Visualizing music:
"Visualizing Music explores the art of communicating about music through images. Drawing on principles from the fields of vision science and information visualization, Eric Isaacson reveals that musical images leverage metaphors to help us understand music. By explaining the history of music vi...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Bloomington ; Indianapolis
Indiana University Press
[2023]
|
| Schriftenreihe: | Musical meaning and interpretation
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Visualizing Music explores the art of communicating about music through images. Drawing on principles from the fields of vision science and information visualization, Eric Isaacson reveals that musical images leverage metaphors to help us understand music. By explaining the history of music visualizations through the lens of human perception and cognition, Isaacson offers a guide to understanding what makes musical images effective or ineffective. Illustrated with over 300 images from both historical and modern sources, including examples and theories from Western art music, world music, and popular music, Visualizing Music explores the decisions made around image creation. Together with an extensive online supplement and dozens of redrawings that show the impact of effective techniques, Visualizing Music is a captivating guide to thinking differently about design that will help music scholars better understand the power of musical images, thereby shifting the ephemeral to material"-- "To feel the emotional force of music, we experience it aurally. But how can we convey musical understanding visually? Visualizing Music explores the art of communicating about music through images. Drawing on principles from the fields of vision science and information visualization, Eric Isaacson describes how graphical images can help us understand music. By explaining the history of music visualizations through the lens of human perception and cognition, Isaacson offers a guide to understanding what makes musical images effective or ineffective and provides readers with extensive principles and strategies to create excellent images of their own. Illustrated with over 300 diagrams from both historical and modern sources, including examples and theories from Western art music, world music, and jazz, folk, and popular music, Visualizing Music explores the decisions made around image creation. Together with an extensive online supplement and dozens of redrawings that show the impact of effective techniques, Visualizing Music is a captivating guide to thinking differently about design that will help music scholars better understand the power of musical images, thereby shifting the ephemeral to material"-- |
| Beschreibung: | xiii, 369 Seiten Illustrationen 27 cm |
| ISBN: | 9780253064738 9780253064721 |
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| 505 | 8 | |a Part 1. Preliminaries. Leveraging the Power of the Brain ; The Role of Metaphor ; Multivariate Images ; Telling a Story ; Facilitating Comparison ; Information Layers ; Information Integration ; Making Every Part of an Image Count ; Presenting Tabular Data ; Small Multiples ; Using Color ; Additional General Principles ; Case Study : Western Notation -- Part 2. Musical Spaces. Pitch Spaces ; Collections, Scales, and Modes ; The Circle of Fifths ; The Tonnetz ; Atonal Spaces ; Symmetrical Pitch Structures ; Tonal Hierarchy, Tendency, Progression ; The Overtone Series -- Part 3. Musical Time. Basic Durations ; Unmeasured Musical Time ; Musically Measured Musical Time ; Externally Measured Musical Time (Performance Timing) ; Chapter 26 Proportion -- Part 4. Pitch, Texture, Timbre, Form. Textual Representations of Pitch ; Piano Roll Notation ; Alternate Notational Systems ; Tuning and Temperament ; Microtuning ; Timbre ; Texture ; Voice Leading ; Schematic and Procedural Representations ; Formal Models ; Pitch-Class Set Tables ; Instrument Ranges ; Translations -- Part 5. Music Analysis. Lutosławski's Jeux Venitiens ; Annotating Musical Scores ; Thematic Analysis ; Contour Analysis ; Tonal Plans ; Symmetry in Music Analysis ; Rhythmic Analysis ; Formal Analysis ; Hierarchy in Music ; Serialism ; Corpus Studies ; Musical Chronologies, Influences, and Styles ; Animation -- Part 6. Visualization in the Professional Realm. Conference Handouts ; Presentation Slideshows ; Conference Posters ; Print Publication ; The Essential Visualization Toolbox -- Epilogue | |
| 520 | 3 | |a "Visualizing Music explores the art of communicating about music through images. Drawing on principles from the fields of vision science and information visualization, Eric Isaacson reveals that musical images leverage metaphors to help us understand music. By explaining the history of music visualizations through the lens of human perception and cognition, Isaacson offers a guide to understanding what makes musical images effective or ineffective. Illustrated with over 300 images from both historical and modern sources, including examples and theories from Western art music, world music, and popular music, Visualizing Music explores the decisions made around image creation. Together with an extensive online supplement and dozens of redrawings that show the impact of effective techniques, Visualizing Music is a captivating guide to thinking differently about design that will help music scholars better understand the power of musical images, thereby shifting the ephemeral to material"-- | |
| 520 | 3 | |a "To feel the emotional force of music, we experience it aurally. But how can we convey musical understanding visually? Visualizing Music explores the art of communicating about music through images. Drawing on principles from the fields of vision science and information visualization, Eric Isaacson describes how graphical images can help us understand music. By explaining the history of music visualizations through the lens of human perception and cognition, Isaacson offers a guide to understanding what makes musical images effective or ineffective and provides readers with extensive principles and strategies to create excellent images of their own. Illustrated with over 300 diagrams from both historical and modern sources, including examples and theories from Western art music, world music, and jazz, folk, and popular music, Visualizing Music explores the decisions made around image creation. Together with an extensive online supplement and dozens of redrawings that show the impact of effective techniques, Visualizing Music is a captivating guide to thinking differently about design that will help music scholars better understand the power of musical images, thereby shifting the ephemeral to material"-- | |
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents Preface ix Acknowledgments xi Accessing Audiovisual Materials xiii Introduction ί 5 Part 1. Preliminaries Power 9 Chapter i Leverag i Chapter շ The Role Chapter 3 Multivariate Images 17 Chapter 4 Telling a Story 22 Chapter 5 Facilitating Comparison 27 Chapter 6 Information Layers 31 Chapter 7 Information Integration 34 Chapter 8 Making Every Part of an Image Count 38 Chapter 9 Presenting Tabular Data 46 Chapter io Small Multiples 52 ng th e of of th e Brai n Metaphor 13
Chapter ո Using Color 55 Chapter 12 Additional General Principles 61 Chapter 13 Case Study: Western Notation 69 Part 2. Musical Spaces 77 Chapter 14 Pitch Spaces Chapter 15 Collections, Scales, Chapter 16 The Circle of Fifths 93 Chapter 17 The Tonnetz 9$ Chapter 18 Atonal Spaces 102 Chapter 19 Symmetrical Pitch Structures 107 Chapter 20 Tonal Hierarchy, Tendency, Progression Chapter 21 79 an d Modes The Overtone Series 84 111 117 121 Part 3. Musical Time Chapter 22 Basic Durations 123 Chapter 23 Unmeasured Musical Time 128 Chapter 24 Musically Measured Musical Time 132 Chapter 25 Externally Measured MusicalTime (Performance Timing) 138 Chapter 26 Proportion 147 Part 4. Pitch, Texture, Timbre, Form Chapter 27 Textual Representations Chapter 28 Piano Roll Notation VI CONTENTS of Pitch 155 Ն7 159
Chapter 29 Alternate Notational Systems 164 Chapter 30 Tuning 172 Chapter 31 MlCROTU NING 178 Chapter 32 Timbre 183 Chapter 33 Texture 188 Chapter 34 Voice Leading 194 Chapter 35 Schematic and Procedural Representations 199 Chapter 36 Formal Models 207 Chapter 37 Pitch-Class SetTables 211 Chapter 38 Instrument Ranges 215 Chapter 39 Translations 219 an d Тем peram ent Part 5. Music Analysis 223 Chapter 40 Lutoslawski’s Jeux Vénitiens 225 Chapter 41 Annotating Musical Scores 230 Chapter 42 Thematic Analysis 240 Chapter 43 Contour Analysis 245 Chapter 44 Tonal Plans 253 Chapter 45 Symmetry in Music Analysis 257 Chapter 46 Rhythmic Analysis 260 Chapter 47 Formal Analysis 265 Chapter 48 Hierarchy 280 Chapter 49 Serialism in Music 293 CONTENTS VII
Chapter 50 CORPUS STUDI ES Chapter 51 Musical Chronologies, Influences, and Styles 3ΊΊ Chapter 52 An i mation 321 Part 6. Visualization ՅՕՅ in the Professional Realm 329 Chapter 53 Conference Handouts 333 Chapter 54 Presentation Slideshows 336 Chapter 55 Conference Posters 339 Chapter 56 Print Publication 344 Chapter 57 The Essential Visualization Toolbox 346 Epilogue 350 Bibliography 353 Index 363 VIH CONTENTS
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| adam_txt |
Contents Preface ix Acknowledgments xi Accessing Audiovisual Materials xiii Introduction ί 5 Part 1. Preliminaries Power 9 Chapter i Leverag i Chapter շ The Role Chapter 3 Multivariate Images 17 Chapter 4 Telling a Story 22 Chapter 5 Facilitating Comparison 27 Chapter 6 Information Layers 31 Chapter 7 Information Integration 34 Chapter 8 Making Every Part of an Image Count 38 Chapter 9 Presenting Tabular Data 46 Chapter io Small Multiples 52 ng th e of of th e Brai n Metaphor 13
Chapter ո Using Color 55 Chapter 12 Additional General Principles 61 Chapter 13 Case Study: Western Notation 69 Part 2. Musical Spaces 77 Chapter 14 Pitch Spaces Chapter 15 Collections, Scales, Chapter 16 The Circle of Fifths 93 Chapter 17 The Tonnetz 9$ Chapter 18 Atonal Spaces 102 Chapter 19 Symmetrical Pitch Structures 107 Chapter 20 Tonal Hierarchy, Tendency, Progression Chapter 21 79 an d Modes The Overtone Series 84 111 117 121 Part 3. Musical Time Chapter 22 Basic Durations 123 Chapter 23 Unmeasured Musical Time 128 Chapter 24 Musically Measured Musical Time 132 Chapter 25 Externally Measured MusicalTime (Performance Timing) 138 Chapter 26 Proportion 147 Part 4. Pitch, Texture, Timbre, Form Chapter 27 Textual Representations Chapter 28 Piano Roll Notation VI CONTENTS of Pitch 155 Ն7 159
Chapter 29 Alternate Notational Systems 164 Chapter 30 Tuning 172 Chapter 31 MlCROTU NING 178 Chapter 32 Timbre 183 Chapter 33 Texture 188 Chapter 34 Voice Leading 194 Chapter 35 Schematic and Procedural Representations 199 Chapter 36 Formal Models 207 Chapter 37 Pitch-Class SetTables 211 Chapter 38 Instrument Ranges 215 Chapter 39 Translations 219 an d Тем peram ent Part 5. Music Analysis 223 Chapter 40 Lutoslawski’s Jeux Vénitiens 225 Chapter 41 Annotating Musical Scores 230 Chapter 42 Thematic Analysis 240 Chapter 43 Contour Analysis 245 Chapter 44 Tonal Plans 253 Chapter 45 Symmetry in Music Analysis 257 Chapter 46 Rhythmic Analysis 260 Chapter 47 Formal Analysis 265 Chapter 48 Hierarchy 280 Chapter 49 Serialism in Music 293 CONTENTS VII
Chapter 50 CORPUS STUDI ES Chapter 51 Musical Chronologies, Influences, and Styles 3ΊΊ Chapter 52 An i mation 321 Part 6. Visualization ՅՕՅ in the Professional Realm 329 Chapter 53 Conference Handouts 333 Chapter 54 Presentation Slideshows 336 Chapter 55 Conference Posters 339 Chapter 56 Print Publication 344 Chapter 57 The Essential Visualization Toolbox 346 Epilogue 350 Bibliography 353 Index 363 VIH CONTENTS |
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| author | Isaacson, Eric J. 1963- |
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| author_facet | Isaacson, Eric J. 1963- |
| author_role | aut |
| author_sort | Isaacson, Eric J. 1963- |
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| building | Verbundindex |
| bvnumber | BV048993374 |
| contents | Part 1. Preliminaries. Leveraging the Power of the Brain ; The Role of Metaphor ; Multivariate Images ; Telling a Story ; Facilitating Comparison ; Information Layers ; Information Integration ; Making Every Part of an Image Count ; Presenting Tabular Data ; Small Multiples ; Using Color ; Additional General Principles ; Case Study : Western Notation -- Part 2. Musical Spaces. Pitch Spaces ; Collections, Scales, and Modes ; The Circle of Fifths ; The Tonnetz ; Atonal Spaces ; Symmetrical Pitch Structures ; Tonal Hierarchy, Tendency, Progression ; The Overtone Series -- Part 3. Musical Time. Basic Durations ; Unmeasured Musical Time ; Musically Measured Musical Time ; Externally Measured Musical Time (Performance Timing) ; Chapter 26 Proportion -- Part 4. Pitch, Texture, Timbre, Form. Textual Representations of Pitch ; Piano Roll Notation ; Alternate Notational Systems ; Tuning and Temperament ; Microtuning ; Timbre ; Texture ; Voice Leading ; Schematic and Procedural Representations ; Formal Models ; Pitch-Class Set Tables ; Instrument Ranges ; Translations -- Part 5. Music Analysis. Lutosławski's Jeux Venitiens ; Annotating Musical Scores ; Thematic Analysis ; Contour Analysis ; Tonal Plans ; Symmetry in Music Analysis ; Rhythmic Analysis ; Formal Analysis ; Hierarchy in Music ; Serialism ; Corpus Studies ; Musical Chronologies, Influences, and Styles ; Animation -- Part 6. Visualization in the Professional Realm. Conference Handouts ; Presentation Slideshows ; Conference Posters ; Print Publication ; The Essential Visualization Toolbox -- Epilogue |
| ctrlnum | (OCoLC)1401211532 (DE-599)BVBBV048993374 |
| format | Book |
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| id | DE-604.BV048993374 |
| illustrated | Illustrated |
| index_date | 2024-07-03T22:07:51Z |
| indexdate | 2024-07-10T09:52:15Z |
| institution | BVB |
| isbn | 9780253064738 9780253064721 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034256672 |
| oclc_num | 1401211532 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | xiii, 369 Seiten Illustrationen 27 cm |
| psigel | BSB_NED_20230905 |
| publishDate | 2023 |
| publishDateSearch | 2023 |
| publishDateSort | 2023 |
| publisher | Indiana University Press |
| record_format | marc |
| series2 | Musical meaning and interpretation |
| spelling | Isaacson, Eric J. 1963- Verfasser (DE-588)1117495558 aut Visualizing music Eric Isaacson Bloomington ; Indianapolis Indiana University Press [2023] © 2023 xiii, 369 Seiten Illustrationen 27 cm txt rdacontent n rdamedia nc rdacarrier Musical meaning and interpretation Part 1. Preliminaries. Leveraging the Power of the Brain ; The Role of Metaphor ; Multivariate Images ; Telling a Story ; Facilitating Comparison ; Information Layers ; Information Integration ; Making Every Part of an Image Count ; Presenting Tabular Data ; Small Multiples ; Using Color ; Additional General Principles ; Case Study : Western Notation -- Part 2. Musical Spaces. Pitch Spaces ; Collections, Scales, and Modes ; The Circle of Fifths ; The Tonnetz ; Atonal Spaces ; Symmetrical Pitch Structures ; Tonal Hierarchy, Tendency, Progression ; The Overtone Series -- Part 3. Musical Time. Basic Durations ; Unmeasured Musical Time ; Musically Measured Musical Time ; Externally Measured Musical Time (Performance Timing) ; Chapter 26 Proportion -- Part 4. Pitch, Texture, Timbre, Form. Textual Representations of Pitch ; Piano Roll Notation ; Alternate Notational Systems ; Tuning and Temperament ; Microtuning ; Timbre ; Texture ; Voice Leading ; Schematic and Procedural Representations ; Formal Models ; Pitch-Class Set Tables ; Instrument Ranges ; Translations -- Part 5. Music Analysis. Lutosławski's Jeux Venitiens ; Annotating Musical Scores ; Thematic Analysis ; Contour Analysis ; Tonal Plans ; Symmetry in Music Analysis ; Rhythmic Analysis ; Formal Analysis ; Hierarchy in Music ; Serialism ; Corpus Studies ; Musical Chronologies, Influences, and Styles ; Animation -- Part 6. Visualization in the Professional Realm. Conference Handouts ; Presentation Slideshows ; Conference Posters ; Print Publication ; The Essential Visualization Toolbox -- Epilogue "Visualizing Music explores the art of communicating about music through images. Drawing on principles from the fields of vision science and information visualization, Eric Isaacson reveals that musical images leverage metaphors to help us understand music. By explaining the history of music visualizations through the lens of human perception and cognition, Isaacson offers a guide to understanding what makes musical images effective or ineffective. Illustrated with over 300 images from both historical and modern sources, including examples and theories from Western art music, world music, and popular music, Visualizing Music explores the decisions made around image creation. Together with an extensive online supplement and dozens of redrawings that show the impact of effective techniques, Visualizing Music is a captivating guide to thinking differently about design that will help music scholars better understand the power of musical images, thereby shifting the ephemeral to material"-- "To feel the emotional force of music, we experience it aurally. But how can we convey musical understanding visually? Visualizing Music explores the art of communicating about music through images. Drawing on principles from the fields of vision science and information visualization, Eric Isaacson describes how graphical images can help us understand music. By explaining the history of music visualizations through the lens of human perception and cognition, Isaacson offers a guide to understanding what makes musical images effective or ineffective and provides readers with extensive principles and strategies to create excellent images of their own. Illustrated with over 300 diagrams from both historical and modern sources, including examples and theories from Western art music, world music, and jazz, folk, and popular music, Visualizing Music explores the decisions made around image creation. Together with an extensive online supplement and dozens of redrawings that show the impact of effective techniques, Visualizing Music is a captivating guide to thinking differently about design that will help music scholars better understand the power of musical images, thereby shifting the ephemeral to material"-- Notenschrift (DE-588)4135339-0 gnd rswk-swf Musikalische Analyse (DE-588)4040814-0 gnd rswk-swf Musiktheorie (DE-588)4040876-0 gnd rswk-swf Visualisierung (DE-588)4188417-6 gnd rswk-swf Grafische Darstellung (DE-588)4129552-3 gnd rswk-swf Kommunikation (DE-588)4031883-7 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Musical analysis Music / Charts, diagrams, etc Music / Mathematics Musical intervals and scales Musical notation Visualization MUSIC / Instruction & Study / Theory MATHEMATICS / Graphic Methods Musik (DE-588)4040802-4 s Notenschrift (DE-588)4135339-0 s Musiktheorie (DE-588)4040876-0 s Musikalische Analyse (DE-588)4040814-0 s Kommunikation (DE-588)4031883-7 s Grafische Darstellung (DE-588)4129552-3 s Visualisierung (DE-588)4188417-6 s DE-604 Erscheint auch als Online-Ausgabe 9780253064745 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034256672&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Isaacson, Eric J. 1963- Visualizing music Part 1. Preliminaries. Leveraging the Power of the Brain ; The Role of Metaphor ; Multivariate Images ; Telling a Story ; Facilitating Comparison ; Information Layers ; Information Integration ; Making Every Part of an Image Count ; Presenting Tabular Data ; Small Multiples ; Using Color ; Additional General Principles ; Case Study : Western Notation -- Part 2. Musical Spaces. Pitch Spaces ; Collections, Scales, and Modes ; The Circle of Fifths ; The Tonnetz ; Atonal Spaces ; Symmetrical Pitch Structures ; Tonal Hierarchy, Tendency, Progression ; The Overtone Series -- Part 3. Musical Time. Basic Durations ; Unmeasured Musical Time ; Musically Measured Musical Time ; Externally Measured Musical Time (Performance Timing) ; Chapter 26 Proportion -- Part 4. Pitch, Texture, Timbre, Form. Textual Representations of Pitch ; Piano Roll Notation ; Alternate Notational Systems ; Tuning and Temperament ; Microtuning ; Timbre ; Texture ; Voice Leading ; Schematic and Procedural Representations ; Formal Models ; Pitch-Class Set Tables ; Instrument Ranges ; Translations -- Part 5. Music Analysis. Lutosławski's Jeux Venitiens ; Annotating Musical Scores ; Thematic Analysis ; Contour Analysis ; Tonal Plans ; Symmetry in Music Analysis ; Rhythmic Analysis ; Formal Analysis ; Hierarchy in Music ; Serialism ; Corpus Studies ; Musical Chronologies, Influences, and Styles ; Animation -- Part 6. Visualization in the Professional Realm. Conference Handouts ; Presentation Slideshows ; Conference Posters ; Print Publication ; The Essential Visualization Toolbox -- Epilogue Notenschrift (DE-588)4135339-0 gnd Musikalische Analyse (DE-588)4040814-0 gnd Musiktheorie (DE-588)4040876-0 gnd Visualisierung (DE-588)4188417-6 gnd Grafische Darstellung (DE-588)4129552-3 gnd Kommunikation (DE-588)4031883-7 gnd Musik (DE-588)4040802-4 gnd |
| subject_GND | (DE-588)4135339-0 (DE-588)4040814-0 (DE-588)4040876-0 (DE-588)4188417-6 (DE-588)4129552-3 (DE-588)4031883-7 (DE-588)4040802-4 |
| title | Visualizing music |
| title_auth | Visualizing music |
| title_exact_search | Visualizing music |
| title_exact_search_txtP | Visualizing music |
| title_full | Visualizing music Eric Isaacson |
| title_fullStr | Visualizing music Eric Isaacson |
| title_full_unstemmed | Visualizing music Eric Isaacson |
| title_short | Visualizing music |
| title_sort | visualizing music |
| topic | Notenschrift (DE-588)4135339-0 gnd Musikalische Analyse (DE-588)4040814-0 gnd Musiktheorie (DE-588)4040876-0 gnd Visualisierung (DE-588)4188417-6 gnd Grafische Darstellung (DE-588)4129552-3 gnd Kommunikation (DE-588)4031883-7 gnd Musik (DE-588)4040802-4 gnd |
| topic_facet | Notenschrift Musikalische Analyse Musiktheorie Visualisierung Grafische Darstellung Kommunikation Musik |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034256672&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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