Taiwan New Cinema at Film Festivals:
Revisits Taiwan New Cinema in relation to film festivals from cultural, historical, and geopolitical standpointsLook at the productive roles women have played as discursive mediators of the cultural imaginary of the nation, the auteur, and the art of slow cinemaOffers accounts of the film festival&#...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2023]
|
| Schlagworte: | |
| Online-Zugang: | DE-12 DE-12 DE-Aug4 DE-473 Volltext Volltext |
| Zusammenfassung: | Revisits Taiwan New Cinema in relation to film festivals from cultural, historical, and geopolitical standpointsLook at the productive roles women have played as discursive mediators of the cultural imaginary of the nation, the auteur, and the art of slow cinemaOffers accounts of the film festival's role in both commissioning and exhibiting filmsExamines film aesthetics influenced by directors' diasporic identities, moving across different regions and nations, such as Malaysia, France, Japan, Myanmar, and TaiwanProvides in-depth case studies on films by three Taiwan-based directors: Hou Hsiao-hsien, Tsai Ming-liang, and Midi Z/Zhao DeyinComplements the scope of and discussions on transnational cinemaTaiwan New Cinema (first wave, 1982-1989; second wave, 1990 onward) has a unique history regarding film festivals, particularly in the way these films are circulated at major European film festivals. It shares a common formalist concern about cinematic modernism with its Western counterparts, departing from previous modes of filmmaking that were preoccupied with nostalgically romanticizing China's image.Through utilising in-depth case studies of films by Taiwan-based directors: Tsai Ming-liang, Zhao Deyin and Hou Hsiao-hsien, Tsai discusses how Taiwan New Cinema represents a struggling configuration of the 'nation', brought forth by Taiwan's multilayered colonial and postcolonial histories. Taiwan New Cinema at Film Festivals presents the conditions that have led to the production of a national cinema, branding the auteur, and examines shifting representations of cultural identity in the context of globalization |
| Beschreibung: | 1 Online-Ressource (168 Seiten) Illustrationen |
| ISBN: | 9781474496933 |
| DOI: | 10.1515/9781474496933 |
Internformat
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV048989084 | ||
| 003 | DE-604 | ||
| 005 | 20240606 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 230606s2023 |||| o||u| ||||||eng d | ||
| 020 | |a 9781474496933 |c Online |9 978-1-4744-9693-3 | ||
| 024 | 7 | |a 10.1515/9781474496933 |2 doi | |
| 035 | |a (ZDB-23-DGG)9781474496933 | ||
| 035 | |a (ZDB-20-CBO)CR9781474496933 | ||
| 035 | |a (OCoLC)1381307957 | ||
| 035 | |a (DE-599)BVBBV048989084 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 |a DE-Aug4 |a DE-473 | ||
| 082 | 0 | |a 791.430951249 |2 23//eng/20230320eng | |
| 100 | 1 | |a Tsai, Beth |e Verfasser |0 (DE-588)1294994980 |4 aut | |
| 245 | 1 | 0 | |a Taiwan New Cinema at Film Festivals |c Beth Tsai |
| 264 | 1 | |a Edinburgh |b Edinburgh University Press |c [2023] | |
| 264 | 4 | |c © 2023 | |
| 300 | |a 1 Online-Ressource (168 Seiten) |b Illustrationen | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 520 | |a Revisits Taiwan New Cinema in relation to film festivals from cultural, historical, and geopolitical standpointsLook at the productive roles women have played as discursive mediators of the cultural imaginary of the nation, the auteur, and the art of slow cinemaOffers accounts of the film festival's role in both commissioning and exhibiting filmsExamines film aesthetics influenced by directors' diasporic identities, moving across different regions and nations, such as Malaysia, France, Japan, Myanmar, and TaiwanProvides in-depth case studies on films by three Taiwan-based directors: Hou Hsiao-hsien, Tsai Ming-liang, and Midi Z/Zhao DeyinComplements the scope of and discussions on transnational cinemaTaiwan New Cinema (first wave, 1982-1989; second wave, 1990 onward) has a unique history regarding film festivals, particularly in the way these films are circulated at major European film festivals. It shares a common formalist concern about cinematic modernism with its Western counterparts, departing from previous modes of filmmaking that were preoccupied with nostalgically romanticizing China's image.Through utilising in-depth case studies of films by Taiwan-based directors: Tsai Ming-liang, Zhao Deyin and Hou Hsiao-hsien, Tsai discusses how Taiwan New Cinema represents a struggling configuration of the 'nation', brought forth by Taiwan's multilayered colonial and postcolonial histories. Taiwan New Cinema at Film Festivals presents the conditions that have led to the production of a national cinema, branding the auteur, and examines shifting representations of cultural identity in the context of globalization | ||
| 650 | 4 | |a Film, Media & Cultural Studies | |
| 650 | 7 | |a PERFORMING ARTS / Film & Video / Direction & Production |2 bisacsh | |
| 650 | 4 | |a Motion pictures |z Taiwan | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |z 978-1-4744-9691-9 |
| 856 | 4 | 0 | |u https://doi.org/10.1515/9781474496933 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 856 | 4 | 0 | |u https://www.cambridge.org/core/product/identifier/9781474496933/type/BOOK |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-23-DGG |a ZDB-20-CBO | ||
| 966 | e | |u https://doi.org/10.1515/9781474496933 |l DE-12 |p ZDB-23-DGG |q BSB_PDA_DGG_Kauf23 |x Verlag |3 Volltext | |
| 966 | e | |u https://www.cambridge.org/core/product/identifier/9781474496933/type/BOOK |l DE-12 |p ZDB-20-CBO |q BSB_PDA_CBO |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9781474496933 |l DE-Aug4 |p ZDB-23-DGG |q FHA_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://www.cambridge.org/core/product/identifier/9781474496933/type/BOOK |l DE-473 |p ZDB-20-CBO |q UBG_PDA_CBO |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1805076023258120192 |
|---|---|
| adam_text | |
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Tsai, Beth |
| author_GND | (DE-588)1294994980 |
| author_facet | Tsai, Beth |
| author_role | aut |
| author_sort | Tsai, Beth |
| author_variant | b t bt |
| building | Verbundindex |
| bvnumber | BV048989084 |
| collection | ZDB-23-DGG ZDB-20-CBO |
| ctrlnum | (ZDB-23-DGG)9781474496933 (ZDB-20-CBO)CR9781474496933 (OCoLC)1381307957 (DE-599)BVBBV048989084 |
| dewey-full | 791.430951249 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.430951249 |
| dewey-search | 791.430951249 |
| dewey-sort | 3791.430951249 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| discipline_str_mv | Allgemeines |
| doi_str_mv | 10.1515/9781474496933 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nmm a2200000zc 4500</leader><controlfield tag="001">BV048989084</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20240606</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">230606s2023 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781474496933</subfield><subfield code="c">Online</subfield><subfield code="9">978-1-4744-9693-3</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9781474496933</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-23-DGG)9781474496933</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-20-CBO)CR9781474496933</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1381307957</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV048989084</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-Aug4</subfield><subfield code="a">DE-473</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">791.430951249</subfield><subfield code="2">23//eng/20230320eng</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Tsai, Beth</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1294994980</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Taiwan New Cinema at Film Festivals</subfield><subfield code="c">Beth Tsai</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Edinburgh</subfield><subfield code="b">Edinburgh University Press</subfield><subfield code="c">[2023]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2023</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (168 Seiten)</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Revisits Taiwan New Cinema in relation to film festivals from cultural, historical, and geopolitical standpointsLook at the productive roles women have played as discursive mediators of the cultural imaginary of the nation, the auteur, and the art of slow cinemaOffers accounts of the film festival's role in both commissioning and exhibiting filmsExamines film aesthetics influenced by directors' diasporic identities, moving across different regions and nations, such as Malaysia, France, Japan, Myanmar, and TaiwanProvides in-depth case studies on films by three Taiwan-based directors: Hou Hsiao-hsien, Tsai Ming-liang, and Midi Z/Zhao DeyinComplements the scope of and discussions on transnational cinemaTaiwan New Cinema (first wave, 1982-1989; second wave, 1990 onward) has a unique history regarding film festivals, particularly in the way these films are circulated at major European film festivals. It shares a common formalist concern about cinematic modernism with its Western counterparts, departing from previous modes of filmmaking that were preoccupied with nostalgically romanticizing China's image.Through utilising in-depth case studies of films by Taiwan-based directors: Tsai Ming-liang, Zhao Deyin and Hou Hsiao-hsien, Tsai discusses how Taiwan New Cinema represents a struggling configuration of the 'nation', brought forth by Taiwan's multilayered colonial and postcolonial histories. Taiwan New Cinema at Film Festivals presents the conditions that have led to the production of a national cinema, branding the auteur, and examines shifting representations of cultural identity in the context of globalization</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Film, Media & Cultural Studies</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS / Film & Video / Direction & Production</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Motion pictures</subfield><subfield code="z">Taiwan</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="z">978-1-4744-9691-9</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1515/9781474496933</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://www.cambridge.org/core/product/identifier/9781474496933/type/BOOK</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DGG</subfield><subfield code="a">ZDB-20-CBO</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781474496933</subfield><subfield code="l">DE-12</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">BSB_PDA_DGG_Kauf23</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://www.cambridge.org/core/product/identifier/9781474496933/type/BOOK</subfield><subfield code="l">DE-12</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">BSB_PDA_CBO</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781474496933</subfield><subfield code="l">DE-Aug4</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FHA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://www.cambridge.org/core/product/identifier/9781474496933/type/BOOK</subfield><subfield code="l">DE-473</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">UBG_PDA_CBO</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| id | DE-604.BV048989084 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T22:06:38Z |
| indexdate | 2024-07-20T05:50:42Z |
| institution | BVB |
| isbn | 9781474496933 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034252470 |
| oclc_num | 1381307957 |
| open_access_boolean | |
| owner | DE-12 DE-Aug4 DE-473 DE-BY-UBG |
| owner_facet | DE-12 DE-Aug4 DE-473 DE-BY-UBG |
| physical | 1 Online-Ressource (168 Seiten) Illustrationen |
| psigel | ZDB-23-DGG ZDB-20-CBO ZDB-23-DGG BSB_PDA_DGG_Kauf23 ZDB-20-CBO BSB_PDA_CBO ZDB-23-DGG FHA_PDA_DGG ZDB-20-CBO UBG_PDA_CBO |
| publishDate | 2023 |
| publishDateSearch | 2023 |
| publishDateSort | 2023 |
| publisher | Edinburgh University Press |
| record_format | marc |
| spelling | Tsai, Beth Verfasser (DE-588)1294994980 aut Taiwan New Cinema at Film Festivals Beth Tsai Edinburgh Edinburgh University Press [2023] © 2023 1 Online-Ressource (168 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Revisits Taiwan New Cinema in relation to film festivals from cultural, historical, and geopolitical standpointsLook at the productive roles women have played as discursive mediators of the cultural imaginary of the nation, the auteur, and the art of slow cinemaOffers accounts of the film festival's role in both commissioning and exhibiting filmsExamines film aesthetics influenced by directors' diasporic identities, moving across different regions and nations, such as Malaysia, France, Japan, Myanmar, and TaiwanProvides in-depth case studies on films by three Taiwan-based directors: Hou Hsiao-hsien, Tsai Ming-liang, and Midi Z/Zhao DeyinComplements the scope of and discussions on transnational cinemaTaiwan New Cinema (first wave, 1982-1989; second wave, 1990 onward) has a unique history regarding film festivals, particularly in the way these films are circulated at major European film festivals. It shares a common formalist concern about cinematic modernism with its Western counterparts, departing from previous modes of filmmaking that were preoccupied with nostalgically romanticizing China's image.Through utilising in-depth case studies of films by Taiwan-based directors: Tsai Ming-liang, Zhao Deyin and Hou Hsiao-hsien, Tsai discusses how Taiwan New Cinema represents a struggling configuration of the 'nation', brought forth by Taiwan's multilayered colonial and postcolonial histories. Taiwan New Cinema at Film Festivals presents the conditions that have led to the production of a national cinema, branding the auteur, and examines shifting representations of cultural identity in the context of globalization Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh Motion pictures Taiwan Erscheint auch als Druck-Ausgabe 978-1-4744-9691-9 https://doi.org/10.1515/9781474496933 Verlag URL des Erstveröffentlichers Volltext https://www.cambridge.org/core/product/identifier/9781474496933/type/BOOK Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Tsai, Beth Taiwan New Cinema at Film Festivals Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh Motion pictures Taiwan |
| title | Taiwan New Cinema at Film Festivals |
| title_auth | Taiwan New Cinema at Film Festivals |
| title_exact_search | Taiwan New Cinema at Film Festivals |
| title_exact_search_txtP | Taiwan New Cinema at Film Festivals |
| title_full | Taiwan New Cinema at Film Festivals Beth Tsai |
| title_fullStr | Taiwan New Cinema at Film Festivals Beth Tsai |
| title_full_unstemmed | Taiwan New Cinema at Film Festivals Beth Tsai |
| title_short | Taiwan New Cinema at Film Festivals |
| title_sort | taiwan new cinema at film festivals |
| topic | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh Motion pictures Taiwan |
| topic_facet | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production Motion pictures Taiwan |
| url | https://doi.org/10.1515/9781474496933 https://www.cambridge.org/core/product/identifier/9781474496933/type/BOOK |
| work_keys_str_mv | AT tsaibeth taiwannewcinemaatfilmfestivals |