Printing music in Renaissance Rome:
"Of some 150 letterpress printers, publishers, and print dealers active in Rome during the long sixteenth century, only a dozen ventured into the production of music books. They occupied various strata of the book trade. The largest and most important mercatori or merchant-entrepreneurs were in...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York, NY, United States of America
Oxford University Press
[2023]
|
| Schlagworte: | |
| Online-Zugang: | Klappentext |
| Zusammenfassung: | "Of some 150 letterpress printers, publishers, and print dealers active in Rome during the long sixteenth century, only a dozen ventured into the production of music books. They occupied various strata of the book trade. The largest and most important mercatori or merchant-entrepreneurs were involved in the publication of only a relatively small number of music titles. The average-size presses that counted music as one of their specialties issued the bulk of the editions. At the bottom, the individual tipografi or printers did not have a financial stake in the marketing of music books, but instead worked on an ad hoc basis for other bookmen. The mercatori dealt with many if not all facets of the business. As manufacturers of consumer goods, they directed a complex operation that required the investment of enormous sums of money. They formed società or syndicates with other printers, publishers, and entrepreneurs. They underwrote publications printed by other bookmen and distributed them over an extensive international network. They also ran their own print shops and often held interests in retail bookstores. Other bookmen took on one or more of these roles. The editori or publishers financed editions. Stampatori or printers did the presswork, and the librari or booksellers ran the retail bookshops"-- |
| Beschreibung: | xix, 272 Seiten Illustrationen |
| ISBN: | 9780197669617 |
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| 505 | 8 | |a The World of Roman Music Printers and Publishers -- Methods and Materials -- Sixtus IV and the Beginning of Music Printing in Fifteenth-Century Rome -- Printing Palestrina's Music in Sixteenth-Century Italy -- Marenzio and his Printers in Rome and Venice -- Spanish Choirbooks, Tridentine Reforms, and the Roman Press -- "Delight for the Ears, Spiritual Fruit for Souls" : Printing the Lauda spirituale -- Engraving the New Music Repertories -- Printing Musical Spectacle : Cavalieri's Rappresentatione di anima, et di corpo -- Afterword -- Appendix 1. Short-Title Catalogue of Roman Music Editions (1476-1608) -- Appendix 2. Short-Title Catalogue of Roman Music Editions (1476-1607) by Printers and Publishers -- Appendix 3. Table of Dedicatees in Roman Music Editions (1476-1608) | |
| 520 | 3 | |a "Of some 150 letterpress printers, publishers, and print dealers active in Rome during the long sixteenth century, only a dozen ventured into the production of music books. They occupied various strata of the book trade. The largest and most important mercatori or merchant-entrepreneurs were involved in the publication of only a relatively small number of music titles. The average-size presses that counted music as one of their specialties issued the bulk of the editions. At the bottom, the individual tipografi or printers did not have a financial stake in the marketing of music books, but instead worked on an ad hoc basis for other bookmen. The mercatori dealt with many if not all facets of the business. As manufacturers of consumer goods, they directed a complex operation that required the investment of enormous sums of money. They formed società or syndicates with other printers, publishers, and entrepreneurs. They underwrote publications printed by other bookmen and distributed them over an extensive international network. They also ran their own print shops and often held interests in retail bookstores. Other bookmen took on one or more of these roles. The editori or publishers financed editions. Stampatori or printers did the presswork, and the librari or booksellers ran the retail bookshops"-- | |
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Datensatz im Suchindex
| _version_ | 1805081709884997632 |
|---|---|
| adam_text |
In sixteenth-century Italy, Rome ranked second only to Venice as an important center for music book production. Throughout the century, printers in the Eternal City experimented more readily and more consistently with the materiality of the book than their Venetian counterparts, who, by standardizing their printing methods, came to dominate the international marketplace. The Romans' ingenuity and willingness to meet individual clients’ needs resulted in music editions in a broader array of shapes and sizes, employing a wider range of printing techniques. They became ■‘boutique’’ printers, eschewing the run-ofthe-mill in favor of tailoring production to varied market demands. Accommodating the diverse requirements of their clientele, they supplied customized volumes, which Venetian presses either could not—or would not—produce. I n Printing Music in Renaissance Rome, author Jane A. Bernstein offers a panoramic view of the cultures of music and the book in Rome from the beginning of printing in 1476 through the early seventeenth century. Emphasizing the exceptionalism of Roman music publishing, she highlights the innovative printing technologies and book forms devised by Roman bookmen. She also analyzes the Church's predominant influence on the book industry and, in turn, the Roman press’s impact on such important composers as Palestrina, Marenzio, Victoria, and Cavalieri. Drawing on innovative publications, Bernstein reveals a synergistic ((мнттеЛ пн bitvk fbi/^
(Continuedjromfront ftp} relationship between music repertories and the materiality of the book. In particular, she focuses on the post-Tridentine period, when musical idioms, both new and old, challenged printers to employ alternative printing methods and modes of book presentation in the creation of their music editions. Of interest to musicologists, art historians, and book historians alike, this book builds on Bernstein’s previous work as she continues to chart the course of music and the book in Renaissance Italy. JANE A. BERNSTEIN is Austin Fletcher Professor of Music Emerita at Tufts University. Her books include Print Culture and Music in Sixteenth-Century Venice, Women’s Voices across Musical Worlds, the 30-volume series Ihe Sixteenth-Century Chanson, and Music Printing in Renaissance Venice: The Scotto Press (r^ç—ryg2), which won the 1999 Otto Kinkeldey Award from the American Musicological Society. Elected a Fellow of the American Academy of Arts and Sciences in 2005, Bernstein also served as President of the American Musicological Society from 2008 to 2010 and was elected an Honorary Member in 2014. |
| adam_txt |
In sixteenth-century Italy, Rome ranked second only to Venice as an important center for music book production. Throughout the century, printers in the Eternal City experimented more readily and more consistently with the materiality of the book than their Venetian counterparts, who, by standardizing their printing methods, came to dominate the international marketplace. The Romans' ingenuity and willingness to meet individual clients’ needs resulted in music editions in a broader array of shapes and sizes, employing a wider range of printing techniques. They became ■‘boutique’’ printers, eschewing the run-ofthe-mill in favor of tailoring production to varied market demands. Accommodating the diverse requirements of their clientele, they supplied customized volumes, which Venetian presses either could not—or would not—produce. I n Printing Music in Renaissance Rome, author Jane A. Bernstein offers a panoramic view of the cultures of music and the book in Rome from the beginning of printing in 1476 through the early seventeenth century. Emphasizing the exceptionalism of Roman music publishing, she highlights the innovative printing technologies and book forms devised by Roman bookmen. She also analyzes the Church's predominant influence on the book industry and, in turn, the Roman press’s impact on such important composers as Palestrina, Marenzio, Victoria, and Cavalieri. Drawing on innovative publications, Bernstein reveals a synergistic ((мнттеЛ пн bitvk fbi/^
(Continuedjromfront ftp} relationship between music repertories and the materiality of the book. In particular, she focuses on the post-Tridentine period, when musical idioms, both new and old, challenged printers to employ alternative printing methods and modes of book presentation in the creation of their music editions. Of interest to musicologists, art historians, and book historians alike, this book builds on Bernstein’s previous work as she continues to chart the course of music and the book in Renaissance Italy. JANE A. BERNSTEIN is Austin Fletcher Professor of Music Emerita at Tufts University. Her books include Print Culture and Music in Sixteenth-Century Venice, Women’s Voices across Musical Worlds, the 30-volume series Ihe Sixteenth-Century Chanson, and Music Printing in Renaissance Venice: The Scotto Press (r^ç—ryg2), which won the 1999 Otto Kinkeldey Award from the American Musicological Society. Elected a Fellow of the American Academy of Arts and Sciences in 2005, Bernstein also served as President of the American Musicological Society from 2008 to 2010 and was elected an Honorary Member in 2014. |
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| author | Bernstein, Jane A. 1947- |
| author_GND | (DE-588)1059955245 |
| author_facet | Bernstein, Jane A. 1947- |
| author_role | aut |
| author_sort | Bernstein, Jane A. 1947- |
| author_variant | j a b ja jab |
| building | Verbundindex |
| bvnumber | BV048979188 |
| classification_rvk | LQ 82003 LR 55603 LR 57443 |
| contents | The World of Roman Music Printers and Publishers -- Methods and Materials -- Sixtus IV and the Beginning of Music Printing in Fifteenth-Century Rome -- Printing Palestrina's Music in Sixteenth-Century Italy -- Marenzio and his Printers in Rome and Venice -- Spanish Choirbooks, Tridentine Reforms, and the Roman Press -- "Delight for the Ears, Spiritual Fruit for Souls" : Printing the Lauda spirituale -- Engraving the New Music Repertories -- Printing Musical Spectacle : Cavalieri's Rappresentatione di anima, et di corpo -- Afterword -- Appendix 1. Short-Title Catalogue of Roman Music Editions (1476-1608) -- Appendix 2. Short-Title Catalogue of Roman Music Editions (1476-1607) by Printers and Publishers -- Appendix 3. Table of Dedicatees in Roman Music Editions (1476-1608) |
| ctrlnum | (OCoLC)1403381734 (DE-599)BVBBV048979188 |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| era | Geschichte 1476-1608 gnd |
| era_facet | Geschichte 1476-1608 |
| format | Book |
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| illustrated | Illustrated |
| index_date | 2024-07-03T22:04:50Z |
| indexdate | 2024-07-20T07:21:05Z |
| institution | BVB |
| isbn | 9780197669617 |
| language | English |
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| physical | xix, 272 Seiten Illustrationen |
| publishDate | 2023 |
| publishDateSearch | 2023 |
| publishDateSort | 2023 |
| publisher | Oxford University Press |
| record_format | marc |
| spelling | Bernstein, Jane A. 1947- Verfasser (DE-588)1059955245 aut Printing music in Renaissance Rome Jane A. Bernstein New York, NY, United States of America Oxford University Press [2023] xix, 272 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier The World of Roman Music Printers and Publishers -- Methods and Materials -- Sixtus IV and the Beginning of Music Printing in Fifteenth-Century Rome -- Printing Palestrina's Music in Sixteenth-Century Italy -- Marenzio and his Printers in Rome and Venice -- Spanish Choirbooks, Tridentine Reforms, and the Roman Press -- "Delight for the Ears, Spiritual Fruit for Souls" : Printing the Lauda spirituale -- Engraving the New Music Repertories -- Printing Musical Spectacle : Cavalieri's Rappresentatione di anima, et di corpo -- Afterword -- Appendix 1. Short-Title Catalogue of Roman Music Editions (1476-1608) -- Appendix 2. Short-Title Catalogue of Roman Music Editions (1476-1607) by Printers and Publishers -- Appendix 3. Table of Dedicatees in Roman Music Editions (1476-1608) "Of some 150 letterpress printers, publishers, and print dealers active in Rome during the long sixteenth century, only a dozen ventured into the production of music books. They occupied various strata of the book trade. The largest and most important mercatori or merchant-entrepreneurs were involved in the publication of only a relatively small number of music titles. The average-size presses that counted music as one of their specialties issued the bulk of the editions. At the bottom, the individual tipografi or printers did not have a financial stake in the marketing of music books, but instead worked on an ad hoc basis for other bookmen. The mercatori dealt with many if not all facets of the business. As manufacturers of consumer goods, they directed a complex operation that required the investment of enormous sums of money. They formed società or syndicates with other printers, publishers, and entrepreneurs. They underwrote publications printed by other bookmen and distributed them over an extensive international network. They also ran their own print shops and often held interests in retail bookstores. Other bookmen took on one or more of these roles. The editori or publishers financed editions. Stampatori or printers did the presswork, and the librari or booksellers ran the retail bookshops"-- Marenzio, Luca 1553-1599 (DE-588)118781847 gnd rswk-swf Sixtus IV. Papst 1414-1484 (DE-588)118797476 gnd rswk-swf Cavalieri, Emilio de' 1550-1602 Rappresentatione di anima, et di corpo (DE-588)300035454 gnd rswk-swf Palestrina, Giovanni Pierluigi da 1525-1594 (DE-588)118818686 gnd rswk-swf Geschichte 1476-1608 gnd rswk-swf Musikleben (DE-588)4075128-4 gnd rswk-swf Musikdruck (DE-588)4075121-1 gnd rswk-swf Notendruck (DE-588)4042673-7 gnd rswk-swf Geistliche Musik (DE-588)4126228-1 gnd rswk-swf Rom (DE-588)4050471-2 gnd rswk-swf Music printing / Italy / Rome / History / 16th century Music printing / Italy / Rome / History / 15th century Music printing Italy / Rome 1400-1599 History Rom (DE-588)4050471-2 g Musikdruck (DE-588)4075121-1 s Notendruck (DE-588)4042673-7 s Geschichte 1476-1608 z DE-604 Musikleben (DE-588)4075128-4 s Sixtus IV. Papst 1414-1484 (DE-588)118797476 p Palestrina, Giovanni Pierluigi da 1525-1594 (DE-588)118818686 p Marenzio, Luca 1553-1599 (DE-588)118781847 p Cavalieri, Emilio de' 1550-1602 Rappresentatione di anima, et di corpo (DE-588)300035454 u Geistliche Musik (DE-588)4126228-1 s Erscheint auch als Online-Ausgabe, EPUB 978-0-19-766963-1 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034242680&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Bernstein, Jane A. 1947- Printing music in Renaissance Rome The World of Roman Music Printers and Publishers -- Methods and Materials -- Sixtus IV and the Beginning of Music Printing in Fifteenth-Century Rome -- Printing Palestrina's Music in Sixteenth-Century Italy -- Marenzio and his Printers in Rome and Venice -- Spanish Choirbooks, Tridentine Reforms, and the Roman Press -- "Delight for the Ears, Spiritual Fruit for Souls" : Printing the Lauda spirituale -- Engraving the New Music Repertories -- Printing Musical Spectacle : Cavalieri's Rappresentatione di anima, et di corpo -- Afterword -- Appendix 1. Short-Title Catalogue of Roman Music Editions (1476-1608) -- Appendix 2. Short-Title Catalogue of Roman Music Editions (1476-1607) by Printers and Publishers -- Appendix 3. Table of Dedicatees in Roman Music Editions (1476-1608) Marenzio, Luca 1553-1599 (DE-588)118781847 gnd Sixtus IV. Papst 1414-1484 (DE-588)118797476 gnd Cavalieri, Emilio de' 1550-1602 Rappresentatione di anima, et di corpo (DE-588)300035454 gnd Palestrina, Giovanni Pierluigi da 1525-1594 (DE-588)118818686 gnd Musikleben (DE-588)4075128-4 gnd Musikdruck (DE-588)4075121-1 gnd Notendruck (DE-588)4042673-7 gnd Geistliche Musik (DE-588)4126228-1 gnd |
| subject_GND | (DE-588)118781847 (DE-588)118797476 (DE-588)300035454 (DE-588)118818686 (DE-588)4075128-4 (DE-588)4075121-1 (DE-588)4042673-7 (DE-588)4126228-1 (DE-588)4050471-2 |
| title | Printing music in Renaissance Rome |
| title_auth | Printing music in Renaissance Rome |
| title_exact_search | Printing music in Renaissance Rome |
| title_exact_search_txtP | Printing music in Renaissance Rome |
| title_full | Printing music in Renaissance Rome Jane A. Bernstein |
| title_fullStr | Printing music in Renaissance Rome Jane A. Bernstein |
| title_full_unstemmed | Printing music in Renaissance Rome Jane A. Bernstein |
| title_short | Printing music in Renaissance Rome |
| title_sort | printing music in renaissance rome |
| topic | Marenzio, Luca 1553-1599 (DE-588)118781847 gnd Sixtus IV. Papst 1414-1484 (DE-588)118797476 gnd Cavalieri, Emilio de' 1550-1602 Rappresentatione di anima, et di corpo (DE-588)300035454 gnd Palestrina, Giovanni Pierluigi da 1525-1594 (DE-588)118818686 gnd Musikleben (DE-588)4075128-4 gnd Musikdruck (DE-588)4075121-1 gnd Notendruck (DE-588)4042673-7 gnd Geistliche Musik (DE-588)4126228-1 gnd |
| topic_facet | Marenzio, Luca 1553-1599 Sixtus IV. Papst 1414-1484 Cavalieri, Emilio de' 1550-1602 Rappresentatione di anima, et di corpo Palestrina, Giovanni Pierluigi da 1525-1594 Musikleben Musikdruck Notendruck Geistliche Musik Rom |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034242680&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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