Race and vision in the Nineteenth-Century United States:
Race and Vision in the Nineteenth-Century United States is a collection of twelve essays by cultural critics that exposes how fraught relations of identity and race appear through imaging technologies in architecture, scientific discourse, sculpture, photography, painting, music, theater, and, final...
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Lanham, MD
Lexington Books
[2019]
|
| Schlagworte: | |
| Zusammenfassung: | Race and Vision in the Nineteenth-Century United States is a collection of twelve essays by cultural critics that exposes how fraught relations of identity and race appear through imaging technologies in architecture, scientific discourse, sculpture, photography, painting, music, theater, and, finally, the twenty-first century visual commentary of Kara Walker. Throughout these essays, the racial practices of the nineteenth century are juxtaposed with literary practices involving some of the most prominent writers about race and identity, such as Herman Melville and Harriet Beecher Stowe, as well as the technologies of performance including theater and music. Recent work in critical theories of vision, technology, and the production of ideas about racial discourse has emphasized the inextricability of photography with notions of race and American identity. The collected essays provide a vivid sense of how imagery about race appears in the formative period of the nineteenth-century United States |
| Beschreibung: | Part 1: Articulate SpacesChapter 1: The Racial Geometry of the Nation: Thomas Jefferson's Grids and OctagonsIrene ChengChapter 2: Arctic Whiteness: William Bradford, Herman Melville, and the Invisible Spheres of Fright Wyn KelleyChapter 3: Music and Military Movement: Racial RepresentationBrigitte FielderChapter 4: Black Faces Etched in White Stone: Black Feminist Visuality in Edmonia Lewis's SculptureKelli MorganChapter 5: Enchanted Optics: Excavating the Magical Empiricism of Holmesian Stereoscopic SightCheryl SpinnerChapter 6: Between Word and Image: The Use of Humor, Satire, and Caricature in Early Abolitionist Political CartoonsMartha CutterPart 2: Democratic VisionsChapter 7: Seeing Irony in Barnum's America: Anti-Slavery Humor in Uncle Tom's CabinAdena SpingarnChapter 8: Babo's Skull, Aranda's Skeleton: Visualizing the Sentimentality of Race Science in Benito CerenoChristine YaoChapter 9: Melville's Greens: Color Theory and DemocracyJennifer GreimanChapter 10: Narrative Structure as Secular Judgment in Thomas Crawford's Progress of CivilizationKirsten Pai BuickChapter 11: Beheld by the Eye of God: Photography and the Promise of Democracy in Frederick Douglass's The Heroic SlaveKya MangrumChapter 12: Cotton Babies: Mama's Maybe: Kara Walker's Marvels of InventionJanet Neary |
| Beschreibung: | xi, 224 Seiten Illustrationen, Karten, Pläne |
| ISBN: | 9781498573115 9781498573139 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV048987305 | ||
| 003 | DE-604 | ||
| 005 | 20230705 | ||
| 007 | t | ||
| 008 | 230605s2019 a||| |||| 00||| eng d | ||
| 020 | |a 9781498573115 |c (cloth) |9 978-1-4985-7311-5 | ||
| 020 | |a 9781498573139 |c (pbk) |9 978-1-4985-7313-9 | ||
| 035 | |a (OCoLC)1195927177 | ||
| 035 | |a (DE-599)BVBBV048987305 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-188 | ||
| 082 | 0 | |a 305.896073 | |
| 245 | 1 | 0 | |a Race and vision in the Nineteenth-Century United States |c edited by Shirley Samuels ; introduction by Shirley Samuels ; contributers: Kirsten Pai Buick, Irene Cheng, Martha J. Cutter, Brigitte Fielder, Jennifer Greiman, Wyn Kelley, Kya Mangrum, Kelli Morgan, Janet Neary |
| 264 | 1 | |a Lanham, MD |b Lexington Books |c [2019] | |
| 300 | |a xi, 224 Seiten |b Illustrationen, Karten, Pläne | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Part 1: Articulate SpacesChapter 1: The Racial Geometry of the Nation: Thomas Jefferson's Grids and OctagonsIrene ChengChapter 2: Arctic Whiteness: William Bradford, Herman Melville, and the Invisible Spheres of Fright Wyn KelleyChapter 3: Music and Military Movement: Racial RepresentationBrigitte FielderChapter 4: Black Faces Etched in White Stone: Black Feminist Visuality in Edmonia Lewis's SculptureKelli MorganChapter 5: Enchanted Optics: Excavating the Magical Empiricism of Holmesian Stereoscopic SightCheryl SpinnerChapter 6: Between Word and Image: The Use of Humor, Satire, and Caricature in Early Abolitionist Political CartoonsMartha CutterPart 2: Democratic VisionsChapter 7: Seeing Irony in Barnum's America: Anti-Slavery Humor in Uncle Tom's CabinAdena SpingarnChapter 8: Babo's Skull, Aranda's Skeleton: Visualizing the Sentimentality of Race Science in Benito CerenoChristine YaoChapter 9: Melville's Greens: Color Theory and DemocracyJennifer GreimanChapter 10: Narrative Structure as Secular Judgment in Thomas Crawford's Progress of CivilizationKirsten Pai BuickChapter 11: Beheld by the Eye of God: Photography and the Promise of Democracy in Frederick Douglass's The Heroic SlaveKya MangrumChapter 12: Cotton Babies: Mama's Maybe: Kara Walker's Marvels of InventionJanet Neary | ||
| 520 | 3 | |a Race and Vision in the Nineteenth-Century United States is a collection of twelve essays by cultural critics that exposes how fraught relations of identity and race appear through imaging technologies in architecture, scientific discourse, sculpture, photography, painting, music, theater, and, finally, the twenty-first century visual commentary of Kara Walker. Throughout these essays, the racial practices of the nineteenth century are juxtaposed with literary practices involving some of the most prominent writers about race and identity, such as Herman Melville and Harriet Beecher Stowe, as well as the technologies of performance including theater and music. Recent work in critical theories of vision, technology, and the production of ideas about racial discourse has emphasized the inextricability of photography with notions of race and American identity. The collected essays provide a vivid sense of how imagery about race appears in the formative period of the nineteenth-century United States | |
| 653 | 0 | |a ARCHITECTURE / General | |
| 653 | 0 | |a ART / American / General | |
| 653 | 0 | |a Architecture | |
| 653 | 0 | |a Architektur | |
| 653 | 0 | |a Art forms | |
| 653 | 0 | |a Ethnic Studies | |
| 653 | 0 | |a Ethnic studies | |
| 653 | 0 | |a Fotografie | |
| 653 | 0 | |a HISTORY / Social History | |
| 653 | 0 | |a Kunstformen | |
| 653 | 0 | |a Modern history to 20th century: c 1700 to c 1900 | |
| 653 | 0 | |a PERFORMING ARTS / Theater / General | |
| 653 | 0 | |a PHOTOGRAPHY / Subjects & Themes / Architectural & Industrial | |
| 653 | 0 | |a Photography & photographs | |
| 653 | 0 | |a SOC069000 | |
| 653 | 0 | |a SOCIAL SCIENCE / Ethnic Studies / General | |
| 653 | 0 | |a Social & cultural history | |
| 653 | 0 | |a Sozial- und Kulturgeschichte | |
| 655 | 7 | |0 (DE-588)4143413-4 |a Aufsatzsammlung |2 gnd-content | |
| 700 | 1 | |a Samuels, Shirley R. |c amerikan. Literaturwissenschaftlerin |0 (DE-588)1089173644 |4 edt |4 win | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe, PDF |z 978-1-4985-7312-2 |w (DE-604)BV048990249 |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-034250701 | ||
Datensatz im Suchindex
| _version_ | 1804185240678170624 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author2 | Samuels, Shirley R. amerikan. Literaturwissenschaftlerin |
| author2_role | edt |
| author2_variant | s r s sr srs |
| author_GND | (DE-588)1089173644 |
| author_facet | Samuels, Shirley R. amerikan. Literaturwissenschaftlerin |
| building | Verbundindex |
| bvnumber | BV048987305 |
| ctrlnum | (OCoLC)1195927177 (DE-599)BVBBV048987305 |
| dewey-full | 305.896073 |
| dewey-hundreds | 300 - Social sciences |
| dewey-ones | 305 - Groups of people |
| dewey-raw | 305.896073 |
| dewey-search | 305.896073 |
| dewey-sort | 3305.896073 |
| dewey-tens | 300 - Social sciences |
| discipline | Soziologie |
| discipline_str_mv | Soziologie |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04334nam a2200541 c 4500</leader><controlfield tag="001">BV048987305</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20230705 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">230605s2019 a||| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781498573115</subfield><subfield code="c">(cloth)</subfield><subfield code="9">978-1-4985-7311-5</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781498573139</subfield><subfield code="c">(pbk)</subfield><subfield code="9">978-1-4985-7313-9</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1195927177</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV048987305</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-188</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">305.896073</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Race and vision in the Nineteenth-Century United States</subfield><subfield code="c">edited by Shirley Samuels ; introduction by Shirley Samuels ; contributers: Kirsten Pai Buick, Irene Cheng, Martha J. Cutter, Brigitte Fielder, Jennifer Greiman, Wyn Kelley, Kya Mangrum, Kelli Morgan, Janet Neary</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Lanham, MD</subfield><subfield code="b">Lexington Books</subfield><subfield code="c">[2019]</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xi, 224 Seiten</subfield><subfield code="b">Illustrationen, Karten, Pläne</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Part 1: Articulate SpacesChapter 1: The Racial Geometry of the Nation: Thomas Jefferson's Grids and OctagonsIrene ChengChapter 2: Arctic Whiteness: William Bradford, Herman Melville, and the Invisible Spheres of Fright Wyn KelleyChapter 3: Music and Military Movement: Racial RepresentationBrigitte FielderChapter 4: Black Faces Etched in White Stone: Black Feminist Visuality in Edmonia Lewis's SculptureKelli MorganChapter 5: Enchanted Optics: Excavating the Magical Empiricism of Holmesian Stereoscopic SightCheryl SpinnerChapter 6: Between Word and Image: The Use of Humor, Satire, and Caricature in Early Abolitionist Political CartoonsMartha CutterPart 2: Democratic VisionsChapter 7: Seeing Irony in Barnum's America: Anti-Slavery Humor in Uncle Tom's CabinAdena SpingarnChapter 8: Babo's Skull, Aranda's Skeleton: Visualizing the Sentimentality of Race Science in Benito CerenoChristine YaoChapter 9: Melville's Greens: Color Theory and DemocracyJennifer GreimanChapter 10: Narrative Structure as Secular Judgment in Thomas Crawford's Progress of CivilizationKirsten Pai BuickChapter 11: Beheld by the Eye of God: Photography and the Promise of Democracy in Frederick Douglass's The Heroic SlaveKya MangrumChapter 12: Cotton Babies: Mama's Maybe: Kara Walker's Marvels of InventionJanet Neary</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">Race and Vision in the Nineteenth-Century United States is a collection of twelve essays by cultural critics that exposes how fraught relations of identity and race appear through imaging technologies in architecture, scientific discourse, sculpture, photography, painting, music, theater, and, finally, the twenty-first century visual commentary of Kara Walker. Throughout these essays, the racial practices of the nineteenth century are juxtaposed with literary practices involving some of the most prominent writers about race and identity, such as Herman Melville and Harriet Beecher Stowe, as well as the technologies of performance including theater and music. Recent work in critical theories of vision, technology, and the production of ideas about racial discourse has emphasized the inextricability of photography with notions of race and American identity. The collected essays provide a vivid sense of how imagery about race appears in the formative period of the nineteenth-century United States</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">ARCHITECTURE / General</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">ART / American / General</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Architecture</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Architektur</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Art forms</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Ethnic Studies</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Ethnic studies</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Fotografie</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">HISTORY / Social History</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Kunstformen</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Modern history to 20th century: c 1700 to c 1900</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">PERFORMING ARTS / Theater / General</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">PHOTOGRAPHY / Subjects & Themes / Architectural & Industrial</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Photography & photographs</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">SOC069000</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">SOCIAL SCIENCE / Ethnic Studies / General</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Social & cultural history</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Sozial- und Kulturgeschichte</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4143413-4</subfield><subfield code="a">Aufsatzsammlung</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Samuels, Shirley R.</subfield><subfield code="c">amerikan. Literaturwissenschaftlerin</subfield><subfield code="0">(DE-588)1089173644</subfield><subfield code="4">edt</subfield><subfield code="4">win</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe, PDF</subfield><subfield code="z">978-1-4985-7312-2</subfield><subfield code="w">(DE-604)BV048990249</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034250701</subfield></datafield></record></collection> |
| genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content |
| genre_facet | Aufsatzsammlung |
| id | DE-604.BV048987305 |
| illustrated | Illustrated |
| index_date | 2024-07-03T22:06:26Z |
| indexdate | 2024-07-10T09:52:06Z |
| institution | BVB |
| isbn | 9781498573115 9781498573139 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034250701 |
| oclc_num | 1195927177 |
| open_access_boolean | |
| owner | DE-188 |
| owner_facet | DE-188 |
| physical | xi, 224 Seiten Illustrationen, Karten, Pläne |
| publishDate | 2019 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| publisher | Lexington Books |
| record_format | marc |
| spelling | Race and vision in the Nineteenth-Century United States edited by Shirley Samuels ; introduction by Shirley Samuels ; contributers: Kirsten Pai Buick, Irene Cheng, Martha J. Cutter, Brigitte Fielder, Jennifer Greiman, Wyn Kelley, Kya Mangrum, Kelli Morgan, Janet Neary Lanham, MD Lexington Books [2019] xi, 224 Seiten Illustrationen, Karten, Pläne txt rdacontent n rdamedia nc rdacarrier Part 1: Articulate SpacesChapter 1: The Racial Geometry of the Nation: Thomas Jefferson's Grids and OctagonsIrene ChengChapter 2: Arctic Whiteness: William Bradford, Herman Melville, and the Invisible Spheres of Fright Wyn KelleyChapter 3: Music and Military Movement: Racial RepresentationBrigitte FielderChapter 4: Black Faces Etched in White Stone: Black Feminist Visuality in Edmonia Lewis's SculptureKelli MorganChapter 5: Enchanted Optics: Excavating the Magical Empiricism of Holmesian Stereoscopic SightCheryl SpinnerChapter 6: Between Word and Image: The Use of Humor, Satire, and Caricature in Early Abolitionist Political CartoonsMartha CutterPart 2: Democratic VisionsChapter 7: Seeing Irony in Barnum's America: Anti-Slavery Humor in Uncle Tom's CabinAdena SpingarnChapter 8: Babo's Skull, Aranda's Skeleton: Visualizing the Sentimentality of Race Science in Benito CerenoChristine YaoChapter 9: Melville's Greens: Color Theory and DemocracyJennifer GreimanChapter 10: Narrative Structure as Secular Judgment in Thomas Crawford's Progress of CivilizationKirsten Pai BuickChapter 11: Beheld by the Eye of God: Photography and the Promise of Democracy in Frederick Douglass's The Heroic SlaveKya MangrumChapter 12: Cotton Babies: Mama's Maybe: Kara Walker's Marvels of InventionJanet Neary Race and Vision in the Nineteenth-Century United States is a collection of twelve essays by cultural critics that exposes how fraught relations of identity and race appear through imaging technologies in architecture, scientific discourse, sculpture, photography, painting, music, theater, and, finally, the twenty-first century visual commentary of Kara Walker. Throughout these essays, the racial practices of the nineteenth century are juxtaposed with literary practices involving some of the most prominent writers about race and identity, such as Herman Melville and Harriet Beecher Stowe, as well as the technologies of performance including theater and music. Recent work in critical theories of vision, technology, and the production of ideas about racial discourse has emphasized the inextricability of photography with notions of race and American identity. The collected essays provide a vivid sense of how imagery about race appears in the formative period of the nineteenth-century United States ARCHITECTURE / General ART / American / General Architecture Architektur Art forms Ethnic Studies Ethnic studies Fotografie HISTORY / Social History Kunstformen Modern history to 20th century: c 1700 to c 1900 PERFORMING ARTS / Theater / General PHOTOGRAPHY / Subjects & Themes / Architectural & Industrial Photography & photographs SOC069000 SOCIAL SCIENCE / Ethnic Studies / General Social & cultural history Sozial- und Kulturgeschichte (DE-588)4143413-4 Aufsatzsammlung gnd-content Samuels, Shirley R. amerikan. Literaturwissenschaftlerin (DE-588)1089173644 edt win Erscheint auch als Online-Ausgabe, PDF 978-1-4985-7312-2 (DE-604)BV048990249 |
| spellingShingle | Race and vision in the Nineteenth-Century United States |
| subject_GND | (DE-588)4143413-4 |
| title | Race and vision in the Nineteenth-Century United States |
| title_auth | Race and vision in the Nineteenth-Century United States |
| title_exact_search | Race and vision in the Nineteenth-Century United States |
| title_exact_search_txtP | Race and vision in the Nineteenth-Century United States |
| title_full | Race and vision in the Nineteenth-Century United States edited by Shirley Samuels ; introduction by Shirley Samuels ; contributers: Kirsten Pai Buick, Irene Cheng, Martha J. Cutter, Brigitte Fielder, Jennifer Greiman, Wyn Kelley, Kya Mangrum, Kelli Morgan, Janet Neary |
| title_fullStr | Race and vision in the Nineteenth-Century United States edited by Shirley Samuels ; introduction by Shirley Samuels ; contributers: Kirsten Pai Buick, Irene Cheng, Martha J. Cutter, Brigitte Fielder, Jennifer Greiman, Wyn Kelley, Kya Mangrum, Kelli Morgan, Janet Neary |
| title_full_unstemmed | Race and vision in the Nineteenth-Century United States edited by Shirley Samuels ; introduction by Shirley Samuels ; contributers: Kirsten Pai Buick, Irene Cheng, Martha J. Cutter, Brigitte Fielder, Jennifer Greiman, Wyn Kelley, Kya Mangrum, Kelli Morgan, Janet Neary |
| title_short | Race and vision in the Nineteenth-Century United States |
| title_sort | race and vision in the nineteenth century united states |
| topic_facet | Aufsatzsammlung |
| work_keys_str_mv | AT samuelsshirleyr raceandvisioninthenineteenthcenturyunitedstates |