Aspects of unity in J.S. Bach's partitas and suites: an analytical study
This work provides new insight into the inner workings of Bach's Partitas and Suites, establishing various ways in which the composer linked several movements of a suite to produce a unified effect. Musicians -- listeners, performers, and scholars alike -- have often felt a profound connectedne...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Rochester, NY
University of Rochester Press
2005
|
Schriftenreihe: | Eastman studies in music
|
Schlagworte: | |
Online-Zugang: | BSB01 UBG01 Volltext |
Zusammenfassung: | This work provides new insight into the inner workings of Bach's Partitas and Suites, establishing various ways in which the composer linked several movements of a suite to produce a unified effect. Musicians -- listeners, performers, and scholars alike -- have often felt a profound connectedness between various movements in multimovement works by the great composers. But sensing musical unity is one thing; showing it is another. In Aspects of Unity in J. S. Bach's Partitas and Suites, David Beach examines many of the forty-four works by Bach in this genre-for keyboard, orchestra, and solo instruments, including the beloved solo works forviolin and for cello-from this perspective. Through careful attention to motivic and harmonic repetitions at various structural levels, made plain to the eye in numerous annotated musical examples and diagrams, Beach establishes that Bach often did link several movements of a suite in various ways, sometimes by overt but often by more subtle means. Aspects of Unity in J. S. Bach's Partitas and Suites thus provides new insight into the inner workings of these great works. David W. Beach is a renowned music analyst and historian of music theory who recently retired as Dean of the Faculty of Music, University of Toronto. He co-translated Kirnberger's The Art of Musical Strict Composition and edited Aspects of Schenkerian Theory [both for Yale University Press] and is co-editor of Music Theory in Concept and Practice [Eastman Studies in Music, University of Rochester Press] |
Beschreibung: | Title from publisher's bibliographic system (viewed on 17 Mar 2023) |
Beschreibung: | 1 Online-Ressource (xiii, 92 Seiten) |
ISBN: | 9781580466479 |
DOI: | 10.1017/9781580466479 |
Internformat
MARC
LEADER | 00000nmm a2200000zc 4500 | ||
---|---|---|---|
001 | BV048976558 | ||
003 | DE-604 | ||
005 | 00000000000000.0 | ||
007 | cr|uuu---uuuuu | ||
008 | 230526s2023 |||| o||u| ||||||eng d | ||
020 | |a 9781580466479 |c Online |9 978-1-58046-647-9 | ||
024 | 7 | |a 10.1017/9781580466479 |2 doi | |
035 | |a (ZDB-20-CBO)CR9781580466479 | ||
035 | |a (OCoLC)1381299147 | ||
035 | |a (DE-599)BVBBV048976558 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-12 |a DE-473 | ||
082 | 0 | |a 784.18/54 | |
084 | |a MUS |q DE-12 |2 fid | ||
084 | |a LP 38230 |0 (DE-625)106363: |2 rvk | ||
100 | 1 | |a Beach, David |d 1938- |0 (DE-588)142665207 |4 aut | |
245 | 1 | 0 | |a Aspects of unity in J.S. Bach's partitas and suites |b an analytical study |c David W. Beach |
264 | 1 | |a Rochester, NY |b University of Rochester Press |c 2005 | |
300 | |a 1 Online-Ressource (xiii, 92 Seiten) | ||
336 | |b txt |2 rdacontent | ||
337 | |b c |2 rdamedia | ||
338 | |b cr |2 rdacarrier | ||
490 | 0 | |a Eastman studies in music | |
500 | |a Title from publisher's bibliographic system (viewed on 17 Mar 2023) | ||
520 | |a This work provides new insight into the inner workings of Bach's Partitas and Suites, establishing various ways in which the composer linked several movements of a suite to produce a unified effect. Musicians -- listeners, performers, and scholars alike -- have often felt a profound connectedness between various movements in multimovement works by the great composers. But sensing musical unity is one thing; showing it is another. In Aspects of Unity in J. S. Bach's Partitas and Suites, David Beach examines many of the forty-four works by Bach in this genre-for keyboard, orchestra, and solo instruments, including the beloved solo works forviolin and for cello-from this perspective. Through careful attention to motivic and harmonic repetitions at various structural levels, made plain to the eye in numerous annotated musical examples and diagrams, Beach establishes that Bach often did link several movements of a suite in various ways, sometimes by overt but often by more subtle means. Aspects of Unity in J. S. Bach's Partitas and Suites thus provides new insight into the inner workings of these great works. David W. Beach is a renowned music analyst and historian of music theory who recently retired as Dean of the Faculty of Music, University of Toronto. He co-translated Kirnberger's The Art of Musical Strict Composition and edited Aspects of Schenkerian Theory [both for Yale University Press] and is co-editor of Music Theory in Concept and Practice [Eastman Studies in Music, University of Rochester Press] | ||
600 | 1 | 4 | |a Bach, Johann Sebastian / 1685-1750 / Suites |
600 | 1 | 7 | |a Bach, Johann Sebastian |d 1685-1750 |0 (DE-588)11850553X |2 gnd |9 rswk-swf |
650 | 4 | |a Suite (Music) | |
650 | 0 | 7 | |a Partita |0 (DE-588)4289318-5 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Suite |0 (DE-588)4184006-9 |2 gnd |9 rswk-swf |
689 | 0 | 0 | |a Bach, Johann Sebastian |d 1685-1750 |0 (DE-588)11850553X |D p |
689 | 0 | 1 | |a Suite |0 (DE-588)4184006-9 |D s |
689 | 0 | 2 | |a Partita |0 (DE-588)4289318-5 |D s |
689 | 0 | |5 DE-604 | |
776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |z 978-1-58046-202-0 |
856 | 4 | 0 | |u https://doi.org/10.1017/9781580466479 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
912 | |a ZDB-20-CBO | ||
999 | |a oai:aleph.bib-bvb.de:BVB01-034240097 | ||
966 | e | |u https://doi.org/10.1017/9781580466479 |l BSB01 |p ZDB-20-CBO |q BSB_PDA_CBO |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1017/9781580466479 |l UBG01 |p ZDB-20-CBO |q UBG_PDA_CBO |x Verlag |3 Volltext |
Datensatz im Suchindex
_version_ | 1804185220509859840 |
---|---|
adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author | Beach, David 1938- |
author_GND | (DE-588)142665207 |
author_facet | Beach, David 1938- |
author_role | aut |
author_sort | Beach, David 1938- |
author_variant | d b db |
building | Verbundindex |
bvnumber | BV048976558 |
classification_rvk | LP 38230 |
collection | ZDB-20-CBO |
ctrlnum | (ZDB-20-CBO)CR9781580466479 (OCoLC)1381299147 (DE-599)BVBBV048976558 |
dewey-full | 784.18/54 |
dewey-hundreds | 700 - The arts |
dewey-ones | 784 - Instruments & instrumental ensembles |
dewey-raw | 784.18/54 |
dewey-search | 784.18/54 |
dewey-sort | 3784.18 254 |
dewey-tens | 780 - Music |
discipline | Musikwissenschaft |
discipline_str_mv | Musikwissenschaft |
doi_str_mv | 10.1017/9781580466479 |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03562nmm a2200517zc 4500</leader><controlfield tag="001">BV048976558</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">230526s2023 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781580466479</subfield><subfield code="c">Online</subfield><subfield code="9">978-1-58046-647-9</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1017/9781580466479</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-20-CBO)CR9781580466479</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1381299147</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV048976558</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-473</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">784.18/54</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MUS</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LP 38230</subfield><subfield code="0">(DE-625)106363:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Beach, David</subfield><subfield code="d">1938-</subfield><subfield code="0">(DE-588)142665207</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Aspects of unity in J.S. Bach's partitas and suites</subfield><subfield code="b">an analytical study</subfield><subfield code="c">David W. Beach</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Rochester, NY</subfield><subfield code="b">University of Rochester Press</subfield><subfield code="c">2005</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (xiii, 92 Seiten)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Eastman studies in music</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Title from publisher's bibliographic system (viewed on 17 Mar 2023)</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">This work provides new insight into the inner workings of Bach's Partitas and Suites, establishing various ways in which the composer linked several movements of a suite to produce a unified effect. Musicians -- listeners, performers, and scholars alike -- have often felt a profound connectedness between various movements in multimovement works by the great composers. But sensing musical unity is one thing; showing it is another. In Aspects of Unity in J. S. Bach's Partitas and Suites, David Beach examines many of the forty-four works by Bach in this genre-for keyboard, orchestra, and solo instruments, including the beloved solo works forviolin and for cello-from this perspective. Through careful attention to motivic and harmonic repetitions at various structural levels, made plain to the eye in numerous annotated musical examples and diagrams, Beach establishes that Bach often did link several movements of a suite in various ways, sometimes by overt but often by more subtle means. Aspects of Unity in J. S. Bach's Partitas and Suites thus provides new insight into the inner workings of these great works. David W. Beach is a renowned music analyst and historian of music theory who recently retired as Dean of the Faculty of Music, University of Toronto. He co-translated Kirnberger's The Art of Musical Strict Composition and edited Aspects of Schenkerian Theory [both for Yale University Press] and is co-editor of Music Theory in Concept and Practice [Eastman Studies in Music, University of Rochester Press]</subfield></datafield><datafield tag="600" ind1="1" ind2="4"><subfield code="a">Bach, Johann Sebastian / 1685-1750 / Suites</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Bach, Johann Sebastian</subfield><subfield code="d">1685-1750</subfield><subfield code="0">(DE-588)11850553X</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Suite (Music)</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Partita</subfield><subfield code="0">(DE-588)4289318-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Suite</subfield><subfield code="0">(DE-588)4184006-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Bach, Johann Sebastian</subfield><subfield code="d">1685-1750</subfield><subfield code="0">(DE-588)11850553X</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Suite</subfield><subfield code="0">(DE-588)4184006-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Partita</subfield><subfield code="0">(DE-588)4289318-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="z">978-1-58046-202-0</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1017/9781580466479</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-20-CBO</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034240097</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1017/9781580466479</subfield><subfield code="l">BSB01</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">BSB_PDA_CBO</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1017/9781580466479</subfield><subfield code="l">UBG01</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">UBG_PDA_CBO</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
id | DE-604.BV048976558 |
illustrated | Not Illustrated |
index_date | 2024-07-03T22:04:11Z |
indexdate | 2024-07-10T09:51:46Z |
institution | BVB |
isbn | 9781580466479 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034240097 |
oclc_num | 1381299147 |
open_access_boolean | |
owner | DE-12 DE-473 DE-BY-UBG |
owner_facet | DE-12 DE-473 DE-BY-UBG |
physical | 1 Online-Ressource (xiii, 92 Seiten) |
psigel | ZDB-20-CBO ZDB-20-CBO BSB_PDA_CBO ZDB-20-CBO UBG_PDA_CBO |
publishDate | 2005 |
publishDateSearch | 2023 |
publishDateSort | 2023 |
publisher | University of Rochester Press |
record_format | marc |
series2 | Eastman studies in music |
spelling | Beach, David 1938- (DE-588)142665207 aut Aspects of unity in J.S. Bach's partitas and suites an analytical study David W. Beach Rochester, NY University of Rochester Press 2005 1 Online-Ressource (xiii, 92 Seiten) txt rdacontent c rdamedia cr rdacarrier Eastman studies in music Title from publisher's bibliographic system (viewed on 17 Mar 2023) This work provides new insight into the inner workings of Bach's Partitas and Suites, establishing various ways in which the composer linked several movements of a suite to produce a unified effect. Musicians -- listeners, performers, and scholars alike -- have often felt a profound connectedness between various movements in multimovement works by the great composers. But sensing musical unity is one thing; showing it is another. In Aspects of Unity in J. S. Bach's Partitas and Suites, David Beach examines many of the forty-four works by Bach in this genre-for keyboard, orchestra, and solo instruments, including the beloved solo works forviolin and for cello-from this perspective. Through careful attention to motivic and harmonic repetitions at various structural levels, made plain to the eye in numerous annotated musical examples and diagrams, Beach establishes that Bach often did link several movements of a suite in various ways, sometimes by overt but often by more subtle means. Aspects of Unity in J. S. Bach's Partitas and Suites thus provides new insight into the inner workings of these great works. David W. Beach is a renowned music analyst and historian of music theory who recently retired as Dean of the Faculty of Music, University of Toronto. He co-translated Kirnberger's The Art of Musical Strict Composition and edited Aspects of Schenkerian Theory [both for Yale University Press] and is co-editor of Music Theory in Concept and Practice [Eastman Studies in Music, University of Rochester Press] Bach, Johann Sebastian / 1685-1750 / Suites Bach, Johann Sebastian 1685-1750 (DE-588)11850553X gnd rswk-swf Suite (Music) Partita (DE-588)4289318-5 gnd rswk-swf Suite (DE-588)4184006-9 gnd rswk-swf Bach, Johann Sebastian 1685-1750 (DE-588)11850553X p Suite (DE-588)4184006-9 s Partita (DE-588)4289318-5 s DE-604 Erscheint auch als Druck-Ausgabe 978-1-58046-202-0 https://doi.org/10.1017/9781580466479 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Beach, David 1938- Aspects of unity in J.S. Bach's partitas and suites an analytical study Bach, Johann Sebastian / 1685-1750 / Suites Bach, Johann Sebastian 1685-1750 (DE-588)11850553X gnd Suite (Music) Partita (DE-588)4289318-5 gnd Suite (DE-588)4184006-9 gnd |
subject_GND | (DE-588)11850553X (DE-588)4289318-5 (DE-588)4184006-9 |
title | Aspects of unity in J.S. Bach's partitas and suites an analytical study |
title_auth | Aspects of unity in J.S. Bach's partitas and suites an analytical study |
title_exact_search | Aspects of unity in J.S. Bach's partitas and suites an analytical study |
title_exact_search_txtP | Aspects of unity in J.S. Bach's partitas and suites an analytical study |
title_full | Aspects of unity in J.S. Bach's partitas and suites an analytical study David W. Beach |
title_fullStr | Aspects of unity in J.S. Bach's partitas and suites an analytical study David W. Beach |
title_full_unstemmed | Aspects of unity in J.S. Bach's partitas and suites an analytical study David W. Beach |
title_short | Aspects of unity in J.S. Bach's partitas and suites |
title_sort | aspects of unity in j s bach s partitas and suites an analytical study |
title_sub | an analytical study |
topic | Bach, Johann Sebastian / 1685-1750 / Suites Bach, Johann Sebastian 1685-1750 (DE-588)11850553X gnd Suite (Music) Partita (DE-588)4289318-5 gnd Suite (DE-588)4184006-9 gnd |
topic_facet | Bach, Johann Sebastian / 1685-1750 / Suites Bach, Johann Sebastian 1685-1750 Suite (Music) Partita Suite |
url | https://doi.org/10.1017/9781580466479 |
work_keys_str_mv | AT beachdavid aspectsofunityinjsbachspartitasandsuitesananalyticalstudy |