Collective management of music copyright: a comparative analysis of China, the United States and Australia
"Two of the objectives of the Chinese Copyright Law are to protect the copyright of authors to their literary and artistic works and encourage the creation and dissemination of works. In practice, however, in spite of the existence of the Music Copyright Society of China ('MCSC') that...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London and New York
Routledge, Taylor & Francis Group
2023
|
| Schriftenreihe: | Routledge research in intellectual property
|
| Schlagworte: | |
| Zusammenfassung: | "Two of the objectives of the Chinese Copyright Law are to protect the copyright of authors to their literary and artistic works and encourage the creation and dissemination of works. In practice, however, in spite of the existence of the Music Copyright Society of China ('MCSC') that was established to assist with exercising copyright, music creators in China remain in need of help to protect and manage their fragmented copyright. The MCSC was the first collective management organisation ('CMO') in mainland China and is the only CMO in the field of musical works. While there is a large music industry and copyright business in China, the MCSC only had 11,356 members at the end of 2021"-- |
| Beschreibung: | Based on author's thesis (doctoral - University of Wollongong, 2017) issued under title: Collective management of music copyright in China : a comparative analysis of collective management organisations in China, the United States and Australia |
| Beschreibung: | xv, 191 Seiten 24 cm |
| ISBN: | 9781032281025 1032281022 9781032281032 1032281030 |
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| 245 | 1 | 0 | |a Collective management of music copyright |b a comparative analysis of China, the United States and Australia |c Qinqing Xu |
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| 300 | |a xv, 191 Seiten |c 24 cm | ||
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| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a Routledge research in intellectual property | |
| 500 | |a Based on author's thesis (doctoral - University of Wollongong, 2017) issued under title: Collective management of music copyright in China : a comparative analysis of collective management organisations in China, the United States and Australia | ||
| 505 | 8 | |a Introduction -- Copyright and collective management in the digital era -- The collective management of music Copyright in China, the United States and Australia -- Addressing the monopolistic powers of the MCSC -- Members' participation in the management of their Copyright in the MCSC -- Collective management of Music Copyright in global and digital contexts -- Conclusion | |
| 520 | 3 | |a "Two of the objectives of the Chinese Copyright Law are to protect the copyright of authors to their literary and artistic works and encourage the creation and dissemination of works. In practice, however, in spite of the existence of the Music Copyright Society of China ('MCSC') that was established to assist with exercising copyright, music creators in China remain in need of help to protect and manage their fragmented copyright. The MCSC was the first collective management organisation ('CMO') in mainland China and is the only CMO in the field of musical works. While there is a large music industry and copyright business in China, the MCSC only had 11,356 members at the end of 2021"-- | |
| 653 | 0 | |a Copyright / Music / China | |
| 653 | 0 | |a Copyright / Music / Great Britain | |
| 653 | 0 | |a Copyright / Music / Australia | |
| 653 | 0 | |a Copyright clearinghouses / Great Britain | |
| 653 | 0 | |a Copyright clearinghouses / Australia | |
| 653 | 0 | |a Copyright clearinghouses / China | |
| 653 | 0 | |a Copyright clearinghouses | |
| 653 | 0 | |a Copyright / Music | |
| 653 | 2 | |a Australia | |
| 653 | 2 | |a China | |
| 653 | 2 | |a United States | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-1-003-29530-3 |
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Datensatz im Suchindex
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| author | Xu, Qinqing |
| author_GND | (DE-588)1321324154 |
| author_facet | Xu, Qinqing |
| author_role | aut |
| author_sort | Xu, Qinqing |
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| building | Verbundindex |
| bvnumber | BV048990842 |
| contents | Introduction -- Copyright and collective management in the digital era -- The collective management of music Copyright in China, the United States and Australia -- Addressing the monopolistic powers of the MCSC -- Members' participation in the management of their Copyright in the MCSC -- Collective management of Music Copyright in global and digital contexts -- Conclusion |
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| id | DE-604.BV048990842 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T22:07:05Z |
| indexdate | 2024-07-10T09:52:11Z |
| institution | BVB |
| isbn | 9781032281025 1032281022 9781032281032 1032281030 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034254188 |
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| owner | DE-M382 |
| owner_facet | DE-M382 |
| physical | xv, 191 Seiten 24 cm |
| publishDate | 2023 |
| publishDateSearch | 2023 |
| publishDateSort | 2023 |
| publisher | Routledge, Taylor & Francis Group |
| record_format | marc |
| series2 | Routledge research in intellectual property |
| spelling | Xu, Qinqing Verfasser (DE-588)1321324154 aut Collective management of music copyright a comparative analysis of China, the United States and Australia Qinqing Xu London and New York Routledge, Taylor & Francis Group 2023 xv, 191 Seiten 24 cm txt rdacontent n rdamedia nc rdacarrier Routledge research in intellectual property Based on author's thesis (doctoral - University of Wollongong, 2017) issued under title: Collective management of music copyright in China : a comparative analysis of collective management organisations in China, the United States and Australia Introduction -- Copyright and collective management in the digital era -- The collective management of music Copyright in China, the United States and Australia -- Addressing the monopolistic powers of the MCSC -- Members' participation in the management of their Copyright in the MCSC -- Collective management of Music Copyright in global and digital contexts -- Conclusion "Two of the objectives of the Chinese Copyright Law are to protect the copyright of authors to their literary and artistic works and encourage the creation and dissemination of works. In practice, however, in spite of the existence of the Music Copyright Society of China ('MCSC') that was established to assist with exercising copyright, music creators in China remain in need of help to protect and manage their fragmented copyright. The MCSC was the first collective management organisation ('CMO') in mainland China and is the only CMO in the field of musical works. While there is a large music industry and copyright business in China, the MCSC only had 11,356 members at the end of 2021"-- Copyright / Music / China Copyright / Music / Great Britain Copyright / Music / Australia Copyright clearinghouses / Great Britain Copyright clearinghouses / Australia Copyright clearinghouses / China Copyright clearinghouses Copyright / Music Australia China United States Erscheint auch als Online-Ausgabe 978-1-003-29530-3 |
| spellingShingle | Xu, Qinqing Collective management of music copyright a comparative analysis of China, the United States and Australia Introduction -- Copyright and collective management in the digital era -- The collective management of music Copyright in China, the United States and Australia -- Addressing the monopolistic powers of the MCSC -- Members' participation in the management of their Copyright in the MCSC -- Collective management of Music Copyright in global and digital contexts -- Conclusion |
| title | Collective management of music copyright a comparative analysis of China, the United States and Australia |
| title_auth | Collective management of music copyright a comparative analysis of China, the United States and Australia |
| title_exact_search | Collective management of music copyright a comparative analysis of China, the United States and Australia |
| title_exact_search_txtP | Collective management of music copyright a comparative analysis of China, the United States and Australia |
| title_full | Collective management of music copyright a comparative analysis of China, the United States and Australia Qinqing Xu |
| title_fullStr | Collective management of music copyright a comparative analysis of China, the United States and Australia Qinqing Xu |
| title_full_unstemmed | Collective management of music copyright a comparative analysis of China, the United States and Australia Qinqing Xu |
| title_short | Collective management of music copyright |
| title_sort | collective management of music copyright a comparative analysis of china the united states and australia |
| title_sub | a comparative analysis of China, the United States and Australia |
| work_keys_str_mv | AT xuqinqing collectivemanagementofmusiccopyrightacomparativeanalysisofchinatheunitedstatesandaustralia |