Verfügbarkeit: Max Weber & American cubism

Max Weber & American cubism:

Max Weber studied under Matisse, associated with influential figures including Apollinaire, Picasso, and Delaunay, and is credited with bringing firsthand knowledge of the Parisian avant-garde to Alfred Stieglitz's modernist circle in New York, inspiring a generation of artists. While his works...

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Bibliographische Detailangaben
Hauptverfasser:	Agee, William C. 1936- (VerfasserIn), Koob, Pamela N. (VerfasserIn)
Weitere Verfasser:	Weber, Max 1881-1961 (IllustratorIn)
Format:	Buch
Sprache:	English
Veröffentlicht:	New York, NY Rizzoli Electa 2023
Schlagworte:	Weber, Max > 1881-1961 Kubismus USA Weber, Max / 1881-1961 Weber, Max - 1881-1961 / (OCoLC)fst00051974 Cubism / United States Cubism / (OCoLC)fst00884864 United States / (OCoLC)fst01204155
Online-Zugang:	Inhaltsverzeichnis
Zusammenfassung:	Max Weber studied under Matisse, associated with influential figures including Apollinaire, Picasso, and Delaunay, and is credited with bringing firsthand knowledge of the Parisian avant-garde to Alfred Stieglitz's modernist circle in New York, inspiring a generation of artists. While his works are in important collections, they have not yet received the close study of the artist's peers, such as Picasso, Braque, and Leger. William C. Agee, a veteran museum curator and renowned scholar of twentieth-century American art, and scholar Pamela N. Koob take up the challenge in a lavishly illustrated volume, gathering together a selection of Max Weber's best cubist works. Close readings of Weber's paintings open the most complete survey to date of American cubism, with entries on key cubist works by Marsden Hartley, Stuart Davis, Hans Hofmann, Charles Sheeler, Morgan Russell, Stanton Macdonald-Wright, Alice Trumbull Mason, and David Smith, among many others. Filling in a missing piece of one of the twentieth century's most influential movements, this critical reevaluation is long overdue
Beschreibung:	Includes bibliographical references (pages 285-289) and index
Beschreibung:	301 Seiten Illustrationen 29 cm
ISBN:	0847899322 9780847899326

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Datensatz im Suchindex

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adam_text	ACKNOWLEDGMENTS ................................ 7 AUTHOR BIOGRAPHIES ............................ 9 FOREWORD ...... .................. 10 INTRODUCTION. ................. 12 MAX WEBER S CUBIST WORKS ............ ....... 15 I MAX WEBER, AMERICA S FIRST CUBIST ..... 49 PROTO-CUBISM ............. 54 CEZANNE AND CUBISM.................................................................................................. 63 MOVEMENT AND FUTURISM ............ 74 THE CITY AS SUBJECT AND INSPIRATION...................................................................... 93 MAX WEBER AS TEACHER .......................... 105 II WEBER S EARLY CONTEMPORARIES, 1910S-1920S.... . ...................... - ... - ........ ...........109 BACK FROM PARIS ................................................ 111 THE COLOR PAINTERS...................................................................................................................................................141 KATHERINE DREIER AND THE SOCIETE ANONYME........................................................................................ 154 EUROPEAN CUBISTS IN NEW YORK, 1913-18...............................................................................................................154 THE GOLDEN AGE OF CUBISM IN AMERICA .................................................................................................; 168 III CUBISM TAKES ROOT IN AMERICA .... ...... 209 JAN MATULKA AND HIS CIRCLE .......... . ........................................................................ . ........ . ..................................... 211 THE AMERICAN ABSTRACT ARTISTS GROUP .................................... 218 JOHN GRAHAM AND HIS CIRCLE................................................................................................................................229 PARK AVENUE CUBISTS..............................................................................................................................................240 HANS HOFMANN AND HIS CIRCLE.............................................................................................................................247 MONDRIAN IN NEW YORK, 1940-44...........................................................................................................................251 RALSTON CRAWFORD ....... . .................................................................................................................................. 256 JACOB LAWRENCE ........ :........................... ............................................................................... ............................ . ..... 261 NEW USES FOR CUBISM............................................................................................................................................264 STILL GOING, STILL NEW; CUBISM IN THE 1950S AND 1960S......................................................................................273 FINALTHOUGHTS.................................................................................................... ..... ;...........................................281 BIBLIOGRAPHY INDEX .. : .............. IMAGE CREDITS .285 290 299
adam_txt	ACKNOWLEDGMENTS . 7 AUTHOR BIOGRAPHIES . 9 FOREWORD . . 10 ' INTRODUCTION. . 12 MAX WEBER'S CUBIST WORKS . . 15 I MAX WEBER, AMERICA'S FIRST CUBIST . 49 PROTO-CUBISM . 54 CEZANNE AND CUBISM. 63 MOVEMENT AND FUTURISM . 74 THE CITY AS SUBJECT AND INSPIRATION. 93 MAX WEBER AS TEACHER . 105 II WEBER'S EARLY CONTEMPORARIES, 1910S-1920S. . . - . - . .109 BACK FROM PARIS . 111 THE COLOR PAINTERS.141 KATHERINE DREIER AND THE SOCIETE ANONYME. 154 EUROPEAN CUBISTS IN NEW YORK, 1913-18.154 THE GOLDEN AGE OF CUBISM IN AMERICA .; 168 III CUBISM TAKES ROOT IN AMERICA . . 209 JAN MATULKA AND HIS CIRCLE . . . . . . . 211 THE AMERICAN ABSTRACT ARTISTS GROUP . 218 JOHN GRAHAM AND HIS CIRCLE.229 PARK AVENUE CUBISTS.240 HANS HOFMANN AND HIS CIRCLE.247 MONDRIAN IN NEW YORK, 1940-44.251 RALSTON CRAWFORD . . . 256 JACOB LAWRENCE . :.'. . . . 261 NEW USES FOR CUBISM.264 STILL GOING, STILL NEW; CUBISM IN THE 1950S AND 1960S.273 FINALTHOUGHTS.' . ;.281 BIBLIOGRAPHY INDEX . : . IMAGE CREDITS .285 290 299
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author	Agee, William C. 1936- Koob, Pamela N.
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author_facet	Agee, William C. 1936- Koob, Pamela N. Weber, Max 1881-1961
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dewey-sort	3759.13
dewey-tens	750 - Painting and paintings
discipline	Kunstgeschichte
discipline_str_mv	Kunstgeschichte
format	Book
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spelling	Agee, William C. 1936- Verfasser (DE-588)140695303 aut Max Weber & American cubism William C. Agee, Pamela N. Koob Max Weber and American cubism New York, NY Rizzoli Electa 2023 301 Seiten Illustrationen 29 cm txt rdacontent sti rdacontent n rdamedia nc rdacarrier Includes bibliographical references (pages 285-289) and index Max Weber studied under Matisse, associated with influential figures including Apollinaire, Picasso, and Delaunay, and is credited with bringing firsthand knowledge of the Parisian avant-garde to Alfred Stieglitz's modernist circle in New York, inspiring a generation of artists. While his works are in important collections, they have not yet received the close study of the artist's peers, such as Picasso, Braque, and Leger. William C. Agee, a veteran museum curator and renowned scholar of twentieth-century American art, and scholar Pamela N. Koob take up the challenge in a lavishly illustrated volume, gathering together a selection of Max Weber's best cubist works. Close readings of Weber's paintings open the most complete survey to date of American cubism, with entries on key cubist works by Marsden Hartley, Stuart Davis, Hans Hofmann, Charles Sheeler, Morgan Russell, Stanton Macdonald-Wright, Alice Trumbull Mason, and David Smith, among many others. Filling in a missing piece of one of the twentieth century's most influential movements, this critical reevaluation is long overdue Weber, Max 1881-1961 (DE-588)118834010 gnd rswk-swf Kubismus (DE-588)4165855-3 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf Weber, Max / 1881-1961 Weber, Max - 1881-1961 / (OCoLC)fst00051974 Cubism / United States Cubism / (OCoLC)fst00884864 United States / (OCoLC)fst01204155 Weber, Max 1881-1961 (DE-588)118834010 p USA (DE-588)4078704-7 g Kubismus (DE-588)4165855-3 s DE-604 Koob, Pamela N. Verfasser aut Weber, Max 1881-1961 (DE-588)118834010 ill V:DE-604 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034256843&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis
spellingShingle	Agee, William C. 1936- Koob, Pamela N. Max Weber & American cubism Weber, Max 1881-1961 (DE-588)118834010 gnd Kubismus (DE-588)4165855-3 gnd
subject_GND	(DE-588)118834010 (DE-588)4165855-3 (DE-588)4078704-7
title	Max Weber & American cubism
title_alt	Max Weber and American cubism
title_auth	Max Weber & American cubism
title_exact_search	Max Weber & American cubism
title_exact_search_txtP	Max Weber & American cubism
title_full	Max Weber & American cubism William C. Agee, Pamela N. Koob
title_fullStr	Max Weber & American cubism William C. Agee, Pamela N. Koob
title_full_unstemmed	Max Weber & American cubism William C. Agee, Pamela N. Koob
title_short	Max Weber & American cubism
title_sort	max weber american cubism
topic	Weber, Max 1881-1961 (DE-588)118834010 gnd Kubismus (DE-588)4165855-3 gnd
topic_facet	Weber, Max 1881-1961 Kubismus USA
url	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034256843&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
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