Photo-museology: the presence of absence and the absence of presence
Ethnographic museums, now often rebranded as collections of ‘world cultures’, appear permanently problematic, even as their contexts and the orientation of their activities change. Across Europe and elsewhere, curators and other museum staff are committed to dialogue and collaboration with the peopl...
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Leiden
Sidestone Press
[2022]
|
| Schriftenreihe: | Pacific presences
7 |
| Schlagworte: | |
| Online-Zugang: | Volltext Volltext |
| Zusammenfassung: | Ethnographic museums, now often rebranded as collections of ‘world cultures’, appear permanently problematic, even as their contexts and the orientation of their activities change. Across Europe and elsewhere, curators and other museum staff are committed to dialogue and collaboration with the peoples from whom collections were made. But their vast assemblages of artefacts, removed from countries of origin primarily during the colonial period, and assumed, mostly inaccurately, to have been looted, seem always in question. Photo-Museology arises from an art project undertaken over 25 years. From the early 1990s, Mark Adams and Nicholas Thomas together investigated sites of cross-cultural encounter in the Pacific and associated places in Europe, ranging from Captain Cook memorials to ethnographic museums. Some of those museums still exhibited colonial symbols and forms of knowledge, others had attempted to displace such histories, foregrounding more inclusive or progressive stories. Complementing the academic studies in the Pacific Presences series, this book offers what John Berger referred to as ‘another way of telling’. Through photography, it revisits the places collections were made, and the places they ended up in. It is a meditation on presence and absence. |
| Beschreibung: | 1 Online-Ressource (479 Seiten) Illustrationen |
| ISBN: | 9789088906343 |
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| 520 | 3 | |a Ethnographic museums, now often rebranded as collections of ‘world cultures’, appear permanently problematic, even as their contexts and the orientation of their activities change. Across Europe and elsewhere, curators and other museum staff are committed to dialogue and collaboration with the peoples from whom collections were made. But their vast assemblages of artefacts, removed from countries of origin primarily during the colonial period, and assumed, mostly inaccurately, to have been looted, seem always in question. Photo-Museology arises from an art project undertaken over 25 years. From the early 1990s, Mark Adams and Nicholas Thomas together investigated sites of cross-cultural encounter in the Pacific and associated places in Europe, ranging from Captain Cook memorials to ethnographic museums. Some of those museums still exhibited colonial symbols and forms of knowledge, others had attempted to displace such histories, foregrounding more inclusive or progressive stories. Complementing the academic studies in the Pacific Presences series, this book offers what John Berger referred to as ‘another way of telling’. Through photography, it revisits the places collections were made, and the places they ended up in. It is a meditation on presence and absence. | |
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Datensatz im Suchindex
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| discipline_str_mv | Sozial-/Kulturanthropologie / Empirische Kulturwissenschaft |
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| index_date | 2024-07-03T22:01:51Z |
| indexdate | 2024-07-10T09:51:30Z |
| institution | BVB |
| isbn | 9789088906343 |
| language | English |
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| series | Pacific presences |
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| spelling | Adams, Mark 1949- Verfasser (DE-588)1112960546 aut Photo-museology the presence of absence and the absence of presence Mark Adams and Nicholas Thomas Leiden Sidestone Press [2022] © 2022 1 Online-Ressource (479 Seiten) Illustrationen txt rdacontent sti rdacontent c rdamedia cr rdacarrier Pacific presences 7 Ethnographic museums, now often rebranded as collections of ‘world cultures’, appear permanently problematic, even as their contexts and the orientation of their activities change. Across Europe and elsewhere, curators and other museum staff are committed to dialogue and collaboration with the peoples from whom collections were made. But their vast assemblages of artefacts, removed from countries of origin primarily during the colonial period, and assumed, mostly inaccurately, to have been looted, seem always in question. Photo-Museology arises from an art project undertaken over 25 years. From the early 1990s, Mark Adams and Nicholas Thomas together investigated sites of cross-cultural encounter in the Pacific and associated places in Europe, ranging from Captain Cook memorials to ethnographic museums. Some of those museums still exhibited colonial symbols and forms of knowledge, others had attempted to displace such histories, foregrounding more inclusive or progressive stories. Complementing the academic studies in the Pacific Presences series, this book offers what John Berger referred to as ‘another way of telling’. Through photography, it revisits the places collections were made, and the places they ended up in. It is a meditation on presence and absence. Fotografie (DE-588)4045895-7 gnd rswk-swf Kolonialismus (DE-588)4073624-6 gnd rswk-swf Ethnologisches Museum (DE-588)4188477-2 gnd rswk-swf Ozeanien (DE-588)4044257-3 gnd rswk-swf Europa (DE-588)4015701-5 gnd rswk-swf Ethnologisches Museum (DE-588)4188477-2 s Kolonialismus (DE-588)4073624-6 s Fotografie (DE-588)4045895-7 s Ozeanien (DE-588)4044257-3 g Europa (DE-588)4015701-5 g DE-604 Thomas, Nicholas 1960- Verfasser (DE-588)13158555X aut Erscheint auch als Druck-Ausgabe, Paperback 978-90-8890-632-9 Erscheint auch als Druck-Ausgabe, Hardcover 978-90-8890-633-6 (DE-604)BV047187038 Erscheint auch als Online-Ausgabe, PDF 978-90-8890-634-3 Pacific presences 7 (DE-604)BV048966973 7 https://www.sidestone.com/bookviewer/9789088906329 Verlag kostenfrei Volltext https://www.sidestone.com/openaccess/9789088906329.pdf Verlag kostenfrei Volltext |
| spellingShingle | Adams, Mark 1949- Thomas, Nicholas 1960- Photo-museology the presence of absence and the absence of presence Pacific presences Fotografie (DE-588)4045895-7 gnd Kolonialismus (DE-588)4073624-6 gnd Ethnologisches Museum (DE-588)4188477-2 gnd |
| subject_GND | (DE-588)4045895-7 (DE-588)4073624-6 (DE-588)4188477-2 (DE-588)4044257-3 (DE-588)4015701-5 |
| title | Photo-museology the presence of absence and the absence of presence |
| title_auth | Photo-museology the presence of absence and the absence of presence |
| title_exact_search | Photo-museology the presence of absence and the absence of presence |
| title_exact_search_txtP | Photo-museology the presence of absence and the absence of presence |
| title_full | Photo-museology the presence of absence and the absence of presence Mark Adams and Nicholas Thomas |
| title_fullStr | Photo-museology the presence of absence and the absence of presence Mark Adams and Nicholas Thomas |
| title_full_unstemmed | Photo-museology the presence of absence and the absence of presence Mark Adams and Nicholas Thomas |
| title_short | Photo-museology |
| title_sort | photo museology the presence of absence and the absence of presence |
| title_sub | the presence of absence and the absence of presence |
| topic | Fotografie (DE-588)4045895-7 gnd Kolonialismus (DE-588)4073624-6 gnd Ethnologisches Museum (DE-588)4188477-2 gnd |
| topic_facet | Fotografie Kolonialismus Ethnologisches Museum Ozeanien Europa |
| url | https://www.sidestone.com/bookviewer/9789088906329 https://www.sidestone.com/openaccess/9789088906329.pdf |
| volume_link | (DE-604)BV048966973 |
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