The unintended: photography, property, and the aesthetics of racial capitalism
Reimagines photography through the long history of ideas of expressionThe end of the nineteenth century saw massive developments and innovations in photography at a time when the forces of Western modernity-industrialization, racialization, and capitalism-were quickly reshaping the world. The Uninte...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York
New York University Press
[2023]
|
| Schriftenreihe: | America and the long 19th century
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Reimagines photography through the long history of ideas of expressionThe end of the nineteenth century saw massive developments and innovations in photography at a time when the forces of Western modernity-industrialization, racialization, and capitalism-were quickly reshaping the world. The Unintended slows down the moment in which the technology of photography seemed to speed itself-and so the history of racial capitalism-up. It follows the substantial shifts in the markets, mediums, and forms of photography during a legally murky period at the end of the nineteenth century. Monica Huerta traces the subtle and paradoxical ways legal thinking through photographic lenses reinscribed a particular aesthetics of whiteness in the very conceptions of property ownership. The book pulls together an archive that encompasses the histories of performance and portraiture alongside the legal, pursuing the logics by which property rights involving photographs are affirmed (or denied) in precedent-setting court cases and legal texts. Emphasizing the making of "expression" into property to focus our attention on the failures of control that cameras do not invent, but rather put new emphasis on, this book argues that designations of control's absence are central to the practice and idea of property-making. The Unintended? proposes that tracking and analyzing the sensed horizons of intention, control, autonomy, will, and volition offers another way into understanding how white supremacy functions. Ultimately, its unique historical reading practice offers a historically-specific vantage on the everyday workings of racial capitalism and the inheritances of white supremacy that structure so much of our lives |
| Beschreibung: | xvii, 309 Seiten Illustrationen |
| ISBN: | 9781479812424 9781479812400 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV048993124 | ||
| 003 | DE-604 | ||
| 005 | 20250117 | ||
| 007 | t| | ||
| 008 | 230608s2023 xx a||| |||| 00||| eng d | ||
| 020 | |a 9781479812424 |c hardback |9 978-1-4798-1242-4 | ||
| 020 | |a 9781479812400 |c paperback |9 978-1-4798-1240-0 | ||
| 035 | |a (OCoLC)1392145005 | ||
| 035 | |a (DE-599)BVBBV048993124 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-Y3 |a DE-255 |a DE-188 | ||
| 082 | 0 | |a 770.973 |2 23 | |
| 100 | 1 | |a Huerta, Monica |d 1981- |e Verfasser |0 (DE-588)1243257369 |4 aut | |
| 245 | 1 | 0 | |a The unintended |b photography, property, and the aesthetics of racial capitalism |c Monica Huerta |
| 264 | 1 | |a New York |b New York University Press |c [2023] | |
| 264 | 4 | |c © 2023 | |
| 300 | |a xvii, 309 Seiten |b Illustrationen | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a America and the long 19th century | |
| 520 | |a Reimagines photography through the long history of ideas of expressionThe end of the nineteenth century saw massive developments and innovations in photography at a time when the forces of Western modernity-industrialization, racialization, and capitalism-were quickly reshaping the world. The Unintended slows down the moment in which the technology of photography seemed to speed itself-and so the history of racial capitalism-up. It follows the substantial shifts in the markets, mediums, and forms of photography during a legally murky period at the end of the nineteenth century. Monica Huerta traces the subtle and paradoxical ways legal thinking through photographic lenses reinscribed a particular aesthetics of whiteness in the very conceptions of property ownership. The book pulls together an archive that encompasses the histories of performance and portraiture alongside the legal, pursuing the logics by which property rights involving photographs are affirmed (or denied) in precedent-setting court cases and legal texts. Emphasizing the making of "expression" into property to focus our attention on the failures of control that cameras do not invent, but rather put new emphasis on, this book argues that designations of control's absence are central to the practice and idea of property-making. The Unintended? proposes that tracking and analyzing the sensed horizons of intention, control, autonomy, will, and volition offers another way into understanding how white supremacy functions. Ultimately, its unique historical reading practice offers a historically-specific vantage on the everyday workings of racial capitalism and the inheritances of white supremacy that structure so much of our lives | ||
| 648 | 7 | |a Geschichte |2 gnd |9 rswk-swf | |
| 650 | 7 | |a Photography / History |2 bisacsh | |
| 650 | 0 | 7 | |a Recht |0 (DE-588)4048737-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Rassismus |0 (DE-588)4076527-1 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Fotografie |0 (DE-588)4045895-7 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Ästhetik |0 (DE-588)4000626-8 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Kapitalismus |0 (DE-588)4029577-1 |2 gnd |9 rswk-swf |
| 651 | 7 | |a USA |0 (DE-588)4078704-7 |2 gnd |9 rswk-swf | |
| 689 | 0 | 0 | |a USA |0 (DE-588)4078704-7 |D g |
| 689 | 0 | 1 | |a Fotografie |0 (DE-588)4045895-7 |D s |
| 689 | 0 | 2 | |a Ästhetik |0 (DE-588)4000626-8 |D s |
| 689 | 0 | 3 | |a Rassismus |0 (DE-588)4076527-1 |D s |
| 689 | 0 | 4 | |a Kapitalismus |0 (DE-588)4029577-1 |D s |
| 689 | 0 | 5 | |a Recht |0 (DE-588)4048737-4 |D s |
| 689 | 0 | 6 | |a Geschichte |A z |
| 689 | 0 | |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-1-4798-1243-1 |w (DE-604)BV048989107 |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-1-4798-1249-3 |w (DE-604)BV049638303 |
| 856 | 4 | 2 | |m V:DE-604 |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034256425&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-034256425 | |
Datensatz im Suchindex
| _version_ | 1821508710461079552 |
|---|---|
| adam_text |
.
:C
M
MONICA
HUL!RTA
PHOTOGRAPHY, PROPERTY, AND THE
AESTHETICS
OF
RACIAL CAPITALISM
FIL
NEW
YORK
UNIVERSITY
PRESS
NEW
YORK
Z
-I
M
Z
A
M
A
1
2
3
4
5
CONTENTS
PREFACE
READ,DON'TMOVE IX
INTRODUCTION
WITHOUT INTENTION
.
1
EXPRESSION
.
35
PROPERTY'S PROSCENIUM
.
77
PROPERTY'S HORIZON
.
119
PROPERTY'S
EDGE
.
155
EXPRESSIONLESS .
COD A RELATIONS BEYOND PROPERTY . . . . . . . . . . .
21
5
ACKNOWLEDGMENTS
223
NOTES
227
BIBLIOGRAPHY
267
INDEX
297
ABOUT
THE
AUTHOR
309 |
| adam_txt |
.
:C
M
MONICA
HUL!RTA
PHOTOGRAPHY, PROPERTY, AND THE
AESTHETICS
OF
RACIAL CAPITALISM
FIL
NEW
YORK
UNIVERSITY
PRESS
NEW
YORK
Z
-I
M
Z
A
M
A
1
2
3
4
5
CONTENTS
PREFACE
READ,DON'TMOVE IX
INTRODUCTION
WITHOUT INTENTION
.
1
EXPRESSION
.
35
PROPERTY'S PROSCENIUM
.
77
PROPERTY'S HORIZON
.
119
PROPERTY'S
EDGE
.
155
EXPRESSIONLESS .
COD A RELATIONS BEYOND PROPERTY . . . . . . . . . . .
21
5
ACKNOWLEDGMENTS
223
NOTES
227
BIBLIOGRAPHY
267
INDEX
297
ABOUT
THE
AUTHOR
309 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Huerta, Monica 1981- |
| author_GND | (DE-588)1243257369 |
| author_facet | Huerta, Monica 1981- |
| author_role | aut |
| author_sort | Huerta, Monica 1981- |
| author_variant | m h mh |
| building | Verbundindex |
| bvnumber | BV048993124 |
| ctrlnum | (OCoLC)1392145005 (DE-599)BVBBV048993124 |
| dewey-full | 770.973 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 770 - Photography, computer art, cinematography |
| dewey-raw | 770.973 |
| dewey-search | 770.973 |
| dewey-sort | 3770.973 |
| dewey-tens | 770 - Photography, computer art, cinematography |
| discipline | Kunstgeschichte |
| discipline_str_mv | Kunstgeschichte |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000 c 4500</leader><controlfield tag="001">BV048993124</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20250117</controlfield><controlfield tag="007">t|</controlfield><controlfield tag="008">230608s2023 xx a||| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781479812424</subfield><subfield code="c">hardback</subfield><subfield code="9">978-1-4798-1242-4</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781479812400</subfield><subfield code="c">paperback</subfield><subfield code="9">978-1-4798-1240-0</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1392145005</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV048993124</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-Y3</subfield><subfield code="a">DE-255</subfield><subfield code="a">DE-188</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">770.973</subfield><subfield code="2">23</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Huerta, Monica</subfield><subfield code="d">1981-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1243257369</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The unintended</subfield><subfield code="b">photography, property, and the aesthetics of racial capitalism</subfield><subfield code="c">Monica Huerta</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York</subfield><subfield code="b">New York University Press</subfield><subfield code="c">[2023]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2023</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xvii, 309 Seiten</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">America and the long 19th century</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Reimagines photography through the long history of ideas of expressionThe end of the nineteenth century saw massive developments and innovations in photography at a time when the forces of Western modernity-industrialization, racialization, and capitalism-were quickly reshaping the world. The Unintended slows down the moment in which the technology of photography seemed to speed itself-and so the history of racial capitalism-up. It follows the substantial shifts in the markets, mediums, and forms of photography during a legally murky period at the end of the nineteenth century. Monica Huerta traces the subtle and paradoxical ways legal thinking through photographic lenses reinscribed a particular aesthetics of whiteness in the very conceptions of property ownership. The book pulls together an archive that encompasses the histories of performance and portraiture alongside the legal, pursuing the logics by which property rights involving photographs are affirmed (or denied) in precedent-setting court cases and legal texts. Emphasizing the making of "expression" into property to focus our attention on the failures of control that cameras do not invent, but rather put new emphasis on, this book argues that designations of control's absence are central to the practice and idea of property-making. The Unintended? proposes that tracking and analyzing the sensed horizons of intention, control, autonomy, will, and volition offers another way into understanding how white supremacy functions. Ultimately, its unique historical reading practice offers a historically-specific vantage on the everyday workings of racial capitalism and the inheritances of white supremacy that structure so much of our lives</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Photography / History</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Recht</subfield><subfield code="0">(DE-588)4048737-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Rassismus</subfield><subfield code="0">(DE-588)4076527-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Fotografie</subfield><subfield code="0">(DE-588)4045895-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Ästhetik</subfield><subfield code="0">(DE-588)4000626-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kapitalismus</subfield><subfield code="0">(DE-588)4029577-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Fotografie</subfield><subfield code="0">(DE-588)4045895-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Ästhetik</subfield><subfield code="0">(DE-588)4000626-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Rassismus</subfield><subfield code="0">(DE-588)4076527-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Kapitalismus</subfield><subfield code="0">(DE-588)4029577-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="5"><subfield code="a">Recht</subfield><subfield code="0">(DE-588)4048737-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="6"><subfield code="a">Geschichte</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe</subfield><subfield code="z">978-1-4798-1243-1</subfield><subfield code="w">(DE-604)BV048989107</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe</subfield><subfield code="z">978-1-4798-1249-3</subfield><subfield code="w">(DE-604)BV049638303</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">V:DE-604</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034256425&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034256425</subfield></datafield></record></collection> |
| geographic | USA (DE-588)4078704-7 gnd |
| geographic_facet | USA |
| id | DE-604.BV048993124 |
| illustrated | Illustrated |
| index_date | 2024-07-03T22:07:48Z |
| indexdate | 2025-01-17T15:01:14Z |
| institution | BVB |
| isbn | 9781479812424 9781479812400 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034256425 |
| oclc_num | 1392145005 |
| open_access_boolean | |
| owner | DE-Y3 DE-255 DE-188 |
| owner_facet | DE-Y3 DE-255 DE-188 |
| physical | xvii, 309 Seiten Illustrationen |
| publishDate | 2023 |
| publishDateSearch | 2023 |
| publishDateSort | 2023 |
| publisher | New York University Press |
| record_format | marc |
| series2 | America and the long 19th century |
| spelling | Huerta, Monica 1981- Verfasser (DE-588)1243257369 aut The unintended photography, property, and the aesthetics of racial capitalism Monica Huerta New York New York University Press [2023] © 2023 xvii, 309 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier America and the long 19th century Reimagines photography through the long history of ideas of expressionThe end of the nineteenth century saw massive developments and innovations in photography at a time when the forces of Western modernity-industrialization, racialization, and capitalism-were quickly reshaping the world. The Unintended slows down the moment in which the technology of photography seemed to speed itself-and so the history of racial capitalism-up. It follows the substantial shifts in the markets, mediums, and forms of photography during a legally murky period at the end of the nineteenth century. Monica Huerta traces the subtle and paradoxical ways legal thinking through photographic lenses reinscribed a particular aesthetics of whiteness in the very conceptions of property ownership. The book pulls together an archive that encompasses the histories of performance and portraiture alongside the legal, pursuing the logics by which property rights involving photographs are affirmed (or denied) in precedent-setting court cases and legal texts. Emphasizing the making of "expression" into property to focus our attention on the failures of control that cameras do not invent, but rather put new emphasis on, this book argues that designations of control's absence are central to the practice and idea of property-making. The Unintended? proposes that tracking and analyzing the sensed horizons of intention, control, autonomy, will, and volition offers another way into understanding how white supremacy functions. Ultimately, its unique historical reading practice offers a historically-specific vantage on the everyday workings of racial capitalism and the inheritances of white supremacy that structure so much of our lives Geschichte gnd rswk-swf Photography / History bisacsh Recht (DE-588)4048737-4 gnd rswk-swf Rassismus (DE-588)4076527-1 gnd rswk-swf Fotografie (DE-588)4045895-7 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Kapitalismus (DE-588)4029577-1 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Fotografie (DE-588)4045895-7 s Ästhetik (DE-588)4000626-8 s Rassismus (DE-588)4076527-1 s Kapitalismus (DE-588)4029577-1 s Recht (DE-588)4048737-4 s Geschichte z DE-604 Erscheint auch als Online-Ausgabe 978-1-4798-1243-1 (DE-604)BV048989107 Erscheint auch als Online-Ausgabe 978-1-4798-1249-3 (DE-604)BV049638303 V:DE-604 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034256425&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Huerta, Monica 1981- The unintended photography, property, and the aesthetics of racial capitalism Photography / History bisacsh Recht (DE-588)4048737-4 gnd Rassismus (DE-588)4076527-1 gnd Fotografie (DE-588)4045895-7 gnd Ästhetik (DE-588)4000626-8 gnd Kapitalismus (DE-588)4029577-1 gnd |
| subject_GND | (DE-588)4048737-4 (DE-588)4076527-1 (DE-588)4045895-7 (DE-588)4000626-8 (DE-588)4029577-1 (DE-588)4078704-7 |
| title | The unintended photography, property, and the aesthetics of racial capitalism |
| title_auth | The unintended photography, property, and the aesthetics of racial capitalism |
| title_exact_search | The unintended photography, property, and the aesthetics of racial capitalism |
| title_exact_search_txtP | The unintended photography, property, and the aesthetics of racial capitalism |
| title_full | The unintended photography, property, and the aesthetics of racial capitalism Monica Huerta |
| title_fullStr | The unintended photography, property, and the aesthetics of racial capitalism Monica Huerta |
| title_full_unstemmed | The unintended photography, property, and the aesthetics of racial capitalism Monica Huerta |
| title_short | The unintended |
| title_sort | the unintended photography property and the aesthetics of racial capitalism |
| title_sub | photography, property, and the aesthetics of racial capitalism |
| topic | Photography / History bisacsh Recht (DE-588)4048737-4 gnd Rassismus (DE-588)4076527-1 gnd Fotografie (DE-588)4045895-7 gnd Ästhetik (DE-588)4000626-8 gnd Kapitalismus (DE-588)4029577-1 gnd |
| topic_facet | Photography / History Recht Rassismus Fotografie Ästhetik Kapitalismus USA |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034256425&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT huertamonica theunintendedphotographypropertyandtheaestheticsofracialcapitalism |