Visual Art and Self-Construction:
Demonstrates how visual art can work as a powerful technology of the selfAsks how we can know a decentred and partly unconscious self, and shows how particular artworks can help us to address this challengeIllustrates how both artists and audience members can use artworks as a means of cultivating o...
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2023]
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Schriftenreihe: | Crosscurrents : CROSS
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Schlagworte: | |
Zusammenfassung: | Demonstrates how visual art can work as a powerful technology of the selfAsks how we can know a decentred and partly unconscious self, and shows how particular artworks can help us to address this challengeIllustrates how both artists and audience members can use artworks as a means of cultivating or controlling specific aspects of the selfDraws on the work of artists including Francisco de Goya y Lucientes, Francis Bacon and Louise BourgeoisDemonstrates the specific contribution that visual art makes to projects of the self by discussing a variety of mediums and contemporary developments in artistic practiceStarting from criticisms of a simple, given self found in Nietzsche, Freud and Foucault, Katrina Mitcheson addresses the problem of how a complex self is constructed, and how a hermeneutics of the self can avoid reproducing a subjugated self.Critically examining Ricoeur's narrative account of self-construction, Mitcheson makes the case that the narrative model overlooks the variety of processes that can contribute to forming a self and neglects the materiality of these processes. She develops an alternative account of a plural and corporeal hermeneutics of the self: exploring how visual art can operate as a critical technology of the self. Art not only exposes practices that contribute to our subjugation, but can also discover, explore and affect bodily processes, enabling experimentation in self-construction |
Beschreibung: | 176 Seiten 8 B/W illustrations |
ISBN: | 9781399511186 |
Internformat
MARC
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264 | 1 | |a Edinburgh |b Edinburgh University Press |c [2023] | |
264 | 4 | |c © 2023 | |
300 | |a 176 Seiten |b 8 B/W illustrations | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
490 | 0 | |a Crosscurrents : CROSS | |
520 | |a Demonstrates how visual art can work as a powerful technology of the selfAsks how we can know a decentred and partly unconscious self, and shows how particular artworks can help us to address this challengeIllustrates how both artists and audience members can use artworks as a means of cultivating or controlling specific aspects of the selfDraws on the work of artists including Francisco de Goya y Lucientes, Francis Bacon and Louise BourgeoisDemonstrates the specific contribution that visual art makes to projects of the self by discussing a variety of mediums and contemporary developments in artistic practiceStarting from criticisms of a simple, given self found in Nietzsche, Freud and Foucault, Katrina Mitcheson addresses the problem of how a complex self is constructed, and how a hermeneutics of the self can avoid reproducing a subjugated self.Critically examining Ricoeur's narrative account of self-construction, Mitcheson makes the case that the narrative model overlooks the variety of processes that can contribute to forming a self and neglects the materiality of these processes. She develops an alternative account of a plural and corporeal hermeneutics of the self: exploring how visual art can operate as a critical technology of the self. Art not only exposes practices that contribute to our subjugation, but can also discover, explore and affect bodily processes, enabling experimentation in self-construction | ||
546 | |a In English | ||
648 | 7 | |a Geschichte 1800-2020 |2 gnd |9 rswk-swf | |
650 | 4 | |a Philosophy | |
650 | 7 | |a ART / Criticism |2 bisacsh | |
650 | 4 | |a Art |x Philosophy | |
650 | 4 | |a Art, Modern |x Themes, motives | |
650 | 4 | |a Art, Modern-Themes, motives | |
650 | 4 | |a Art-Philosophy | |
650 | 4 | |a Self-perception in art | |
650 | 0 | 7 | |a Selbstbildnis |0 (DE-588)4054394-8 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Selbstdarstellung |0 (DE-588)4122349-4 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Künstler |0 (DE-588)4033423-5 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Selbstbild |0 (DE-588)4077349-8 |2 gnd |9 rswk-swf |
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689 | 0 | 5 | |a Geschichte 1800-2020 |A z |
689 | 0 | |5 DE-604 | |
776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-0-7486-9368-9 |
999 | |a oai:aleph.bib-bvb.de:BVB01-034256831 |
Datensatz im Suchindex
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adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author | Mitcheson, Katrina |
author_facet | Mitcheson, Katrina |
author_role | aut |
author_sort | Mitcheson, Katrina |
author_variant | k m km |
building | Verbundindex |
bvnumber | BV048993534 |
classification_rvk | LK 95300 |
ctrlnum | (OCoLC)1385286855 (DE-599)BVBBV048993534 |
dewey-full | 701 |
dewey-hundreds | 700 - The arts |
dewey-ones | 701 - Philosophy of fine & decorative arts |
dewey-raw | 701 |
dewey-search | 701 |
dewey-sort | 3701 |
dewey-tens | 700 - The arts |
discipline | Kunstgeschichte |
discipline_str_mv | Kunstgeschichte |
era | Geschichte 1800-2020 gnd |
era_facet | Geschichte 1800-2020 |
format | Book |
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id | DE-604.BV048993534 |
illustrated | Illustrated |
index_date | 2024-07-03T22:07:57Z |
indexdate | 2024-07-10T09:52:16Z |
institution | BVB |
isbn | 9781399511186 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034256831 |
oclc_num | 1385286855 |
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owner | DE-739 |
owner_facet | DE-739 |
physical | 176 Seiten 8 B/W illustrations |
publishDate | 2023 |
publishDateSearch | 2023 |
publishDateSort | 2023 |
publisher | Edinburgh University Press |
record_format | marc |
series2 | Crosscurrents : CROSS |
spelling | Mitcheson, Katrina Verfasser aut Visual Art and Self-Construction Katrina Mitcheson Edinburgh Edinburgh University Press [2023] © 2023 176 Seiten 8 B/W illustrations txt rdacontent n rdamedia nc rdacarrier Crosscurrents : CROSS Demonstrates how visual art can work as a powerful technology of the selfAsks how we can know a decentred and partly unconscious self, and shows how particular artworks can help us to address this challengeIllustrates how both artists and audience members can use artworks as a means of cultivating or controlling specific aspects of the selfDraws on the work of artists including Francisco de Goya y Lucientes, Francis Bacon and Louise BourgeoisDemonstrates the specific contribution that visual art makes to projects of the self by discussing a variety of mediums and contemporary developments in artistic practiceStarting from criticisms of a simple, given self found in Nietzsche, Freud and Foucault, Katrina Mitcheson addresses the problem of how a complex self is constructed, and how a hermeneutics of the self can avoid reproducing a subjugated self.Critically examining Ricoeur's narrative account of self-construction, Mitcheson makes the case that the narrative model overlooks the variety of processes that can contribute to forming a self and neglects the materiality of these processes. She develops an alternative account of a plural and corporeal hermeneutics of the self: exploring how visual art can operate as a critical technology of the self. Art not only exposes practices that contribute to our subjugation, but can also discover, explore and affect bodily processes, enabling experimentation in self-construction In English Geschichte 1800-2020 gnd rswk-swf Philosophy ART / Criticism bisacsh Art Philosophy Art, Modern Themes, motives Art, Modern-Themes, motives Art-Philosophy Self-perception in art Selbstbildnis (DE-588)4054394-8 gnd rswk-swf Selbstdarstellung (DE-588)4122349-4 gnd rswk-swf Künstler (DE-588)4033423-5 gnd rswk-swf Selbstbild (DE-588)4077349-8 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Kunst (DE-588)4114333-4 s Künstler (DE-588)4033423-5 s Selbstbildnis (DE-588)4054394-8 s Selbstdarstellung (DE-588)4122349-4 s Selbstbild (DE-588)4077349-8 s Geschichte 1800-2020 z DE-604 Erscheint auch als Online-Ausgabe 978-0-7486-9368-9 |
spellingShingle | Mitcheson, Katrina Visual Art and Self-Construction Philosophy ART / Criticism bisacsh Art Philosophy Art, Modern Themes, motives Art, Modern-Themes, motives Art-Philosophy Self-perception in art Selbstbildnis (DE-588)4054394-8 gnd Selbstdarstellung (DE-588)4122349-4 gnd Künstler (DE-588)4033423-5 gnd Selbstbild (DE-588)4077349-8 gnd Kunst (DE-588)4114333-4 gnd |
subject_GND | (DE-588)4054394-8 (DE-588)4122349-4 (DE-588)4033423-5 (DE-588)4077349-8 (DE-588)4114333-4 |
title | Visual Art and Self-Construction |
title_auth | Visual Art and Self-Construction |
title_exact_search | Visual Art and Self-Construction |
title_exact_search_txtP | Visual Art and Self-Construction |
title_full | Visual Art and Self-Construction Katrina Mitcheson |
title_fullStr | Visual Art and Self-Construction Katrina Mitcheson |
title_full_unstemmed | Visual Art and Self-Construction Katrina Mitcheson |
title_short | Visual Art and Self-Construction |
title_sort | visual art and self construction |
topic | Philosophy ART / Criticism bisacsh Art Philosophy Art, Modern Themes, motives Art, Modern-Themes, motives Art-Philosophy Self-perception in art Selbstbildnis (DE-588)4054394-8 gnd Selbstdarstellung (DE-588)4122349-4 gnd Künstler (DE-588)4033423-5 gnd Selbstbild (DE-588)4077349-8 gnd Kunst (DE-588)4114333-4 gnd |
topic_facet | Philosophy ART / Criticism Art Philosophy Art, Modern Themes, motives Art, Modern-Themes, motives Art-Philosophy Self-perception in art Selbstbildnis Selbstdarstellung Künstler Selbstbild Kunst |
work_keys_str_mv | AT mitchesonkatrina visualartandselfconstruction |