Writing after art: essays on modern and contemporary artists
An expansive anthology of the critic and art historian Richard Shiff’s most influential writings, which have shaped today's understanding of twentieth- and twenty-first-century art. In his engaging and penetrating observations on modern and contemporary visual art, Shiff has written about an im...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York, New York
David Zwirner Books
[2023]
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| Schlagworte: | |
| Zusammenfassung: | An expansive anthology of the critic and art historian Richard Shiff’s most influential writings, which have shaped today's understanding of twentieth- and twenty-first-century art. In his engaging and penetrating observations on modern and contemporary visual art, Shiff has written about an impressive range of creative forces, including Willem de Kooning, Marlene Dumas, Jasper Johns, Donald Judd, Barnett Newman, Pablo Picasso, Bridget Riley, and Peter Saul. A leading scholar and powerful voice, Shiff offers insight into prominent artistic practices that span generations and approaches, as seen in this considered selection of essays on twenty-seven artists. These writings first appeared in exhibition catalogues for institutions including the Centre Georges Pompidou, the Solomon R. Guggenheim Museum, The Museum of Modern Art, New York, and Tate Modern. Shiff supplements his unquestionable fluency in art history with perspectives cultivated from his readings in philosophy, phenomenology, literary theory, and psychoanalysis, among other fields. Shiff’s writing—conceptually rich, meditative, and enjoyable to read—is attuned to the nuances of artistic style and technique, drawing out art’s social implications not merely from broad histories but also directly from artists’ mark making and technical gestures. Actively engaged as a viewer and a writer, Shiff has transformed the act of looking at art into contemplative and captivating writing. Richard Shiff: Writing after Art includes essays on Georg Baselitz, Mark Bradford, Georges Braque, Jim Campbell, Chuck Close, Willem de Kooning, Peter Doig, Marlene Dumas, Dan Flavin, Suzan Frecon, Lucian Freud, Ellen Gallagher, Jasper Johns, Donald Judd, Ellsworth Kelly, Brice Marden, Julie Mehretu, Barnett Newman, Pablo Picasso, Bridget Riley, Peter Saul, Richard Serra, Joel Shapiro, Richard Tuttle, Cy Twombly, Jack Whitten, and Zeng Fanzhi |
| Beschreibung: | 692 Seiten 68 Illustrationen 25 cm |
| ISBN: | 9781644230480 1644230488 |
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| 520 | 3 | |a An expansive anthology of the critic and art historian Richard Shiff’s most influential writings, which have shaped today's understanding of twentieth- and twenty-first-century art. In his engaging and penetrating observations on modern and contemporary visual art, Shiff has written about an impressive range of creative forces, including Willem de Kooning, Marlene Dumas, Jasper Johns, Donald Judd, Barnett Newman, Pablo Picasso, Bridget Riley, and Peter Saul. A leading scholar and powerful voice, Shiff offers insight into prominent artistic practices that span generations and approaches, as seen in this considered selection of essays on twenty-seven artists. These writings first appeared in exhibition catalogues for institutions including the Centre Georges Pompidou, the Solomon R. Guggenheim Museum, The Museum of Modern Art, New York, and Tate Modern. Shiff supplements his unquestionable fluency in art history with perspectives cultivated from his readings in philosophy, phenomenology, literary theory, and psychoanalysis, among other fields. Shiff’s writing—conceptually rich, meditative, and enjoyable to read—is attuned to the nuances of artistic style and technique, drawing out art’s social implications not merely from broad histories but also directly from artists’ mark making and technical gestures. Actively engaged as a viewer and a writer, Shiff has transformed the act of looking at art into contemplative and captivating writing. Richard Shiff: Writing after Art includes essays on Georg Baselitz, Mark Bradford, Georges Braque, Jim Campbell, Chuck Close, Willem de Kooning, Peter Doig, Marlene Dumas, Dan Flavin, Suzan Frecon, Lucian Freud, Ellen Gallagher, Jasper Johns, Donald Judd, Ellsworth Kelly, Brice Marden, Julie Mehretu, Barnett Newman, Pablo Picasso, Bridget Riley, Peter Saul, Richard Serra, Joel Shapiro, Richard Tuttle, Cy Twombly, Jack Whitten, and Zeng Fanzhi | |
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| discipline | Kunstgeschichte |
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| era_facet | Geschichte 1945-2022 |
| format | Book |
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| spelling | Shiff, Richard 1943- Verfasser (DE-588)131933388 aut Writing after art essays on modern and contemporary artists Richard Shiff New York, New York David Zwirner Books [2023] 692 Seiten 68 Illustrationen 25 cm txt rdacontent n rdamedia nc rdacarrier An expansive anthology of the critic and art historian Richard Shiff’s most influential writings, which have shaped today's understanding of twentieth- and twenty-first-century art. In his engaging and penetrating observations on modern and contemporary visual art, Shiff has written about an impressive range of creative forces, including Willem de Kooning, Marlene Dumas, Jasper Johns, Donald Judd, Barnett Newman, Pablo Picasso, Bridget Riley, and Peter Saul. A leading scholar and powerful voice, Shiff offers insight into prominent artistic practices that span generations and approaches, as seen in this considered selection of essays on twenty-seven artists. These writings first appeared in exhibition catalogues for institutions including the Centre Georges Pompidou, the Solomon R. Guggenheim Museum, The Museum of Modern Art, New York, and Tate Modern. Shiff supplements his unquestionable fluency in art history with perspectives cultivated from his readings in philosophy, phenomenology, literary theory, and psychoanalysis, among other fields. Shiff’s writing—conceptually rich, meditative, and enjoyable to read—is attuned to the nuances of artistic style and technique, drawing out art’s social implications not merely from broad histories but also directly from artists’ mark making and technical gestures. Actively engaged as a viewer and a writer, Shiff has transformed the act of looking at art into contemplative and captivating writing. Richard Shiff: Writing after Art includes essays on Georg Baselitz, Mark Bradford, Georges Braque, Jim Campbell, Chuck Close, Willem de Kooning, Peter Doig, Marlene Dumas, Dan Flavin, Suzan Frecon, Lucian Freud, Ellen Gallagher, Jasper Johns, Donald Judd, Ellsworth Kelly, Brice Marden, Julie Mehretu, Barnett Newman, Pablo Picasso, Bridget Riley, Peter Saul, Richard Serra, Joel Shapiro, Richard Tuttle, Cy Twombly, Jack Whitten, and Zeng Fanzhi Geschichte 1945-2022 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Art, Modern / 20th century Art, Modern / 21st century (DE-588)4143413-4 Aufsatzsammlung gnd-content Kunst (DE-588)4114333-4 s Geschichte 1945-2022 z DE-604 |
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| title | Writing after art essays on modern and contemporary artists |
| title_auth | Writing after art essays on modern and contemporary artists |
| title_exact_search | Writing after art essays on modern and contemporary artists |
| title_exact_search_txtP | Writing after art essays on modern and contemporary artists |
| title_full | Writing after art essays on modern and contemporary artists Richard Shiff |
| title_fullStr | Writing after art essays on modern and contemporary artists Richard Shiff |
| title_full_unstemmed | Writing after art essays on modern and contemporary artists Richard Shiff |
| title_short | Writing after art |
| title_sort | writing after art essays on modern and contemporary artists |
| title_sub | essays on modern and contemporary artists |
| topic | Kunst (DE-588)4114333-4 gnd |
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