Hollis Frampton: Navigating the Infinite Cinema
Hollis Frampton was an American filmmaker, photographer, and theorist who bridged the experimental film and contemporary art worlds in the 1960s and 1970s. Best known for avant-garde films including Zorns Lemma (1970) and (nostalgia) (1971), Frampton spent his later years working on the unfinished e...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Columbia University Press
[2023]
|
| Schlagworte: | |
| Online-Zugang: | BSB01 FHA01 Volltext |
| Zusammenfassung: | Hollis Frampton was an American filmmaker, photographer, and theorist who bridged the experimental film and contemporary art worlds in the 1960s and 1970s. Best known for avant-garde films including Zorns Lemma (1970) and (nostalgia) (1971), Frampton spent his later years working on the unfinished epic Magellan, a monumental cycle that used the metaphor of Ferdinand Magellan's circumnavigation of the world to rethink the natures and meanings of history, modernity, and cinema. Frampton's career was cut short by cancer at age 48, with his vast ambitions for the project left incomplete.This book is a groundbreaking and comprehensive account of this remarkable figure's work in its totality, from Frampton's earliest films through Magellan. Michael Zryd explores the connections linking Frampton's art and thought to other media forms, histories, and cultural frameworks. He foregrounds Frampton's notion of the "infinite cinema," which redefined the parameters of the medium to encompass all forms of moving image and sound media across the past and future of cinematic possibility. Zryd analyzes Frampton's ambivalent relationship with modernism and the Enlightenment, showing how the artist navigated between attraction to radical artistic investigation and awareness of this tradition's implication in colonialism and other oppressive power structures. Shedding new light on Frampton's project of exploring and critiquing how cinema attempts to capture and understand the world, this book also considers his significance for contemporary art |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mai 2023) |
| Beschreibung: | 1 Online-Ressource |
| ISBN: | 9780231554169 |
| DOI: | 10.7312/zryd20156 |
Internformat
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV048988061 | ||
| 003 | DE-604 | ||
| 005 | 20240313 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 230606s2023 |||| o||u| ||||||eng d | ||
| 020 | |a 9780231554169 |9 978-0-231-55416-9 | ||
| 024 | 7 | |a 10.7312/zryd20156 |2 doi | |
| 035 | |a (ZDB-23-DGG)9780231554169 | ||
| 035 | |a (OCoLC)1381306024 | ||
| 035 | |a (DE-599)BVBBV048988061 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 |a DE-Aug4 | ||
| 082 | 0 | |a 791.43/6110973 |2 23//eng/20221208eng | |
| 100 | 1 | |a Zryd, Michael |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Hollis Frampton |b Navigating the Infinite Cinema |c Michael Zryd |
| 264 | 1 | |a New York, NY |b Columbia University Press |c [2023] | |
| 264 | 4 | |c © 2023 | |
| 300 | |a 1 Online-Ressource | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 500 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mai 2023) | ||
| 520 | |a Hollis Frampton was an American filmmaker, photographer, and theorist who bridged the experimental film and contemporary art worlds in the 1960s and 1970s. Best known for avant-garde films including Zorns Lemma (1970) and (nostalgia) (1971), Frampton spent his later years working on the unfinished epic Magellan, a monumental cycle that used the metaphor of Ferdinand Magellan's circumnavigation of the world to rethink the natures and meanings of history, modernity, and cinema. Frampton's career was cut short by cancer at age 48, with his vast ambitions for the project left incomplete.This book is a groundbreaking and comprehensive account of this remarkable figure's work in its totality, from Frampton's earliest films through Magellan. Michael Zryd explores the connections linking Frampton's art and thought to other media forms, histories, and cultural frameworks. He foregrounds Frampton's notion of the "infinite cinema," which redefined the parameters of the medium to encompass all forms of moving image and sound media across the past and future of cinematic possibility. Zryd analyzes Frampton's ambivalent relationship with modernism and the Enlightenment, showing how the artist navigated between attraction to radical artistic investigation and awareness of this tradition's implication in colonialism and other oppressive power structures. Shedding new light on Frampton's project of exploring and critiquing how cinema attempts to capture and understand the world, this book also considers his significance for contemporary art | ||
| 546 | |a In English | ||
| 650 | 7 | |a PERFORMING ARTS / Film & Video / History & Criticism |2 bisacsh | |
| 650 | 4 | |a Experimental films |z United States |x History and criticism | |
| 650 | 4 | |a Frampton, Hollis |d 1936-1984 |x Criticism and interpretation | |
| 650 | 4 | |a Motion picture producers and directors |z United States |v Biography | |
| 856 | 4 | 0 | |u https://doi.org/10.7312/zryd20156 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-23-DGG | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-034251447 | ||
| 966 | e | |u https://doi.org/10.7312/zryd20156 |l BSB01 |p ZDB-23-DGG |q BSB_PDA_DGG_Kauf23 |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.7312/zryd20156 |l FHA01 |p ZDB-23-DGG |q FHA_PDA_DGG |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804185241746669568 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Zryd, Michael |
| author_facet | Zryd, Michael |
| author_role | aut |
| author_sort | Zryd, Michael |
| author_variant | m z mz |
| building | Verbundindex |
| bvnumber | BV048988061 |
| collection | ZDB-23-DGG |
| ctrlnum | (ZDB-23-DGG)9780231554169 (OCoLC)1381306024 (DE-599)BVBBV048988061 |
| dewey-full | 791.43/6110973 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43/6110973 |
| dewey-search | 791.43/6110973 |
| dewey-sort | 3791.43 76110973 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| discipline_str_mv | Allgemeines |
| doi_str_mv | 10.7312/zryd20156 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03264nmm a2200433zc 4500</leader><controlfield tag="001">BV048988061</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20240313 </controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">230606s2023 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780231554169</subfield><subfield code="9">978-0-231-55416-9</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.7312/zryd20156</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-23-DGG)9780231554169</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1381306024</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV048988061</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-Aug4</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">791.43/6110973</subfield><subfield code="2">23//eng/20221208eng</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Zryd, Michael</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Hollis Frampton</subfield><subfield code="b">Navigating the Infinite Cinema</subfield><subfield code="c">Michael Zryd</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York, NY</subfield><subfield code="b">Columbia University Press</subfield><subfield code="c">[2023]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2023</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mai 2023)</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Hollis Frampton was an American filmmaker, photographer, and theorist who bridged the experimental film and contemporary art worlds in the 1960s and 1970s. Best known for avant-garde films including Zorns Lemma (1970) and (nostalgia) (1971), Frampton spent his later years working on the unfinished epic Magellan, a monumental cycle that used the metaphor of Ferdinand Magellan's circumnavigation of the world to rethink the natures and meanings of history, modernity, and cinema. Frampton's career was cut short by cancer at age 48, with his vast ambitions for the project left incomplete.This book is a groundbreaking and comprehensive account of this remarkable figure's work in its totality, from Frampton's earliest films through Magellan. Michael Zryd explores the connections linking Frampton's art and thought to other media forms, histories, and cultural frameworks. He foregrounds Frampton's notion of the "infinite cinema," which redefined the parameters of the medium to encompass all forms of moving image and sound media across the past and future of cinematic possibility. Zryd analyzes Frampton's ambivalent relationship with modernism and the Enlightenment, showing how the artist navigated between attraction to radical artistic investigation and awareness of this tradition's implication in colonialism and other oppressive power structures. Shedding new light on Frampton's project of exploring and critiquing how cinema attempts to capture and understand the world, this book also considers his significance for contemporary art</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS / Film & Video / History & Criticism</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Experimental films</subfield><subfield code="z">United States</subfield><subfield code="x">History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Frampton, Hollis</subfield><subfield code="d">1936-1984</subfield><subfield code="x">Criticism and interpretation</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Motion picture producers and directors</subfield><subfield code="z">United States</subfield><subfield code="v">Biography</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.7312/zryd20156</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DGG</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034251447</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.7312/zryd20156</subfield><subfield code="l">BSB01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">BSB_PDA_DGG_Kauf23</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.7312/zryd20156</subfield><subfield code="l">FHA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FHA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| id | DE-604.BV048988061 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T22:06:37Z |
| indexdate | 2024-07-10T09:52:07Z |
| institution | BVB |
| isbn | 9780231554169 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034251447 |
| oclc_num | 1381306024 |
| open_access_boolean | |
| owner | DE-12 DE-Aug4 |
| owner_facet | DE-12 DE-Aug4 |
| physical | 1 Online-Ressource |
| psigel | ZDB-23-DGG ZDB-23-DGG BSB_PDA_DGG_Kauf23 ZDB-23-DGG FHA_PDA_DGG |
| publishDate | 2023 |
| publishDateSearch | 2023 |
| publishDateSort | 2023 |
| publisher | Columbia University Press |
| record_format | marc |
| spelling | Zryd, Michael Verfasser aut Hollis Frampton Navigating the Infinite Cinema Michael Zryd New York, NY Columbia University Press [2023] © 2023 1 Online-Ressource txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mai 2023) Hollis Frampton was an American filmmaker, photographer, and theorist who bridged the experimental film and contemporary art worlds in the 1960s and 1970s. Best known for avant-garde films including Zorns Lemma (1970) and (nostalgia) (1971), Frampton spent his later years working on the unfinished epic Magellan, a monumental cycle that used the metaphor of Ferdinand Magellan's circumnavigation of the world to rethink the natures and meanings of history, modernity, and cinema. Frampton's career was cut short by cancer at age 48, with his vast ambitions for the project left incomplete.This book is a groundbreaking and comprehensive account of this remarkable figure's work in its totality, from Frampton's earliest films through Magellan. Michael Zryd explores the connections linking Frampton's art and thought to other media forms, histories, and cultural frameworks. He foregrounds Frampton's notion of the "infinite cinema," which redefined the parameters of the medium to encompass all forms of moving image and sound media across the past and future of cinematic possibility. Zryd analyzes Frampton's ambivalent relationship with modernism and the Enlightenment, showing how the artist navigated between attraction to radical artistic investigation and awareness of this tradition's implication in colonialism and other oppressive power structures. Shedding new light on Frampton's project of exploring and critiquing how cinema attempts to capture and understand the world, this book also considers his significance for contemporary art In English PERFORMING ARTS / Film & Video / History & Criticism bisacsh Experimental films United States History and criticism Frampton, Hollis 1936-1984 Criticism and interpretation Motion picture producers and directors United States Biography https://doi.org/10.7312/zryd20156 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Zryd, Michael Hollis Frampton Navigating the Infinite Cinema PERFORMING ARTS / Film & Video / History & Criticism bisacsh Experimental films United States History and criticism Frampton, Hollis 1936-1984 Criticism and interpretation Motion picture producers and directors United States Biography |
| title | Hollis Frampton Navigating the Infinite Cinema |
| title_auth | Hollis Frampton Navigating the Infinite Cinema |
| title_exact_search | Hollis Frampton Navigating the Infinite Cinema |
| title_exact_search_txtP | Hollis Frampton Navigating the Infinite Cinema |
| title_full | Hollis Frampton Navigating the Infinite Cinema Michael Zryd |
| title_fullStr | Hollis Frampton Navigating the Infinite Cinema Michael Zryd |
| title_full_unstemmed | Hollis Frampton Navigating the Infinite Cinema Michael Zryd |
| title_short | Hollis Frampton |
| title_sort | hollis frampton navigating the infinite cinema |
| title_sub | Navigating the Infinite Cinema |
| topic | PERFORMING ARTS / Film & Video / History & Criticism bisacsh Experimental films United States History and criticism Frampton, Hollis 1936-1984 Criticism and interpretation Motion picture producers and directors United States Biography |
| topic_facet | PERFORMING ARTS / Film & Video / History & Criticism Experimental films United States History and criticism Frampton, Hollis 1936-1984 Criticism and interpretation Motion picture producers and directors United States Biography |
| url | https://doi.org/10.7312/zryd20156 |
| work_keys_str_mv | AT zrydmichael hollisframptonnavigatingtheinfinitecinema |