Suzuki Seijun and Postwar Japanese Cinema:
In 1968, Suzuki Seijun-a low-budget genre filmmaker known for movies including Branded to Kill, Tokyo Drifter, and Youth of the Beast-was unceremoniously fired by Nikkatsu Studios. Soon to be known as the "Suzuki Seijun Incident," his dismissal became a cause for leftist student protestors...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Columbia University Press
[2022]
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| Schlagworte: | |
| Zusammenfassung: | In 1968, Suzuki Seijun-a low-budget genre filmmaker known for movies including Branded to Kill, Tokyo Drifter, and Youth of the Beast-was unceremoniously fired by Nikkatsu Studios. Soon to be known as the "Suzuki Seijun Incident," his dismissal became a cause for leftist student protestors and a burgeoning group of cinephiles to rally around. His films rapidly emerged as central to debates over politics and aesthetics in Japanese cinema.William Carroll offers a new account of Suzuki's career that highlights the intersections of film theory, film production, cinephile culture, and politics in 1960s Japan. Carroll places Suzuki's work between two factions that claimed him as one of their own after 1968: the New Left and its politicized theoretical practice on one hand, and the apparently apolitical cinephiles and their formalist criticism on the other. He considers how both of these strands of film theory shed light on the distinctive qualities of Suzuki's films, and he explores how both Suzuki's works and unheralded Japanese film theorists offer new ways of understanding world cinema.This book presents both a major reinterpretation of Suzuki's work-which influenced directors such as John Woo, Jim Jarmusch, and Quentin Tarantino-and a new lens on postwar Japanese film culture and industry. Suzuki Seijun and Postwar Japanese Cinema also includes a complete production history of Suzuki's filmography along with never-before-discussed information about his unfinished film projects |
| Beschreibung: | xii, 286 Seiten Illustrationen |
| ISBN: | 9780231204378 9780231204361 |
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| 520 | |a In 1968, Suzuki Seijun-a low-budget genre filmmaker known for movies including Branded to Kill, Tokyo Drifter, and Youth of the Beast-was unceremoniously fired by Nikkatsu Studios. Soon to be known as the "Suzuki Seijun Incident," his dismissal became a cause for leftist student protestors and a burgeoning group of cinephiles to rally around. His films rapidly emerged as central to debates over politics and aesthetics in Japanese cinema.William Carroll offers a new account of Suzuki's career that highlights the intersections of film theory, film production, cinephile culture, and politics in 1960s Japan. Carroll places Suzuki's work between two factions that claimed him as one of their own after 1968: the New Left and its politicized theoretical practice on one hand, and the apparently apolitical cinephiles and their formalist criticism on the other. He considers how both of these strands of film theory shed light on the distinctive qualities of Suzuki's films, and he explores how both Suzuki's works and unheralded Japanese film theorists offer new ways of understanding world cinema.This book presents both a major reinterpretation of Suzuki's work-which influenced directors such as John Woo, Jim Jarmusch, and Quentin Tarantino-and a new lens on postwar Japanese film culture and industry. Suzuki Seijun and Postwar Japanese Cinema also includes a complete production history of Suzuki's filmography along with never-before-discussed information about his unfinished film projects | ||
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| id | DE-604.BV048969664 |
| illustrated | Illustrated |
| index_date | 2024-07-03T22:02:33Z |
| indexdate | 2024-07-10T09:51:34Z |
| institution | BVB |
| isbn | 9780231204378 9780231204361 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034233295 |
| oclc_num | 1331713921 |
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| owner_facet | DE-703 DE-19 DE-BY-UBM |
| physical | xii, 286 Seiten Illustrationen |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | Columbia University Press |
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| spelling | Carroll, William Verfasser (DE-588)1274019079 aut Suzuki Seijun and Postwar Japanese Cinema William Carroll New York, NY Columbia University Press [2022] © 2022 xii, 286 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier In 1968, Suzuki Seijun-a low-budget genre filmmaker known for movies including Branded to Kill, Tokyo Drifter, and Youth of the Beast-was unceremoniously fired by Nikkatsu Studios. Soon to be known as the "Suzuki Seijun Incident," his dismissal became a cause for leftist student protestors and a burgeoning group of cinephiles to rally around. His films rapidly emerged as central to debates over politics and aesthetics in Japanese cinema.William Carroll offers a new account of Suzuki's career that highlights the intersections of film theory, film production, cinephile culture, and politics in 1960s Japan. Carroll places Suzuki's work between two factions that claimed him as one of their own after 1968: the New Left and its politicized theoretical practice on one hand, and the apparently apolitical cinephiles and their formalist criticism on the other. He considers how both of these strands of film theory shed light on the distinctive qualities of Suzuki's films, and he explores how both Suzuki's works and unheralded Japanese film theorists offer new ways of understanding world cinema.This book presents both a major reinterpretation of Suzuki's work-which influenced directors such as John Woo, Jim Jarmusch, and Quentin Tarantino-and a new lens on postwar Japanese film culture and industry. Suzuki Seijun and Postwar Japanese Cinema also includes a complete production history of Suzuki's filmography along with never-before-discussed information about his unfinished film projects Suzuki, Seijun 1923-2017 (DE-588)137548680 gnd rswk-swf PERFORMING ARTS / Film & Video / History & Criticism bisacsh B films Japan History and criticism Cult films Japan History and criticism Motion picture producers and directors Japan Biography Motion pictures Social aspects Japan History Motion pictures Japan History 20th century Suzuki, Seijun 1923-2017 (DE-588)137548680 p DE-604 Erscheint auch als Online-Ausgabe 978-0-231-55550-0 |
| spellingShingle | Carroll, William Suzuki Seijun and Postwar Japanese Cinema Suzuki, Seijun 1923-2017 (DE-588)137548680 gnd PERFORMING ARTS / Film & Video / History & Criticism bisacsh B films Japan History and criticism Cult films Japan History and criticism Motion picture producers and directors Japan Biography Motion pictures Social aspects Japan History Motion pictures Japan History 20th century |
| subject_GND | (DE-588)137548680 |
| title | Suzuki Seijun and Postwar Japanese Cinema |
| title_auth | Suzuki Seijun and Postwar Japanese Cinema |
| title_exact_search | Suzuki Seijun and Postwar Japanese Cinema |
| title_exact_search_txtP | Suzuki Seijun and Postwar Japanese Cinema |
| title_full | Suzuki Seijun and Postwar Japanese Cinema William Carroll |
| title_fullStr | Suzuki Seijun and Postwar Japanese Cinema William Carroll |
| title_full_unstemmed | Suzuki Seijun and Postwar Japanese Cinema William Carroll |
| title_short | Suzuki Seijun and Postwar Japanese Cinema |
| title_sort | suzuki seijun and postwar japanese cinema |
| topic | Suzuki, Seijun 1923-2017 (DE-588)137548680 gnd PERFORMING ARTS / Film & Video / History & Criticism bisacsh B films Japan History and criticism Cult films Japan History and criticism Motion picture producers and directors Japan Biography Motion pictures Social aspects Japan History Motion pictures Japan History 20th century |
| topic_facet | Suzuki, Seijun 1923-2017 PERFORMING ARTS / Film & Video / History & Criticism B films Japan History and criticism Cult films Japan History and criticism Motion picture producers and directors Japan Biography Motion pictures Social aspects Japan History Motion pictures Japan History 20th century |
| work_keys_str_mv | AT carrollwilliam suzukiseijunandpostwarjapanesecinema |