The Williamsburg avant-garde: experimental music and sound on the Brooklyn waterfront
"In The Williamsburg Avant-Garde Cisco Bradley chronicles the rise and fall of the underground music and art scene in the Williamsburg neighborhood of Brooklyn between the late 1980s and early 2010s. Drawing on interviews, archival collections, musical recordings, videos, photos, and other ephe...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Durham ; London
Duke University Press
2023
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "In The Williamsburg Avant-Garde Cisco Bradley chronicles the rise and fall of the underground music and art scene in the Williamsburg neighborhood of Brooklyn between the late 1980s and early 2010s. Drawing on interviews, archival collections, musical recordings, videos, photos, and other ephemera, Bradley explores the scene's social, cultural, and economic dynamics. Building on the neighborhood's punk DIY approach and aesthetic, free jazz, post punk, and noise musicians and groups ranging from Mary Halvorson, Zs, and Nate Wooley to Matana Roberts, Peter Evans, and Darius Jones produced shows in a variety of unlicensed venues as well as clubs and cafes. At the same time, pirate radio station Free103point9 and music festivals made Williamsburg an epicenter of New York's experimental culture. In 2005, New York's rezoning act devastated the community, as gentrification displaced its participants further afield in Brooklyn and Queens. With this portrait of Williamsburg, Bradley not only documents some of the most vital music of the late twentieth and early twenty-first centuries, he helps readers better understand the formation, vibrancy, and lifespan of experimental music and art scenes everywhere"-- |
| Beschreibung: | xi, 388 Seiten Illustrationen, Karten 23 cm |
| ISBN: | 9781478019374 |
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| 520 | 3 | |a "In The Williamsburg Avant-Garde Cisco Bradley chronicles the rise and fall of the underground music and art scene in the Williamsburg neighborhood of Brooklyn between the late 1980s and early 2010s. Drawing on interviews, archival collections, musical recordings, videos, photos, and other ephemera, Bradley explores the scene's social, cultural, and economic dynamics. Building on the neighborhood's punk DIY approach and aesthetic, free jazz, post punk, and noise musicians and groups ranging from Mary Halvorson, Zs, and Nate Wooley to Matana Roberts, Peter Evans, and Darius Jones produced shows in a variety of unlicensed venues as well as clubs and cafes. At the same time, pirate radio station Free103point9 and music festivals made Williamsburg an epicenter of New York's experimental culture. In 2005, New York's rezoning act devastated the community, as gentrification displaced its participants further afield in Brooklyn and Queens. With this portrait of Williamsburg, Bradley not only documents some of the most vital music of the late twentieth and early twenty-first centuries, he helps readers better understand the formation, vibrancy, and lifespan of experimental music and art scenes everywhere"-- | |
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Datensatz im Suchindex
| _version_ | 1804185248429244416 |
|---|---|
| adam_text | CONTENTS Acknowledgments ix Introduction Locating the Williamsburg Avant-Garde i PART I UTOPIAN SPACES FOR SOUND Chapter One The Emergence of the Williamsburg Scene Warehouses, Squatter Parties, and Punk Roots, 1988-1994 21 Chapter Two Pirate Radio and Jumping the River The Williamsburg Loft Scene, 1997-2004 55 Chapter Three Art Galleries, Clubs, and Bohemian Cafés The Williamsburg DIY, 2001-2006 100
PART II COMMERCIAL DIY AND THE LAST UNDERGROUND VENUES Chapter Four A Point of Confluence The Downtown Scene Comes to Zebulon, 2004-2006 145 Chapter Five A New Generation Emerges Zebulon, 2005-2012 189 Chapter Six A Fractured Landscape The Last Avant-Garde Music Spaces of Williamsburg, 2005-2014 228 Afterword Art, Experiment, and Capital 263 Notes 271 Art Sources for the Wi/liamsburg Avant-Garde 335 Bibliography 343 Index Յ67
|
| adam_txt |
CONTENTS Acknowledgments ix Introduction Locating the Williamsburg Avant-Garde i PART I UTOPIAN SPACES FOR SOUND Chapter One The Emergence of the Williamsburg Scene Warehouses, Squatter Parties, and Punk Roots, 1988-1994 21 Chapter Two Pirate Radio and Jumping the River The Williamsburg Loft Scene, 1997-2004 55 Chapter Three Art Galleries, Clubs, and Bohemian Cafés The Williamsburg DIY, 2001-2006 100
PART II COMMERCIAL DIY AND THE LAST UNDERGROUND VENUES Chapter Four A Point of Confluence The Downtown Scene Comes to Zebulon, 2004-2006 145 Chapter Five A New Generation Emerges Zebulon, 2005-2012 189 Chapter Six A Fractured Landscape The Last Avant-Garde Music Spaces of Williamsburg, 2005-2014 228 Afterword Art, Experiment, and Capital 263 Notes 271 Art Sources for the Wi/liamsburg Avant-Garde 335 Bibliography 343 Index Յ67 |
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| author | Bradley, Francis R. |
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| format | Book |
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| id | DE-604.BV048991909 |
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| index_date | 2024-07-03T22:07:29Z |
| indexdate | 2024-07-10T09:52:13Z |
| institution | BVB |
| isbn | 9781478019374 |
| language | English |
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| publisher | Duke University Press |
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| spelling | Bradley, Francis R. Verfasser (DE-588)1077569025 aut The Williamsburg avant-garde experimental music and sound on the Brooklyn waterfront Cisco Bradley Durham ; London Duke University Press 2023 xi, 388 Seiten Illustrationen, Karten 23 cm txt rdacontent n rdamedia nc rdacarrier "In The Williamsburg Avant-Garde Cisco Bradley chronicles the rise and fall of the underground music and art scene in the Williamsburg neighborhood of Brooklyn between the late 1980s and early 2010s. Drawing on interviews, archival collections, musical recordings, videos, photos, and other ephemera, Bradley explores the scene's social, cultural, and economic dynamics. Building on the neighborhood's punk DIY approach and aesthetic, free jazz, post punk, and noise musicians and groups ranging from Mary Halvorson, Zs, and Nate Wooley to Matana Roberts, Peter Evans, and Darius Jones produced shows in a variety of unlicensed venues as well as clubs and cafes. At the same time, pirate radio station Free103point9 and music festivals made Williamsburg an epicenter of New York's experimental culture. In 2005, New York's rezoning act devastated the community, as gentrification displaced its participants further afield in Brooklyn and Queens. With this portrait of Williamsburg, Bradley not only documents some of the most vital music of the late twentieth and early twenty-first centuries, he helps readers better understand the formation, vibrancy, and lifespan of experimental music and art scenes everywhere"-- Geschichte 1988-2014 gnd rswk-swf Subkultur (DE-588)4058326-0 gnd rswk-swf Experimentelle Musik (DE-588)4153365-3 gnd rswk-swf Avantgarde (DE-588)4133965-4 gnd rswk-swf Musikleben (DE-588)4075128-4 gnd rswk-swf Brooklyn-Williamsburg, NY (DE-588)127448118X gnd rswk-swf Avant-garde (Music) / New York (State) / New York / History Underground music / New York (State) / New York / History and criticism Avant-garde (Aesthetics) / New York (State) / New York / History Williamsburg (New York, N.Y.) / History / 20th century Williamsburg (New York, N.Y.) / History / 21st century MUSIC / Genres & Styles / Jazz SOCIAL SCIENCE / Ethnic Studies / American / African American & Black Studies Avant-garde (Aesthetics) Avant-garde (Music) Underground music New York (State) / New York New York (State) / New York / Williamsburg 1900-2099 Criticism, interpretation, etc History Brooklyn-Williamsburg, NY (DE-588)127448118X g Experimentelle Musik (DE-588)4153365-3 s Avantgarde (DE-588)4133965-4 s Subkultur (DE-588)4058326-0 s Musikleben (DE-588)4075128-4 s Geschichte 1988-2014 z DE-604 Äquivalent Druck-Ausgabe, Hardcover 9781478016748 Erscheint auch als Online-Ausgabe 9781478024019 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034255240&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Bradley, Francis R. The Williamsburg avant-garde experimental music and sound on the Brooklyn waterfront Subkultur (DE-588)4058326-0 gnd Experimentelle Musik (DE-588)4153365-3 gnd Avantgarde (DE-588)4133965-4 gnd Musikleben (DE-588)4075128-4 gnd |
| subject_GND | (DE-588)4058326-0 (DE-588)4153365-3 (DE-588)4133965-4 (DE-588)4075128-4 (DE-588)127448118X |
| title | The Williamsburg avant-garde experimental music and sound on the Brooklyn waterfront |
| title_auth | The Williamsburg avant-garde experimental music and sound on the Brooklyn waterfront |
| title_exact_search | The Williamsburg avant-garde experimental music and sound on the Brooklyn waterfront |
| title_exact_search_txtP | The Williamsburg avant-garde experimental music and sound on the Brooklyn waterfront |
| title_full | The Williamsburg avant-garde experimental music and sound on the Brooklyn waterfront Cisco Bradley |
| title_fullStr | The Williamsburg avant-garde experimental music and sound on the Brooklyn waterfront Cisco Bradley |
| title_full_unstemmed | The Williamsburg avant-garde experimental music and sound on the Brooklyn waterfront Cisco Bradley |
| title_short | The Williamsburg avant-garde |
| title_sort | the williamsburg avant garde experimental music and sound on the brooklyn waterfront |
| title_sub | experimental music and sound on the Brooklyn waterfront |
| topic | Subkultur (DE-588)4058326-0 gnd Experimentelle Musik (DE-588)4153365-3 gnd Avantgarde (DE-588)4133965-4 gnd Musikleben (DE-588)4075128-4 gnd |
| topic_facet | Subkultur Experimentelle Musik Avantgarde Musikleben Brooklyn-Williamsburg, NY |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034255240&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT bradleyfrancisr thewilliamsburgavantgardeexperimentalmusicandsoundonthebrooklynwaterfront |