"New romanticism" in the works of Polish composers after 1975:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Berlin ; Bern ; Bruxelles
Peter Lang
[2022]
|
| Schriftenreihe: | Eastern European studies in musicology
volume 24 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Inhaltsverzeichnis Literaturverzeichnis Register // Personenregister |
| Beschreibung: | 476 Seiten Illustrationen 22 cm, 681 g |
| ISBN: | 9783631874448 3631874448 |
Internformat
MARC
| LEADER | 00000nam a2200000 cb4500 | ||
|---|---|---|---|
| 001 | BV048967022 | ||
| 003 | DE-604 | ||
| 005 | 20230629 | ||
| 007 | t | ||
| 008 | 230519s2022 gw a||| m||| 00||| eng d | ||
| 015 | |a 22,N28 |2 dnb | ||
| 015 | |a 23,A15 |2 dnb | ||
| 016 | 7 | |a 1262095093 |2 DE-101 | |
| 020 | |a 9783631874448 |c Festeinband : EUR 59.95 (DE), EUR 61.60 (AT), CHF 70.00 (freier Preis) |9 978-3-631-87444-8 | ||
| 020 | |a 3631874448 |9 3-631-87444-8 | ||
| 024 | 3 | |a 9783631874448 | |
| 028 | 5 | 2 | |a Bestellnummer: 287444 |
| 035 | |a (OCoLC)1335554876 | ||
| 035 | |a (DE-599)DNB1262095093 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 044 | |a gw |c XA-DE |a sz |c XA-CH |a au |c XA-AT | ||
| 049 | |a DE-11 |a DE-12 | ||
| 084 | |a MUS |q DE-12 |2 fid | ||
| 084 | |a OST |q DE-12 |2 fid | ||
| 084 | |a LP 19507 |0 (DE-625)105954:13535 |2 rvk | ||
| 084 | |a LQ 86507 |0 (DE-625)109122:13535 |2 rvk | ||
| 084 | |a 803000 Wagner, Richard*by*ob*of |2 sbb | ||
| 084 | |a 803000 Strauss, Richard*by*ob |2 sbb | ||
| 100 | 1 | |a Strzelecki, Paweł |d 1975- |0 (DE-588)123081423X |4 aut |4 trl | |
| 245 | 1 | 0 | |a "New romanticism" in the works of Polish composers after 1975 |c Pawel Strzelecki ; translated by Paweł Strzelecki |
| 264 | 1 | |a Berlin ; Bern ; Bruxelles |b Peter Lang |c [2022] | |
| 264 | 4 | |c © 2022 | |
| 300 | |a 476 Seiten |b Illustrationen |c 22 cm, 681 g | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 1 | |a Eastern European studies in musicology |v volume 24 | |
| 648 | 7 | |a Geschichte 1975-2000 |2 gnd |9 rswk-swf | |
| 650 | 0 | 7 | |a Neuromantik |0 (DE-588)4136738-8 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Komposition |g Musik |0 (DE-588)4133320-2 |2 gnd |9 rswk-swf |
| 651 | 7 | |a Polen |0 (DE-588)4046496-9 |2 gnd |9 rswk-swf | |
| 653 | |a emotionalism | ||
| 653 | |a tradition‘s revival | ||
| 653 | |a new tonality | ||
| 653 | |a euphony | ||
| 653 | |a quotation technique | ||
| 653 | |a postmodernism | ||
| 653 | |a emotionalism;tradition‘s revival;new tonality;euphony;quotation technique;postmodernism | ||
| 655 | 7 | |0 (DE-588)4113937-9 |a Hochschulschrift |2 gnd-content | |
| 689 | 0 | 0 | |a Polen |0 (DE-588)4046496-9 |D g |
| 689 | 0 | 1 | |a Komposition |g Musik |0 (DE-588)4133320-2 |D s |
| 689 | 0 | 2 | |a Neuromantik |0 (DE-588)4136738-8 |D s |
| 689 | 0 | 3 | |a Geschichte 1975-2000 |A z |
| 689 | 0 | |5 DNB | |
| 710 | 2 | |a Peter Lang GmbH |0 (DE-588)1065711506 |4 pbl | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe, PDF |z 978-3-631-88715-8 |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe, EPUB |z 978-3-631-88750-9 |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe, MOBI |z 978-3-631-88751-6 |
| 830 | 0 | |a Eastern European studies in musicology |v volume 24 |w (DE-604)BV041902002 |9 24 | |
| 856 | 4 | 2 | |m DNB Datenaustausch |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034230708&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 856 | 4 | 2 | |m Digitalisierung BSB München - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034230708&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 856 | 4 | 2 | |m Digitalisierung BSB München - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034230708&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA |3 Literaturverzeichnis |
| 856 | 4 | 2 | |m Digitalisierung BSB München - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034230708&sequence=000007&line_number=0004&func_code=DB_RECORDS&service_type=MEDIA |3 Register // Personenregister |
| 940 | 1 | |n oe | |
| 940 | 1 | |n by | |
| 940 | 1 | |q BSB_NED_20230616 | |
| 942 | 1 | 1 | |c 780.9 |e 22/bsb |f 09047 |g 438 |
| 942 | 1 | 1 | |c 780.9 |e 22/bsb |f 09049 |g 438 |
| 942 | 1 | 1 | |c 780.9 |e 22/bsb |f 09048 |g 438 |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-034230708 | |
Datensatz im Suchindex
| _version_ | 1806055481217646592 |
|---|---|
| adam_text |
TABLE
OF
CONTENTS
INTRODUCTION
.
13
CHAPTER
I
GENESIS
OF
"
NEW
ROMANTICISM
"
IN
MUSIC
.
29
1.
HISTORICAL
CONDITIONS
.
29
1.1.
PLURALISM
OF
CURRENTS
AFTER
THE
SECOND
AVANT-GARDE
.
29
1.2.
THE
SITUATION
OF
THE
"POLISH
SCHOOL
OF
COMPOSITION
"
IN
THE
SEVENTIES
.
36
1.3.
THE
REASONS
OF
THE
RETREAT
FROM
THE
AVANT-GARDE
.
45
2.
A
GENERATIONAL
CHANGE
IN
POLISH
MUSIC
AFTER
1975
.
54
3.
ATTITUDES
OF
POLISH
CRITICS
TOWARDS
CHANGES
IN
THE
"POLISH
SCHOOL
OF
COMPOSITION
"
.
60
3.1.
THE
VOICES
OF
THE
REPRESENTATIVES
OF
THE
OLDER
GENERATION
.
60
3.2.
OPINIONS
OF
THE
YOUNG
GENERATION
OF
CRITICS
AND
THE
CIRCUMSTANCES
OF
THEIR
DEBUTS
.
63
4.
SYMPTOMS
OF
RETURNING
TO
ROMANTIC
ATTITUDES
.
80
5.
"NEW
ROMANTICISM
"
IN AMERICAN
AND
EUROPEAN
WORKS
.
87
CHAPTER
II
MEANINGFUL
RANGE
OF
THE
TERM
"
NEW
ROMANTICISM
"
.
95
1.
AESTHETIC
AND
TECHNICAL-COMPOSITIONAL
DETERMINANTS
OF
"NEW
ROMANTICISM
"
IN POLISH
MUSIC:
OPINIONS
OF
COMPOSERS,
CRITICS
AND
RESEARCHERS
.
95
1.1.
EMOTIONALISM
.
97
1.2.
"NEW
LYRICISM
"
.
99
1.3.
SACRUM
.
100
1.4.
PANTHEISM
AND
THE
CULT
OF
NATURE
.
103
1.5.
PROGRAM
MUSIC
AND
RELATIONS
BETWEEN
MUSIC
AND
LITERATURE
.
104
1.6.
"NEW
TONALITY
"
.
106
1.7.
EUPHONY
.
109
8
TABLE
OF
CONTENTS
1.8.
QUOTATION
TECHNIQUE
.
ILL
1.9.
"NEW
HUMANISM
"
AND
THE
RESTORATION
OF
THE
CATEGORY
OF
BEAUTY
.
112
1.10.
RETURN
TO
TRADITIONAL
FORMS
.
113
1.11.
"SLOWED
DOWN
"
MUSICAL
TIME
.
114
1.12.
AFFIRMATION
OF
TRADITION
.
116
2.
"NEW
ROMANTICISM
"
IN
RELATION
TO
OTHER
CURRENTS
.
117
2.1.
"NEW
ROMANTICISM
"
AND
POSTMODERNISM
.
117
2.2.
"NEW
ROMANTICISM
"
AND
"SURCONVENTIONALISM
"
.
123
CHAPTER
III
THE
BIRTH
OF
"NEW
ROMANTICISM
"
IN
THE
WORKS
OF
THE
REPRESENTATIVES
OF
THE
"
1933
GENERATION
"
.
125
1.
FORERUNNER
PHENOMENA
.
125
2.
THE
BREAKTHROUGH
IN
THE
WORKS
OF
KRZYSZTOF
PENDERECKI,
HENRYK
M.
GORECKI
AND
WOJCIECH
KILAR
IN
THE
SECOND
HALF
OF
THE
SEVENTIES
.
127
2.1.
VIOLIN
CONCERTO
NO.
I
BY
KRZYSZTOF
PENDERECKI
.
127
2.2.
SYMPHONY
NO.
3
("SYMPHONY
OF
SORROWFUL
SONGS
"
)
BY
HENRYK
M.
GORECKI
.
133
2.3.
KOSCIELEC
1909
BY
WOJCIECH
KILAR
.
142
3.
CONCLUSIONS:
FEATURES
OF
THE
GROUNDBREAKING
COMPOSITIONS
.
147
CHAPTER
IV
"NEW
ROMANTICISM
"
IN
THE
WORKS
OF
THE
SO-CALLED
"
STALOWA
WOLA
GENERATION:
"
ATTITUDES
OF
THE
MAIN
REPRESENTATIVES
OF
THE
TREND
AND
CHARACTERISTICS
OF
THEIR
SELECTED
COMPOSITIONS
.
149
1.
EUGENIUSZ
KNAPIK
.
149
1.1.
THE
FIRST
PHASE:
MELODY
AND
EUPHONY
IN
ASSOCIATION
WITH
THE
IDIOM
OF
THE
"POLISH
SCHOOL
OF
COMPOSITION
"
.
151
1.2.
THE
SECOND
PHASE:
THE
EMANCIPATION
OF
TRADITIONAL
TRIADS
.
164
TABLE
OF
CONTENTS
9
1.3.
THE
THIRD
PHASE:
"NEW
ROMANTICISM
"
AND
THE
EXPRESSIVE
AND
SLOWED
DOWN
NARRATIVE
BASED
ON
THE
"NEW
TONALITY
"
.
181
1.4.
CONCLUSIONS:
THE
EVOLUTION
OF
STYLE
.
198
2.
ALEKSANDER
LASOH
.
199
2.1.
THE
FIRST
PHASE:
EARLY
EUPHONY
AGAINST
AVANT-GARDE
BRUITISM
.
201
2.2.
THE
SECOND
PHASE:
CENTRALIZATION
OF
THE
SOUND
LANGUAGE
.
209
2.3.
THE
THIRD
PHASE:
ROMANTICIZING
EXPRESSION
BASED
ON
THE
"NEW
TONALITY
"
.
224
2.4.
CONCLUSIONS:
THE
EVOLUTION
OF
STYLE
.
235
3.
ANDRZEJ
KRZANOWSKI
.
237
3.1.
THE
FIRST
PHASE:
COEXISTENCE
OF
BRUITISM
AND
EUPHONY
SUPPORTED
BY
THE
QUOTATION
TECHNIQUE,
MULTIMEDIA
EFFECTS
AND
PURELY
THEATRICAL
MEANS
.
240
3.2.
THE
SECOND
PHASE:
SOFTENING
THE
SOUND
LANGUAGE
IN
ACCORDION
PIECES
FROM
THE
TURN
OF
THE
SEVENTIES
AND
EIGHTIES
.
260
3.3.
THE
THIRD
PHASE:
"SLOWED
DOWN
"
TIME
COMBINED
WITH
LOCAL
OSTINATES
AND
MODAL
EUPHONY
.
266
3.4.
CONCLUSIONS:
THE
EVOLUTION
OF
STYLE
.
280
4.
AN
ATTEMPT
TO
COMPARE
INDIVIDUAL
IDIOMS
OF
THE
REPRESENTATIVES
OF
THE
"STALOWA
WOLA
GENERATION
"
.
282
CHAPTER
V
"
NEW
ROMANTICISM
"
IN
THE
WARSAW,
KRAKOW
AND
KATOWICE
CENTERS
.
285
1.
THE
WARSAW
CENTER
.
285
1.1.
SYMPHONIC
MUSIC
.
285
1.2.
SOLO
CONCERTO
.
299
1.3.
WORKS
FOR
STRING
ORCHESTRA
.
317
1.4.
CHAMBER
MUSIC
.
325
1.5.
VOCAL
AND
INSTRUMENTAL
MUSIC
.
335
2.
THE
KRAKOW
CENTER
.
341
2.1.
SYMPHONIC
MUSIC
.
341
2.2.
SOLO
CONCERTO
.
347
2.3.
WORKS
FOR
STRING
ORCHESTRA
.
348
10
TABLE
OF
CONTENTS
2.4.
CHAMBER
MUSIC
.
352
2.5.
VOCAL
AND
INSTRUMENTAL
MUSIC
.
353
3.
THE
KATOWICE
CENTER
.
357
3.1.
SYMPHONIC
MUSIC
.
357
3.2.
SOLO
CONCERTO
.
360
3.3.
WORKS
FOR
STRING
ORCHESTRA
.
362
3.4.
VOCAL
AND
INSTRUMENTAL
MUSIC
.
363
4.
COMPARISON
OF
"NEW
ROMANTIC
"
TENDENCIES
IN
THE
WARSAW,
KRAKOW
AND
KATOWICE
CENTERS
.
368
SUMMARY
.
371
BIBLIOGRAPHY
.
381
ANNEX.
STATEMENTS
BY
COMPOSERS,
CRITICS
AND
REPRESENTATIVES
OF
HUMANISTIC
THOUGHT
.
395
INTRODUCTION
.
395
I.
COMPOSERS
'
STATEMENTS
.
395
1.
REPRESENTATIVES
OF
THE
"POLISH
SCHOOL
OF
COMPOSITION
"
.
395
KRZYSZTOF
PENDERECKI
.
395
ZBIGNIEW
BARGIELSKI
.
400
WLODZIMIERZ
KO
TONSKI
.
401
MARTA
PTASZYNSKA
.
402
ADAM
SLAWINSKI
.
403
2.
THE
"STALOWA
WOLA
GENERATION
"
.
407
ALEKSANDER
LASON
.
407
EUGENIUSZ
KNAPIK
.
411
3.
OTHER
COMPOSERS
.
413
KRZYSZTOF
BACULEWSKI
.
413
ZBIGNIEW
BAGIHSKI
.
415
PAWEL
BUCZYHSKI
.
416
KRZESIMIR
D^BSKI
.
419
TABLE
OF
CONTENTS
11
ANDRZEJ
DZIADEK
.
420
ZYGMUNT
KRAUZE
.
420
MACIEJ
MALECKI
.
423
STANISLAW
MORYTO
.
424
MACIEJ
NEGREY
.
425
II.
CRITICS
'
STATEMENTS
.
427
KRZYSZTOF
BILICA
.
427
ANDRZEJ
CHLOPECKI
.
428
KRZYSZTOF
DROBA
.
430
MAGDALENA
DZIADEK
.
431
STANISLAW
KOSZ
.
432
BOHDAN
POCIEJ
.
434
MAREK
PODHAJ
SKI
.
436
LESZEK
POLONY
.
437
ELZBIETA
SZCZEPANSKA-LANGE
.
437
MIECZYSLAW
TOMASZEWSKI
.
439
TADEUSZ ANDRZEJ
ZIELINSKI
.
439
III.
STATEMENTS
OF
REPRESENTATIVES
OF
HUMANISTIC
THOUGHT
.
441
BOHDAN
CYWINSKI
.
441
KRZYSZTOF
DYBCIAK
.
442
JACEK
JULIUSZ
JADACKI
.
446
LIST
OF
MUSICAL
EXAMPLES
.
449
LIST
OF
CHARTS
.
457
SUMMARY
.
459
INDEX
OF
SURNAMES
AND
WORKS
.
461
Table of Contents Introduction. 13 CHAPTER I Genesis of "new romanticism” in music. 29 1. Historical conditions. 29 1.1. Pluralism of currents after the second avant-garde. 29 1.2. The situation of the “Polish school of composition” in the seventies. 36 1.3. The reasons of the retreat from the avant-garde. 45 2. A generational change in Polish music after 1975 . 54 3. Attitudes of Polish critics towards changes in the "Polish school of composition”. 60 3.1. The voices of the representatives of the older generation. 60 3.2. Opinions of the young generation of critics and the circumstances of their debuts. 63 4. Symptoms of returning to romantic attitudes.80 5. "New romanticism” in American and European works. 87 CHAPTER II Meaningful range of the term "new romanticism”. 95 1. Aesthetic and technical-compositional determinants of "new romanticism” in Polish music: opinions of composers, critics and researchers.
95 1.1. Emotionalism. 97 1.2. "New lyricism”. 99 1.3. Sacrum. 100 1.4. Pantheism and the cult of nature. 103 1.5. Program music and relations between music and literature. 104 1.6. "New tonality”. 106 1.7. Euphony. 109
8 Table of Contents 1.8. Quotation technique . Ill 1.9. "New Humanism” and the restoration of the category of beauty . 112 1.10. Return to traditional forms. 113 1.11. "Slowed down” musical time. 114 1.12. Affirmation of tradition. 116 2. "New romanticism” in relation to other currents . 117 2.1. "New romanticism” and Postmodernism. 117 2.2. "New romanticism” and "Surconventionalism” . 123 CHAPTER III The birth of "New romanticism” in the works of the representatives ofthe "1933 generation” . 125 1. Forerunner phenomena. 125 2. The breakthrough in the works of Krzysztof Penderecki, Henryk Μ. Górecki and Wojciech Kilar in the second half of the seventies . 127 2.1. Violin Concerto No. 1 by Krzysztof Penderecki . 127 2.2. Symphony No. 3 (“Symphony of Sorrowful Songs”) by Henryk Μ. Górecki. 133 2.3. Kościelec 1909 by Wojciech Kilar. 142 3. Conclusions: Features of the groundbreaking compositions . 147
CHAPTER IV "New romanticism” in the works of the so-called "Stalowa Wola generation:” Attitudes of the main representatives of the trend and characteristics of their selected compositions. 149 1. Eugeniusz Knapik. 149 1.1. The first phase: Melody and euphony in association with the idiom of the "Polish school of composition” . 151 1.2. The second phase: The emancipation of traditional triads. 164
Table of Contents 9 1.3. The third phase: "New romanticism” and the expressive and slowed down narrative based on the "new tonality”. 181 1.4. Conclusions: The evolution of style. 198 2. Aleksander Lasoń . 199 2.1. The first phase: Early euphony against avant-garde bruitism . 201 2.2. The second phase: Centralization of the sound language. 209 2.3. The third phase: Romanticizing expression based on the "new tonality”. 224 2.4. Conclusions: The evolution of style . 235 3. Andrzej Krzanowski. 237 3.1. The first phase: Coexistence of bruitism and euphony supported by the quotation technique, multimedia effects and purely theatrical means. 240 3.2. The second phase: Softening the sound language in accordion pieces from the turn of the seventies and eighties . 260 3.3. The third phase: "Slowed down” time combined with local ostinates and modal euphony. 266 3.4. Conclusions: The evolution of style . 280 4. An attempt to compare individual idioms of the representatives of the "Stalowa Wola generation”. 282 Chapter V "New
romanticism” in the Warsaw, Krakow and Katowice centers. 285 1. The Warsaw center. 285 1.1. Symphonic music. 285 1.2. Solo concerto . 299 1.3. Works for string orchestra . 317 1.4. Chamber music . 325 1.5. Vocal and instrumental music . 335 2. The Krakow center . 341 2.1. Symphonic music. 341 2.2. Solo concerto . 347 2.3. Works for string orchestra . 348
10 Table of Contents 2.4. Chamber music . 352 2.5. Vocal and instrumental music . 353 3. The Katowice center. 357 3.1. Symphonic music. 357 3.2. Solo concerto . 360 3.3. Works for string orchestra . 362 3.4. Vocal and instrumental music . 363 4. Comparison of "new romantic” tendencies in the Warsaw, Krakow and Katowice centers. 368 Summary. 371 Bibliography.381 Annex. Statements by composers, critics and representatives of humanistic thought. 395 Introduction . 395 I. Composers’ statements . 395 1. Representatives of the "Polish School of Composition”. 395 Krzysztof Penderecki . 395 Zbigniew Bargielski
. 400 Włodzimierz Kotoński. 401 Marta Ptaszyńska. 402 Adam Sławiński. 403 2. The "Stalowa Wola generation”. 407 Aleksander Lasoń. 407 Eugeniusz Knapik. 411 3. Other composers. 413 Krzysztof Baculewski. 413 Zbigniew Bagiński. 415 Paweł Buczyński . 416 Krzesimir Dębski. 419
Table of Contents 11 Andrzej Dziadek. 420 Zygmunt Krauze. 420 Maciej Małecki. 423 Stanisław Moryto. 424 Maciej Negrey. 425 П. Critics’ statements. 427 Krzysztof Bilica. 427 Andrzej Chłopecki. 428 Krzysztof Droba.430 Magdalena Dziadek. 431 Stanisław Kosz. 432 Bohdan Pociej. 434 Marek Podhaj ski. 436 Leszek Polony. 437 Elżbieta Szczepańska-Lange. 437 Mieczysław
Tomaszewski. 439 Tadeusz Andrzej Zieliński. 439 Ш. Statements of representatives of humanistic thought. 441 Bohdan Cywiński . 441 Krzysztof Dybciak. 442 Jacek Juliusz Jadacki. 446 List of musical examples. 449 List of charts . 457 Summary. 459 Index of Surnames and Works. 461
Bibliography The given sources have been divided into two parts ֊ works on general humani ties and works on music, and within them they are arranged chronologically in sections: "Books,” "Articles, sketches, essays” and "Master’s theses.” Writings on general humanities Books Barańczak, Stanislaw. Distrustful and self-righteous. Romanticism and classi cism in the young poetry of the sixties. Wroclaw: Ossolineum, 1971. Fukuyama, Francis. The End ofHistory and the Last Man. New York: Free Press, 1992. Herling-Grudziński, Gustaw. A diary written at night 1997-1999. Warsaw: Reader, 2000. Huntington, Samuel P. The Clash of Civilizations and the Remaking of World Order. New York: Simon Schuster, 1996. John Paul П [Wojtyla, Karol.]. Encyclical ”Fides et Ratio.’’ To the Bishops ofthe Catholic Church on the relationship between faith and reason. Tarnów: Biblos, 1998. John Paul П [Wojtyla, Karol.]. Memory and Identity. Conversations at the turn of the millennium. Krakow: Znak, 2005. Janion, Maria. Renewing meanings. Krakow: Literary Publishing House, 1980. Jencks, Charles. The Language ofPost-Modern Architecture. New York: Rizzoli, 1991. Kisielewski, Stefan. Diaries. Warsaw: Sparks, 2001. Kornhauser, Julian and Zagajewski, Adam. The world not presented. Krakow: Literary Publishing House, 1974. Lempicki, Zygmunt. Choice of writings. Renaissance, Enlightenment, Romanticism and Other Cultural History Studies. Vol. 1. Warsaw: Polish Scientific Publishers, 1966. Morawski, Stefan. On a curve: from art to post-art. Krakow: Literary Publishing House, 1985. Read, Herbert. The Origins of Form
in Art. Trans. Ewa Życieńska. Warsaw: State Publishing Institute, 1973. Sławiński, Janusz. Dictionary of Literary Terms. Wroclaw: Ossoliński National Institute, 2002. Tatarkiewicz, Władysław. The history of six concepts. Warsaw: Polish Scientific Publishers, 1982.
382 Bibliography Welsch, Wolfgang. Our postmodern modern. Trans. Roman Kubicki and Anna Zeidler-Janiszewska. Warsaw: Scientific Publishing House, 1998. Articles, sketches, essays Tomasz Burek, [Statement]. In: Sound - Word - Image - Thought. Talks of artists, theorists and art critics at the Museum A. and J. Iwaszkiewicz in Stawisko, ed. Alicja Matracka-Kościelny. Podkowa Leśna: The Garden of Arts and Sciences Association, 1997, p. 90. Calinescu, Matei. “Avant-garde and postmodernism! Trans. Marcin Giżycki. In: Postmodernism - culture ofexhaustion?, ed. Marcin Giżycki. Warsaw: Academy of Movement, 1988, pp. 24-37. Eco, Umberto. “Notes on the margin of the "The Name of the Rose”.” Trans. Adam Szymanowski. In: Umberto Eco, The Name of the Rose. Warsaw: State Publishing Institute, 2002, pp. 593-623. Gadamer, Hans-Georg. “The Relevance of the Beautiful: Art as Play, Symbol and Festival.” Trans. Nicholas Walker. In: The Relevance of the Beautiful and Other Essays, ed. Robert Bernasconi. Cambridge, Cambridge University Press, 1986, pp. 3-53. Herbert, Zbigniew. “Little soul.” In: Zbigniew Herbert, Labyrinth by the sea. Warsaw: Foundation of "Literary notebooks”, 2000, pp. 83-91. Andreas Huyssen, “Mapping the Postmodern.” Trans. Janusz Margański. In: Postmodernism. Anthology of translations, ed. Ryszard Nycz. Krakow: Baran and Suszczyński Publishing House, 1998, pp. 452-519. Ortega y Gasset, José. “On the dehumanization of arti In: José Ortega y Gasset, Dehumanization ofArt and Other Essays. Trans. Piotr Niklewicz. Warsaw: Reader, 1980, pp. 279-322. Porębski, Mieczysław.
“Traditions and avant-garde,” in: Mieczysław Porębski, Art and information. Krakow: Literary Publishing House, 1986, p. 171. Scarpetta, Guy. “Impurity.” Trans. Marcin Giżycki. In: Postmodernism - culture of exhaustion?, ed. Marcin Giżycki. Warsaw: Academy of Movement, 1988, pp. 163-173. Tatarkiewicz, Władysław. “Romantic beauty! In: Władysław Tatarkiewicz, The his tory ofsix concepts. Warsaw: Polish Scientific Publishers, 1982, pp. 217-227. Tischner, Józef. “A few words on the romantic conscience,” Common Weekly 22/ 2003, p. 25. Writings on music Books Bauman-Szulakowska, Jolanta. Silesian intermundia. Instrumental music in Silesia in the years 1945-1995. Katowice: Academy of Music, 2001.
383 Bibliography Bias, Iwona. Eugeniusz Knapik. Composer and pianist. Katowice: Academy of Music, 2001. Bias, Iwona. Aleksander Lasoń. Portrait of the composer. Katowice: Academy of Music, 2001. Cage, John. Silence. Middletown, Connecticut: Wesleyan University Press, 1967. Cegiełła, Janusz, ed. Sketches for a self-portrait of Polish contemporary music. Krakow: Polish Music Publishing House, 1976. Chomiński, Józef Michał and Wilkowska-Chomińska, Krystyna. History of music. Vol. 2. Krakow: Polish Music Publishing House, 1990. Erdman, Jerzy. Polish organ music of the Romantic era. Warsaw: Academy of Music, 1993. Griffiths, Paul. Modern Music and After. Directions since 1945. Oxford: Oxford University Press, 1995. Grzenkowicz, Izabella. Tadeusz Baird. Conversations, sketches, Krakow: Polish Scientific Publishers, 1982. reflections. Jacobson, Bernard. A Polish Renaissance. London: Phaidon Press Limited, 1996. Jarociński, Stefan. Debussy and impressionism and symbolism. Krakow: Polish Music Publishing House, 1976. Jarociński, Stefan. Romantic ideologies. Krakow: Polish Music Publishing House, 1979. Kaczyński, Tadeusz. Conversations with Witold Lutosławski. Wrocław: TAU Publishing House, 1993. Kisielewski, Stefan. With music over the years. Krakow: Literary Publishing House, 1957. Kisielewski, Stefan. Music and brain. Krakow: Polish Music Publishing House, 1974. Kotoński, Włodzimierz. Percussion instruments in a modern orchestra. Krakow: Polish Music Publishing House, 1981. Michałowski, Kornel, ed. Karol Szymanowski. The writings. Vol. 1. Musical papers. Krakow: Polish Music
Publishing House, 1984. Michels, Ulrich. Music Atlas. Vol. 2. Trans. Piotr Maculewicz. Warsaw: Prószyński and Co., 2003. Miklaszewska, Joanna. Minimalism in Polish music. Krakow: Musica lagellonica, 2003. Morgan, Robert P., ed. Modern Times. From World War I to the present. London: The Macmillan Press Limited, 1993. Paja-Stach, Jadwiga. Lutosławski and his musical style. Krakow: Musica lagellonica, 1997. Pałka, Marcin and Sowińska, Magdalena and Szwajgier, Anna, eds. Seminar L Meeting with Prof. Eugeniusz Knapik. Krakow: Academy of Music, 2002.
384 Bibliography Penderecki, Krzysztof. The labyrinth of time. Five lectures at the end of the century. Warsaw: Presspublica, 1997. Pociej, Bohdan. Idea ֊ sound -form. Krakow: Polish Music Publishing House, 1972. Pociej, Bohdan. Bach. Music and greatness. Krakow: Polish Music Publishing House, 1972. Pociej, Bohdan. Lutosławski and the value of music. Krakow: Polish Music Publishing House, 1976. Pociej, Bohdan. Sketches from late romanticism. Essays. Krakow: Polish Music Publishing House, 1978. Pociej, Bohdan. Mahler. Krakow; Polish Music Publishing House, 1992. Pociej, Bohdan. Wagner. Krakow: Polish Music Publishing House, 2004. Podobińska, Klaudia and Polony, Leszek. lam enjoying the gift of life. Conversations with Wojciech Kilar. Krakow: Polish Music Publishing House, 1997. Polony, Leszek, ed. Musical Meetings in Baranów 1976. Music in the context of cul ture. Krakow: Polish Music Publishing House, 1978. Polony, Leszek. In the circle of musical imagination. Essays, articles, reviews. Krakow: Polish Music Publishing House, 1980. Polony, Leszek. The musical poetics of Mieczysław Karłowicz. Literary program, expression and symbol in a symphonic poem. Krakow: Polish Music Publishing House, 1986. Polony, Leszek, ed. Changes in sound technique, style and aesthetics in Polish music of the 70s. Materials from the 8th National Musicological Conference. Krakow: Academy of Music, 1986. Polony, Leszek. The Polish shape of the dispute over the essence of music. Main trends in Polish musical thought from the Enlightenment to the present day. Krakow: Academy of Music, 1991. Polony,
Leszek. Hermeneutics and music. Krakow: Academy of Music, 2003. Polony, Leszek. Kilar. Element and prayer. Krakow: Polish Music Publishing House, 2005. Rae, Charles B. The music ofLutosławski. London: Omnibus Press, 1999. Rochberg, George. The Aesthetics of Survival. Michigan: University of Michigan Press, 1984. Rockwell, John. All American Music. Composition in the Late Twentieth Century. New York: Vintage Books, 1984. Schaeffer, Bogusław. Music of the twentieth century ֊ creators and problems. Krakow: Literary Publishing House, 1975. Skowron, Zbigniew. Theory and aesthetics of the musical avant-garde of the second half of the twentieth century. Warsaw: University of Warsaw, 1989.
Bibliography 385 Skowron, Zbigniew. New American Music. Krakow: Musica lagellonica, 1995. Tarnawska-Kaczorowska. Tadeusz Baird. Glosses for a biography. Krakow: Musica lagellonica, 1997. Thomas, Adrian: Górecki (Oxford Studies of Composers). Oxford, Clarendon Press, 1997. Tomaszewski, Mieczysław. Krzysztof Penderecki and his music. Four essays. Krakow: Academy of Music, 1994. Wachowska, Sonia. Andrzej Krzanowski. Thematic catalog of works. Katowice: Academy of Music, 2000. Zieliński, Tadeusz Andrzej. Chopin. Life and creative path. Krakow: Polish Music Publishing House, 1993. Zieliński, Tadeusz Andrzej. Penderecki's instrumental drama. Krakow: Polish Music Publishing House, 2003. Articles, sketches, essays Augustyn, Rafał. “From concert halls. The final of the Fitelberg Competition,” Musical Movement 4/1977, p. 10. Baculewski, Krzysztof. “Jean Barraqué speaks,” Musical Movement 1/1973, pp. 15-16. Baculewski, Krzysztof. “Mountains, Lamia, Penderecki,” Musical Movement 22/ 1983, p. 6. Baculewski, Krzysztof. “Agony or ecstasy?,” Vivo 1/1994, pp. 55-56. Bagiński, Zbigniew. “Piano Quartet,” [commentary in the score], Warsaw: Academy of Music, 1998, p. 31. Bent, Ian D. and Pople, Anthony. “Analysis” In: The New Grove Dictionary ofMusic and Musicians. Vol. 1, ed. Stanley Sadie. London: Macmillan Publishers Limited, 2001, pp. 526-589. Błaszczyk, Bolesław. “ ‘Cello Concerto’ by Stanislaw Moryto,” Musical Movement 16/1996, pp. 16-18. Błońska, Cecylia. “About the ‘Young Musicians for a Young City’ festival in Stalowa Wola, ‘Profiles’ talks with Krzysztof Droba - older lecturer at the
State Higher School of Music in Krakow,” Profiles 5/1979, pp. 17-18. Brooks, William, “The Americas, 1945-70.” In: Modern Times. From World War I to the present, Robert P. Morgan, ed. London: The Macmillan Press Limited, 1993, pp. 309-348. Budraitytė, Daiva. “Young Lithuanian Music in the 1980s - and Beyond.” In; In the circle of Lithuanian music. Dissertations, sketches and materials, ed. Krzysztof Droba. Krakow: Academy of Music, 1997, pp. 109-115. Carl, Robert. “Introduction: Historicism in American music since 1980,” Contemporary Music Revie w 20/2001, pp. 1-7.
386 Bibliography Chłopecki, Andrzej. “Penderecki’s ‘Passion’ as a sign,” Musical Movement 4/1975, pp. 3-5. Chłopecki, Andrzej. “Stalowa Wola for the second time,” Musical Movement 16/ 1976, pp. 14-15. Chłopecki, Andrzej. “About the meetings in Baranów,” Musical Movement 23/ 1977, p. 10. Chłopecki, Andrzej. “Kotoński: ‘Rose of The Winds’,” Musical Movement 23/ 1977, p. 10. Chłopecki, Andrzej. “Schaeffer: ‘Romuald Traugutt’,” Musical Movement 23/ 1977, p. 14. Chłopecki, Andrzej. “Górecki: ‘Symphony No. 3’,” Musical Movement 23/1977, p. 17. Chłopecki, Andrzej. “‘Classical music needs you.’ The fourth festival ‘Young Musicians for a Young City’,” Musical Movement 16/1978, pp. 8-9. Chłopecki, Andrzej. “Presentation of the book by Bohdan Pociej ‘Lutosławski and the value of music’.” In: Musical meetings in Baranów 1976. Music in the context of culture, ed. Leszek Polony. Krakow: Polish Music Publishing House, 1978, pp. 148-150. Chłopecki, Andrzej. “Young Polish music,” Odra 7-8/1979, pp. 76-78. Chłopecki, Andrzej. “Violin Concerto by Krzysztof Penderecki,” Musical Movement 18/1979, pp. 3-5. Chłopecki, Andrzej. “Stretto,” Musical Movement 1/1982, pp. 11-12. Chłopecki, Andrzej. “In search of the lost order. ‘Stalowa Wola Generation’,” Musical Movement 25/1985, pp. 14-16. Chłopecki, Andrzej. “When I think: the young generation. About the need for a legend,” Musical Movement 26/1989, pp. 5-6. Chłopecki, Andrzej. “Krauze’s ‘Piano Quintet’.” In: Program book of the ”Warsaw Autumn’’ 1994, p. 106. Chłopecki, Andrzej. “Andrzej Krzanowski’s self-commentary.” In: The musical world of
Andrzej Krzanowski. Materials from the scientific session - Krakow, October 27, 1998, ed. Janusz Pater. Krakow: Academy of Music, 2000, pp. 45-52. Chłopecki, Andrzej. “ ‘Auditions’ by Krzanowski.” In: Program book of the ”Warsaw Autumn ” 2000, pp. 129-136. Chłopecki, Andrzej. “Between vigor and contemplation, mountains and cathedrals.” In: Iwona Bias, Aleksander Lasoń. Portrait of the composer. Katowice: Academy of Music, 2001, pp. 117-121. Chłopecki, Andrzej. “Was that what we meant?!,” Musical Movement 2/2003, pp. 10-13. Cichoń, Ewa. “I made my debut at Sacrosong. Interview with Alexander Lasoń,” The Fourth 8/2001, pp. 2-5.
Bibliography 387 “Discussion” in: The musical world ofAndrzej Krzanowski. Materials from the scien tific session - Krakow October 27, 1998, ed. Janusz Pater (Krakow: Academy of Music, 2000), p. 57-70. Droba, Krzysztof. “Knapik: ‘Le Chant,’ ” Musical Movement 22/1977, p. 7. Droba, Krzysztof. “Ihe road to a tragic sense. More about the ‘Symphony No. 3’ by Henryk Mikołaj Górecki,” Musical Movement 15/1978, pp. 3-4. Droba, Krzysztof. “Greatness - weirdness. About Henryk Mikołaj Gorecki’s ‘Symphony No. 33’ and ‘Harpsichord Concerto’,” Musical Movement 10/1980, pp. 7-8. Droba, Krzysztof. “From ‘Refrain’ to ‘Beatus Vir’, or about constructivist reductionism and expressionism of Henryk Mikołaj Gorecki’s music.” In: Changes in sound technique, style and aesthetics in Polish music of the 70s. Materials from the 8th National Musicologica! Conference, ed. Leszek Polony. Krakow: Academy of Music, 1986, pp. 85-97. Droba, Krzysztof. “The most outstanding works of the fifty years.” In: Polish Music 1945-1995. Materials from the scientific session on December 6-10, 1995 on the 2ffh anniversary of the Department of Music Analysis and Interpretation, eds. Krzysztof Droba, Teresa Małecka and Krzysztof Szwajgier. Krakow: Academy of Music, 1996, pp. 337-356. Droba, Krzysztof. “A new composition by Eugeniusz Knapik. Successes of the Great Symphony Orchestra of the Polish Radio and Television in Copenhagen,” Musical Movement 1/1997, pp. 15-17. Drogin, Barry. “Horizons '83 - Since 1968, A New Romanticism? A Symphonic Analysis in Three Sections,” A Musical Contrarian 17.6/1999, pp. 1-11. Erhardt,
Ludwik. “Krzysztof Penderecki: Violin Concerto, Symphony No. 2.” [CD booklet], Warsaw: Polish Recordings [PNCD 019], 1989. “The fruits of the fifty years - final discussion,” in: Polish Music 1945-1995. Materials from the scientific session on December 6-10, 1995 on the 20th anniversary of the Department of Music Analysis and Interpretation, eds. Krzysztof Droba, Teresa Małecka and Krzysztof Szwajgier. Krakow: Academy of Music, 1996, p. 383-406. Gąsiorowska, Małgorzata. “Symphony of Sorrowful Songs,” Musical Movement 3/ 1978, pp. 3-5. Gąsiorowska, Małgorzata. “Piano Concerto by Zygmunt Krauze,” Musical Movement 11/1979, pp. 6-8. Gąsiorowska, Małgorzata. “Piano Concerto by Edward Sielicki,” Dissonances 7/ 2000, pp. 2-16. Górecki, Henryk Mikołaj. “I will tell you honestly.,” Vivo 1/1994, pp. 43-48. Ives, Charles. “Essays before a Sonata!’ Trans. Piotr Graff, Res Facta 5/1971, pp. 52-95. Janicka-Słysz, Małgorzata. “Eugeniusz Knapik’s look at himself and at music,” Studio 1/1995, pp. 24-25.
388 Bibliography Jarociński, Stefan. “Charles Ives,” Musical Movement 11/1975, pp. 5-7. Kaczyński, Tadeusz. “Kotoński: ‘Rose of The Winds’,” Musical Movement 23/ 1977, p. 10. Kisielewski, Stefan. “Schaeffer - suicide,” Musical Movement 9/1971, pp. 10-11. Kisielewski, Stefan. “Avant-garde or powerlessness.” In: Stefan Kisielewski, Music and brain. Krakow: Polish Music Publishing House, 1974, pp. 77-94. Kisielewski, Stefan. “About KrzysztofPenderecki” In: Stefan Kisielewski, Music and brain. Krakow: Polish Music Publishing House, 1974, pp. 167-175. Knapik, Eugeniusz. “Partita.” In: Program book ofthe “Warsaw Autumn” 1997, p. 133. Knapik, Eugeniusz. “Tha’ Munnot Waste No Time,” [commentary in the score], Krakow: Polish Music Publishing House, 2000,, pp. 2-3. Knapik, Eugeniusz. “Up Into the Silence.” In: Program book ofthe “Warsaw Autumn” 2001, pp. 57-62. Kominek, Mieczysław. “ ‘Rose of Ihe Winds’ by Włodzimierz Kotoński,” Musical Movement 4/1978, pp. 6-7. Kosz, Stanislaw. “Eugeniusz Knapik - Islands.” In: Polish Music 1945-1995. Materials of the scientific session on December 6-10, 1995 on the 20th anniversary of the Department of Music Analysis and Interpretation, eds. Krzysztof Droba, Teresa Małecka and Krzysztof Szwajgier. Krakow: Academy of Music 1996, pp. 289-296. Kosz, Stanislaw. “I look for inspiration in sound. Stanislaw Kosz talks to Eugeniusz Knapik,” Options 9/1996, pp. 7-12. Kosz, Stanislaw. “About the music of Eugeniusz Knapik.” In: Iwona Bias, Eugeniusz Knapik. Composer and pianist. Katowice: Academy of Music, 2001, pp. 97-110. Krauze, Zygmunt. “Piano Concerto
No. 2.” In: Program book of the “Warsaw Autumn" 1997, pp. 262-263. Krupowicz, Stanislaw. “Surconventionalism,” Vivo 1/1994, p. 57. Krzanowska, Grażyna, “ ‘Study I’ by Krzanowski.” In: Program book of the “Warsaw Autumn” 1998, pp. 63-64. Lutosławski, Witold. “Notes on the situation in music today,” Musical Movement 13/1980, pp. 3-4. Małecka, Teresa. “The world of Zbigniew Bujarski’s music. Song creativity.” In: Krakow School of Composition 1888-1988. On the 10ffh anniversary of the Academy ofMusic in Krakow, ed. Teresa Małecka. Krakow: Academy of Music, 1992, pp. 203-213. Malinowski, Władysław. “Kotoński: ‘Rose of Ihe Winds’,” Musical Movement 23/ 1977, p. 10. Mikulska, Małgorzata. “A new generation of Polish composers about themselves,” Musical Movement 9/1979, pp. 4-6; 10/1979, pp. 3-5; 11/1979, pp. 7-10; 26/1979, pp. 12-15.
Bibliography 389 Mroczek, Joanna. “Art, life, postmodernism,” Vivo 1/1994, pp. 50-53. Mroczek, Joanna and Wilczek, Maria. “Inspiration - composition - quotation,” Vivo 1/1994, pp. 23-27. Mycielski, Zygmunt. “Anti-Schaefferism? (I),” Musical Movement 19/1975, pp. 6-7. Mycielski, Zygmunt. “Anti-Schaefferism? (П),” Musical Movement 20/1975, pp. 10-11. Mycielski, Zygmunt. “Mr. Cogito about hell.” In: Zygmunt Mycielski, Postludes. Articles, columns, essays. Krakow: Polish Music Publishing House, 1977, p. 81-85. Mycielski, Zygmunt. “Opening of the 21st ‘Warsaw Autumn’,” Musical Movement 22/1977, pp. 4-5. Negrey, Maciej. “Krzysztof Penderecki’s Symphony No. 2,” Musical Movement 24/ 1983, p. 3-4. Penderecki, Krzysztof. [Voice in discussion during the Seminar on Jacob’s Awakening]. In: Musical Meetings in Baranów 1976. Music in the context ofculture, ed. Leszek Polony. Krakow: Polish Music Publishing House, 1978, pp. 62-65. Piotrowska, Maria. “Canon and postmodernism,” Music 1/1997, pp. 5-30. Pisarenko, Olgierd. “Young Musicians for a Young City. Stalowa Wola 1979. New optics,” Musical Movement 14/1979, pp. 5-6. Pisarenko, Olgierd. “Stalowa Wola at a crossroads,” Musical Movement 14/1980, pp. 6-7. Pociej, Bohdan. “ ‘Ad Matrem’ by Henryk Mikołaj Górecki,” Musical Movement 3/ 1973, pp. 3-5. Pociej, Bohdan. “Young Musicians for a Young City,” Common Weekly 25/1977, p. 7. Pociej, Bohdan. “Schubert and the romantic feeling of the world. On the one hun dred and fiftieth anniversary of death,” Musical Movement 26/1978, pp. 3-5. Pociej, Bohdan. “Style or individuality? Conversations about
the 24th ‘Warsaw Autumn’,” Musical Movement 23/1980, pp. 3-13. Pociej, Bohdan. “Sacrum in Polish contemporary music.” In: Changes in sound technique, style and aesthetics in Polish music of the 70s. Materials from the 8th National Musicological Conference, ed. Leszek Polony. Krakow: Academy of Music, 1986, pp. 49-61. Pociej, Bohdan. “The music I would like.” In: Ewa Woynarowska, Young Musicians for a Young City Festival. Vol. 3-4 Annex - Archival materials and press articles about the MMMM Festival, [master thesis]. Krakow: Academy of Music, 1997, pp. 311-323. Polony, Leszek. “Music and reality,” Musical Movement 2/1975, pp. 4-7. Polony, Leszek. “Musical signs,” Musical Movement 9/1975, pp. 3-6. Polony, Leszek. “ ‘Music in Music’ or the twilight of anti-art,” Musical Movement 23/1977, p. 10.
390 Bibliography Polony, Leszek. “Young musicians and young amateurs: sketches for a self-portrait of a generation,” Literary Life 24/1979, pp. 3,11. Polony, Leszek. “Farewell to the present day?,” Musical Movement 2/1979, pp. 3-5. Polony, Leszek. “The lyrical subject of Andrzej Krzanowski’s ‘Auditions’.” In: Leszek Polony, In the circle of musical imagination. Essays, articles, reviews. Krakow: Polish Music Publishing House, 1980, pp. 89-97. Polony, Leszek. ““Birds” by Marek Stachowski.” In: Leszek Polony, In the circle of musical imagination. Essays, articles, reviews. Krakow: Polish Music Publishing House, 1980, pp. 98-101. Polony, Leszek. “The roads of young music (Stalowa Wola 1976-78).” In: Leszek Polony, In the circle ofmusical imagination. Essays, articles, reviews. Krakow: Polish Music Publishing House, 1980, pp. 193-211. Polony, Leszek. “More about the new romanticism.” In: Leszek Polony, In the circle of musical imagination. Essays, articles, reviews. Krakow: Polish Music Publishing House, 1980, pp. 212-225. Polony, Leszek. “Stalowa Wola for the sixth time,” Southern Newspaper 6-8.6/ 1980. In: Ewa Woynarowska, Young Musicians for a Young City Festival. Vol. 3-4 Annex - Archival materials and press articles about the MMMM Festival, [master thesis], Krakow: Academy of Music, 1997, pp. 487-490. Polony, Leszek. “Polish Music Autumn. Part 1,” Southern Newspaper 10.10/1980, p. 5. Polony, Leszek. “Polish Music Autumn. Part 2,” Southern Newspaper 18-19.10/1980, pp. 5-6. Polony, Leszek. “Krzysztof Meyer: Symphony ‘Polish’, ”Musical Movement 13/1983, pp. 5-6. Polony,
Leszek. “What were we up to.” In: Changes in sound technique, style and aesthetics in Polish music of the 70s. Materials from the 8th National Musicological Conference, ed. Leszek Polony. Krakow: Academy of Music, 1986, pp. 63-82. Polony, Leszek. “On the 80th anniversary of the birth of Roman Palester,” Musical Movement 25/1987, pp. 14-15. Polony, Leszek. “The end of the new romanticism,” Musical Movement 21/1990, pp. L 4. Polony, Leszek. “A dispute with the avant-garde from under the sign of anti-art.” In: Leszek Polony, The Polish shape of the dispute over the essence of music. Main trends in Polish musical thought from the Enlightenment to the present day. Krakow: Academy of Music, 1991, pp. 313-348. Polony, Leszek. “Andrzej Krzanowski - a bard of the Stalowa Wola generation.” In: The musical world of Andrzej Krzanowski. Materials from the scientific ses sion - Krakow, October 27, 1998, ed. Janusz Pater. Krakow: Academy of Music, 2000, pp. 53-56.
Bibliography 391 Polony, Leszek. “About contemporary music and its critics” Musical Movement 7/ 2003, pp. 11-13. Keith Potter: “The Current Musical Scene.” In: Modern Times. From World War I to the present, ed. Robert P. Morgan. London: The Macmillan Press Limited, 1993, pp. 349-387. Regamey, Konstanty. “Slogans and live creativity in contemporary music,” Polish Music 3/1938, pp. 111-118. “Round table discussion no. 3 on ‘The presence of tradition in the present day’,” in: Musical Meetings in Baranów 1976. Music in the context of culture. Krakow: Polish Music Publishing House, 1978, pp. 199-221. Schaeffer, Bogusław. “Kisielewski - cutthroat? Counter-lampoon in 15 scenes,” Musical Movement 13/1971, pp. 14-18. Schonberg, Harold C. “Neo-Romantic Music Warms Public Chilled by the AvantGarde,” The New York Times 20.3/1977, p. 69. Schonberg, Harold C. “New romanticism?,” Forum 44/1978, pp. 18-19. Sielicki, Edward. “Piano Concerto by Zbigniew Bagiński,” Dissonances 4/1998, pp. 2-7. Siemdaj, Ewa. “From Trio to Sinfonietta,” Vivo 1/1994, pp. 28-30. Skocza, Marek. “For connoisseurs. IXth Mikołów Days of Music,” Western Journal 2-3.9/1999. Skowron, Zbigniew. “Tradition, avant-garde, new romanticism. Interview with George Rochberg,” Musical Movement 20/1989, pp. 17-19. Skowron, Zbigniew. “Reception of avant-garde attitudes and programs in post war Polish music.” In: Polish Music 1945-1995. Materials of the scientific ses sion on December 6-10, 1995 on the 2ffh anniversary of the Department of Music Analysis and Interpretation, eds. Krzysztof Droba, Teresa Małecka and Krzysztof
Szwajgier. Krakow: Academy of Music, 1996, pp. 67-80. Sowa, Walenty. ““MMMM” for the fifth time,” The News 106/1979, p. 5. [Stachowski, Marek]. “Marek Stachowski speaks,” Musical Movement 23/1973, p. 8. Stachowski, Marek. “Narrow field of activity,” Vivo 1/1994, p. 54. Strzelecki, Paweł. “Concerto for cello and string orchestra by Stanislaw Moryto,” Heksis 4/2000, pp. 57-67. Szalonek, Witold. “On the unused sonoristic qualities of woodwind instruments,” Res Facta 7/1972, pp. 111-119. Szalonek, Witold. “Sonorism or following Toe in music,” Dissonances 5-6/1999, p. 22. Szczecińska, Ewa. “Contravangard to the granary!,” Musical Movement 22/2000, p. 9. Szczepańska-Lange, Elżbieta. “Postmodernism and music.” In: Encyclopedia of Polish culture of the twentieth century. From avant-garde to postmodernism, ed. Grzegorz Dziamski. Warsaw: Institute of Culture, 1996, pp. 439-448.
392 Bibliography Szwajgier, Krzysztof. “Natural music - a dream and a fact.” In: Changes in sound technique, style and aesthetics in Polish music of the 70s. Materials from the 8th National Musicological Conference, ed. Leszek Polony. Krakow: Academy of Music, 1986, pp. 35-48. Karol Szymanowski: “About romanticism in music.” In: Karol Szymanowski. Writings. Vol. 1.Musical writings, ed. Kornel Michałowski. Krakow: Polish Music Publishing House, 1984, pp. 235-249. Tarnawska-Kaczorowska, Krystyna. “Third Music Festival ‘Young Musicians for a Young City’, May 13-15, 1977,” Polish Music 3/1977, pp. 48-53. Tomaszewski, Mieczysław. “Sonoristic expressiveness and allegorical symbolism: a symphony of the ‘Polish school’.” In: Mieczysław Tomaszewski, Integral inter pretation of a musical work. Reconnaissance. Krakow: Academy of Music, 2000, pp. 113-139. Waldorff, Jerzy. “Autumn, it is for musicians.,” Policy 8.10/1983, p. 5. Wnuk-Nazarowa, Joanna. “About Penderecki’s ‘Violin Concerto’. ” In: The Jubilee Book of Mieczysław Tomaszewski, ed. T. Małecka. Krakow: Academy of Music, 1984, pp. 76-99. Woynarowska, Ewa. “Young Musicians for a Young City.” In: Polish Music 19451995. Materials from the scientific session on December 6-10,1995 on the 2ffh anni versary of the Department of Music Analysis and Interpretation, eds. Krzysztof Droba, Teresa Małecka and Krzysztof Szwajgier. Krakow: Academy of Music, 1996, pp. 317-322. Zielinski, Tadeusz Andrzej. “Contemporary composer and tradition. Interview with Krzysztof Penderecki,” Musical Movement 12/1963, p. 8. Zieliński, Tadeusz Andrzej.
“Autumnal confrontations,” Musical Movement 23/1969, pp. 10-17. Zielinski, Tadeusz Andrzej. “Sound landscape,” Musical Movement 5/1975, pp. 2-6. Zielinski, Tadeusz Andrzej. “Górecki: ‘Symphony No. 3’,” Musical Movement 23/ 1977, p. 17. Zielinski, Tadeusz Andrzej. “Comments on the condition of contemporary music. Disease time,” Musical Movement 14/1997, pp. 6-9. Zwierzyński, Krzysztof. “Krzysztof Zwierzyński talks about the Sandomierz Music Festival with Krzysztof Droba - the festival’s program director,” Nadwiślański WeeWy 39/1988, p. 8.
Bibliography 393 Masters theses Strzelecki, Paweł. Symphonies by Zbigniew Bagiński. Warsaw: Academy of Music, 2000. Woynarowska, Ewa. Young Musicians for a Young City Festival. Vol. Ш-ГѴ Annex Archival materials and press articles about the MMMM Festival. Krakow: Academy of Music, 1997.
Index of Surnames and Works A Adams, John 91,213,224,402 - Shaker Loops 91, 213, 362 - The Wound-Dresser 91 Alcott 428 Andriessen, Louis 401 d’Angers, David [Pierre-Jean David] 18 Apollinaire, Guillaume 14 Argento, Dominick 88 Armanowska, Małgorzata 277 Augustyn, Rafał 54, 57, 58, 205, 385 В Bach, Johann Sebastian 65,69,111, 116, 133, 251, 252, 259, 281, 376, 377, 384, 396, 402, 403, 440, 452 - Aria on the G String from Orchestral Suite No. 3inD major (BWV 1068) 440 ֊ Chromatic Fantasy and Fugue in D minor (BWV 903) 440 ֊ Fugue in G minor (BWV 558) 111,251,252,259,281, 376, 377 - Passacaglia and Fugue in C minor (BWV 582) 133 - Toccata and Fugue in D minor (BWV 565) 440 Baculewski, Krzysztof 54, 57, 82,108, 209, 385, 413, 459 ֊ A Walking Shadow 414 ֊ Antitheton I 414 ֊ Antitheton Π 414 - Ground 414 - О Little One [Christmas carol arrangement] 414 ֊ Ozwodne and Krzesane 414 - Partita for violin and piano 175 - Rilke-Lieder 414 - Sonata canonica 414 - String Quartet No. 2 83, 218, 240, 257-259, 266, 281, 414, 452, 457 - The Profane Anthem To Anne 414 Bagiński, Zbigniew 10, 22, 27, 54, 112, 228, 285, 286, 290-296, 299, 305-310, 325, 330-334, 344, 385, 391, 393, 415, 453, 454, 458, 459 - Cello Concerto 98, 126, 299, 303305, 368, 369, 375, 378, 385, 397, 410, 416, 453 - Piano Concerto 41-43, 92, 207, 208, 218, 299, 305-317, 368, 369, 372, 375, 376, 387, 388, 391, 413, 421, 422, 429, 453, 458 - Piano Quartet 228, 325, 328, 330-334, 368, 369, 376, 385, 415, 454, 458 - Sinfonia notturna 286, 290-296, 344, 368, 369, 375-377, 415, 453, 458 - Trio with Coda. Hommage å Brahms 112
Baird, Tadeusz 22, 41, 43, 44, 71, 99, 125, 285, 299-301, 319-324, 328, 335, 336, 339-341, 368, 369, 372, 376-378, 383, 385, 406, 417, 418, 440, 453, 454, 458, 459, 463 - Concerto lugubre 41, 44, 299-301, 320, 368, 377, 453 - Elegeian 43, 44, 125 - Five Songs to the lyrics by Halina Poświatowska 43 - Four Essays 44, 51, 385, 440 - Four Novels 44 ֊ Voices from Afar 43,335,336, 339-341, 368, 369, 376-378, 454 Bajoras, Feliksas 92, 429 Barańczak, Stanislaw 78, 373, 381, 428, 443
462 Index of Surnames and Works Barber, Samuel 19, 54, 87,133, 317, 381, 429, 444 - Adagio from the String Quartet, Op. 11,133 Bargielski, Zbigniew 22, 41, 285, 363, 365-369, 372, 376-378, 400, 455, 458, 459 - Dream Bird 401 - No Man’s Land 401 - Songs of Suns 401 - String Quartet ”Alpine” 41, 363, 365, 376 - Trigonalia 401 - Violin Concerto 13, 40-42, 45, 62, 64, 65, 82, 87, 89, 98, 100, 125֊ 131, 133, 147, 148, 173, 179, 299, 300, 302, 303, 341, 360, 361, 363, 365-369, 372, 375-378, 386, 387, 392, 395, 397, 399, 401, 413, 421, 427, 429, 431, 440, 449, 453, 455, 457, 458 Barraqué, Jean 82, 385 Bartók, Bela 39, 48, 108, 117, 188, 227, 240, 253, 257, 262, 269, 271, 352, 405, 426, 440 - Concerto for Orchestra 237,262, 264, 265, 281, 282, 377, 406, 426, 440, 452 Bartulis, Vidmantas 92 Bauman-Szulakowska, Jolanta 23, 29, 30, 32, 39, 45, 55, 86, 102, 104, 110112, 114, 118, 119, 121, 122, 175, 220, 221, 237, 382 Beckett, Samuel 181 Beethoven, Ludwig van 17, 21, 49, 52, 88, 99, 116, 133, 150, 171, 207, 292, 330, 396, 399, 401, 402, 416 - Symphony No. 5 in C minor, Op. 67, 142 Beksiński, Zdzisław 97, 199, 200, 409 Benjamin, Arthur 19 Bent, Ian D. 23,24,25,385 Berg, Alban 21, 48, 106, 117, 328, 403, 420, 429, 440 - Violin Concerto 13, 40-42, 45, 62, 64, 65, 82, 87, 89, 98, 100, 125131, 133,147, 148, 173, 179, 299, 300, 302, 303, 341, 360, 361, 363, 365-369, 372, 375-378, 386, 387, 392, 395, 397, 399, 401, 413, 421, 427, 429, 431, 440, 449, 453, 455, 457, 458 Berger, Roman 71, 429 - Requiem da camera 429 Berio, Luciano 88, 408 Berlioz, Hector 18,148, 396, 401 - Symphony "Fantastic”
148 Białoszewski, Miron 445 Bielawski, Ludwik 71, 463 Bieńkowska, Ewa 71 Bieriezin, Jacek 78, 79, 237, 241, 242, 246, 428 Bieżan, Andrzej 54, 55 Bilica, Krzysztof 11, 427, 459 Błaszczok, Aureli 205, 217, 428 Błaszczyk, Bolesław 303, 385 Błażusiakówna, Helena Wanda 136 Błoński, Jan 71 Bogusławski, Edward 30 Bose, Hans Jürgen 429 Boulez, Pierre 92, 106 Brahms, Johannes 64, 88,112, 133, 150, 404, 429 - German Requiem 112 Brancusi, Constantin 61 Bristiger, Michał 60, 71 Brooks, William 88, 385 Bruckner, Anton 24, 53, 54, 65, 81, 91, 99, 101, 102, 104, 114, 396, 399, 404, 413, 427 - Adagio from Symphony No. 5 in B flat major 24 Bryars, Gavin 92, 429 Buczyński, Paweł 54, 112, 121, 285, 319-326, 328, 344, 368, 369, 372, 375, 376, 416, 453, 454, 458, 459 - Dreams 22, 100, 106, 181, 188, 418
Index of Surnames and Works - Elegy ofMemory of Tadeusz Baird 319-324, 328, 369, 376, 417, 453, 454, 458 - Music ofFalling Leaves 319-321, 328, 368, 369, 375, 376, 417, 453 - Pezzo per Passero 112, 325, 326, 328, 344, 369, 377, 417, 454 Budraitytė, Daiva 92, 93, 385 Bujarski, Zbigniew 22, 41, 99, 341, 348-350, 353, 355- 357, 368, 369, 375-378, 388, 429, 437, 454, 455, 459 - Musica domestica 41, 348-350, 368, 429, 454 - Gardens 353, 355-357, 368, 369, 375-378, 455 Bulgakov, Mikhail Afanasyevich 405 Burek, Tomasz 79, 80, 382 Burnett, Frances Hodgsonl88 Büchner, Georg 429 C Cage, John 13,49,71,383,429 Calinescu, Matei 117, 382 Carl, Robert 119,385 Casella, Alfredo 54 Castelnuovo-Tedesco, Mario 19 Chagall, Marc 397 Chehnecki, Jarosław 357, 363, 364, 368, 455 ֊ Song ofSongs 363, 364, 368, 455 Chłopecki, Andrzej 15, 16, 29, 35, 42, 53, 54, 63, 64, 66, 68, 69, 70, 71, 73-79, 81, 83֊ 86, 88, 95, 98, 99, 104, 105, 108, 111-113, 115, 133, 191, 198, 238, 239, 243, 249, 253, 255, 259, 262-264, 282, 334, 372-374, 377, 386, 410, 426, 428, 459 Chłopicka, Regina 71 Chołoniewski, Marek 54, 55 Chomiński, Józef Michal 18,19, 383 Chopin, Frédéric 18, 69, 111, 116, 140, 334, 376, 377, 385, 401, 421, 423, 440, 449, 463 463 - Mazurka in A minor, Op. 17 No. 3 111 Cichoń, Ewa 199, 200, 386 Cienciała, Wiesław ЗО Ciuciura, Leoncjusz 44 Coleridge, Samuel Taylor 32 Corelli, Arcangelo 69 Corigliano, John 88,91,281 - Creations 46, 281 Crumb, George 88, 91, 253, 259, 281, 282, 377, 428, 440 - Black Angels 253 - Makrocosmos 3 - Music for the Summer Evening 440 Cubrick, Stanley 91 Cummings, Edward Estlin
191, 194 Cybulski, Zbigniew 445 Cywiński, Bohdan 441, 444, 459 D Dallapiccola, Luigi 88, 90 Danuser, Hermann 118 Davies, Peter Maxwell 92,113 Dąbrowski, Florian 71 Dean, James 445 Debussy, Claude 17, 68, 71, 104, 150, 188, 190, 197, 383, 411, 423, 438, 450 - Pelleas and Mélisande 71 - Printemps 17 - Sea 31, 103, 104, 157, 243, 251, 286, 382 Delacroix, Eugène 18 Del Tredici, David 88, 91 Dello Joio, Norman 19 Derrida, Jacques 119 Dębski, Krzesimir 419, 459 Diamond, David 91 Dickinson, Emily 188 Dobrowolski, Andrzej 36, 44, 418 Dobrzańska, Zofia 71 Dolecki, Zbigniew 75, 237, 243, 249 Drewnowski, Marek 305 Droba, Krzysztof 16, 31, 35, 49, 60, 63, 64, 68-78, 85, 86, 92, 100, 112,
464 Index of Surnames and Works 115, 126, 149, 164, 191, 201, 214, 373, 385, 387, 388, 391, 392, 408, 426, 430, 431, 433, 459 Druckman, Jacob 88, 89, 91 Duchamp, Marcel 181 Dufay, Guillaume 110 Dukas, Paul 54 Dusapin, Pascal 429 Dvořák, Antonín 94, 81, 87, 464 Dybciak, Krzysztof 16, 71, 79, 120, 442, 459 Dyżewski, Marek 253 Dziadek, Andrzej 22, ЗО, 357, 359, 360, 361, 369, 420, 431, 455, 459 - Violin Concerto 13, 40-42, 45, 62, 64, 65, 82, 87, 89, 98, 100, 125131, 133, 147, 148, 173, 179, 299, 300, 302, 303, 341, 360, 361, 363, 365-369, 372, 375-378, 386, 387, 392, 395, 397, 399, 401, 413, 421, 427, 429, 431, 440, 449, 453, 455, 457, 458 - Symphony No. 1 40,42, 117, 126, 200, 202-207, 209, 236, 240, 283, 285, 296-298, 357, 359, 360, 369, 372, 376, 378, 408, 451, 453, 455, 457 Dziadek, Magdalena 224, 372, 431, 459 Dziewulska, Małgorzata 71 E Eco, Umberto 69, 119, 121, 382 Elgar, Edward 54 Eliade, Mircea 69 Eliot, Thomas Stearns 31 Elzenberg, Henryk 375 Enescu, George 54 Erdman, Jerzy 19,20,383 Erhardt, Ludwik 40, 60, 387 F Fabre, Jan 181, 191 Falla, Manuel de 54 Felciano, Richard 88 Feldman, Morton 115 Ferneyhough, Brian 401 Fitelberg, Grzegorz 202, 205, 385 Friedrich, Caspar David 18 Friemann, Witold 19 Fromm, Erich 69 Fukuyama, Francis 119, 381 G Gabryś, Aleksander 30 Gabryś, Ryszard 30, 251 Gadamer, Hans-Georg 120, 382 Gałczyński, Konstanty Ildefons 151, 152, 162, 163 Gąsiorowska, Małgorzata 42, 43, 63, 64, 310, 373, 387, 426 Gąsiorowski, Krzysztof 79 Gesualdo da Venosa, Carlo 330, 440 Giotto di Bondone 32 Glass, Philip 91 Glinkowski, Aleksander 30 Głazunow, Aleksander 54
Gombrowicz, Witold 445 Górecki, Henryk Mikołaj 13,16, 22, 29, 30, 34, 36-41, 56, 60-64, 71, 74, 77, 95-97, 99, 101, 106, 107, 109, 110, 111, 114-116,121, 122, 125127, 133-141, 147-149, 151, 153, 164, 173, 176, 198, 202, 207, 218, 237, 238, 240, 243, 246, 251, 257, 259, 263, 281, 285, 317, 319, 357, 360, 362, 371-373, 376, 377, 385387, 389, 392, 395, 398-401, 403, 406-412, 414, 418, 423, 428, 431, 432, 437, 449, 457, 459 - Ad Matrem 34, 38, 39, 61, 99, 106, 126, 153, 243, 360, 372, 389, 431 - Beatus Vir 95,101, 107, 115, 126, 387 - Cantata on Saint Adalbertus "Salve Sidus Polonorum” 101 - Canticum graduum 38, 114, 126 - Come, Holy Spirit 101
Index of Surnames and Works - Genesis П - Instrumental Chants 251 - Harpsichord Concerto 64,164, 218, 387 - Lerchenmusik 176 - Little Music IV "Trombone Concerto” 38 - Old Polish Music 38, 39, 109, 110, 126, 238 - Refrain 34, 38,109,115,126,153, 208, 220, 224, 226, 233, 387, 408, 451 ֊ Scontri 34, 37, 56, 125, 202, 263 - String Quartet No. 1 "Already It Is Dusk” 173 - Symphony No. 2 "Copernican” 39, 126, 243, 281 - Symphony No. 3 ("Symphony of Sorrowful Songs”) 13, 34, 39,101, 125, 372 ֊ Three Pieces in Old Style 34, 38, 40, 126, 362, 371 - Two Sacred Songs 38,101 Górzański, Jerzy 79 Grieg, Edward 207, 411 - Piano Concerto in A minor, Op. 16 207 Griffiths, Paul 118,383 Grisey, Gerard 429 Grotowski, Jerzy 181 Grudzień, Jacek 108 Gubaidulina, Sofia 93 H Hába, Alois 54 Habermas, Jürgen 118 Halle, Adam de la 69 Hanson, Howard 19, 54 - Symphony No. 2 "Romantic” 54 Harasymowicz, Jerzy 354 Harbison, John 88 Hawel, Jan Wincenty 30 Haydn, Joseph 402 Händel, Georg Friedrich 18 - Messiah 402 465 Heidegger, Martin 69 Helman, Zofia 27, 44, 71, 116 Heraclitus of Ephesus 115 Herbert, Zbigniew 31, 32, 78, 97, 153, 238, 354, 381, 382, 409, 411 Herling-Grudziński, Gustaw 381, 445 Hersant, Philippe 92 Hertz, Paweł 354 Hindemith, Paul 117, 201, 211 Holuj, Tadeusz 354 Honegger, Artur 54, 117, 202, 230, 297, 363 - Symphony No. 3 "Liturgical” 230 - Symphony No. 5 24, 44, 98, 142, 202, 297, 363, 372 Horner, James 91 - Apollo 13 [soundtrack] 91 - Deep Impact [soundtrack] 91 - Windtalkers [soundtrack] 91 Holst, Gustav 54 Hugo, Victor 18 Huntington, Samuel P. 381, 444 Hussar, Małgorzata 54, 357, 358,
362, 372, 455 - Archi 362, 363, 369, 455 - Sinfonietta (Brevis) 357 Huyssen, Andreas 117,118, 382 Iłłakowiczówna, Kazimiera 214, 355 Ingarden, Roman 69 I Ives, Charles 53, 54, 69, 70, 73, 74, 87, 150, 188, 325, 387, 388, 405, 428, 430 - Central Park in the Dark 325 ֊ Piano Sonata “Concord” 188 I Iwaszkiewicz, Jarosław 71,80,336, 338, 341, 355, 382 J Jacobson, Bernard 126, 383 Jacoby, Jan 191 Jadacki, Jacek Juliusz 446,459
466 Index of Surnames and Works Janicka-Słysz, Małgorzata 58,149, 150, 151, 181, 183, 387 Janion, Maria 14, 32, 381, 437 Yanow-Yanovsky, Dymitr 93 Jarociński, Stefan 17, 68, 70, 71, 81, 383, 388 Jencks, Charles 118, 120, 381 Jerzyna, Zbigniew 79 John ХХІП [Angelo Giuseppe Roncalli] 34 John Paul Π [Karol Wojtyła] 119, 120, 320, 381, 446 Josquin des Prés 110 К Kaczyński, Tadeusz 42, 43, 383, 388 Kagel, Mauricio 113, 426 - Music for Renaissance Instruments 426 Kancheli, Giya 93 Kandinsky, Wassily 403 Kantor, Tadeusz 181 Kański, Józef 60 Karasek, Krzysztof 71, 443 Karg-Elert, Siegfried 19 Karłowicz, Mieczysław 25, 32, 64, 68, 69, 81, 133, 142, 209, 295, 344, 347, 384, 436 - Lithuanian Rhapsody 142, 295 Kazuro, Stanisław 19 Kępiński, Antoni 69 Kiesewetter, Tomasz 19 Kisielewski, Stefan 42, 48, 49, 51, 52, 56, 60-63, 67, 71, 381, 383, 388, 391, 403, 404 Kilar, Wojciech 13, 16, 22, 30, 31, 36, 37, 39, 40, 41, 43, 45, 46, 47, 48, 62, 63, 99, 101, 103, 105, 110, 115, 121, 122, 125-127, 142-148, 209, 211, 285, 305, 310, 371, 372, 375-378, 384, 399, 418, 429, 431, 432, 437, 449, 457, 459 - Angelus 101 - Bogurodzica 39, 101, 126, 342, 372 - Choral Prelude 103 - Diphthonges 39 - Générique 39 - Gray Mist 39,103 - Kościelec 13, 39, 103,105, ПО, 125, 142-146, 148, 211, 372, 375378, 399, 449, 457 - Krzesany 30, 39, 46, 103,105, 122, 126, 372, 429, 431 - Lament 101, 135 - Missa pro расе 101 - Ode “Béla Bartók in memoriam” 39 - Orawa 103 - Piano Concerto 41-43, 92, 207, 208, 218, 299, 305-317, 368, 369, 372, 375, 376, 387, 388, 391, 413, 421, 422, 429, 453, 458 - Prelude and Christmas Carol
39, 126 - Requiem for Father Kolbe 101 - Riff 37, 39, 125 - Solenne 39 - Springfield Sonnet 39 - Symphony No. 2 "Concertante” 39 - Training 68, 39 - Upstairs-Downstairs 126 Knaifel, Alexander 93 Knapik, Agata 188 Knapik, Barbara 194 Knapik, Eugeniusz 13,16, 22, ЗО, 31, 33, 54-59, 62, 63, 74-77, 83, 93, 97, 99, 100, 103, 104, 106, 108, 110-112, 114, 117, 121, 122, 149-198, 208, 238, 243, 255, 266, 282, 283, 284, 297, 357, 363, 372, 375-379, 383, 387, 388, 395, 398, 406-408, 411, 415, 423, 424, 427, 428, 432, 433, 436, 437, 449-451, 457, 459 - Corale, Interludio e Aria 83,100, 151, 164-167, 180, 181, 198, 283, 376, 406, 450, 457 - Das Glas im Kopf wird vom Glas 106
Index of Surnames and Works - Hymn 97, 151,167-169, 180, 181, 198, 200, 215, 224-226, 230, 235, 236, 269, 283, 376-378, 409, 410, 450, 451, 457 - I’m Coming to You 196 - Islands 103, 104, 151, 159, 178-181, 183, 198, 376, 388, 406, 450, 457 - Just Like on the Seashore 59, 77, 103, 106, 159, 161-163, 198, 243, 377, 449, 457 - La Flûte de Jade 56, 74,106,110, 151, 153-157, 162,163, 198, 283, 376, 406, 449, 457 - La Libertà Chiama La Libertà 106, 181,182, 184, 186, 187, 191, 283, 375, 411, 423, 437, 450, 457 ֊ Le Chant 77, 100, 106, 151, 157160, 162, 163, 198, 297, 378, 387, 449, 457 - Partita 151, 174-176,180, 181, 198, 283, 388, 411, 429, 450, 457 - Silent Screams, Difficult Dreams 106 - Sonata 59, 70, 77, 113, 127, 152, 153,168, 188, 198, 205, 217, 221, 236, 272, 371, 387, 414, 449, 451 - String Quartet 24, 41, 83, 87, 111, 113, 117, 133, 149, 151, 168, 170-173, 180, 181, 198, 201, 218, 224, 228, 235-237, 239, 240, 253-259, 266, 269, 277, 278, 281-283, 352, 353, 363, 365, 367, 369, 371, 376-378, 410, 414, 450-452, 455, 457 - Iha’Munnot Waste No Time 112, 151, 152, 188-190, 197, 198, 283, 377, 388, 411,450, 457 - The Minds ofHelena Troubleyn 150, 151, 181, 197, 198, 284 ֊ Three Songs 151,152,157, 162, 163, 214, 236, 283, 336, 378, 449 467 - Trio 92, 108, 112, 151 197, 198, 391, 429 - Up Into the Silence 16, 97, 106, 114, 151, 181, 188, 191-194, 196198, 282, 283, 363, 375, 376, 378, 388, 406, 450, 451 - Vērsusi 112, 151, 176, 180, 181, 198, 283 Knapik, Sara 188 Knittel, Krzysztof 54, 55, 57 Koffler, Józef 432 Kołoniecki, Roman 157, 159 Kominek, Mieczysław 286, 388 Korngold,
Erich Wolfgang 81 Kornhauser, Julian 78,373,381,443 Kosz, Stanisław 95, 96,149, 150,168, 179, 183, 388, 432, 459 Kotoński, Włodzimierz 22, 36, 37, 41, 42, 84, 104, 108, 285-290, 295-299, 368, 369, 372, 376-378, 383, 386, 388, 401, 429, 452, 453, 457, 459 - Bora 42, 104, 285, 286, 288, 289, 290, 295, 368, 369, 377, 452, 457 - La gioia 42 - Multiplay 402 - Oboe Concerto 347, 348, 368, 369, 402, 454 - Rose of The Winds 41, 42, 84, 104, 108, 285-288, 295, 368, 369, 377, 386, 388, 402, 429, 452 - Sirocco 42, 104, 286 - Spring Music 402 - Study for One Cymbal Stroke 41 - Symphony No. 1 40, 42,117, 126, 200, 202-207, 209, 236, 240, 283, 285, 296-298, 357, 359, 360, 369, 372, 376, 378, 408, 451, 453, 455, 457 - Terra incognita 42, 104, 286 Kowal, Roman 71 Krauze, Zygmunt 38, 41-43,114, 115, 125, 159, 167, 202, 209, 218, 243, 285, 286, 288, 299, 300, 302, 303, 313-317, 325, 334, 368, 369, 372,
468 Index of Surnames and Works 3 75, 376, 377, 378, 386-388, 420, 453, 458, 459 - Aus aller Welt stammende 421 - Ballade 218 - Esquisse 218 ֊ Folk Music 103, 209, 288, 421 - Piano Concerto No. 1 42, 421 - Piano Concerto No. 2 218, 299, 313-317, 376, 388, 421, 422, 453, 458 - Piano Quintet 218, 325, 334, 369, 378, 386, 421 - Piece for Orchestra No. 1 38, 42, 372 - Piece for Orchestra No. 2 125, 422 - Piece for Orchestra No. 3 286, 288, 369, 377 - Quatuor pour la naissance 218 - Stone Music 42, 334, 421 - String Quartet No. 2 83, 218, 240, 257-259, 266, 281, 414, 452, 457 - Violin Concerto 13, 40-42, 45, 62, 64, 65, 82, 87, 89, 98, 100, 125131, 133, 147, 148, 173, 179, 299, 300, 302, 303, 341, 360, 361, 363, 365-369, 372, 375-378, 386, 387, 392, 395, 397, 399, 401, 413, 421, 427, 429, 431, 440, 449, 453, 455, 457, 458 Křenek, Ernst 54 Krenz, Jan 36 Kristeva, Julia 118 Krupowicz, Stanislaw 33, 54, 55, 77, 123, 124, 378, 381, 388 - Fin de siècle 13, 14, 16, 21, 22, 32, 33, 52, 81, 123, 124, 150 Krużel, Mirosława 355 Krynicki, Ryszard 78, 373, 443 Krzanowska, Aleksandra 262 Krzanowska, Grażyna 54, 243, 253, 388 Krzanowski, Andrzej 13, 16, 22, 30, 54-57, 72, 74-77, 79, 82-84, 97, 99, 100, 102, 103, 108, 111, 149, 153, 159, 217, 220, 228, 237-284, 304, 336, 348, 365, 372, 375-378, 385388, 390, 398, 406, 408, 410, 411, 415, 423, 424, 427, 428, 431-433, 436, 437, 451, 452, 457, 459 - Alkagran or One Place on the Right Bank of the Vistula 262264, 452 - Audition I 237, 241-243, 282, 451 - Audition П 242 - Audition Ш 111, 246-248, 259, 281-283, 375, 376, 452, 457 - Audition IV 77, 83,
102, 111, 243, 249, 250, 252, 259, 281-283, 376, 377, 431, 452, 457 - Audition V 239 - Audition VI 240, 255, 266, 269271, 280, 281, 336, 452 - Canti di Wratislavia 251, 259, 280, 282, 377 - Cathedral 98, 105,168, 200, 202, 220-223, 236, 261, 264, 281, 286, 377, 410, 451, 452, 457 - Choral 102, 103, 173, 202, 204, 205, 207, 208, 211, 213, 236, 237, 240, 253, 260, 261, 264, 281, 283, 292, 317, 323, 330, 333, 334, 341, 348, 350, 352-355, 362, 363, 397, 408, 416, 451-455 - Choral. Version В 260 - Con vigore. Concerto for Eight Peiformers 259, 280, 282 - Concerto for Orchestra. Version В 262, 264, 265, 452 - Four Bagatelles 260, 261, 264, 281, 452 - Ode 39, 261, 262, 264, 269, 452 - Prelude 39, 103, 126, 240, 372 ֊ Reliefi 237 - ReliefΠ 237 - Reliefin 237 - ReliefIV 237, 277, 278, 280282, 452 - Relief V 237
Index of Surnames and Works ֊ ֊ - Relief VI 237 Relief ѴП 237 Relief ѴШ 237 ReliefDi ”Scottish” 277, 280, 377 Reminiscenza. Version В 270, 271, 280-282, 452 - Salve Regina. Version В 240, 266, 268, 280, 452 - Sonata 59, 70, 77, 113,127,152, 153, 168, 188, 198, 205, 217, 221, 236, 272, 371, 387, 414, 449, 451 - String Quartet No. 1. Version A 239, 253 - String Quartet No. 1. Version Bill, 239, 240, 253, 254, 256, 257, 259, 278, 281-283, 365, 376, 377, 452, 457 - String Quartet No. 2 83, 218, 240, 257-259, 266, 281, 414, 452, 457 - Study I 56, 153, 217, 237, 243246, 259, 280-283, 375, 377, 388, 451, 457 ֊ Study II 246, 249, 259, 452 - Study ΙΠ 237 - Study IV 237 - Study V 237 - Symphony No. 2 39, 40, 54, 72, 97, 106, 109-111, 126, 205, 208, 209, 236-238, 243, 246, 259, 270, 272-277, 280-283, 304, 372, 375, 376, 378, 387, 389, 397, 398, 406, 408, 411, 451, 452, 457 - Three Études 77 - Three Pieces 34, 38-40, 126, 240242, 259, 362, 371, 451 - Transpainting 239 - Wind Carries Echo Across the Clearing. Version В 103, 240, 266, 268, 280, 452 Krzanowski, Kamil 262 Kubiak, Zygmunt 71 Kucybala, Andrzej 75 Kulenty, Hanna 54 Kutavičius, Bronius 92, 93, 429 469 - Crimean Sonnets 429 - From The Yotvingian Stone 429 Kužnik, Norbert 54 L La Monte Young 115 Lachenmann, Helmut 430 Lampart, Zbigniew 54 Laniuk, Yuri 93 Lasoń, Aleksander 13, 16, 22, 30, 54֊ 56, 59, 74-77, 84, 97, 99, 102-106, 108, 111, 114, 117, 121, 122, 149, 199-237, 251, 261, 282-284, 286, 319, 372, 375-378, 383, 386, 398, 407, 415, 423, 424, 427, 428, 432, 433, 436, 451, 457, 459 ֊ A Little Book 200, 230, 233, 235, 236, 451
- Cantilene 218 - Canto - "Agnus Dei” 227, 228, 251 - Cathedral 98, 105,168, 200, 202, 220-223, 236, 261, 264, 281, 286, 377, 410, 451, 452, 457 - Chamber Music No. 1 56,201, 202, 236, 451 - Chamber Music No. 2 205, 236 - Chamber Music No. 3 77, 207, 209, 451 - Chamber Music No. 4 103,211, 213, 221, 451 - Chamber Music No. 5 "Four Seasons” 200, 214, 221, 282, 376 ֊ Chamber Music No. 6 "Saxophonium” 200, 211, 230, 233-235 - Concerto festivo 97, 102, 227, 228, 235, 409, 410, 451 - Concerto for improvising piano and three magnetic tapes 59, 77, 103 - Concerto "Pablo Casals in Memoriam” 98, 218, 219, 221, 236, 282, 376, 410, 457
470 Index of Surnames and Works - Credo 59, 83, 101, 102, 148, 228, 397, 410 - For Father Kolbe 101, 199 - Hymn and Aria 97, 200, 224-226, 230, 235, 236, 376-378, 409, 410, 451, 457 ֊ Mountains 84, 97, 103-105, 191, 200, 209-212, 220, 221, 236, 237, 282, 283, 286, 376, 377, 385, 386, 410, 451, 457 - Music at Shakespeare 201 - Musica Sacra - Sanctus 102, 228 - Relieffor Andrzej 228, 229, 235, 236, 410, 451, 457 - Sonata No. 1 205 - Sonata No. 2 "Hebrew” 217, 221 - String Quartet No. 2 83, 218, 240, 257-259, 266, 281, 414, 452, 457 - String Quartet No. 3 87, 224, 235, 236, 410, 451 - Symphony No. 1 40, 42, 117, 126, 200, 203-207, 209, 236, 240, 283, 285, 296-298, 357, 359, 360, 369, 372, 376, 378, 408, 451, 453, 455, 457 - Symphony No. 2 "Concertante” 39, 205 - Symphony No. 3 "1999” 39, 205 - Three Songs 151, 152, 157, 162, 163, 214, 236, 283, 336, 378, 449 - 20 for 4 409 Lermontov, Mikhail Y. 18 Levi-Strauss, Claude 69 Li-Tai-Po 157 Ligeti, György 48, 92, 113, 188, 408 - Études for piano 92 - Horn Trio 92 - Le grand macabre 92 - Melodien for Strings 92 - Piano Concerto 41-43, 92, 207, 208, 218, 299, 305-317, 368, 369, 372, 375, 376, 387, 388, 391, 413, 421, 422, 429, 453, 458 Lisecki, Wiesław 71 Lissa, Zofia 400 Liszt, Ferenc 127, 401 Lutosławski, Witold 15, 29, 37, 38, 41, 43, 65, 71, 72, 84, 98,107, 211, 220, 221, 237-239, 285, 299, 372, 383, 384, 386, 388, 401, 406, 412, 420, 429 - Double Concerto 43, 372 - Epitaph 43, 372, 429 - Grave 43, 218, 221, 234, 323, 372 - Interlude 330,429 - Livre pour orchestra 29, 38, 239 - Partita 151, 174-176,180, 181, 198, 283, 388, 411,
429, 450, 457 - Piano Concerto 41-43, 92, 207, 208, 218, 299, 305-317, 368, 369, 372, 375, 376, 387, 388, 391, 413, 421, 422, 429, 453, 458 - Symphony No. 3 13, 30, 34, 39, 41, 43, 60-64, 71, 77, 96, 97, 100, 101, 106, 107, 109, 111, 114, 125, 133-141, 147, 148, 164, 176, 179, 199, 200, 207, 221, 228, 230-236, 282, 283, 317, 372, 373, 375-377, 386, 387, 392, 395, 396, 398, 399, 400, 401, 403, 406-410, 414, 423, 428, 429, 431, 449, 451, 457 - Symphony No. 4 43, 98, 100, 111, 114, 372, 429 Lyotard, Jean-François 118, 119 Ł Łempicki, Zygmunt 16, 381, 446 Łobaczewska, Stefania 432 Luciuk, Juliusz 41 - Saint Francis ofAssisi 41 Μ Machaut, Guillaume 440 Mahler, Gustav 176, 181 - Adagietto from Symphony No. 5 in C sharp minor 24 - Adagio from Symphony No. 10 177, 181 - Song of The Earth 176, 181
Index of Surnames and Works Malawski, Artur 253, 262, 365 Małecka, Teresa 31, 65, 71,128, 355, 387, 388, 391, 392 Malinowski, Władysław 42, 388 Malipiero, Gian Francesco 54 Małecki, Maciej 285, 325, 327-330, 334, 368, 369, 375, 376, 423, 454, 458, 459 - Aria and Scherzo 424 - Non-Divine Symphony 424 - Only on the Keys 423 - Song and Ostinato 325, 327-329, 368, 369, 375, 376, 424, 454, 458 Małek, Ernest 30 Manzoni, Piero 445 Markowski, Andrzej 36 Martinu, Bohuslav 426 Me Kellan, Ian 281 Mendelssohn-Bartholdy, Felix 426 Messiaen, Olivier 13,101, 106, 149, 150,152,157, 176,188,190, 197, 198, 205, 227, 230, 272, 280, 404, 407, 408, 411, 412, 423, 440, 450 - Mode de valeurs et d’intensités 13 - Three Small Liturgies of the Divine Presence 230 - Vingt regards sur l’Enfant Jésus 149 Meyer, Krzysztof 341-344, 369, 377, 390, 429, 454, 459 - Symphony No. 6 "Polish” 341, 369, 377 Meyerbeer, Giacomo [Jakob Meyer Beer] 438 Myaskovsky, Nikolai 54 Michels, Ulrich 110, 383 Mickiewicz, Adam 18, 441 - Ballads and Romances 407 Miklaszewska, Joanna 34,91,115, 368, 383 Mikulska, Małgorzata 57, 58, 372, 388 Miró, Juan 403 Mondrian, Piet 403 Moniuszko, Stanisław 69 471 Monteverdi, Claudio 116,440 Morawski, Eugeniusz 19 Morawski, Stefan 118,381 Moryto, Stanisław 22, 54, 285, 2 99, 303-305, 335-338, 368, 369, 373, 375, 385, 391, 424, 453, 454, 458, 459 - Cello Concerto 98, 126, 299, 303֊ 305, 368, 369, 375, 378, 385, 397, 410, 416, 453 - Rhapsod 335-338, 368, 454, 458 Moss, Piotr 54 Moszumańska-Nazar, Krystyna 71, 383, 392 Mozart, Wolfgang Amadeusz 32, 49, 52, 69,402, 411 Mroczek, Joanna 51, 52,
121, 389 Mrożek, Stanisław 237 Mussorgsky, Modest 411 Musset, Alfred de 18 Müller, Heiner 429 Müller-Siemens, Detlev 92 Mycielski, Zygmunt 39-41, 60, 66, 68, 71, 113, 389, 432 Mykietyn, Pawel 433 N Narbutaitė, Onutė 92, 429 - Vilnius Oratory ”Centones meae urbi” 429 Negrey, Maciej 22, 54, 72, 77, 83, 341, 352, 353, 369, 373, 378, 389, 425, 455, 459 - Mesto 300, 352, 353, 362 - String Quartet No. 1 111, 173, 239, 240, 253, 254, 256, 257, 259, 278, 281-283, 352, 353, 365, 369, 376-378, 452, 455, 457 - String Quartet No. 2 83, 218, 240, 257-259, 266, 281, 414, 452, 457 Niewiadomski, Stanislaw 19 Nobre, Marlos 88 Nono, Ligi 37 Noskowski, Zygmunt 209
472 Index of Surnames and Works Novalis [Georg Philipp Friedrich Freiherr von Hardenberg] 18 Nowicki, Marek 407 Nowowiejski, Feliks 19 Nyczek, Tadeusz 79 О Ockeghem, Johannes 110 Oleszkowicz, Jan 54 Ortega у Gasset, José 13, 35, 86, 112, 373, 382 P Paja-Stach, Jadwiga 107,383 Palester, Roman 17, 44, 188, 372, 390 - Monograms 188 ֊ Symphony No. 5 24, 44, 98, 142, 202, 297, 363, 372 - Viola Concerto 44, 372 Palestrina, Giovanni Pierluigi da 110 Panufnik, Andrzej 44, 173, 227, 372 - Symphony No. 9 (”Sinfonia di Speranza”) 44 - Symphony No. 10 44, 112, 177, 181, 372 - Violin Concerto 13, 40-42, 45, 62, 64, 65, 82, 87, 89, 98, 100, 125131, 133, 147, 148, 173, 179, 299, 300, 302, 303, 341, 360, 361, 363, 365-369, 372, 375-378, 386, 387, 392, 395, 397, 399, 401, 413, 421, 427, 429, 431, 440, 449, 453, 455, 457, 458 Part, Arvo 93, 110, 429, 430 Patkowski, Józef 60,71,277 Penderecki, Krzysztof 13, 14, 16, 22, 23, 36-38, 40, 41, 46, 48, 50-52, 59-62, 64, 65, 68, 71, 72, 81, 82, 87, 95-101, 106, 108, 110, 111, 113, 114, 117, 121, 123, 125-133, 135, 137, 139, 141, 143, 145, 147, 148, 168, 171, 179, 191, 209, 214, 270, 285, 319, 341, 371, 372, 375, 376, 378, 384-389, 392, 395, 396, 401, 404, 406, 408, 413, 414, 420, 423, 427, 429, 431, 432, 437-440, 449, 457, 459 - Anaklasis 40, 62 - Cello Concerto No. 1 126 - Cello Concerto No. 2 397 - Canticum Canticorum Salomonis 40 - Concerto grosso 22,110,168, 272 ֊ Credo 59, 83, 101, 102, 148, 228, 397, 410 - De Natura Sonoris No. 2 126 - Emanations 40 - Fluorescences 38, 40, 62 - Jacob’s Awakening 40, 117,131, 132, 372 - Lacrimosa [from Polish
Requiem] 109, 399, 400 - Magnificat 130 - Paradise Lost 40, 106,126, 397 - Passion According to Saint Luke 38, 40,101, 400 - Piano Concerto "Resurrection” 413 - Polish Requiem 16, 52, 95, 98, 101, 109, 126, 148, 397, 400 - Polymorphia 40, 59, 62 ֊ Psalms ofDavid 40, 397 - Seven Gates ofJerusalem 101 - Sinfonietta 108, 123, 357, 358, 368, 369, 391, 455 - Stabat Mater 101, 102, 112, 126, 171, 239, 253, 255, 259, 281, 376, 399 - Strophes 40 - Symphony No. 1 40, 42, 117, 126, 200, 202-207, 209, 236, 240, 283, 285, 296-298, 357, 359, 360, 369, 372, 376, 378, 408, 451, 453, 455, 457 - Symphony No. 2 "Christmas” 404 - Symphony No. 3 13, 30, 34, 39, 41, 43, 60-64, 71, 77, 96, 97, 100, 101, 106, 107, 109, 111, 114, 125, 133-141, 147, 148, 164, 176, 179, 199, 200, 207, 221, 228, 230-236,
Index of Surnames and Works 2 82, 283, 317, 372, 373, 375-377, 386, 387, 392, 395, 396, 398, 399, 400, 401, 403, 406-410, 414, 423, 428, 429, 431, 449, 451, 457 - Symphony No. 4 "Adagio” 114 - Symphony No. 5 "Korean” 98 - TeDeum 72, 111, 148, 397 - Threnody to the Victims of Hiroshima 37, 40, 48,125 - Utrenja 101 - Violin Concerto No. 1 13, 40, 41, 64, 82, 87, 98,125-131, 147, 173, 341, 372, 375, 376, 378, 395, 397, 399, 413, 427, 429, 431, 440, 449, 457 - Violin Concerto No. 2 ”Metamorphoses” 98, 100 Pergolesi, Giovanni Battista 69 Picasso, Pablo [P. Ruiz Picasso] 397 Pichura, Joachim 237 Piotrowska, Maria 120, 389, 429 Pisarenko, Olgierd 35, 60, 83, 260, 389, 426 Pizzetti, Ildebrando 19 Pociej, Bohdan 15, 22, 38, 43, 46, 52, 53, 60-65, 68-71, 80, 81, 84, 85, 95, 100-102, 113, 114, 121, 373, 377, 384, 386, 389, 426, 428, 432, 434, 459 Podhajski, Marek 436, 459 Polony, Leszek 13-16, 22, 25, 31-33, 39, 40, 43, 46-48, 52, 53, 55, 57, 63-81, 83, 85, 87, 89, 95, 97, 99,100, 102-106, 113-115, 121-123, 126, 142,188, 221, 238, 242, 249, 251, 281, 282, 341, 348, 349, 353, 373, 374, 384, 386, 387, 389-392, 426, 437, 459 Porębski, Mieczysław 45, 46, 382 Potter, Keith 91, 92, 391 Prokofiev, Sergei 54, 117, 120, 150, 157, 406, 423 - Fiery Angel 150 - Scythian Suite 157 473 Pstrokońska-Nawratil, Grażyna 54, 57, 77,105 - Icarus 105 Ptaszyńska, Marta 402, 459 Puccini, Giacomo 150 - Turandot 150 Purcell, Henry 69 Pushkin, Alexander S. 18 R Rachmaninoff, Sergei 54, 423 Rands, Bernard 88, 91 Raphael, Max 238,411 Ravel, Maurice 48, 54, 406, 411, 423 Read, Herbert 32, 97, 153, 238, 381, 409,
411 Regamey, Konstanty 17, 18, 71, 374, 391, 432, 437 Reger, Max 19 Reich, Steve 91 - Music for Eighteen Musicians 91 Reimann, Aribert 113 Ricoeur, Paul 69 Rihm, Wolfgang 92, 401, 429 - Jakob Lenz 429 Riley, Terry 115 Rilke, Reiner Maria 336, 414 Rimsky-Korsakov, Nikolai A. 396 Rochberg, George 23, 45, 82, 87-91, 384, 391, 399 - String Quartet No. 3 87, 224, 235, 236, 410, 451 - Violin Concerto 13, 40-42, 45, 62, 64, 65, 82, 87, 89, 98, 100,125-131, 133,147, 148, 173, 179, 299, 300, 302, 303, 341, 360, 361, 363, 365369, 372, 375-378, 386, 387, 392, 395, 397, 399, 401,413,421,427, 429,431, 440,449, 453,455, 457, 458 Rockwell, John 13,384 Rodin, Auguste 221 Rorem, Ned 91 Rorty, Richard 119 Rosengren, Håkan 233
474 Index of Surnames and Works Roussel, Albert 54 Rybkowski, Jan 407 Rychlik, Józef 54 Rytel, Piotr 19 S Satie, Eric 34, 403 Schaeffer [Schäffer], Bogusław 36, 42, 44, 56, 66, 68, 372, 373, 384, 386, 388, 391, 408, 425, 426 - Musica ipsa 426 - Romuald Traugutt 66, 386 ֊ Violin Concerto No. 4 45 Schelling, Friedrich Wilhelm Joseph 442 Schiller, Friedrich 121 Schlegel, August Wilhelm 18, 442 Schlegel, Friedrich 18, 442 Schonberg, Harold C. 70, 87-90, 391, 399 Schönberg, Arnold 48, 106, 117, 266, 436 - String Quartet No. 2 83, 218, 240, 257-259, 266, 281, 414, 452, 457 Schreker, Franz 54 Schubert, Franz 80, 99, 101, 179, 389 Schumann, Robert 18, 330, 403, 416 Schweinitz, Wolfgang 429 Serocki, Kazimierz 36-38, 406 - Episodes 37, 66, 140, 176, 236, 281, 320, 325, 341, 360, 374, 376 - Segmenti 37 - Symphonic Frescoes 38 Shakespeare, William 32, 201 Shostakovich, Dmitri 117,303,396, 431, 440 Sibelius, Jean 21,81,427 Sielicki, Edward 54, 285, 299, 305, 310-313, 325, 334, 335, 369, 373, 387, 391, 453, 454, 458 - Piano Concerto 41-43, 92, 207, 208, 218, 299, 305-317, 368, 369, 372, 375, 376, 387, 388, 391, 413, 421, 422, 429, 453, 458 - Polymorphic Phantasy 325, 334, 335, 369 Sikora, Elżbieta 55 Sikorski, Tomasz 115 Silvestrov, Valentin 93 Scriabin, Alexander 21, 65, 81,106, 127, 150,152, 190,197,198, 221, 230, 395, 411, 412, 415, 436, 450 Skowron, Zbigniew 27, 30, 34, 42, 45, 49, 50, 87, 89, 90, 118, 119, 384, 385, 391, 399 Sławiński, Adam 251, 285, 318, 319, 320, 372, 459 - Canto 227, 228, 251, 318-320, 369, 376, 407, 453, 458 - The Longest War ofModern Europe [soundtrack] 407 -
Peasants [soundtrack] 407 Sławiński, Janusz 15, 16, 109, 381 Słowacki, Juliusz 18,237,255,266, 269, 444 Stęszewski, Jan 71 Stachowski, Marek 22, 34, 41, 82, 98, 341, 344-348, 350-354, 368, 369, 376, 390, 391, 429, 454, 455, 458, 459 - Birds 41, 93, 353, 354, 368, 369, 390, 455 - Divertimento 348, 350-352, 429, 454 - From the Book of the Night 341, 344-347, 368, 369, 376, 454, 458 Stachura, Edward 196 Staff, Leopold 153, 157 Stanclik, Mieczysław 237 Stańczyk, Czesław 149 Stern, Isaac 87, 127 Stockhausen, Karlheinz 37, 48, 106, 201, 405, 408 - Gesang der Jünglinge 201 Strauss, Richard 21, 69, 91, 142, 194, 415, 416, 420, 436 - Alpine Symphony 142 - Elektra 436 - Salome 436
Index of Surnames and Works - Thus Spoke Zarathustra 91 Stravinsky, Igor 48, 61, 69, 117, 120, 188, 397, 403, 405, 406, 426 ֊ Mass 61, 62, 65, 99, 102, 106, 228, 443, 445 - Petrushka 405 ֊ Requiem Canticles 426 - Rite of Spring 405 - Wedding 38, 405 Stróżewski, Władysław 69, 71, 72 Strzelecki, Paweł 16, 56, 76, 96, 120, 290, 303, 391, 393, 464 Strzemiński, Władysław 42, 334 Suk, Josef 54 Surzyński, Mieczysław 19 Sydor, Paweł 341, 347, 348, 368, 369, 454, 459 - Oboe Concerto Wirtuti Militari” 347 Szabelski, Bolesław 29, 43, 363 - Aphorisms 409 Szalonek, Witold 30, 36, 37, 44, 45, 391, 408 - Improvisations sonoristiques 37 - Quattro Monologhi У! ֊ Symphony ofRituals 45 - Zakopane Suite 45 Szczepańska-Lange, Elżbieta 118, 121, 326, 391, 437 Szeligowski, Tadeusz 363 Szeremeta, Ryszard 54 Schnittke, Alfred 93 Sztwiertnia, Jerzy 407 Szwajgier, Krzysztof 15, 30, 31, 47, 48, 67, 71, 73, 77-79, 85, 86, 115, 373, 383, 387, 388, 391, 392, 428 - Artists 13,14,18,19, 23, 31, 36, 38, 44, 45, 47, 49, 54, 56, 61, 63, 72-74, 76-81, 83, 91, 92, 102, 106, 111, 113, 117, 149, 200, 283, 285, 299, 372, 382, 405, 407, 415, 432, 440 Szwajgier, Olga 253, 255, 428 Szymanowski, Karol 16, 17, 21, 54, 64, 81, 102, 103, 112, 116, 133, 150, 475 155, 173,197, 256, 266, 281, 319, 336, 363, 376, 383, 392, 410, 425, 436, 440, 452 - Myths 92,197, 442 - Stabat Mater 101, 102, 112, 126, 171, 239, 253, 255, 259, 281, 376, 399 - Violin Concerto No. 1 13,40, 41, 64, 82, 87, 98, 125-131, 147, 173, 341, 372, 375, 376, 378, 395, 397, 399, 413, 427, 429, 431, 440, 449, 457 Szymański, Paweł 33, 54, 55, 77, 93, 108,
121, 123, 124, 299, 378, 406, 426, 427 - Kyrie 102, 108, 228, 230, 231, 234, 235, 283, 451 - Miserere 123 - Quasi una Sinfonietta 123 - Piano Concerto 41-43, 92, 207, 208, 218, 299, 305-317, 368, 369, 372, 375, 376, 387, 388, 391, 413, 421, 422, 429, 453, 458 Świder, Józef 74, 199 T Tansman, Aleksander 54 Tarnawska-Kaczorowska, Krystyna 44, 68, 71, 86, 100, 125, 385, 392 Tatarkiewicz, Władysław 18, 20, 21, 85, 375, 381, 382, 438 Tavener, John 429 Tchaikovsky, Piotr 133, 326, 423 Thomas, Adrian 38, 109, 319, 385, 400 Thomson, Virgil 19 Thoreau, Henry David 428 Thorne, Nicholas 91 Tischner, Rev. Józef 251, 382 Toch, Ernst 19 Tokarski, Jan 109 Tomaszewski, Mieczysław 30, 37, 50, 51, 65, 69, 71, 128, 133, 196, 385, 392, 439, 459
Mb Index of Surnames and Works Toynbee, Arnold J. 117 Toubleyn, Helena 150,151,181,197, 198, 284 Trzos-Rastawiecki, Andrzej 320 Trojahn, Manfred 429 U Urbaitis, Mindaugas 92 Urbankowski, Bohdan 79 Urbański, Kazimierz 239 V Valéry, Paul 103, 157, 159, 198 Varèse, Edgar 249, 405 - Ionisations 249 Vašks, Petris 93 Vaughan-Williams, Ralph 54,191, 217, 362 - The Lark Ascending 217 - Five Variants of ‘Dives and Lazarus’ 362 Vega, Aurelio de la 88 Vivaldi, Antonio 104, 402, 464 W Wacław z Szamotuł 173 Wagner, Ryszard 191, 104, 150, 179, 376 - Lohengrin 191 - Parsifal 150 - Rhinegold 104 ֊ Tannhauser 150 - Tristan and Isolde 150,179, 376, 396 Waldorff, Jerzy 209, 392 Walton, William 54 Weber, Carl Maria von 18, 257, 330, 416 Webern, Anton 48,106, 403, 405,415, 429, 430 Welsch, Wolfgang 120, 382 WeiR, Kurt 81 Williams, John 91 - Saving Private Ryan [soundtrack] 91 - Shindler’s List [soundtrack] 91 - Star Wars [soundtrack] 91 Wiłkomirska, Wanda 365 Witkiewicz, Stanisław Ignacy 217 Wnuk-Nazarowa, Joanna 65,128, 133, 392, 428 Woytowicz, Bolesław 29, 30 Wróbel, Andrzej 325 Wu-Kien, Shang 153, 157 X Xenakis, Iannis 48, 401, 408 Z Zagajewski, Adam 78, 79, 373, 381, 406, 443 Zanussi, Krzysztof 43 Zemlinsky, Alexander von 81 Zgraja, Krzysztof 77 Zielińska, Lidia 54 Zieliński, Tadeusz Andrzej 22, 23, 38, 40, 46, 50, 60, 62, 67, 68, 81, 98-100, 108, 110, 111, 114, 117, 120, 121, 123, 128, 133, 179, 375, 385, 392, 396, 397, 439, 440, 459 Żeleński, Władysław 209 |
| adam_txt |
TABLE
OF
CONTENTS
INTRODUCTION
.
13
CHAPTER
I
GENESIS
OF
"
NEW
ROMANTICISM
"
IN
MUSIC
.
29
1.
HISTORICAL
CONDITIONS
.
29
1.1.
PLURALISM
OF
CURRENTS
AFTER
THE
SECOND
AVANT-GARDE
.
29
1.2.
THE
SITUATION
OF
THE
"POLISH
SCHOOL
OF
COMPOSITION
"
IN
THE
SEVENTIES
.
36
1.3.
THE
REASONS
OF
THE
RETREAT
FROM
THE
AVANT-GARDE
.
45
2.
A
GENERATIONAL
CHANGE
IN
POLISH
MUSIC
AFTER
1975
.
54
3.
ATTITUDES
OF
POLISH
CRITICS
TOWARDS
CHANGES
IN
THE
"POLISH
SCHOOL
OF
COMPOSITION
"
.
60
3.1.
THE
VOICES
OF
THE
REPRESENTATIVES
OF
THE
OLDER
GENERATION
.
60
3.2.
OPINIONS
OF
THE
YOUNG
GENERATION
OF
CRITICS
AND
THE
CIRCUMSTANCES
OF
THEIR
DEBUTS
.
63
4.
SYMPTOMS
OF
RETURNING
TO
ROMANTIC
ATTITUDES
.
80
5.
"NEW
ROMANTICISM
"
IN AMERICAN
AND
EUROPEAN
WORKS
.
87
CHAPTER
II
MEANINGFUL
RANGE
OF
THE
TERM
"
NEW
ROMANTICISM
"
.
95
1.
AESTHETIC
AND
TECHNICAL-COMPOSITIONAL
DETERMINANTS
OF
"NEW
ROMANTICISM
"
IN POLISH
MUSIC:
OPINIONS
OF
COMPOSERS,
CRITICS
AND
RESEARCHERS
.
95
1.1.
EMOTIONALISM
.
97
1.2.
"NEW
LYRICISM
"
.
99
1.3.
SACRUM
.
100
1.4.
PANTHEISM
AND
THE
CULT
OF
NATURE
.
103
1.5.
PROGRAM
MUSIC
AND
RELATIONS
BETWEEN
MUSIC
AND
LITERATURE
.
104
1.6.
"NEW
TONALITY
"
.
106
1.7.
EUPHONY
.
109
8
TABLE
OF
CONTENTS
1.8.
QUOTATION
TECHNIQUE
.
ILL
1.9.
"NEW
HUMANISM
"
AND
THE
RESTORATION
OF
THE
CATEGORY
OF
BEAUTY
.
112
1.10.
RETURN
TO
TRADITIONAL
FORMS
.
113
1.11.
"SLOWED
DOWN
"
MUSICAL
TIME
.
114
1.12.
AFFIRMATION
OF
TRADITION
.
116
2.
"NEW
ROMANTICISM
"
IN
RELATION
TO
OTHER
CURRENTS
.
117
2.1.
"NEW
ROMANTICISM
"
AND
POSTMODERNISM
.
117
2.2.
"NEW
ROMANTICISM
"
AND
"SURCONVENTIONALISM
"
.
123
CHAPTER
III
THE
BIRTH
OF
"NEW
ROMANTICISM
"
IN
THE
WORKS
OF
THE
REPRESENTATIVES
OF
THE
"
1933
GENERATION
"
.
125
1.
FORERUNNER
PHENOMENA
.
125
2.
THE
BREAKTHROUGH
IN
THE
WORKS
OF
KRZYSZTOF
PENDERECKI,
HENRYK
M.
GORECKI
AND
WOJCIECH
KILAR
IN
THE
SECOND
HALF
OF
THE
SEVENTIES
.
127
2.1.
VIOLIN
CONCERTO
NO.
I
BY
KRZYSZTOF
PENDERECKI
.
127
2.2.
SYMPHONY
NO.
3
("SYMPHONY
OF
SORROWFUL
SONGS
"
)
BY
HENRYK
M.
GORECKI
.
133
2.3.
KOSCIELEC
1909
BY
WOJCIECH
KILAR
.
142
3.
CONCLUSIONS:
FEATURES
OF
THE
GROUNDBREAKING
COMPOSITIONS
.
147
CHAPTER
IV
"NEW
ROMANTICISM
"
IN
THE
WORKS
OF
THE
SO-CALLED
"
STALOWA
WOLA
GENERATION:
"
ATTITUDES
OF
THE
MAIN
REPRESENTATIVES
OF
THE
TREND
AND
CHARACTERISTICS
OF
THEIR
SELECTED
COMPOSITIONS
.
149
1.
EUGENIUSZ
KNAPIK
.
149
1.1.
THE
FIRST
PHASE:
MELODY
AND
EUPHONY
IN
ASSOCIATION
WITH
THE
IDIOM
OF
THE
"POLISH
SCHOOL
OF
COMPOSITION
"
.
151
1.2.
THE
SECOND
PHASE:
THE
EMANCIPATION
OF
TRADITIONAL
TRIADS
.
164
TABLE
OF
CONTENTS
9
1.3.
THE
THIRD
PHASE:
"NEW
ROMANTICISM
"
AND
THE
EXPRESSIVE
AND
SLOWED
DOWN
NARRATIVE
BASED
ON
THE
"NEW
TONALITY
"
.
181
1.4.
CONCLUSIONS:
THE
EVOLUTION
OF
STYLE
.
198
2.
ALEKSANDER
LASOH
.
199
2.1.
THE
FIRST
PHASE:
EARLY
EUPHONY
AGAINST
AVANT-GARDE
BRUITISM
.
201
2.2.
THE
SECOND
PHASE:
CENTRALIZATION
OF
THE
SOUND
LANGUAGE
.
209
2.3.
THE
THIRD
PHASE:
ROMANTICIZING
EXPRESSION
BASED
ON
THE
"NEW
TONALITY
"
.
224
2.4.
CONCLUSIONS:
THE
EVOLUTION
OF
STYLE
.
235
3.
ANDRZEJ
KRZANOWSKI
.
237
3.1.
THE
FIRST
PHASE:
COEXISTENCE
OF
BRUITISM
AND
EUPHONY
SUPPORTED
BY
THE
QUOTATION
TECHNIQUE,
MULTIMEDIA
EFFECTS
AND
PURELY
THEATRICAL
MEANS
.
240
3.2.
THE
SECOND
PHASE:
SOFTENING
THE
SOUND
LANGUAGE
IN
ACCORDION
PIECES
FROM
THE
TURN
OF
THE
SEVENTIES
AND
EIGHTIES
.
260
3.3.
THE
THIRD
PHASE:
"SLOWED
DOWN
"
TIME
COMBINED
WITH
LOCAL
OSTINATES
AND
MODAL
EUPHONY
.
266
3.4.
CONCLUSIONS:
THE
EVOLUTION
OF
STYLE
.
280
4.
AN
ATTEMPT
TO
COMPARE
INDIVIDUAL
IDIOMS
OF
THE
REPRESENTATIVES
OF
THE
"STALOWA
WOLA
GENERATION
"
.
282
CHAPTER
V
"
NEW
ROMANTICISM
"
IN
THE
WARSAW,
KRAKOW
AND
KATOWICE
CENTERS
.
285
1.
THE
WARSAW
CENTER
.
285
1.1.
SYMPHONIC
MUSIC
.
285
1.2.
SOLO
CONCERTO
.
299
1.3.
WORKS
FOR
STRING
ORCHESTRA
.
317
1.4.
CHAMBER
MUSIC
.
325
1.5.
VOCAL
AND
INSTRUMENTAL
MUSIC
.
335
2.
THE
KRAKOW
CENTER
.
341
2.1.
SYMPHONIC
MUSIC
.
341
2.2.
SOLO
CONCERTO
.
347
2.3.
WORKS
FOR
STRING
ORCHESTRA
.
348
10
TABLE
OF
CONTENTS
2.4.
CHAMBER
MUSIC
.
352
2.5.
VOCAL
AND
INSTRUMENTAL
MUSIC
.
353
3.
THE
KATOWICE
CENTER
.
357
3.1.
SYMPHONIC
MUSIC
.
357
3.2.
SOLO
CONCERTO
.
360
3.3.
WORKS
FOR
STRING
ORCHESTRA
.
362
3.4.
VOCAL
AND
INSTRUMENTAL
MUSIC
.
363
4.
COMPARISON
OF
"NEW
ROMANTIC
"
TENDENCIES
IN
THE
WARSAW,
KRAKOW
AND
KATOWICE
CENTERS
.
368
SUMMARY
.
371
BIBLIOGRAPHY
.
381
ANNEX.
STATEMENTS
BY
COMPOSERS,
CRITICS
AND
REPRESENTATIVES
OF
HUMANISTIC
THOUGHT
.
395
INTRODUCTION
.
395
I.
COMPOSERS
'
STATEMENTS
.
395
1.
REPRESENTATIVES
OF
THE
"POLISH
SCHOOL
OF
COMPOSITION
"
.
395
KRZYSZTOF
PENDERECKI
.
395
ZBIGNIEW
BARGIELSKI
.
400
WLODZIMIERZ
KO
TONSKI
.
401
MARTA
PTASZYNSKA
.
402
ADAM
SLAWINSKI
.
403
2.
THE
"STALOWA
WOLA
GENERATION
"
.
407
ALEKSANDER
LASON
.
407
EUGENIUSZ
KNAPIK
.
411
3.
OTHER
COMPOSERS
.
413
KRZYSZTOF
BACULEWSKI
.
413
ZBIGNIEW
BAGIHSKI
.
415
PAWEL
BUCZYHSKI
.
416
KRZESIMIR
D^BSKI
.
419
TABLE
OF
CONTENTS
11
ANDRZEJ
DZIADEK
.
420
ZYGMUNT
KRAUZE
.
420
MACIEJ
MALECKI
.
423
STANISLAW
MORYTO
.
424
MACIEJ
NEGREY
.
425
II.
CRITICS
'
STATEMENTS
.
427
KRZYSZTOF
BILICA
.
427
ANDRZEJ
CHLOPECKI
.
428
KRZYSZTOF
DROBA
.
430
MAGDALENA
DZIADEK
.
431
STANISLAW
KOSZ
.
432
BOHDAN
POCIEJ
.
434
MAREK
PODHAJ
SKI
.
436
LESZEK
POLONY
.
437
ELZBIETA
SZCZEPANSKA-LANGE
.
437
MIECZYSLAW
TOMASZEWSKI
.
439
TADEUSZ ANDRZEJ
ZIELINSKI
.
439
III.
STATEMENTS
OF
REPRESENTATIVES
OF
HUMANISTIC
THOUGHT
.
441
BOHDAN
CYWINSKI
.
441
KRZYSZTOF
DYBCIAK
.
442
JACEK
JULIUSZ
JADACKI
.
446
LIST
OF
MUSICAL
EXAMPLES
.
449
LIST
OF
CHARTS
.
457
SUMMARY
.
459
INDEX
OF
SURNAMES
AND
WORKS
.
461
Table of Contents Introduction. 13 CHAPTER I Genesis of "new romanticism” in music. 29 1. Historical conditions. 29 1.1. Pluralism of currents after the second avant-garde. 29 1.2. The situation of the “Polish school of composition” in the seventies. 36 1.3. The reasons of the retreat from the avant-garde. 45 2. A generational change in Polish music after 1975 . 54 3. Attitudes of Polish critics towards changes in the "Polish school of composition”. 60 3.1. The voices of the representatives of the older generation. 60 3.2. Opinions of the young generation of critics and the circumstances of their debuts. 63 4. Symptoms of returning to romantic attitudes.80 5. "New romanticism” in American and European works. 87 CHAPTER II Meaningful range of the term "new romanticism”. 95 1. Aesthetic and technical-compositional determinants of "new romanticism” in Polish music: opinions of composers, critics and researchers.
95 1.1. Emotionalism. 97 1.2. "New lyricism”. 99 1.3. Sacrum. 100 1.4. Pantheism and the cult of nature. 103 1.5. Program music and relations between music and literature. 104 1.6. "New tonality”. 106 1.7. Euphony. 109
8 Table of Contents 1.8. Quotation technique . Ill 1.9. "New Humanism” and the restoration of the category of beauty . 112 1.10. Return to traditional forms. 113 1.11. "Slowed down” musical time. 114 1.12. Affirmation of tradition. 116 2. "New romanticism” in relation to other currents . 117 2.1. "New romanticism” and Postmodernism. 117 2.2. "New romanticism” and "Surconventionalism” . 123 CHAPTER III The birth of "New romanticism” in the works of the representatives ofthe "1933 generation” . 125 1. Forerunner phenomena. 125 2. The breakthrough in the works of Krzysztof Penderecki, Henryk Μ. Górecki and Wojciech Kilar in the second half of the seventies . 127 2.1. Violin Concerto No. 1 by Krzysztof Penderecki . 127 2.2. Symphony No. 3 (“Symphony of Sorrowful Songs”) by Henryk Μ. Górecki. 133 2.3. Kościelec 1909 by Wojciech Kilar. 142 3. Conclusions: Features of the groundbreaking compositions . 147
CHAPTER IV "New romanticism” in the works of the so-called "Stalowa Wola generation:” Attitudes of the main representatives of the trend and characteristics of their selected compositions. 149 1. Eugeniusz Knapik. 149 1.1. The first phase: Melody and euphony in association with the idiom of the "Polish school of composition” . 151 1.2. The second phase: The emancipation of traditional triads. 164
Table of Contents 9 1.3. The third phase: "New romanticism” and the expressive and slowed down narrative based on the "new tonality”. 181 1.4. Conclusions: The evolution of style. 198 2. Aleksander Lasoń . 199 2.1. The first phase: Early euphony against avant-garde bruitism . 201 2.2. The second phase: Centralization of the sound language. 209 2.3. The third phase: Romanticizing expression based on the "new tonality”. 224 2.4. Conclusions: The evolution of style . 235 3. Andrzej Krzanowski. 237 3.1. The first phase: Coexistence of bruitism and euphony supported by the quotation technique, multimedia effects and purely theatrical means. 240 3.2. The second phase: Softening the sound language in accordion pieces from the turn of the seventies and eighties . 260 3.3. The third phase: "Slowed down” time combined with local ostinates and modal euphony. 266 3.4. Conclusions: The evolution of style . 280 4. An attempt to compare individual idioms of the representatives of the "Stalowa Wola generation”. 282 Chapter V "New
romanticism” in the Warsaw, Krakow and Katowice centers. 285 1. The Warsaw center. 285 1.1. Symphonic music. 285 1.2. Solo concerto . 299 1.3. Works for string orchestra . 317 1.4. Chamber music . 325 1.5. Vocal and instrumental music . 335 2. The Krakow center . 341 2.1. Symphonic music. 341 2.2. Solo concerto . 347 2.3. Works for string orchestra . 348
10 Table of Contents 2.4. Chamber music . 352 2.5. Vocal and instrumental music . 353 3. The Katowice center. 357 3.1. Symphonic music. 357 3.2. Solo concerto . 360 3.3. Works for string orchestra . 362 3.4. Vocal and instrumental music . 363 4. Comparison of "new romantic” tendencies in the Warsaw, Krakow and Katowice centers. 368 Summary. 371 Bibliography.381 Annex. Statements by composers, critics and representatives of humanistic thought. 395 Introduction . 395 I. Composers’ statements . 395 1. Representatives of the "Polish School of Composition”. 395 Krzysztof Penderecki . 395 Zbigniew Bargielski
. 400 Włodzimierz Kotoński. 401 Marta Ptaszyńska. 402 Adam Sławiński. 403 2. The "Stalowa Wola generation”. 407 Aleksander Lasoń. 407 Eugeniusz Knapik. 411 3. Other composers. 413 Krzysztof Baculewski. 413 Zbigniew Bagiński. 415 Paweł Buczyński . 416 Krzesimir Dębski. 419
Table of Contents 11 Andrzej Dziadek. 420 Zygmunt Krauze. 420 Maciej Małecki. 423 Stanisław Moryto. 424 Maciej Negrey. 425 П. Critics’ statements. 427 Krzysztof Bilica. 427 Andrzej Chłopecki. 428 Krzysztof Droba.430 Magdalena Dziadek. 431 Stanisław Kosz. 432 Bohdan Pociej. 434 Marek Podhaj ski. 436 Leszek Polony. 437 Elżbieta Szczepańska-Lange. 437 Mieczysław
Tomaszewski. 439 Tadeusz Andrzej Zieliński. 439 Ш. Statements of representatives of humanistic thought. 441 Bohdan Cywiński . 441 Krzysztof Dybciak. 442 Jacek Juliusz Jadacki. 446 List of musical examples. 449 List of charts . 457 Summary. 459 Index of Surnames and Works. 461
Bibliography The given sources have been divided into two parts ֊ works on general humani ties and works on music, and within them they are arranged chronologically in sections: "Books,” "Articles, sketches, essays” and "Master’s theses.” Writings on general humanities Books Barańczak, Stanislaw. Distrustful and self-righteous. Romanticism and classi cism in the young poetry of the sixties. Wroclaw: Ossolineum, 1971. Fukuyama, Francis. The End ofHistory and the Last Man. New York: Free Press, 1992. Herling-Grudziński, Gustaw. A diary written at night 1997-1999. Warsaw: Reader, 2000. Huntington, Samuel P. The Clash of Civilizations and the Remaking of World Order. New York: Simon Schuster, 1996. John Paul П [Wojtyla, Karol.]. Encyclical ”Fides et Ratio.’’ To the Bishops ofthe Catholic Church on the relationship between faith and reason. Tarnów: Biblos, 1998. John Paul П [Wojtyla, Karol.]. Memory and Identity. Conversations at the turn of the millennium. Krakow: Znak, 2005. Janion, Maria. Renewing meanings. Krakow: Literary Publishing House, 1980. Jencks, Charles. The Language ofPost-Modern Architecture. New York: Rizzoli, 1991. Kisielewski, Stefan. Diaries. Warsaw: Sparks, 2001. Kornhauser, Julian and Zagajewski, Adam. The world not presented. Krakow: Literary Publishing House, 1974. Lempicki, Zygmunt. Choice of writings. Renaissance, Enlightenment, Romanticism and Other Cultural History Studies. Vol. 1. Warsaw: Polish Scientific Publishers, 1966. Morawski, Stefan. On a curve: from art to post-art. Krakow: Literary Publishing House, 1985. Read, Herbert. The Origins of Form
in Art. Trans. Ewa Życieńska. Warsaw: State Publishing Institute, 1973. Sławiński, Janusz. Dictionary of Literary Terms. Wroclaw: Ossoliński National Institute, 2002. Tatarkiewicz, Władysław. The history of six concepts. Warsaw: Polish Scientific Publishers, 1982.
382 Bibliography Welsch, Wolfgang. Our postmodern modern. Trans. Roman Kubicki and Anna Zeidler-Janiszewska. Warsaw: Scientific Publishing House, 1998. Articles, sketches, essays Tomasz Burek, [Statement]. In: Sound - Word - Image - Thought. Talks of artists, theorists and art critics at the Museum A. and J. Iwaszkiewicz in Stawisko, ed. Alicja Matracka-Kościelny. Podkowa Leśna: The Garden of Arts and Sciences Association, 1997, p. 90. Calinescu, Matei. “Avant-garde and postmodernism! Trans. Marcin Giżycki. In: Postmodernism - culture ofexhaustion?, ed. Marcin Giżycki. Warsaw: Academy of Movement, 1988, pp. 24-37. Eco, Umberto. “Notes on the margin of the "The Name of the Rose”.” Trans. Adam Szymanowski. In: Umberto Eco, The Name of the Rose. Warsaw: State Publishing Institute, 2002, pp. 593-623. Gadamer, Hans-Georg. “The Relevance of the Beautiful: Art as Play, Symbol and Festival.” Trans. Nicholas Walker. In: The Relevance of the Beautiful and Other Essays, ed. Robert Bernasconi. Cambridge, Cambridge University Press, 1986, pp. 3-53. Herbert, Zbigniew. “Little soul.” In: Zbigniew Herbert, Labyrinth by the sea. Warsaw: Foundation of "Literary notebooks”, 2000, pp. 83-91. Andreas Huyssen, “Mapping the Postmodern.” Trans. Janusz Margański. In: Postmodernism. Anthology of translations, ed. Ryszard Nycz. Krakow: Baran and Suszczyński Publishing House, 1998, pp. 452-519. Ortega y Gasset, José. “On the dehumanization of arti In: José Ortega y Gasset, Dehumanization ofArt and Other Essays. Trans. Piotr Niklewicz. Warsaw: Reader, 1980, pp. 279-322. Porębski, Mieczysław.
“Traditions and avant-garde,” in: Mieczysław Porębski, Art and information. Krakow: Literary Publishing House, 1986, p. 171. Scarpetta, Guy. “Impurity.” Trans. Marcin Giżycki. In: Postmodernism - culture of exhaustion?, ed. Marcin Giżycki. Warsaw: Academy of Movement, 1988, pp. 163-173. Tatarkiewicz, Władysław. “Romantic beauty! In: Władysław Tatarkiewicz, The his tory ofsix concepts. Warsaw: Polish Scientific Publishers, 1982, pp. 217-227. Tischner, Józef. “A few words on the romantic conscience,” Common Weekly 22/ 2003, p. 25. Writings on music Books Bauman-Szulakowska, Jolanta. Silesian intermundia. Instrumental music in Silesia in the years 1945-1995. Katowice: Academy of Music, 2001.
383 Bibliography Bias, Iwona. Eugeniusz Knapik. Composer and pianist. Katowice: Academy of Music, 2001. Bias, Iwona. Aleksander Lasoń. Portrait of the composer. Katowice: Academy of Music, 2001. Cage, John. Silence. Middletown, Connecticut: Wesleyan University Press, 1967. Cegiełła, Janusz, ed. Sketches for a self-portrait of Polish contemporary music. Krakow: Polish Music Publishing House, 1976. Chomiński, Józef Michał and Wilkowska-Chomińska, Krystyna. History of music. Vol. 2. Krakow: Polish Music Publishing House, 1990. Erdman, Jerzy. Polish organ music of the Romantic era. Warsaw: Academy of Music, 1993. Griffiths, Paul. Modern Music and After. Directions since 1945. Oxford: Oxford University Press, 1995. Grzenkowicz, Izabella. Tadeusz Baird. Conversations, sketches, Krakow: Polish Scientific Publishers, 1982. reflections. Jacobson, Bernard. A Polish Renaissance. London: Phaidon Press Limited, 1996. Jarociński, Stefan. Debussy and impressionism and symbolism. Krakow: Polish Music Publishing House, 1976. Jarociński, Stefan. Romantic ideologies. Krakow: Polish Music Publishing House, 1979. Kaczyński, Tadeusz. Conversations with Witold Lutosławski. Wrocław: TAU Publishing House, 1993. Kisielewski, Stefan. With music over the years. Krakow: Literary Publishing House, 1957. Kisielewski, Stefan. Music and brain. Krakow: Polish Music Publishing House, 1974. Kotoński, Włodzimierz. Percussion instruments in a modern orchestra. Krakow: Polish Music Publishing House, 1981. Michałowski, Kornel, ed. Karol Szymanowski. The writings. Vol. 1. Musical papers. Krakow: Polish Music
Publishing House, 1984. Michels, Ulrich. Music Atlas. Vol. 2. Trans. Piotr Maculewicz. Warsaw: Prószyński and Co., 2003. Miklaszewska, Joanna. Minimalism in Polish music. Krakow: Musica lagellonica, 2003. Morgan, Robert P., ed. Modern Times. From World War I to the present. London: The Macmillan Press Limited, 1993. Paja-Stach, Jadwiga. Lutosławski and his musical style. Krakow: Musica lagellonica, 1997. Pałka, Marcin and Sowińska, Magdalena and Szwajgier, Anna, eds. Seminar L Meeting with Prof. Eugeniusz Knapik. Krakow: Academy of Music, 2002.
384 Bibliography Penderecki, Krzysztof. The labyrinth of time. Five lectures at the end of the century. Warsaw: Presspublica, 1997. Pociej, Bohdan. Idea ֊ sound -form. Krakow: Polish Music Publishing House, 1972. Pociej, Bohdan. Bach. Music and greatness. Krakow: Polish Music Publishing House, 1972. Pociej, Bohdan. Lutosławski and the value of music. Krakow: Polish Music Publishing House, 1976. Pociej, Bohdan. Sketches from late romanticism. Essays. Krakow: Polish Music Publishing House, 1978. Pociej, Bohdan. Mahler. Krakow; Polish Music Publishing House, 1992. Pociej, Bohdan. Wagner. Krakow: Polish Music Publishing House, 2004. Podobińska, Klaudia and Polony, Leszek. lam enjoying the gift of life. Conversations with Wojciech Kilar. Krakow: Polish Music Publishing House, 1997. Polony, Leszek, ed. Musical Meetings in Baranów 1976. Music in the context of cul ture. Krakow: Polish Music Publishing House, 1978. Polony, Leszek. In the circle of musical imagination. Essays, articles, reviews. Krakow: Polish Music Publishing House, 1980. Polony, Leszek. The musical poetics of Mieczysław Karłowicz. Literary program, expression and symbol in a symphonic poem. Krakow: Polish Music Publishing House, 1986. Polony, Leszek, ed. Changes in sound technique, style and aesthetics in Polish music of the 70s. Materials from the 8th National Musicological Conference. Krakow: Academy of Music, 1986. Polony, Leszek. The Polish shape of the dispute over the essence of music. Main trends in Polish musical thought from the Enlightenment to the present day. Krakow: Academy of Music, 1991. Polony,
Leszek. Hermeneutics and music. Krakow: Academy of Music, 2003. Polony, Leszek. Kilar. Element and prayer. Krakow: Polish Music Publishing House, 2005. Rae, Charles B. The music ofLutosławski. London: Omnibus Press, 1999. Rochberg, George. The Aesthetics of Survival. Michigan: University of Michigan Press, 1984. Rockwell, John. All American Music. Composition in the Late Twentieth Century. New York: Vintage Books, 1984. Schaeffer, Bogusław. Music of the twentieth century ֊ creators and problems. Krakow: Literary Publishing House, 1975. Skowron, Zbigniew. Theory and aesthetics of the musical avant-garde of the second half of the twentieth century. Warsaw: University of Warsaw, 1989.
Bibliography 385 Skowron, Zbigniew. New American Music. Krakow: Musica lagellonica, 1995. Tarnawska-Kaczorowska. Tadeusz Baird. Glosses for a biography. Krakow: Musica lagellonica, 1997. Thomas, Adrian: Górecki (Oxford Studies of Composers). Oxford, Clarendon Press, 1997. Tomaszewski, Mieczysław. Krzysztof Penderecki and his music. Four essays. Krakow: Academy of Music, 1994. Wachowska, Sonia. Andrzej Krzanowski. Thematic catalog of works. Katowice: Academy of Music, 2000. Zieliński, Tadeusz Andrzej. Chopin. Life and creative path. Krakow: Polish Music Publishing House, 1993. Zieliński, Tadeusz Andrzej. Penderecki's instrumental drama. Krakow: Polish Music Publishing House, 2003. Articles, sketches, essays Augustyn, Rafał. “From concert halls. The final of the Fitelberg Competition,” Musical Movement 4/1977, p. 10. Baculewski, Krzysztof. “Jean Barraqué speaks,” Musical Movement 1/1973, pp. 15-16. Baculewski, Krzysztof. “Mountains, Lamia, Penderecki,” Musical Movement 22/ 1983, p. 6. Baculewski, Krzysztof. “Agony or ecstasy?,” Vivo 1/1994, pp. 55-56. Bagiński, Zbigniew. “Piano Quartet,” [commentary in the score], Warsaw: Academy of Music, 1998, p. 31. Bent, Ian D. and Pople, Anthony. “Analysis” In: The New Grove Dictionary ofMusic and Musicians. Vol. 1, ed. Stanley Sadie. London: Macmillan Publishers Limited, 2001, pp. 526-589. Błaszczyk, Bolesław. “ ‘Cello Concerto’ by Stanislaw Moryto,” Musical Movement 16/1996, pp. 16-18. Błońska, Cecylia. “About the ‘Young Musicians for a Young City’ festival in Stalowa Wola, ‘Profiles’ talks with Krzysztof Droba - older lecturer at the
State Higher School of Music in Krakow,” Profiles 5/1979, pp. 17-18. Brooks, William, “The Americas, 1945-70.” In: Modern Times. From World War I to the present, Robert P. Morgan, ed. London: The Macmillan Press Limited, 1993, pp. 309-348. Budraitytė, Daiva. “Young Lithuanian Music in the 1980s - and Beyond.” In; In the circle of Lithuanian music. Dissertations, sketches and materials, ed. Krzysztof Droba. Krakow: Academy of Music, 1997, pp. 109-115. Carl, Robert. “Introduction: Historicism in American music since 1980,” Contemporary Music Revie w 20/2001, pp. 1-7.
386 Bibliography Chłopecki, Andrzej. “Penderecki’s ‘Passion’ as a sign,” Musical Movement 4/1975, pp. 3-5. Chłopecki, Andrzej. “Stalowa Wola for the second time,” Musical Movement 16/ 1976, pp. 14-15. Chłopecki, Andrzej. “About the meetings in Baranów,” Musical Movement 23/ 1977, p. 10. Chłopecki, Andrzej. “Kotoński: ‘Rose of The Winds’,” Musical Movement 23/ 1977, p. 10. Chłopecki, Andrzej. “Schaeffer: ‘Romuald Traugutt’,” Musical Movement 23/ 1977, p. 14. Chłopecki, Andrzej. “Górecki: ‘Symphony No. 3’,” Musical Movement 23/1977, p. 17. Chłopecki, Andrzej. “‘Classical music needs you.’ The fourth festival ‘Young Musicians for a Young City’,” Musical Movement 16/1978, pp. 8-9. Chłopecki, Andrzej. “Presentation of the book by Bohdan Pociej ‘Lutosławski and the value of music’.” In: Musical meetings in Baranów 1976. Music in the context of culture, ed. Leszek Polony. Krakow: Polish Music Publishing House, 1978, pp. 148-150. Chłopecki, Andrzej. “Young Polish music,” Odra 7-8/1979, pp. 76-78. Chłopecki, Andrzej. “Violin Concerto by Krzysztof Penderecki,” Musical Movement 18/1979, pp. 3-5. Chłopecki, Andrzej. “Stretto,” Musical Movement 1/1982, pp. 11-12. Chłopecki, Andrzej. “In search of the lost order. ‘Stalowa Wola Generation’,” Musical Movement 25/1985, pp. 14-16. Chłopecki, Andrzej. “When I think: the young generation. About the need for a legend,” Musical Movement 26/1989, pp. 5-6. Chłopecki, Andrzej. “Krauze’s ‘Piano Quintet’.” In: Program book of the ”Warsaw Autumn’’ 1994, p. 106. Chłopecki, Andrzej. “Andrzej Krzanowski’s self-commentary.” In: The musical world of
Andrzej Krzanowski. Materials from the scientific session - Krakow, October 27, 1998, ed. Janusz Pater. Krakow: Academy of Music, 2000, pp. 45-52. Chłopecki, Andrzej. “ ‘Auditions’ by Krzanowski.” In: Program book of the ”Warsaw Autumn ” 2000, pp. 129-136. Chłopecki, Andrzej. “Between vigor and contemplation, mountains and cathedrals.” In: Iwona Bias, Aleksander Lasoń. Portrait of the composer. Katowice: Academy of Music, 2001, pp. 117-121. Chłopecki, Andrzej. “Was that what we meant?!,” Musical Movement 2/2003, pp. 10-13. Cichoń, Ewa. “I made my debut at Sacrosong. Interview with Alexander Lasoń,” The Fourth 8/2001, pp. 2-5.
Bibliography 387 “Discussion” in: The musical world ofAndrzej Krzanowski. Materials from the scien tific session - Krakow October 27, 1998, ed. Janusz Pater (Krakow: Academy of Music, 2000), p. 57-70. Droba, Krzysztof. “Knapik: ‘Le Chant,’ ” Musical Movement 22/1977, p. 7. Droba, Krzysztof. “Ihe road to a tragic sense. More about the ‘Symphony No. 3’ by Henryk Mikołaj Górecki,” Musical Movement 15/1978, pp. 3-4. Droba, Krzysztof. “Greatness - weirdness. About Henryk Mikołaj Gorecki’s ‘Symphony No. 33’ and ‘Harpsichord Concerto’,” Musical Movement 10/1980, pp. 7-8. Droba, Krzysztof. “From ‘Refrain’ to ‘Beatus Vir’, or about constructivist reductionism and expressionism of Henryk Mikołaj Gorecki’s music.” In: Changes in sound technique, style and aesthetics in Polish music of the 70s. Materials from the 8th National Musicologica! Conference, ed. Leszek Polony. Krakow: Academy of Music, 1986, pp. 85-97. Droba, Krzysztof. “The most outstanding works of the fifty years.” In: Polish Music 1945-1995. Materials from the scientific session on December 6-10, 1995 on the 2ffh anniversary of the Department of Music Analysis and Interpretation, eds. Krzysztof Droba, Teresa Małecka and Krzysztof Szwajgier. Krakow: Academy of Music, 1996, pp. 337-356. Droba, Krzysztof. “A new composition by Eugeniusz Knapik. Successes of the Great Symphony Orchestra of the Polish Radio and Television in Copenhagen,” Musical Movement 1/1997, pp. 15-17. Drogin, Barry. “Horizons '83 - Since 1968, A New Romanticism? A Symphonic Analysis in Three Sections,” A Musical Contrarian 17.6/1999, pp. 1-11. Erhardt,
Ludwik. “Krzysztof Penderecki: Violin Concerto, Symphony No. 2.” [CD booklet], Warsaw: Polish Recordings [PNCD 019], 1989. “The fruits of the fifty years - final discussion,” in: Polish Music 1945-1995. Materials from the scientific session on December 6-10, 1995 on the 20th anniversary of the Department of Music Analysis and Interpretation, eds. Krzysztof Droba, Teresa Małecka and Krzysztof Szwajgier. Krakow: Academy of Music, 1996, p. 383-406. Gąsiorowska, Małgorzata. “Symphony of Sorrowful Songs,” Musical Movement 3/ 1978, pp. 3-5. Gąsiorowska, Małgorzata. “Piano Concerto by Zygmunt Krauze,” Musical Movement 11/1979, pp. 6-8. Gąsiorowska, Małgorzata. “Piano Concerto by Edward Sielicki,” Dissonances 7/ 2000, pp. 2-16. Górecki, Henryk Mikołaj. “I will tell you honestly.,” Vivo 1/1994, pp. 43-48. Ives, Charles. “Essays before a Sonata!’ Trans. Piotr Graff, Res Facta 5/1971, pp. 52-95. Janicka-Słysz, Małgorzata. “Eugeniusz Knapik’s look at himself and at music,” Studio 1/1995, pp. 24-25.
388 Bibliography Jarociński, Stefan. “Charles Ives,” Musical Movement 11/1975, pp. 5-7. Kaczyński, Tadeusz. “Kotoński: ‘Rose of The Winds’,” Musical Movement 23/ 1977, p. 10. Kisielewski, Stefan. “Schaeffer - suicide,” Musical Movement 9/1971, pp. 10-11. Kisielewski, Stefan. “Avant-garde or powerlessness.” In: Stefan Kisielewski, Music and brain. Krakow: Polish Music Publishing House, 1974, pp. 77-94. Kisielewski, Stefan. “About KrzysztofPenderecki” In: Stefan Kisielewski, Music and brain. Krakow: Polish Music Publishing House, 1974, pp. 167-175. Knapik, Eugeniusz. “Partita.” In: Program book ofthe “Warsaw Autumn” 1997, p. 133. Knapik, Eugeniusz. “Tha’ Munnot Waste No Time,” [commentary in the score], Krakow: Polish Music Publishing House, 2000,, pp. 2-3. Knapik, Eugeniusz. “Up Into the Silence.” In: Program book ofthe “Warsaw Autumn” 2001, pp. 57-62. Kominek, Mieczysław. “ ‘Rose of Ihe Winds’ by Włodzimierz Kotoński,” Musical Movement 4/1978, pp. 6-7. Kosz, Stanislaw. “Eugeniusz Knapik - Islands.” In: Polish Music 1945-1995. Materials of the scientific session on December 6-10, 1995 on the 20th anniversary of the Department of Music Analysis and Interpretation, eds. Krzysztof Droba, Teresa Małecka and Krzysztof Szwajgier. Krakow: Academy of Music 1996, pp. 289-296. Kosz, Stanislaw. “I look for inspiration in sound. Stanislaw Kosz talks to Eugeniusz Knapik,” Options 9/1996, pp. 7-12. Kosz, Stanislaw. “About the music of Eugeniusz Knapik.” In: Iwona Bias, Eugeniusz Knapik. Composer and pianist. Katowice: Academy of Music, 2001, pp. 97-110. Krauze, Zygmunt. “Piano Concerto
No. 2.” In: Program book of the “Warsaw Autumn" 1997, pp. 262-263. Krupowicz, Stanislaw. “Surconventionalism,” Vivo 1/1994, p. 57. Krzanowska, Grażyna, “ ‘Study I’ by Krzanowski.” In: Program book of the “Warsaw Autumn” 1998, pp. 63-64. Lutosławski, Witold. “Notes on the situation in music today,” Musical Movement 13/1980, pp. 3-4. Małecka, Teresa. “The world of Zbigniew Bujarski’s music. Song creativity.” In: Krakow School of Composition 1888-1988. On the 10ffh anniversary of the Academy ofMusic in Krakow, ed. Teresa Małecka. Krakow: Academy of Music, 1992, pp. 203-213. Malinowski, Władysław. “Kotoński: ‘Rose of Ihe Winds’,” Musical Movement 23/ 1977, p. 10. Mikulska, Małgorzata. “A new generation of Polish composers about themselves,” Musical Movement 9/1979, pp. 4-6; 10/1979, pp. 3-5; 11/1979, pp. 7-10; 26/1979, pp. 12-15.
Bibliography 389 Mroczek, Joanna. “Art, life, postmodernism,” Vivo 1/1994, pp. 50-53. Mroczek, Joanna and Wilczek, Maria. “Inspiration - composition - quotation,” Vivo 1/1994, pp. 23-27. Mycielski, Zygmunt. “Anti-Schaefferism? (I),” Musical Movement 19/1975, pp. 6-7. Mycielski, Zygmunt. “Anti-Schaefferism? (П),” Musical Movement 20/1975, pp. 10-11. Mycielski, Zygmunt. “Mr. Cogito about hell.” In: Zygmunt Mycielski, Postludes. Articles, columns, essays. Krakow: Polish Music Publishing House, 1977, p. 81-85. Mycielski, Zygmunt. “Opening of the 21st ‘Warsaw Autumn’,” Musical Movement 22/1977, pp. 4-5. Negrey, Maciej. “Krzysztof Penderecki’s Symphony No. 2,” Musical Movement 24/ 1983, p. 3-4. Penderecki, Krzysztof. [Voice in discussion during the Seminar on Jacob’s Awakening]. In: Musical Meetings in Baranów 1976. Music in the context ofculture, ed. Leszek Polony. Krakow: Polish Music Publishing House, 1978, pp. 62-65. Piotrowska, Maria. “Canon and postmodernism,” Music 1/1997, pp. 5-30. Pisarenko, Olgierd. “Young Musicians for a Young City. Stalowa Wola 1979. New optics,” Musical Movement 14/1979, pp. 5-6. Pisarenko, Olgierd. “Stalowa Wola at a crossroads,” Musical Movement 14/1980, pp. 6-7. Pociej, Bohdan. “ ‘Ad Matrem’ by Henryk Mikołaj Górecki,” Musical Movement 3/ 1973, pp. 3-5. Pociej, Bohdan. “Young Musicians for a Young City,” Common Weekly 25/1977, p. 7. Pociej, Bohdan. “Schubert and the romantic feeling of the world. On the one hun dred and fiftieth anniversary of death,” Musical Movement 26/1978, pp. 3-5. Pociej, Bohdan. “Style or individuality? Conversations about
the 24th ‘Warsaw Autumn’,” Musical Movement 23/1980, pp. 3-13. Pociej, Bohdan. “Sacrum in Polish contemporary music.” In: Changes in sound technique, style and aesthetics in Polish music of the 70s. Materials from the 8th National Musicological Conference, ed. Leszek Polony. Krakow: Academy of Music, 1986, pp. 49-61. Pociej, Bohdan. “The music I would like.” In: Ewa Woynarowska, Young Musicians for a Young City Festival. Vol. 3-4 Annex - Archival materials and press articles about the MMMM Festival, [master thesis]. Krakow: Academy of Music, 1997, pp. 311-323. Polony, Leszek. “Music and reality,” Musical Movement 2/1975, pp. 4-7. Polony, Leszek. “Musical signs,” Musical Movement 9/1975, pp. 3-6. Polony, Leszek. “ ‘Music in Music’ or the twilight of anti-art,” Musical Movement 23/1977, p. 10.
390 Bibliography Polony, Leszek. “Young musicians and young amateurs: sketches for a self-portrait of a generation,” Literary Life 24/1979, pp. 3,11. Polony, Leszek. “Farewell to the present day?,” Musical Movement 2/1979, pp. 3-5. Polony, Leszek. “The lyrical subject of Andrzej Krzanowski’s ‘Auditions’.” In: Leszek Polony, In the circle of musical imagination. Essays, articles, reviews. Krakow: Polish Music Publishing House, 1980, pp. 89-97. Polony, Leszek. ““Birds” by Marek Stachowski.” In: Leszek Polony, In the circle of musical imagination. Essays, articles, reviews. Krakow: Polish Music Publishing House, 1980, pp. 98-101. Polony, Leszek. “The roads of young music (Stalowa Wola 1976-78).” In: Leszek Polony, In the circle ofmusical imagination. Essays, articles, reviews. Krakow: Polish Music Publishing House, 1980, pp. 193-211. Polony, Leszek. “More about the new romanticism.” In: Leszek Polony, In the circle of musical imagination. Essays, articles, reviews. Krakow: Polish Music Publishing House, 1980, pp. 212-225. Polony, Leszek. “Stalowa Wola for the sixth time,” Southern Newspaper 6-8.6/ 1980. In: Ewa Woynarowska, Young Musicians for a Young City Festival. Vol. 3-4 Annex - Archival materials and press articles about the MMMM Festival, [master thesis], Krakow: Academy of Music, 1997, pp. 487-490. Polony, Leszek. “Polish Music Autumn. Part 1,” Southern Newspaper 10.10/1980, p. 5. Polony, Leszek. “Polish Music Autumn. Part 2,” Southern Newspaper 18-19.10/1980, pp. 5-6. Polony, Leszek. “Krzysztof Meyer: Symphony ‘Polish’, ”Musical Movement 13/1983, pp. 5-6. Polony,
Leszek. “What were we up to.” In: Changes in sound technique, style and aesthetics in Polish music of the 70s. Materials from the 8th National Musicological Conference, ed. Leszek Polony. Krakow: Academy of Music, 1986, pp. 63-82. Polony, Leszek. “On the 80th anniversary of the birth of Roman Palester,” Musical Movement 25/1987, pp. 14-15. Polony, Leszek. “The end of the new romanticism,” Musical Movement 21/1990, pp. L 4. Polony, Leszek. “A dispute with the avant-garde from under the sign of anti-art.” In: Leszek Polony, The Polish shape of the dispute over the essence of music. Main trends in Polish musical thought from the Enlightenment to the present day. Krakow: Academy of Music, 1991, pp. 313-348. Polony, Leszek. “Andrzej Krzanowski - a bard of the Stalowa Wola generation.” In: The musical world of Andrzej Krzanowski. Materials from the scientific ses sion - Krakow, October 27, 1998, ed. Janusz Pater. Krakow: Academy of Music, 2000, pp. 53-56.
Bibliography 391 Polony, Leszek. “About contemporary music and its critics” Musical Movement 7/ 2003, pp. 11-13. Keith Potter: “The Current Musical Scene.” In: Modern Times. From World War I to the present, ed. Robert P. Morgan. London: The Macmillan Press Limited, 1993, pp. 349-387. Regamey, Konstanty. “Slogans and live creativity in contemporary music,” Polish Music 3/1938, pp. 111-118. “Round table discussion no. 3 on ‘The presence of tradition in the present day’,” in: Musical Meetings in Baranów 1976. Music in the context of culture. Krakow: Polish Music Publishing House, 1978, pp. 199-221. Schaeffer, Bogusław. “Kisielewski - cutthroat? Counter-lampoon in 15 scenes,” Musical Movement 13/1971, pp. 14-18. Schonberg, Harold C. “Neo-Romantic Music Warms Public Chilled by the AvantGarde,” The New York Times 20.3/1977, p. 69. Schonberg, Harold C. “New romanticism?,” Forum 44/1978, pp. 18-19. Sielicki, Edward. “Piano Concerto by Zbigniew Bagiński,” Dissonances 4/1998, pp. 2-7. Siemdaj, Ewa. “From Trio to Sinfonietta,” Vivo 1/1994, pp. 28-30. Skocza, Marek. “For connoisseurs. IXth Mikołów Days of Music,” Western Journal 2-3.9/1999. Skowron, Zbigniew. “Tradition, avant-garde, new romanticism. Interview with George Rochberg,” Musical Movement 20/1989, pp. 17-19. Skowron, Zbigniew. “Reception of avant-garde attitudes and programs in post war Polish music.” In: Polish Music 1945-1995. Materials of the scientific ses sion on December 6-10, 1995 on the 2ffh anniversary of the Department of Music Analysis and Interpretation, eds. Krzysztof Droba, Teresa Małecka and Krzysztof
Szwajgier. Krakow: Academy of Music, 1996, pp. 67-80. Sowa, Walenty. ““MMMM” for the fifth time,” The News 106/1979, p. 5. [Stachowski, Marek]. “Marek Stachowski speaks,” Musical Movement 23/1973, p. 8. Stachowski, Marek. “Narrow field of activity,” Vivo 1/1994, p. 54. Strzelecki, Paweł. “Concerto for cello and string orchestra by Stanislaw Moryto,” Heksis 4/2000, pp. 57-67. Szalonek, Witold. “On the unused sonoristic qualities of woodwind instruments,” Res Facta 7/1972, pp. 111-119. Szalonek, Witold. “Sonorism or following Toe in music,” Dissonances 5-6/1999, p. 22. Szczecińska, Ewa. “Contravangard to the granary!,” Musical Movement 22/2000, p. 9. Szczepańska-Lange, Elżbieta. “Postmodernism and music.” In: Encyclopedia of Polish culture of the twentieth century. From avant-garde to postmodernism, ed. Grzegorz Dziamski. Warsaw: Institute of Culture, 1996, pp. 439-448.
392 Bibliography Szwajgier, Krzysztof. “Natural music - a dream and a fact.” In: Changes in sound technique, style and aesthetics in Polish music of the 70s. Materials from the 8th National Musicological Conference, ed. Leszek Polony. Krakow: Academy of Music, 1986, pp. 35-48. Karol Szymanowski: “About romanticism in music.” In: Karol Szymanowski. Writings. Vol. 1.Musical writings, ed. Kornel Michałowski. Krakow: Polish Music Publishing House, 1984, pp. 235-249. Tarnawska-Kaczorowska, Krystyna. “Third Music Festival ‘Young Musicians for a Young City’, May 13-15, 1977,” Polish Music 3/1977, pp. 48-53. Tomaszewski, Mieczysław. “Sonoristic expressiveness and allegorical symbolism: a symphony of the ‘Polish school’.” In: Mieczysław Tomaszewski, Integral inter pretation of a musical work. Reconnaissance. Krakow: Academy of Music, 2000, pp. 113-139. Waldorff, Jerzy. “Autumn, it is for musicians.,” Policy 8.10/1983, p. 5. Wnuk-Nazarowa, Joanna. “About Penderecki’s ‘Violin Concerto’. ” In: The Jubilee Book of Mieczysław Tomaszewski, ed. T. Małecka. Krakow: Academy of Music, 1984, pp. 76-99. Woynarowska, Ewa. “Young Musicians for a Young City.” In: Polish Music 19451995. Materials from the scientific session on December 6-10,1995 on the 2ffh anni versary of the Department of Music Analysis and Interpretation, eds. Krzysztof Droba, Teresa Małecka and Krzysztof Szwajgier. Krakow: Academy of Music, 1996, pp. 317-322. Zielinski, Tadeusz Andrzej. “Contemporary composer and tradition. Interview with Krzysztof Penderecki,” Musical Movement 12/1963, p. 8. Zieliński, Tadeusz Andrzej.
“Autumnal confrontations,” Musical Movement 23/1969, pp. 10-17. Zielinski, Tadeusz Andrzej. “Sound landscape,” Musical Movement 5/1975, pp. 2-6. Zielinski, Tadeusz Andrzej. “Górecki: ‘Symphony No. 3’,” Musical Movement 23/ 1977, p. 17. Zielinski, Tadeusz Andrzej. “Comments on the condition of contemporary music. Disease time,” Musical Movement 14/1997, pp. 6-9. Zwierzyński, Krzysztof. “Krzysztof Zwierzyński talks about the Sandomierz Music Festival with Krzysztof Droba - the festival’s program director,” Nadwiślański WeeWy 39/1988, p. 8.
Bibliography 393 Masters theses Strzelecki, Paweł. Symphonies by Zbigniew Bagiński. Warsaw: Academy of Music, 2000. Woynarowska, Ewa. Young Musicians for a Young City Festival. Vol. Ш-ГѴ Annex Archival materials and press articles about the MMMM Festival. Krakow: Academy of Music, 1997.
Index of Surnames and Works A Adams, John 91,213,224,402 - Shaker Loops 91, 213, 362 - The Wound-Dresser 91 Alcott 428 Andriessen, Louis 401 d’Angers, David [Pierre-Jean David] 18 Apollinaire, Guillaume 14 Argento, Dominick 88 Armanowska, Małgorzata 277 Augustyn, Rafał 54, 57, 58, 205, 385 В Bach, Johann Sebastian 65,69,111, 116, 133, 251, 252, 259, 281, 376, 377, 384, 396, 402, 403, 440, 452 - Aria on the G String from Orchestral Suite No. 3inD major (BWV 1068) 440 ֊ Chromatic Fantasy and Fugue in D minor (BWV 903) 440 ֊ Fugue in G minor (BWV 558) 111,251,252,259,281, 376, 377 - Passacaglia and Fugue in C minor (BWV 582) 133 - Toccata and Fugue in D minor (BWV 565) 440 Baculewski, Krzysztof 54, 57, 82,108, 209, 385, 413, 459 ֊ A Walking Shadow 414 ֊ Antitheton I 414 ֊ Antitheton Π 414 - Ground 414 - О Little One [Christmas carol arrangement] 414 ֊ Ozwodne and Krzesane 414 - Partita for violin and piano 175 - Rilke-Lieder 414 - Sonata canonica 414 - String Quartet No. 2 83, 218, 240, 257-259, 266, 281, 414, 452, 457 - The Profane Anthem To Anne 414 Bagiński, Zbigniew 10, 22, 27, 54, 112, 228, 285, 286, 290-296, 299, 305-310, 325, 330-334, 344, 385, 391, 393, 415, 453, 454, 458, 459 - Cello Concerto 98, 126, 299, 303305, 368, 369, 375, 378, 385, 397, 410, 416, 453 - Piano Concerto 41-43, 92, 207, 208, 218, 299, 305-317, 368, 369, 372, 375, 376, 387, 388, 391, 413, 421, 422, 429, 453, 458 - Piano Quartet 228, 325, 328, 330-334, 368, 369, 376, 385, 415, 454, 458 - Sinfonia notturna 286, 290-296, 344, 368, 369, 375-377, 415, 453, 458 - Trio with Coda. Hommage å Brahms 112
Baird, Tadeusz 22, 41, 43, 44, 71, 99, 125, 285, 299-301, 319-324, 328, 335, 336, 339-341, 368, 369, 372, 376-378, 383, 385, 406, 417, 418, 440, 453, 454, 458, 459, 463 - Concerto lugubre 41, 44, 299-301, 320, 368, 377, 453 - Elegeian 43, 44, 125 - Five Songs to the lyrics by Halina Poświatowska 43 - Four Essays 44, 51, 385, 440 - Four Novels 44 ֊ Voices from Afar 43,335,336, 339-341, 368, 369, 376-378, 454 Bajoras, Feliksas 92, 429 Barańczak, Stanislaw 78, 373, 381, 428, 443
462 Index of Surnames and Works Barber, Samuel 19, 54, 87,133, 317, 381, 429, 444 - Adagio from the String Quartet, Op. 11,133 Bargielski, Zbigniew 22, 41, 285, 363, 365-369, 372, 376-378, 400, 455, 458, 459 - Dream Bird 401 - No Man’s Land 401 - Songs of Suns 401 - String Quartet ”Alpine” 41, 363, 365, 376 - Trigonalia 401 - Violin Concerto 13, 40-42, 45, 62, 64, 65, 82, 87, 89, 98, 100, 125֊ 131, 133, 147, 148, 173, 179, 299, 300, 302, 303, 341, 360, 361, 363, 365-369, 372, 375-378, 386, 387, 392, 395, 397, 399, 401, 413, 421, 427, 429, 431, 440, 449, 453, 455, 457, 458 Barraqué, Jean 82, 385 Bartók, Bela 39, 48, 108, 117, 188, 227, 240, 253, 257, 262, 269, 271, 352, 405, 426, 440 - Concerto for Orchestra 237,262, 264, 265, 281, 282, 377, 406, 426, 440, 452 Bartulis, Vidmantas 92 Bauman-Szulakowska, Jolanta 23, 29, 30, 32, 39, 45, 55, 86, 102, 104, 110112, 114, 118, 119, 121, 122, 175, 220, 221, 237, 382 Beckett, Samuel 181 Beethoven, Ludwig van 17, 21, 49, 52, 88, 99, 116, 133, 150, 171, 207, 292, 330, 396, 399, 401, 402, 416 - Symphony No. 5 in C minor, Op. 67, 142 Beksiński, Zdzisław 97, 199, 200, 409 Benjamin, Arthur 19 Bent, Ian D. 23,24,25,385 Berg, Alban 21, 48, 106, 117, 328, 403, 420, 429, 440 - Violin Concerto 13, 40-42, 45, 62, 64, 65, 82, 87, 89, 98, 100, 125131, 133,147, 148, 173, 179, 299, 300, 302, 303, 341, 360, 361, 363, 365-369, 372, 375-378, 386, 387, 392, 395, 397, 399, 401, 413, 421, 427, 429, 431, 440, 449, 453, 455, 457, 458 Berger, Roman 71, 429 - Requiem da camera 429 Berio, Luciano 88, 408 Berlioz, Hector 18,148, 396, 401 - Symphony "Fantastic”
148 Białoszewski, Miron 445 Bielawski, Ludwik 71, 463 Bieńkowska, Ewa 71 Bieriezin, Jacek 78, 79, 237, 241, 242, 246, 428 Bieżan, Andrzej 54, 55 Bilica, Krzysztof 11, 427, 459 Błaszczok, Aureli 205, 217, 428 Błaszczyk, Bolesław 303, 385 Błażusiakówna, Helena Wanda 136 Błoński, Jan 71 Bogusławski, Edward 30 Bose, Hans Jürgen 429 Boulez, Pierre 92, 106 Brahms, Johannes 64, 88,112, 133, 150, 404, 429 - German Requiem 112 Brancusi, Constantin 61 Bristiger, Michał 60, 71 Brooks, William 88, 385 Bruckner, Anton 24, 53, 54, 65, 81, 91, 99, 101, 102, 104, 114, 396, 399, 404, 413, 427 - Adagio from Symphony No. 5 in B flat major 24 Bryars, Gavin 92, 429 Buczyński, Paweł 54, 112, 121, 285, 319-326, 328, 344, 368, 369, 372, 375, 376, 416, 453, 454, 458, 459 - Dreams 22, 100, 106, 181, 188, 418
Index of Surnames and Works - Elegy ofMemory of Tadeusz Baird 319-324, 328, 369, 376, 417, 453, 454, 458 - Music ofFalling Leaves 319-321, 328, 368, 369, 375, 376, 417, 453 - Pezzo per Passero 112, 325, 326, 328, 344, 369, 377, 417, 454 Budraitytė, Daiva 92, 93, 385 Bujarski, Zbigniew 22, 41, 99, 341, 348-350, 353, 355- 357, 368, 369, 375-378, 388, 429, 437, 454, 455, 459 - Musica domestica 41, 348-350, 368, 429, 454 - Gardens 353, 355-357, 368, 369, 375-378, 455 Bulgakov, Mikhail Afanasyevich 405 Burek, Tomasz 79, 80, 382 Burnett, Frances Hodgsonl88 Büchner, Georg 429 C Cage, John 13,49,71,383,429 Calinescu, Matei 117, 382 Carl, Robert 119,385 Casella, Alfredo 54 Castelnuovo-Tedesco, Mario 19 Chagall, Marc 397 Chehnecki, Jarosław 357, 363, 364, 368, 455 ֊ Song ofSongs 363, 364, 368, 455 Chłopecki, Andrzej 15, 16, 29, 35, 42, 53, 54, 63, 64, 66, 68, 69, 70, 71, 73-79, 81, 83֊ 86, 88, 95, 98, 99, 104, 105, 108, 111-113, 115, 133, 191, 198, 238, 239, 243, 249, 253, 255, 259, 262-264, 282, 334, 372-374, 377, 386, 410, 426, 428, 459 Chłopicka, Regina 71 Chołoniewski, Marek 54, 55 Chomiński, Józef Michal 18,19, 383 Chopin, Frédéric 18, 69, 111, 116, 140, 334, 376, 377, 385, 401, 421, 423, 440, 449, 463 463 - Mazurka in A minor, Op. 17 No. 3 111 Cichoń, Ewa 199, 200, 386 Cienciała, Wiesław ЗО Ciuciura, Leoncjusz 44 Coleridge, Samuel Taylor 32 Corelli, Arcangelo 69 Corigliano, John 88,91,281 - Creations 46, 281 Crumb, George 88, 91, 253, 259, 281, 282, 377, 428, 440 - Black Angels 253 - Makrocosmos 3 - Music for the Summer Evening 440 Cubrick, Stanley 91 Cummings, Edward Estlin
191, 194 Cybulski, Zbigniew 445 Cywiński, Bohdan 441, 444, 459 D Dallapiccola, Luigi 88, 90 Danuser, Hermann 118 Davies, Peter Maxwell 92,113 Dąbrowski, Florian 71 Dean, James 445 Debussy, Claude 17, 68, 71, 104, 150, 188, 190, 197, 383, 411, 423, 438, 450 - Pelleas and Mélisande 71 - Printemps 17 - Sea 31, 103, 104, 157, 243, 251, 286, 382 Delacroix, Eugène 18 Del Tredici, David 88, 91 Dello Joio, Norman 19 Derrida, Jacques 119 Dębski, Krzesimir 419, 459 Diamond, David 91 Dickinson, Emily 188 Dobrowolski, Andrzej 36, 44, 418 Dobrzańska, Zofia 71 Dolecki, Zbigniew 75, 237, 243, 249 Drewnowski, Marek 305 Droba, Krzysztof 16, 31, 35, 49, 60, 63, 64, 68-78, 85, 86, 92, 100, 112,
464 Index of Surnames and Works 115, 126, 149, 164, 191, 201, 214, 373, 385, 387, 388, 391, 392, 408, 426, 430, 431, 433, 459 Druckman, Jacob 88, 89, 91 Duchamp, Marcel 181 Dufay, Guillaume 110 Dukas, Paul 54 Dusapin, Pascal 429 Dvořák, Antonín 94, 81, 87, 464 Dybciak, Krzysztof 16, 71, 79, 120, 442, 459 Dyżewski, Marek 253 Dziadek, Andrzej 22, ЗО, 357, 359, 360, 361, 369, 420, 431, 455, 459 - Violin Concerto 13, 40-42, 45, 62, 64, 65, 82, 87, 89, 98, 100, 125131, 133, 147, 148, 173, 179, 299, 300, 302, 303, 341, 360, 361, 363, 365-369, 372, 375-378, 386, 387, 392, 395, 397, 399, 401, 413, 421, 427, 429, 431, 440, 449, 453, 455, 457, 458 - Symphony No. 1 40,42, 117, 126, 200, 202-207, 209, 236, 240, 283, 285, 296-298, 357, 359, 360, 369, 372, 376, 378, 408, 451, 453, 455, 457 Dziadek, Magdalena 224, 372, 431, 459 Dziewulska, Małgorzata 71 E Eco, Umberto 69, 119, 121, 382 Elgar, Edward 54 Eliade, Mircea 69 Eliot, Thomas Stearns 31 Elzenberg, Henryk 375 Enescu, George 54 Erdman, Jerzy 19,20,383 Erhardt, Ludwik 40, 60, 387 F Fabre, Jan 181, 191 Falla, Manuel de 54 Felciano, Richard 88 Feldman, Morton 115 Ferneyhough, Brian 401 Fitelberg, Grzegorz 202, 205, 385 Friedrich, Caspar David 18 Friemann, Witold 19 Fromm, Erich 69 Fukuyama, Francis 119, 381 G Gabryś, Aleksander 30 Gabryś, Ryszard 30, 251 Gadamer, Hans-Georg 120, 382 Gałczyński, Konstanty Ildefons 151, 152, 162, 163 Gąsiorowska, Małgorzata 42, 43, 63, 64, 310, 373, 387, 426 Gąsiorowski, Krzysztof 79 Gesualdo da Venosa, Carlo 330, 440 Giotto di Bondone 32 Glass, Philip 91 Glinkowski, Aleksander 30 Głazunow, Aleksander 54
Gombrowicz, Witold 445 Górecki, Henryk Mikołaj 13,16, 22, 29, 30, 34, 36-41, 56, 60-64, 71, 74, 77, 95-97, 99, 101, 106, 107, 109, 110, 111, 114-116,121, 122, 125127, 133-141, 147-149, 151, 153, 164, 173, 176, 198, 202, 207, 218, 237, 238, 240, 243, 246, 251, 257, 259, 263, 281, 285, 317, 319, 357, 360, 362, 371-373, 376, 377, 385387, 389, 392, 395, 398-401, 403, 406-412, 414, 418, 423, 428, 431, 432, 437, 449, 457, 459 - Ad Matrem 34, 38, 39, 61, 99, 106, 126, 153, 243, 360, 372, 389, 431 - Beatus Vir 95,101, 107, 115, 126, 387 - Cantata on Saint Adalbertus "Salve Sidus Polonorum” 101 - Canticum graduum 38, 114, 126 - Come, Holy Spirit 101
Index of Surnames and Works - Genesis П - Instrumental Chants 251 - Harpsichord Concerto 64,164, 218, 387 - Lerchenmusik 176 - Little Music IV "Trombone Concerto” 38 - Old Polish Music 38, 39, 109, 110, 126, 238 - Refrain 34, 38,109,115,126,153, 208, 220, 224, 226, 233, 387, 408, 451 ֊ Scontri 34, 37, 56, 125, 202, 263 - String Quartet No. 1 "Already It Is Dusk” 173 - Symphony No. 2 "Copernican” 39, 126, 243, 281 - Symphony No. 3 ("Symphony of Sorrowful Songs”) 13, 34, 39,101, 125, 372 ֊ Three Pieces in Old Style 34, 38, 40, 126, 362, 371 - Two Sacred Songs 38,101 Górzański, Jerzy 79 Grieg, Edward 207, 411 - Piano Concerto in A minor, Op. 16 207 Griffiths, Paul 118,383 Grisey, Gerard 429 Grotowski, Jerzy 181 Grudzień, Jacek 108 Gubaidulina, Sofia 93 H Hába, Alois 54 Habermas, Jürgen 118 Halle, Adam de la 69 Hanson, Howard 19, 54 - Symphony No. 2 "Romantic” 54 Harasymowicz, Jerzy 354 Harbison, John 88 Hawel, Jan Wincenty 30 Haydn, Joseph 402 Händel, Georg Friedrich 18 - Messiah 402 465 Heidegger, Martin 69 Helman, Zofia 27, 44, 71, 116 Heraclitus of Ephesus 115 Herbert, Zbigniew 31, 32, 78, 97, 153, 238, 354, 381, 382, 409, 411 Herling-Grudziński, Gustaw 381, 445 Hersant, Philippe 92 Hertz, Paweł 354 Hindemith, Paul 117, 201, 211 Holuj, Tadeusz 354 Honegger, Artur 54, 117, 202, 230, 297, 363 - Symphony No. 3 "Liturgical” 230 - Symphony No. 5 24, 44, 98, 142, 202, 297, 363, 372 Horner, James 91 - Apollo 13 [soundtrack] 91 - Deep Impact [soundtrack] 91 - Windtalkers [soundtrack] 91 Holst, Gustav 54 Hugo, Victor 18 Huntington, Samuel P. 381, 444 Hussar, Małgorzata 54, 357, 358,
362, 372, 455 - Archi 362, 363, 369, 455 - Sinfonietta (Brevis) 357 Huyssen, Andreas 117,118, 382 Iłłakowiczówna, Kazimiera 214, 355 Ingarden, Roman 69 I Ives, Charles 53, 54, 69, 70, 73, 74, 87, 150, 188, 325, 387, 388, 405, 428, 430 - Central Park in the Dark 325 ֊ Piano Sonata “Concord” 188 I Iwaszkiewicz, Jarosław 71,80,336, 338, 341, 355, 382 J Jacobson, Bernard 126, 383 Jacoby, Jan 191 Jadacki, Jacek Juliusz 446,459
466 Index of Surnames and Works Janicka-Słysz, Małgorzata 58,149, 150, 151, 181, 183, 387 Janion, Maria 14, 32, 381, 437 Yanow-Yanovsky, Dymitr 93 Jarociński, Stefan 17, 68, 70, 71, 81, 383, 388 Jencks, Charles 118, 120, 381 Jerzyna, Zbigniew 79 John ХХІП [Angelo Giuseppe Roncalli] 34 John Paul Π [Karol Wojtyła] 119, 120, 320, 381, 446 Josquin des Prés 110 К Kaczyński, Tadeusz 42, 43, 383, 388 Kagel, Mauricio 113, 426 - Music for Renaissance Instruments 426 Kancheli, Giya 93 Kandinsky, Wassily 403 Kantor, Tadeusz 181 Kański, Józef 60 Karasek, Krzysztof 71, 443 Karg-Elert, Siegfried 19 Karłowicz, Mieczysław 25, 32, 64, 68, 69, 81, 133, 142, 209, 295, 344, 347, 384, 436 - Lithuanian Rhapsody 142, 295 Kazuro, Stanisław 19 Kępiński, Antoni 69 Kiesewetter, Tomasz 19 Kisielewski, Stefan 42, 48, 49, 51, 52, 56, 60-63, 67, 71, 381, 383, 388, 391, 403, 404 Kilar, Wojciech 13, 16, 22, 30, 31, 36, 37, 39, 40, 41, 43, 45, 46, 47, 48, 62, 63, 99, 101, 103, 105, 110, 115, 121, 122, 125-127, 142-148, 209, 211, 285, 305, 310, 371, 372, 375-378, 384, 399, 418, 429, 431, 432, 437, 449, 457, 459 - Angelus 101 - Bogurodzica 39, 101, 126, 342, 372 - Choral Prelude 103 - Diphthonges 39 - Générique 39 - Gray Mist 39,103 - Kościelec 13, 39, 103,105, ПО, 125, 142-146, 148, 211, 372, 375378, 399, 449, 457 - Krzesany 30, 39, 46, 103,105, 122, 126, 372, 429, 431 - Lament 101, 135 - Missa pro расе 101 - Ode “Béla Bartók in memoriam” 39 - Orawa 103 - Piano Concerto 41-43, 92, 207, 208, 218, 299, 305-317, 368, 369, 372, 375, 376, 387, 388, 391, 413, 421, 422, 429, 453, 458 - Prelude and Christmas Carol
39, 126 - Requiem for Father Kolbe 101 - Riff 37, 39, 125 - Solenne 39 - Springfield Sonnet 39 - Symphony No. 2 "Concertante” 39 - Training 68, 39 - Upstairs-Downstairs 126 Knaifel, Alexander 93 Knapik, Agata 188 Knapik, Barbara 194 Knapik, Eugeniusz 13,16, 22, ЗО, 31, 33, 54-59, 62, 63, 74-77, 83, 93, 97, 99, 100, 103, 104, 106, 108, 110-112, 114, 117, 121, 122, 149-198, 208, 238, 243, 255, 266, 282, 283, 284, 297, 357, 363, 372, 375-379, 383, 387, 388, 395, 398, 406-408, 411, 415, 423, 424, 427, 428, 432, 433, 436, 437, 449-451, 457, 459 - Corale, Interludio e Aria 83,100, 151, 164-167, 180, 181, 198, 283, 376, 406, 450, 457 - Das Glas im Kopf wird vom Glas 106
Index of Surnames and Works - Hymn 97, 151,167-169, 180, 181, 198, 200, 215, 224-226, 230, 235, 236, 269, 283, 376-378, 409, 410, 450, 451, 457 - I’m Coming to You 196 - Islands 103, 104, 151, 159, 178-181, 183, 198, 376, 388, 406, 450, 457 - Just Like on the Seashore 59, 77, 103, 106, 159, 161-163, 198, 243, 377, 449, 457 - La Flûte de Jade 56, 74,106,110, 151, 153-157, 162,163, 198, 283, 376, 406, 449, 457 - La Libertà Chiama La Libertà 106, 181,182, 184, 186, 187, 191, 283, 375, 411, 423, 437, 450, 457 ֊ Le Chant 77, 100, 106, 151, 157160, 162, 163, 198, 297, 378, 387, 449, 457 - Partita 151, 174-176,180, 181, 198, 283, 388, 411, 429, 450, 457 - Silent Screams, Difficult Dreams 106 - Sonata 59, 70, 77, 113, 127, 152, 153,168, 188, 198, 205, 217, 221, 236, 272, 371, 387, 414, 449, 451 - String Quartet 24, 41, 83, 87, 111, 113, 117, 133, 149, 151, 168, 170-173, 180, 181, 198, 201, 218, 224, 228, 235-237, 239, 240, 253-259, 266, 269, 277, 278, 281-283, 352, 353, 363, 365, 367, 369, 371, 376-378, 410, 414, 450-452, 455, 457 - Iha’Munnot Waste No Time 112, 151, 152, 188-190, 197, 198, 283, 377, 388, 411,450, 457 - The Minds ofHelena Troubleyn 150, 151, 181, 197, 198, 284 ֊ Three Songs 151,152,157, 162, 163, 214, 236, 283, 336, 378, 449 467 - Trio 92, 108, 112, 151 197, 198, 391, 429 - Up Into the Silence 16, 97, 106, 114, 151, 181, 188, 191-194, 196198, 282, 283, 363, 375, 376, 378, 388, 406, 450, 451 - Vērsusi 112, 151, 176, 180, 181, 198, 283 Knapik, Sara 188 Knittel, Krzysztof 54, 55, 57 Koffler, Józef 432 Kołoniecki, Roman 157, 159 Kominek, Mieczysław 286, 388 Korngold,
Erich Wolfgang 81 Kornhauser, Julian 78,373,381,443 Kosz, Stanisław 95, 96,149, 150,168, 179, 183, 388, 432, 459 Kotoński, Włodzimierz 22, 36, 37, 41, 42, 84, 104, 108, 285-290, 295-299, 368, 369, 372, 376-378, 383, 386, 388, 401, 429, 452, 453, 457, 459 - Bora 42, 104, 285, 286, 288, 289, 290, 295, 368, 369, 377, 452, 457 - La gioia 42 - Multiplay 402 - Oboe Concerto 347, 348, 368, 369, 402, 454 - Rose of The Winds 41, 42, 84, 104, 108, 285-288, 295, 368, 369, 377, 386, 388, 402, 429, 452 - Sirocco 42, 104, 286 - Spring Music 402 - Study for One Cymbal Stroke 41 - Symphony No. 1 40, 42,117, 126, 200, 202-207, 209, 236, 240, 283, 285, 296-298, 357, 359, 360, 369, 372, 376, 378, 408, 451, 453, 455, 457 - Terra incognita 42, 104, 286 Kowal, Roman 71 Krauze, Zygmunt 38, 41-43,114, 115, 125, 159, 167, 202, 209, 218, 243, 285, 286, 288, 299, 300, 302, 303, 313-317, 325, 334, 368, 369, 372,
468 Index of Surnames and Works 3 75, 376, 377, 378, 386-388, 420, 453, 458, 459 - Aus aller Welt stammende 421 - Ballade 218 - Esquisse 218 ֊ Folk Music 103, 209, 288, 421 - Piano Concerto No. 1 42, 421 - Piano Concerto No. 2 218, 299, 313-317, 376, 388, 421, 422, 453, 458 - Piano Quintet 218, 325, 334, 369, 378, 386, 421 - Piece for Orchestra No. 1 38, 42, 372 - Piece for Orchestra No. 2 125, 422 - Piece for Orchestra No. 3 286, 288, 369, 377 - Quatuor pour la naissance 218 - Stone Music 42, 334, 421 - String Quartet No. 2 83, 218, 240, 257-259, 266, 281, 414, 452, 457 - Violin Concerto 13, 40-42, 45, 62, 64, 65, 82, 87, 89, 98, 100, 125131, 133, 147, 148, 173, 179, 299, 300, 302, 303, 341, 360, 361, 363, 365-369, 372, 375-378, 386, 387, 392, 395, 397, 399, 401, 413, 421, 427, 429, 431, 440, 449, 453, 455, 457, 458 Křenek, Ernst 54 Krenz, Jan 36 Kristeva, Julia 118 Krupowicz, Stanislaw 33, 54, 55, 77, 123, 124, 378, 381, 388 - Fin de siècle 13, 14, 16, 21, 22, 32, 33, 52, 81, 123, 124, 150 Krużel, Mirosława 355 Krynicki, Ryszard 78, 373, 443 Krzanowska, Aleksandra 262 Krzanowska, Grażyna 54, 243, 253, 388 Krzanowski, Andrzej 13, 16, 22, 30, 54-57, 72, 74-77, 79, 82-84, 97, 99, 100, 102, 103, 108, 111, 149, 153, 159, 217, 220, 228, 237-284, 304, 336, 348, 365, 372, 375-378, 385388, 390, 398, 406, 408, 410, 411, 415, 423, 424, 427, 428, 431-433, 436, 437, 451, 452, 457, 459 - Alkagran or One Place on the Right Bank of the Vistula 262264, 452 - Audition I 237, 241-243, 282, 451 - Audition П 242 - Audition Ш 111, 246-248, 259, 281-283, 375, 376, 452, 457 - Audition IV 77, 83,
102, 111, 243, 249, 250, 252, 259, 281-283, 376, 377, 431, 452, 457 - Audition V 239 - Audition VI 240, 255, 266, 269271, 280, 281, 336, 452 - Canti di Wratislavia 251, 259, 280, 282, 377 - Cathedral 98, 105,168, 200, 202, 220-223, 236, 261, 264, 281, 286, 377, 410, 451, 452, 457 - Choral 102, 103, 173, 202, 204, 205, 207, 208, 211, 213, 236, 237, 240, 253, 260, 261, 264, 281, 283, 292, 317, 323, 330, 333, 334, 341, 348, 350, 352-355, 362, 363, 397, 408, 416, 451-455 - Choral. Version В 260 - Con vigore. Concerto for Eight Peiformers 259, 280, 282 - Concerto for Orchestra. Version В 262, 264, 265, 452 - Four Bagatelles 260, 261, 264, 281, 452 - Ode 39, 261, 262, 264, 269, 452 - Prelude 39, 103, 126, 240, 372 ֊ Reliefi 237 - ReliefΠ 237 - Reliefin 237 - ReliefIV 237, 277, 278, 280282, 452 - Relief V 237
Index of Surnames and Works ֊ ֊ - Relief VI 237 Relief ѴП 237 Relief ѴШ 237 ReliefDi ”Scottish” 277, 280, 377 Reminiscenza. Version В 270, 271, 280-282, 452 - Salve Regina. Version В 240, 266, 268, 280, 452 - Sonata 59, 70, 77, 113,127,152, 153, 168, 188, 198, 205, 217, 221, 236, 272, 371, 387, 414, 449, 451 - String Quartet No. 1. Version A 239, 253 - String Quartet No. 1. Version Bill, 239, 240, 253, 254, 256, 257, 259, 278, 281-283, 365, 376, 377, 452, 457 - String Quartet No. 2 83, 218, 240, 257-259, 266, 281, 414, 452, 457 - Study I 56, 153, 217, 237, 243246, 259, 280-283, 375, 377, 388, 451, 457 ֊ Study II 246, 249, 259, 452 - Study ΙΠ 237 - Study IV 237 - Study V 237 - Symphony No. 2 39, 40, 54, 72, 97, 106, 109-111, 126, 205, 208, 209, 236-238, 243, 246, 259, 270, 272-277, 280-283, 304, 372, 375, 376, 378, 387, 389, 397, 398, 406, 408, 411, 451, 452, 457 - Three Études 77 - Three Pieces 34, 38-40, 126, 240242, 259, 362, 371, 451 - Transpainting 239 - Wind Carries Echo Across the Clearing. Version В 103, 240, 266, 268, 280, 452 Krzanowski, Kamil 262 Kubiak, Zygmunt 71 Kucybala, Andrzej 75 Kulenty, Hanna 54 Kutavičius, Bronius 92, 93, 429 469 - Crimean Sonnets 429 - From The Yotvingian Stone 429 Kužnik, Norbert 54 L La Monte Young 115 Lachenmann, Helmut 430 Lampart, Zbigniew 54 Laniuk, Yuri 93 Lasoń, Aleksander 13, 16, 22, 30, 54֊ 56, 59, 74-77, 84, 97, 99, 102-106, 108, 111, 114, 117, 121, 122, 149, 199-237, 251, 261, 282-284, 286, 319, 372, 375-378, 383, 386, 398, 407, 415, 423, 424, 427, 428, 432, 433, 436, 451, 457, 459 ֊ A Little Book 200, 230, 233, 235, 236, 451
- Cantilene 218 - Canto - "Agnus Dei” 227, 228, 251 - Cathedral 98, 105,168, 200, 202, 220-223, 236, 261, 264, 281, 286, 377, 410, 451, 452, 457 - Chamber Music No. 1 56,201, 202, 236, 451 - Chamber Music No. 2 205, 236 - Chamber Music No. 3 77, 207, 209, 451 - Chamber Music No. 4 103,211, 213, 221, 451 - Chamber Music No. 5 "Four Seasons” 200, 214, 221, 282, 376 ֊ Chamber Music No. 6 "Saxophonium” 200, 211, 230, 233-235 - Concerto festivo 97, 102, 227, 228, 235, 409, 410, 451 - Concerto for improvising piano and three magnetic tapes 59, 77, 103 - Concerto "Pablo Casals in Memoriam” 98, 218, 219, 221, 236, 282, 376, 410, 457
470 Index of Surnames and Works - Credo 59, 83, 101, 102, 148, 228, 397, 410 - For Father Kolbe 101, 199 - Hymn and Aria 97, 200, 224-226, 230, 235, 236, 376-378, 409, 410, 451, 457 ֊ Mountains 84, 97, 103-105, 191, 200, 209-212, 220, 221, 236, 237, 282, 283, 286, 376, 377, 385, 386, 410, 451, 457 - Music at Shakespeare 201 - Musica Sacra - Sanctus 102, 228 - Relieffor Andrzej 228, 229, 235, 236, 410, 451, 457 - Sonata No. 1 205 - Sonata No. 2 "Hebrew” 217, 221 - String Quartet No. 2 83, 218, 240, 257-259, 266, 281, 414, 452, 457 - String Quartet No. 3 87, 224, 235, 236, 410, 451 - Symphony No. 1 40, 42, 117, 126, 200, 203-207, 209, 236, 240, 283, 285, 296-298, 357, 359, 360, 369, 372, 376, 378, 408, 451, 453, 455, 457 - Symphony No. 2 "Concertante” 39, 205 - Symphony No. 3 "1999” 39, 205 - Three Songs 151, 152, 157, 162, 163, 214, 236, 283, 336, 378, 449 - 20 for 4 409 Lermontov, Mikhail Y. 18 Levi-Strauss, Claude 69 Li-Tai-Po 157 Ligeti, György 48, 92, 113, 188, 408 - Études for piano 92 - Horn Trio 92 - Le grand macabre 92 - Melodien for Strings 92 - Piano Concerto 41-43, 92, 207, 208, 218, 299, 305-317, 368, 369, 372, 375, 376, 387, 388, 391, 413, 421, 422, 429, 453, 458 Lisecki, Wiesław 71 Lissa, Zofia 400 Liszt, Ferenc 127, 401 Lutosławski, Witold 15, 29, 37, 38, 41, 43, 65, 71, 72, 84, 98,107, 211, 220, 221, 237-239, 285, 299, 372, 383, 384, 386, 388, 401, 406, 412, 420, 429 - Double Concerto 43, 372 - Epitaph 43, 372, 429 - Grave 43, 218, 221, 234, 323, 372 - Interlude 330,429 - Livre pour orchestra 29, 38, 239 - Partita 151, 174-176,180, 181, 198, 283, 388, 411,
429, 450, 457 - Piano Concerto 41-43, 92, 207, 208, 218, 299, 305-317, 368, 369, 372, 375, 376, 387, 388, 391, 413, 421, 422, 429, 453, 458 - Symphony No. 3 13, 30, 34, 39, 41, 43, 60-64, 71, 77, 96, 97, 100, 101, 106, 107, 109, 111, 114, 125, 133-141, 147, 148, 164, 176, 179, 199, 200, 207, 221, 228, 230-236, 282, 283, 317, 372, 373, 375-377, 386, 387, 392, 395, 396, 398, 399, 400, 401, 403, 406-410, 414, 423, 428, 429, 431, 449, 451, 457 - Symphony No. 4 43, 98, 100, 111, 114, 372, 429 Lyotard, Jean-François 118, 119 Ł Łempicki, Zygmunt 16, 381, 446 Łobaczewska, Stefania 432 Luciuk, Juliusz 41 - Saint Francis ofAssisi 41 Μ Machaut, Guillaume 440 Mahler, Gustav 176, 181 - Adagietto from Symphony No. 5 in C sharp minor 24 - Adagio from Symphony No. 10 177, 181 - Song of The Earth 176, 181
Index of Surnames and Works Malawski, Artur 253, 262, 365 Małecka, Teresa 31, 65, 71,128, 355, 387, 388, 391, 392 Malinowski, Władysław 42, 388 Malipiero, Gian Francesco 54 Małecki, Maciej 285, 325, 327-330, 334, 368, 369, 375, 376, 423, 454, 458, 459 - Aria and Scherzo 424 - Non-Divine Symphony 424 - Only on the Keys 423 - Song and Ostinato 325, 327-329, 368, 369, 375, 376, 424, 454, 458 Małek, Ernest 30 Manzoni, Piero 445 Markowski, Andrzej 36 Martinu, Bohuslav 426 Me Kellan, Ian 281 Mendelssohn-Bartholdy, Felix 426 Messiaen, Olivier 13,101, 106, 149, 150,152,157, 176,188,190, 197, 198, 205, 227, 230, 272, 280, 404, 407, 408, 411, 412, 423, 440, 450 - Mode de valeurs et d’intensités 13 - Three Small Liturgies of the Divine Presence 230 - Vingt regards sur l’Enfant Jésus 149 Meyer, Krzysztof 341-344, 369, 377, 390, 429, 454, 459 - Symphony No. 6 "Polish” 341, 369, 377 Meyerbeer, Giacomo [Jakob Meyer Beer] 438 Myaskovsky, Nikolai 54 Michels, Ulrich 110, 383 Mickiewicz, Adam 18, 441 - Ballads and Romances 407 Miklaszewska, Joanna 34,91,115, 368, 383 Mikulska, Małgorzata 57, 58, 372, 388 Miró, Juan 403 Mondrian, Piet 403 Moniuszko, Stanisław 69 471 Monteverdi, Claudio 116,440 Morawski, Eugeniusz 19 Morawski, Stefan 118,381 Moryto, Stanisław 22, 54, 285, 2 99, 303-305, 335-338, 368, 369, 373, 375, 385, 391, 424, 453, 454, 458, 459 - Cello Concerto 98, 126, 299, 303֊ 305, 368, 369, 375, 378, 385, 397, 410, 416, 453 - Rhapsod 335-338, 368, 454, 458 Moss, Piotr 54 Moszumańska-Nazar, Krystyna 71, 383, 392 Mozart, Wolfgang Amadeusz 32, 49, 52, 69,402, 411 Mroczek, Joanna 51, 52,
121, 389 Mrożek, Stanisław 237 Mussorgsky, Modest 411 Musset, Alfred de 18 Müller, Heiner 429 Müller-Siemens, Detlev 92 Mycielski, Zygmunt 39-41, 60, 66, 68, 71, 113, 389, 432 Mykietyn, Pawel 433 N Narbutaitė, Onutė 92, 429 - Vilnius Oratory ”Centones meae urbi” 429 Negrey, Maciej 22, 54, 72, 77, 83, 341, 352, 353, 369, 373, 378, 389, 425, 455, 459 - Mesto 300, 352, 353, 362 - String Quartet No. 1 111, 173, 239, 240, 253, 254, 256, 257, 259, 278, 281-283, 352, 353, 365, 369, 376-378, 452, 455, 457 - String Quartet No. 2 83, 218, 240, 257-259, 266, 281, 414, 452, 457 Niewiadomski, Stanislaw 19 Nobre, Marlos 88 Nono, Ligi 37 Noskowski, Zygmunt 209
472 Index of Surnames and Works Novalis [Georg Philipp Friedrich Freiherr von Hardenberg] 18 Nowicki, Marek 407 Nowowiejski, Feliks 19 Nyczek, Tadeusz 79 О Ockeghem, Johannes 110 Oleszkowicz, Jan 54 Ortega у Gasset, José 13, 35, 86, 112, 373, 382 P Paja-Stach, Jadwiga 107,383 Palester, Roman 17, 44, 188, 372, 390 - Monograms 188 ֊ Symphony No. 5 24, 44, 98, 142, 202, 297, 363, 372 - Viola Concerto 44, 372 Palestrina, Giovanni Pierluigi da 110 Panufnik, Andrzej 44, 173, 227, 372 - Symphony No. 9 (”Sinfonia di Speranza”) 44 - Symphony No. 10 44, 112, 177, 181, 372 - Violin Concerto 13, 40-42, 45, 62, 64, 65, 82, 87, 89, 98, 100, 125131, 133, 147, 148, 173, 179, 299, 300, 302, 303, 341, 360, 361, 363, 365-369, 372, 375-378, 386, 387, 392, 395, 397, 399, 401, 413, 421, 427, 429, 431, 440, 449, 453, 455, 457, 458 Part, Arvo 93, 110, 429, 430 Patkowski, Józef 60,71,277 Penderecki, Krzysztof 13, 14, 16, 22, 23, 36-38, 40, 41, 46, 48, 50-52, 59-62, 64, 65, 68, 71, 72, 81, 82, 87, 95-101, 106, 108, 110, 111, 113, 114, 117, 121, 123, 125-133, 135, 137, 139, 141, 143, 145, 147, 148, 168, 171, 179, 191, 209, 214, 270, 285, 319, 341, 371, 372, 375, 376, 378, 384-389, 392, 395, 396, 401, 404, 406, 408, 413, 414, 420, 423, 427, 429, 431, 432, 437-440, 449, 457, 459 - Anaklasis 40, 62 - Cello Concerto No. 1 126 - Cello Concerto No. 2 397 - Canticum Canticorum Salomonis 40 - Concerto grosso 22,110,168, 272 ֊ Credo 59, 83, 101, 102, 148, 228, 397, 410 - De Natura Sonoris No. 2 126 - Emanations 40 - Fluorescences 38, 40, 62 - Jacob’s Awakening 40, 117,131, 132, 372 - Lacrimosa [from Polish
Requiem] 109, 399, 400 - Magnificat 130 - Paradise Lost 40, 106,126, 397 - Passion According to Saint Luke 38, 40,101, 400 - Piano Concerto "Resurrection” 413 - Polish Requiem 16, 52, 95, 98, 101, 109, 126, 148, 397, 400 - Polymorphia 40, 59, 62 ֊ Psalms ofDavid 40, 397 - Seven Gates ofJerusalem 101 - Sinfonietta 108, 123, 357, 358, 368, 369, 391, 455 - Stabat Mater 101, 102, 112, 126, 171, 239, 253, 255, 259, 281, 376, 399 - Strophes 40 - Symphony No. 1 40, 42, 117, 126, 200, 202-207, 209, 236, 240, 283, 285, 296-298, 357, 359, 360, 369, 372, 376, 378, 408, 451, 453, 455, 457 - Symphony No. 2 "Christmas” 404 - Symphony No. 3 13, 30, 34, 39, 41, 43, 60-64, 71, 77, 96, 97, 100, 101, 106, 107, 109, 111, 114, 125, 133-141, 147, 148, 164, 176, 179, 199, 200, 207, 221, 228, 230-236,
Index of Surnames and Works 2 82, 283, 317, 372, 373, 375-377, 386, 387, 392, 395, 396, 398, 399, 400, 401, 403, 406-410, 414, 423, 428, 429, 431, 449, 451, 457 - Symphony No. 4 "Adagio” 114 - Symphony No. 5 "Korean” 98 - TeDeum 72, 111, 148, 397 - Threnody to the Victims of Hiroshima 37, 40, 48,125 - Utrenja 101 - Violin Concerto No. 1 13, 40, 41, 64, 82, 87, 98,125-131, 147, 173, 341, 372, 375, 376, 378, 395, 397, 399, 413, 427, 429, 431, 440, 449, 457 - Violin Concerto No. 2 ”Metamorphoses” 98, 100 Pergolesi, Giovanni Battista 69 Picasso, Pablo [P. Ruiz Picasso] 397 Pichura, Joachim 237 Piotrowska, Maria 120, 389, 429 Pisarenko, Olgierd 35, 60, 83, 260, 389, 426 Pizzetti, Ildebrando 19 Pociej, Bohdan 15, 22, 38, 43, 46, 52, 53, 60-65, 68-71, 80, 81, 84, 85, 95, 100-102, 113, 114, 121, 373, 377, 384, 386, 389, 426, 428, 432, 434, 459 Podhajski, Marek 436, 459 Polony, Leszek 13-16, 22, 25, 31-33, 39, 40, 43, 46-48, 52, 53, 55, 57, 63-81, 83, 85, 87, 89, 95, 97, 99,100, 102-106, 113-115, 121-123, 126, 142,188, 221, 238, 242, 249, 251, 281, 282, 341, 348, 349, 353, 373, 374, 384, 386, 387, 389-392, 426, 437, 459 Porębski, Mieczysław 45, 46, 382 Potter, Keith 91, 92, 391 Prokofiev, Sergei 54, 117, 120, 150, 157, 406, 423 - Fiery Angel 150 - Scythian Suite 157 473 Pstrokońska-Nawratil, Grażyna 54, 57, 77,105 - Icarus 105 Ptaszyńska, Marta 402, 459 Puccini, Giacomo 150 - Turandot 150 Purcell, Henry 69 Pushkin, Alexander S. 18 R Rachmaninoff, Sergei 54, 423 Rands, Bernard 88, 91 Raphael, Max 238,411 Ravel, Maurice 48, 54, 406, 411, 423 Read, Herbert 32, 97, 153, 238, 381, 409,
411 Regamey, Konstanty 17, 18, 71, 374, 391, 432, 437 Reger, Max 19 Reich, Steve 91 - Music for Eighteen Musicians 91 Reimann, Aribert 113 Ricoeur, Paul 69 Rihm, Wolfgang 92, 401, 429 - Jakob Lenz 429 Riley, Terry 115 Rilke, Reiner Maria 336, 414 Rimsky-Korsakov, Nikolai A. 396 Rochberg, George 23, 45, 82, 87-91, 384, 391, 399 - String Quartet No. 3 87, 224, 235, 236, 410, 451 - Violin Concerto 13, 40-42, 45, 62, 64, 65, 82, 87, 89, 98, 100,125-131, 133,147, 148, 173, 179, 299, 300, 302, 303, 341, 360, 361, 363, 365369, 372, 375-378, 386, 387, 392, 395, 397, 399, 401,413,421,427, 429,431, 440,449, 453,455, 457, 458 Rockwell, John 13,384 Rodin, Auguste 221 Rorem, Ned 91 Rorty, Richard 119 Rosengren, Håkan 233
474 Index of Surnames and Works Roussel, Albert 54 Rybkowski, Jan 407 Rychlik, Józef 54 Rytel, Piotr 19 S Satie, Eric 34, 403 Schaeffer [Schäffer], Bogusław 36, 42, 44, 56, 66, 68, 372, 373, 384, 386, 388, 391, 408, 425, 426 - Musica ipsa 426 - Romuald Traugutt 66, 386 ֊ Violin Concerto No. 4 45 Schelling, Friedrich Wilhelm Joseph 442 Schiller, Friedrich 121 Schlegel, August Wilhelm 18, 442 Schlegel, Friedrich 18, 442 Schonberg, Harold C. 70, 87-90, 391, 399 Schönberg, Arnold 48, 106, 117, 266, 436 - String Quartet No. 2 83, 218, 240, 257-259, 266, 281, 414, 452, 457 Schreker, Franz 54 Schubert, Franz 80, 99, 101, 179, 389 Schumann, Robert 18, 330, 403, 416 Schweinitz, Wolfgang 429 Serocki, Kazimierz 36-38, 406 - Episodes 37, 66, 140, 176, 236, 281, 320, 325, 341, 360, 374, 376 - Segmenti 37 - Symphonic Frescoes 38 Shakespeare, William 32, 201 Shostakovich, Dmitri 117,303,396, 431, 440 Sibelius, Jean 21,81,427 Sielicki, Edward 54, 285, 299, 305, 310-313, 325, 334, 335, 369, 373, 387, 391, 453, 454, 458 - Piano Concerto 41-43, 92, 207, 208, 218, 299, 305-317, 368, 369, 372, 375, 376, 387, 388, 391, 413, 421, 422, 429, 453, 458 - Polymorphic Phantasy 325, 334, 335, 369 Sikora, Elżbieta 55 Sikorski, Tomasz 115 Silvestrov, Valentin 93 Scriabin, Alexander 21, 65, 81,106, 127, 150,152, 190,197,198, 221, 230, 395, 411, 412, 415, 436, 450 Skowron, Zbigniew 27, 30, 34, 42, 45, 49, 50, 87, 89, 90, 118, 119, 384, 385, 391, 399 Sławiński, Adam 251, 285, 318, 319, 320, 372, 459 - Canto 227, 228, 251, 318-320, 369, 376, 407, 453, 458 - The Longest War ofModern Europe [soundtrack] 407 -
Peasants [soundtrack] 407 Sławiński, Janusz 15, 16, 109, 381 Słowacki, Juliusz 18,237,255,266, 269, 444 Stęszewski, Jan 71 Stachowski, Marek 22, 34, 41, 82, 98, 341, 344-348, 350-354, 368, 369, 376, 390, 391, 429, 454, 455, 458, 459 - Birds 41, 93, 353, 354, 368, 369, 390, 455 - Divertimento 348, 350-352, 429, 454 - From the Book of the Night 341, 344-347, 368, 369, 376, 454, 458 Stachura, Edward 196 Staff, Leopold 153, 157 Stanclik, Mieczysław 237 Stańczyk, Czesław 149 Stern, Isaac 87, 127 Stockhausen, Karlheinz 37, 48, 106, 201, 405, 408 - Gesang der Jünglinge 201 Strauss, Richard 21, 69, 91, 142, 194, 415, 416, 420, 436 - Alpine Symphony 142 - Elektra 436 - Salome 436
Index of Surnames and Works - Thus Spoke Zarathustra 91 Stravinsky, Igor 48, 61, 69, 117, 120, 188, 397, 403, 405, 406, 426 ֊ Mass 61, 62, 65, 99, 102, 106, 228, 443, 445 - Petrushka 405 ֊ Requiem Canticles 426 - Rite of Spring 405 - Wedding 38, 405 Stróżewski, Władysław 69, 71, 72 Strzelecki, Paweł 16, 56, 76, 96, 120, 290, 303, 391, 393, 464 Strzemiński, Władysław 42, 334 Suk, Josef 54 Surzyński, Mieczysław 19 Sydor, Paweł 341, 347, 348, 368, 369, 454, 459 - Oboe Concerto Wirtuti Militari” 347 Szabelski, Bolesław 29, 43, 363 - Aphorisms 409 Szalonek, Witold 30, 36, 37, 44, 45, 391, 408 - Improvisations sonoristiques 37 - Quattro Monologhi У! ֊ Symphony ofRituals 45 - Zakopane Suite 45 Szczepańska-Lange, Elżbieta 118, 121, 326, 391, 437 Szeligowski, Tadeusz 363 Szeremeta, Ryszard 54 Schnittke, Alfred 93 Sztwiertnia, Jerzy 407 Szwajgier, Krzysztof 15, 30, 31, 47, 48, 67, 71, 73, 77-79, 85, 86, 115, 373, 383, 387, 388, 391, 392, 428 - Artists 13,14,18,19, 23, 31, 36, 38, 44, 45, 47, 49, 54, 56, 61, 63, 72-74, 76-81, 83, 91, 92, 102, 106, 111, 113, 117, 149, 200, 283, 285, 299, 372, 382, 405, 407, 415, 432, 440 Szwajgier, Olga 253, 255, 428 Szymanowski, Karol 16, 17, 21, 54, 64, 81, 102, 103, 112, 116, 133, 150, 475 155, 173,197, 256, 266, 281, 319, 336, 363, 376, 383, 392, 410, 425, 436, 440, 452 - Myths 92,197, 442 - Stabat Mater 101, 102, 112, 126, 171, 239, 253, 255, 259, 281, 376, 399 - Violin Concerto No. 1 13,40, 41, 64, 82, 87, 98, 125-131, 147, 173, 341, 372, 375, 376, 378, 395, 397, 399, 413, 427, 429, 431, 440, 449, 457 Szymański, Paweł 33, 54, 55, 77, 93, 108,
121, 123, 124, 299, 378, 406, 426, 427 - Kyrie 102, 108, 228, 230, 231, 234, 235, 283, 451 - Miserere 123 - Quasi una Sinfonietta 123 - Piano Concerto 41-43, 92, 207, 208, 218, 299, 305-317, 368, 369, 372, 375, 376, 387, 388, 391, 413, 421, 422, 429, 453, 458 Świder, Józef 74, 199 T Tansman, Aleksander 54 Tarnawska-Kaczorowska, Krystyna 44, 68, 71, 86, 100, 125, 385, 392 Tatarkiewicz, Władysław 18, 20, 21, 85, 375, 381, 382, 438 Tavener, John 429 Tchaikovsky, Piotr 133, 326, 423 Thomas, Adrian 38, 109, 319, 385, 400 Thomson, Virgil 19 Thoreau, Henry David 428 Thorne, Nicholas 91 Tischner, Rev. Józef 251, 382 Toch, Ernst 19 Tokarski, Jan 109 Tomaszewski, Mieczysław 30, 37, 50, 51, 65, 69, 71, 128, 133, 196, 385, 392, 439, 459
Mb Index of Surnames and Works Toynbee, Arnold J. 117 Toubleyn, Helena 150,151,181,197, 198, 284 Trzos-Rastawiecki, Andrzej 320 Trojahn, Manfred 429 U Urbaitis, Mindaugas 92 Urbankowski, Bohdan 79 Urbański, Kazimierz 239 V Valéry, Paul 103, 157, 159, 198 Varèse, Edgar 249, 405 - Ionisations 249 Vašks, Petris 93 Vaughan-Williams, Ralph 54,191, 217, 362 - The Lark Ascending 217 - Five Variants of ‘Dives and Lazarus’ 362 Vega, Aurelio de la 88 Vivaldi, Antonio 104, 402, 464 W Wacław z Szamotuł 173 Wagner, Ryszard 191, 104, 150, 179, 376 - Lohengrin 191 - Parsifal 150 - Rhinegold 104 ֊ Tannhauser 150 - Tristan and Isolde 150,179, 376, 396 Waldorff, Jerzy 209, 392 Walton, William 54 Weber, Carl Maria von 18, 257, 330, 416 Webern, Anton 48,106, 403, 405,415, 429, 430 Welsch, Wolfgang 120, 382 WeiR, Kurt 81 Williams, John 91 - Saving Private Ryan [soundtrack] 91 - Shindler’s List [soundtrack] 91 - Star Wars [soundtrack] 91 Wiłkomirska, Wanda 365 Witkiewicz, Stanisław Ignacy 217 Wnuk-Nazarowa, Joanna 65,128, 133, 392, 428 Woytowicz, Bolesław 29, 30 Wróbel, Andrzej 325 Wu-Kien, Shang 153, 157 X Xenakis, Iannis 48, 401, 408 Z Zagajewski, Adam 78, 79, 373, 381, 406, 443 Zanussi, Krzysztof 43 Zemlinsky, Alexander von 81 Zgraja, Krzysztof 77 Zielińska, Lidia 54 Zieliński, Tadeusz Andrzej 22, 23, 38, 40, 46, 50, 60, 62, 67, 68, 81, 98-100, 108, 110, 111, 114, 117, 120, 121, 123, 128, 133, 179, 375, 385, 392, 396, 397, 439, 440, 459 Żeleński, Władysław 209 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Strzelecki, Paweł 1975- |
| author2 | Strzelecki, Paweł 1975- |
| author2_role | trl |
| author2_variant | p s ps |
| author_GND | (DE-588)123081423X |
| author_facet | Strzelecki, Paweł 1975- Strzelecki, Paweł 1975- |
| author_role | aut |
| author_sort | Strzelecki, Paweł 1975- |
| author_variant | p s ps |
| building | Verbundindex |
| bvnumber | BV048967022 |
| classification_rvk | LP 19507 LQ 86507 |
| ctrlnum | (OCoLC)1335554876 (DE-599)DNB1262095093 |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| era | Geschichte 1975-2000 gnd |
| era_facet | Geschichte 1975-2000 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000 cb4500</leader><controlfield tag="001">BV048967022</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20230629</controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">230519s2022 gw a||| m||| 00||| eng d</controlfield><datafield tag="015" ind1=" " ind2=" "><subfield code="a">22,N28</subfield><subfield code="2">dnb</subfield></datafield><datafield tag="015" ind1=" " ind2=" "><subfield code="a">23,A15</subfield><subfield code="2">dnb</subfield></datafield><datafield tag="016" ind1="7" ind2=" "><subfield code="a">1262095093</subfield><subfield code="2">DE-101</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9783631874448</subfield><subfield code="c">Festeinband : EUR 59.95 (DE), EUR 61.60 (AT), CHF 70.00 (freier Preis)</subfield><subfield code="9">978-3-631-87444-8</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">3631874448</subfield><subfield code="9">3-631-87444-8</subfield></datafield><datafield tag="024" ind1="3" ind2=" "><subfield code="a">9783631874448</subfield></datafield><datafield tag="028" ind1="5" ind2="2"><subfield code="a">Bestellnummer: 287444</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1335554876</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)DNB1262095093</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">gw</subfield><subfield code="c">XA-DE</subfield><subfield code="a">sz</subfield><subfield code="c">XA-CH</subfield><subfield code="a">au</subfield><subfield code="c">XA-AT</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-11</subfield><subfield code="a">DE-12</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MUS</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">OST</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LP 19507</subfield><subfield code="0">(DE-625)105954:13535</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LQ 86507</subfield><subfield code="0">(DE-625)109122:13535</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">803000 Wagner, Richard*by*ob*of</subfield><subfield code="2">sbb</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">803000 Strauss, Richard*by*ob</subfield><subfield code="2">sbb</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Strzelecki, Paweł</subfield><subfield code="d">1975-</subfield><subfield code="0">(DE-588)123081423X</subfield><subfield code="4">aut</subfield><subfield code="4">trl</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">"New romanticism" in the works of Polish composers after 1975</subfield><subfield code="c">Pawel Strzelecki ; translated by Paweł Strzelecki</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Berlin ; Bern ; Bruxelles</subfield><subfield code="b">Peter Lang</subfield><subfield code="c">[2022]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2022</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">476 Seiten</subfield><subfield code="b">Illustrationen</subfield><subfield code="c">22 cm, 681 g</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">Eastern European studies in musicology</subfield><subfield code="v">volume 24</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1975-2000</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Neuromantik</subfield><subfield code="0">(DE-588)4136738-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Komposition</subfield><subfield code="g">Musik</subfield><subfield code="0">(DE-588)4133320-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Polen</subfield><subfield code="0">(DE-588)4046496-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">emotionalism</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">tradition‘s revival</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">new tonality</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">euphony</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">quotation technique</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">postmodernism</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">emotionalism;tradition‘s revival;new tonality;euphony;quotation technique;postmodernism</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4113937-9</subfield><subfield code="a">Hochschulschrift</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Polen</subfield><subfield code="0">(DE-588)4046496-9</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Komposition</subfield><subfield code="g">Musik</subfield><subfield code="0">(DE-588)4133320-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Neuromantik</subfield><subfield code="0">(DE-588)4136738-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Geschichte 1975-2000</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DNB</subfield></datafield><datafield tag="710" ind1="2" ind2=" "><subfield code="a">Peter Lang GmbH</subfield><subfield code="0">(DE-588)1065711506</subfield><subfield code="4">pbl</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe, PDF</subfield><subfield code="z">978-3-631-88715-8</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe, EPUB</subfield><subfield code="z">978-3-631-88750-9</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe, MOBI</subfield><subfield code="z">978-3-631-88751-6</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">Eastern European studies in musicology</subfield><subfield code="v">volume 24</subfield><subfield code="w">(DE-604)BV041902002</subfield><subfield code="9">24</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">DNB Datenaustausch</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034230708&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung BSB München - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034230708&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung BSB München - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034230708&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Literaturverzeichnis</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung BSB München - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034230708&sequence=000007&line_number=0004&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Register // Personenregister</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="n">oe</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="n">by</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">BSB_NED_20230616</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.9</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09047</subfield><subfield code="g">438</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.9</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09049</subfield><subfield code="g">438</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.9</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09048</subfield><subfield code="g">438</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034230708</subfield></datafield></record></collection> |
| genre | (DE-588)4113937-9 Hochschulschrift gnd-content |
| genre_facet | Hochschulschrift |
| geographic | Polen (DE-588)4046496-9 gnd |
| geographic_facet | Polen |
| id | DE-604.BV048967022 |
| illustrated | Illustrated |
| index_date | 2024-07-03T22:01:52Z |
| indexdate | 2024-07-31T01:18:45Z |
| institution | BVB |
| institution_GND | (DE-588)1065711506 |
| isbn | 9783631874448 3631874448 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034230708 |
| oclc_num | 1335554876 |
| open_access_boolean | |
| owner | DE-11 DE-12 |
| owner_facet | DE-11 DE-12 |
| physical | 476 Seiten Illustrationen 22 cm, 681 g |
| psigel | BSB_NED_20230616 |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | Peter Lang |
| record_format | marc |
| series | Eastern European studies in musicology |
| series2 | Eastern European studies in musicology |
| spelling | Strzelecki, Paweł 1975- (DE-588)123081423X aut trl "New romanticism" in the works of Polish composers after 1975 Pawel Strzelecki ; translated by Paweł Strzelecki Berlin ; Bern ; Bruxelles Peter Lang [2022] © 2022 476 Seiten Illustrationen 22 cm, 681 g txt rdacontent n rdamedia nc rdacarrier Eastern European studies in musicology volume 24 Geschichte 1975-2000 gnd rswk-swf Neuromantik (DE-588)4136738-8 gnd rswk-swf Komposition Musik (DE-588)4133320-2 gnd rswk-swf Polen (DE-588)4046496-9 gnd rswk-swf emotionalism tradition‘s revival new tonality euphony quotation technique postmodernism emotionalism;tradition‘s revival;new tonality;euphony;quotation technique;postmodernism (DE-588)4113937-9 Hochschulschrift gnd-content Polen (DE-588)4046496-9 g Komposition Musik (DE-588)4133320-2 s Neuromantik (DE-588)4136738-8 s Geschichte 1975-2000 z DNB Peter Lang GmbH (DE-588)1065711506 pbl Erscheint auch als Online-Ausgabe, PDF 978-3-631-88715-8 Erscheint auch als Online-Ausgabe, EPUB 978-3-631-88750-9 Erscheint auch als Online-Ausgabe, MOBI 978-3-631-88751-6 Eastern European studies in musicology volume 24 (DE-604)BV041902002 24 DNB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034230708&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034230708&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034230708&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA Literaturverzeichnis Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034230708&sequence=000007&line_number=0004&func_code=DB_RECORDS&service_type=MEDIA Register // Personenregister |
| spellingShingle | Strzelecki, Paweł 1975- "New romanticism" in the works of Polish composers after 1975 Eastern European studies in musicology Neuromantik (DE-588)4136738-8 gnd Komposition Musik (DE-588)4133320-2 gnd |
| subject_GND | (DE-588)4136738-8 (DE-588)4133320-2 (DE-588)4046496-9 (DE-588)4113937-9 |
| title | "New romanticism" in the works of Polish composers after 1975 |
| title_auth | "New romanticism" in the works of Polish composers after 1975 |
| title_exact_search | "New romanticism" in the works of Polish composers after 1975 |
| title_exact_search_txtP | "New romanticism" in the works of Polish composers after 1975 |
| title_full | "New romanticism" in the works of Polish composers after 1975 Pawel Strzelecki ; translated by Paweł Strzelecki |
| title_fullStr | "New romanticism" in the works of Polish composers after 1975 Pawel Strzelecki ; translated by Paweł Strzelecki |
| title_full_unstemmed | "New romanticism" in the works of Polish composers after 1975 Pawel Strzelecki ; translated by Paweł Strzelecki |
| title_short | "New romanticism" in the works of Polish composers after 1975 |
| title_sort | new romanticism in the works of polish composers after 1975 |
| topic | Neuromantik (DE-588)4136738-8 gnd Komposition Musik (DE-588)4133320-2 gnd |
| topic_facet | Neuromantik Komposition Musik Polen Hochschulschrift |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034230708&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034230708&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034230708&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034230708&sequence=000007&line_number=0004&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV041902002 |
| work_keys_str_mv | AT strzeleckipaweł newromanticismintheworksofpolishcomposersafter1975 AT peterlanggmbh newromanticismintheworksofpolishcomposersafter1975 |
Es ist kein Print-Exemplar vorhanden.
Inhaltsverzeichnis