHAPTER 1 Truth: Discourse Types and Theories of Truth 19 CHAPTER 2 Fiction: The Possible Worlds Approach to Fiction and Its Rival Theories 34 CHAPTER 3 Narrator: Decomposing a Theoretical Primitive 58 CHAPTER 4 Characters: Textual, Philosophical, and "World" Approaches to Character Ontology 74 CHAPTER 5 Plot: Cheap Plot Tricks, Plot Holes, and Narrative Design 90 CHAPTER 6 Mimesis and Diegesis: Complementing Each Other по CHAPTER 7 Parallel Worlds: Physics, Narrative, and the Multiverse 123 CHAPTER 8 Impossible Worlds: Dealing with Logical Contradiction 145 CHAPTER 9 Virtual Worlds: Narrative and VR Technology 162 CHAPTER 10 Transmedia Worlds: Industry Buzzword or New Narrative Experience? 182 1 Bibliography 205 Index 219
T~t 1 he question of how narratives actually do the work of world-building I transcends disciplines: from cosmology to philosophy, digital culture, A popular culture, and literary theory. In Ճ New Anatomy of Storyworlds, Marie-Laure Ryan investigates the narratological importance of the concept of world in its various manifestations. She uses a wide array of works—from Sokal’s hoax to Maus, from Saussure to Barthes, from science fiction to virtual reality—to interrogate key narratological concepts. By revisiting and redefining concepts such as narrator, plot, character, fictionality, mimesis, and diegesis, Ryan reexamines the major controversies that have enlivened narratology: Does narrative necessarily involve a narrator? Is the notion of implied author usefid? Do texts that challenge our experience of the real world require a different narratology? Is the distinction between fictional and factual narratives gradual or binary? Ultimately, Ryan grounds narratology in the concept of world to propose an alternative to the rhetorical, feminist, unnatural, and cognitive approaches that currently dominate the field, thus broadening the frame through which we view story and world-building. |
| adam_txt |
CONTENTS List of Illustrations vii Acknowledgments ix INTRODUCTION Grounding Narratology in the Concept of World CHAPTER 1 Truth: Discourse Types and Theories of Truth 19 CHAPTER 2 Fiction: The Possible Worlds Approach to Fiction and Its Rival Theories 34 CHAPTER 3 Narrator: Decomposing a Theoretical Primitive 58 CHAPTER 4 Characters: Textual, Philosophical, and "World" Approaches to Character Ontology 74 CHAPTER 5 Plot: Cheap Plot Tricks, Plot Holes, and Narrative Design 90 CHAPTER 6 Mimesis and Diegesis: Complementing Each Other по CHAPTER 7 Parallel Worlds: Physics, Narrative, and the Multiverse 123 CHAPTER 8 Impossible Worlds: Dealing with Logical Contradiction 145 CHAPTER 9 Virtual Worlds: Narrative and VR Technology 162 CHAPTER 10 Transmedia Worlds: Industry Buzzword or New Narrative Experience? 182 1 Bibliography 205 Index 219
T~t 1 he question of how narratives actually do the work of world-building I transcends disciplines: from cosmology to philosophy, digital culture, A popular culture, and literary theory. In Ճ New Anatomy of Storyworlds, Marie-Laure Ryan investigates the narratological importance of the concept of world in its various manifestations. She uses a wide array of works—from Sokal’s hoax to Maus, from Saussure to Barthes, from science fiction to virtual reality—to interrogate key narratological concepts. By revisiting and redefining concepts such as narrator, plot, character, fictionality, mimesis, and diegesis, Ryan reexamines the major controversies that have enlivened narratology: Does narrative necessarily involve a narrator? Is the notion of implied author usefid? Do texts that challenge our experience of the real world require a different narratology? Is the distinction between fictional and factual narratives gradual or binary? Ultimately, Ryan grounds narratology in the concept of world to propose an alternative to the rhetorical, feminist, unnatural, and cognitive approaches that currently dominate the field, thus broadening the frame through which we view story and world-building. |
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| spelling | Ryan, Marie-Laure 1946- Verfasser (DE-588)108953157 aut A new anatomy of storyworlds what is, what if, as if Marie-Laure Ryan Columbus The Ohio State University Press [2022] x, 226 Seiten Illustrationen, Diagramme txt rdacontent n rdamedia nc rdacarrier Theory and interpretation of narrative Erzählforschung (DE-588)4152968-6 gnd rswk-swf Erzählforschung (DE-588)4152968-6 s DE-604 Erscheint auch als Online-Ausgabe 978-0-8142-8227-4 Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034260255&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034260255&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
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| title | A new anatomy of storyworlds what is, what if, as if |
| title_auth | A new anatomy of storyworlds what is, what if, as if |
| title_exact_search | A new anatomy of storyworlds what is, what if, as if |
| title_exact_search_txtP | A new anatomy of storyworlds what is, what if, as if |
| title_full | A new anatomy of storyworlds what is, what if, as if Marie-Laure Ryan |
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| title_full_unstemmed | A new anatomy of storyworlds what is, what if, as if Marie-Laure Ryan |
| title_short | A new anatomy of storyworlds |
| title_sort | a new anatomy of storyworlds what is what if as if |
| title_sub | what is, what if, as if |
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