Anne Carson/Antiquity:
"From her seminal Eros the Bittersweet (1986) to her experimental Float (2016), Bakkhai (2017) and Norma Jeane Baker of Troy (2019), Anne Carson's engagement with antiquity has been deeply influential to generations of readers, both inside and outside of academia. One reason for her succes...
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
London ; New York ; Oxford ; New Delhi ; Sydney
Bloomsbury Academic
2023
|
| Ausgabe: | Paperback edition |
| Schriftenreihe: | Bloomsbury studies in classical reception
|
| Schlagworte: | |
| Zusammenfassung: | "From her seminal Eros the Bittersweet (1986) to her experimental Float (2016), Bakkhai (2017) and Norma Jeane Baker of Troy (2019), Anne Carson's engagement with antiquity has been deeply influential to generations of readers, both inside and outside of academia. One reason for her success is the versatile scope of her classically oriented oeuvre, which she rethinks across multiple media and categories. Yet an equally significant reason is her profile as a classicist. In this role, Carson unfailingly refuses to conform to the established conventions and situated practices of her discipline, in favour of a mode of reading classical literature that allows for interpretative and creative freedom. From a variety of interrelated thematic foci and directions, the volume explores the erudite indiscipline of Carson's classicism as it emerges in her poetry, translations, essays, and visual artistry. It argues that her classicism is irreducible to a single vision, and that it is best approached as integral to the protean character of her artistic thought. From a multi-praxis, cross-disciplinary perspective, the study collects twenty essays by poets, translators, artists, practitioners and scholars. It turns a spotlight on a series of interrelated issues in Carson's dialogue with antiquity, most prominently, her academic and artistic profile as a classicist, the character of her classical poetics and ethos, the traditions and contexts of her classical thought, her experiments with form, including paratextual materials, her classical translation praxis, and her creative engagement with visual and installation arts. Anne Carson/Antiquity offers the first collective study of the author's classicism, while drawing attention to one of the most avant-garde, multifaceted readings of the classical past" |
| Beschreibung: | xvi, 298 Seiten Illustrationen 24 cm |
| ISBN: | 9781350256071 |
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| 505 | 8 | |a Introduction On Anne Carson/ Antiquity / Laura Jansen -- The Beginning of Now / Anna Jackson -- Chimeras: Empty Space and Melting Borders / Phoebe Giannisi -- Carson for the non-Classicist / Rebecca Kosick -- Écriture and the Budding Classicist / Anastasia-Erasmia Peponi -- Erring and Whatever / Gillian Sze -- The Gift of Residue / Laura Jansen -- Carson Fragment / Sean Gurd -- Shades / Elizabeth D. Harvey -- The Paratextual Cosmos / Paschalis Nikolaou -- An Essay on An Essay on Irony / Yopie Prins -- The Stesichorean Ethos / P. J. Finglass -- Cunning Intelligence / Ian Rae -- Mythopoetic Immersions / Vanda Zajko -- Deadly Erotic Tangos and Animal Affinity / Hannah Silverblank -- Poetry and Profit / Ella Haselswerdt and Mathura Umachandran -- More Spectres of Dying Empire / Kay Gabriel -- Translation, Transcreation, Transgression / Susan Bassnett -- Translating the Canon, Filling the Absence / Eugenia Nicolaci -- Translation Catastrophes: Pinplay / Grace Zanotti -- There it Lies Untranslatable / Elena Theodorakopoulos | |
| 520 | 3 | |a "From her seminal Eros the Bittersweet (1986) to her experimental Float (2016), Bakkhai (2017) and Norma Jeane Baker of Troy (2019), Anne Carson's engagement with antiquity has been deeply influential to generations of readers, both inside and outside of academia. One reason for her success is the versatile scope of her classically oriented oeuvre, which she rethinks across multiple media and categories. Yet an equally significant reason is her profile as a classicist. In this role, Carson unfailingly refuses to conform to the established conventions and situated practices of her discipline, in favour of a mode of reading classical literature that allows for interpretative and creative freedom. From a variety of interrelated thematic foci and directions, the volume explores the erudite indiscipline of Carson's classicism as it emerges in her poetry, translations, essays, and visual artistry. It argues that her classicism is irreducible to a single vision, and that it is best approached as integral to the protean character of her artistic thought. From a multi-praxis, cross-disciplinary perspective, the study collects twenty essays by poets, translators, artists, practitioners and scholars. It turns a spotlight on a series of interrelated issues in Carson's dialogue with antiquity, most prominently, her academic and artistic profile as a classicist, the character of her classical poetics and ethos, the traditions and contexts of her classical thought, her experiments with form, including paratextual materials, her classical translation praxis, and her creative engagement with visual and installation arts. Anne Carson/Antiquity offers the first collective study of the author's classicism, while drawing attention to one of the most avant-garde, multifaceted readings of the classical past" | |
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Datensatz im Suchindex
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| contents | Introduction On Anne Carson/ Antiquity / Laura Jansen -- The Beginning of Now / Anna Jackson -- Chimeras: Empty Space and Melting Borders / Phoebe Giannisi -- Carson for the non-Classicist / Rebecca Kosick -- Écriture and the Budding Classicist / Anastasia-Erasmia Peponi -- Erring and Whatever / Gillian Sze -- The Gift of Residue / Laura Jansen -- Carson Fragment / Sean Gurd -- Shades / Elizabeth D. Harvey -- The Paratextual Cosmos / Paschalis Nikolaou -- An Essay on An Essay on Irony / Yopie Prins -- The Stesichorean Ethos / P. J. Finglass -- Cunning Intelligence / Ian Rae -- Mythopoetic Immersions / Vanda Zajko -- Deadly Erotic Tangos and Animal Affinity / Hannah Silverblank -- Poetry and Profit / Ella Haselswerdt and Mathura Umachandran -- More Spectres of Dying Empire / Kay Gabriel -- Translation, Transcreation, Transgression / Susan Bassnett -- Translating the Canon, Filling the Absence / Eugenia Nicolaci -- Translation Catastrophes: Pinplay / Grace Zanotti -- There it Lies Untranslatable / Elena Theodorakopoulos |
| ctrlnum | (OCoLC)1389185543 (DE-599)BVBBV048964546 |
| discipline | Anglistik / Amerikanistik |
| discipline_str_mv | Anglistik / Amerikanistik |
| edition | Paperback edition |
| format | Book |
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| id | DE-604.BV048964546 |
| illustrated | Illustrated |
| index_date | 2024-07-03T22:01:22Z |
| indexdate | 2024-07-10T09:51:26Z |
| institution | BVB |
| isbn | 9781350256071 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034228269 |
| oclc_num | 1389185543 |
| open_access_boolean | |
| owner | DE-824 DE-12 |
| owner_facet | DE-824 DE-12 |
| physical | xvi, 298 Seiten Illustrationen 24 cm |
| psigel | gbd_4_2311 |
| publishDate | 2023 |
| publishDateSearch | 2023 |
| publishDateSort | 2023 |
| publisher | Bloomsbury Academic |
| record_format | marc |
| series2 | Bloomsbury studies in classical reception |
| spelling | Anne Carson/Antiquity edited by Laura Jansen Anne Carson Paperback edition London ; New York ; Oxford ; New Delhi ; Sydney Bloomsbury Academic 2023 xvi, 298 Seiten Illustrationen 24 cm txt rdacontent n rdamedia nc rdacarrier Bloomsbury studies in classical reception Introduction On Anne Carson/ Antiquity / Laura Jansen -- The Beginning of Now / Anna Jackson -- Chimeras: Empty Space and Melting Borders / Phoebe Giannisi -- Carson for the non-Classicist / Rebecca Kosick -- Écriture and the Budding Classicist / Anastasia-Erasmia Peponi -- Erring and Whatever / Gillian Sze -- The Gift of Residue / Laura Jansen -- Carson Fragment / Sean Gurd -- Shades / Elizabeth D. Harvey -- The Paratextual Cosmos / Paschalis Nikolaou -- An Essay on An Essay on Irony / Yopie Prins -- The Stesichorean Ethos / P. J. Finglass -- Cunning Intelligence / Ian Rae -- Mythopoetic Immersions / Vanda Zajko -- Deadly Erotic Tangos and Animal Affinity / Hannah Silverblank -- Poetry and Profit / Ella Haselswerdt and Mathura Umachandran -- More Spectres of Dying Empire / Kay Gabriel -- Translation, Transcreation, Transgression / Susan Bassnett -- Translating the Canon, Filling the Absence / Eugenia Nicolaci -- Translation Catastrophes: Pinplay / Grace Zanotti -- There it Lies Untranslatable / Elena Theodorakopoulos "From her seminal Eros the Bittersweet (1986) to her experimental Float (2016), Bakkhai (2017) and Norma Jeane Baker of Troy (2019), Anne Carson's engagement with antiquity has been deeply influential to generations of readers, both inside and outside of academia. One reason for her success is the versatile scope of her classically oriented oeuvre, which she rethinks across multiple media and categories. Yet an equally significant reason is her profile as a classicist. In this role, Carson unfailingly refuses to conform to the established conventions and situated practices of her discipline, in favour of a mode of reading classical literature that allows for interpretative and creative freedom. From a variety of interrelated thematic foci and directions, the volume explores the erudite indiscipline of Carson's classicism as it emerges in her poetry, translations, essays, and visual artistry. It argues that her classicism is irreducible to a single vision, and that it is best approached as integral to the protean character of her artistic thought. From a multi-praxis, cross-disciplinary perspective, the study collects twenty essays by poets, translators, artists, practitioners and scholars. It turns a spotlight on a series of interrelated issues in Carson's dialogue with antiquity, most prominently, her academic and artistic profile as a classicist, the character of her classical poetics and ethos, the traditions and contexts of her classical thought, her experiments with form, including paratextual materials, her classical translation praxis, and her creative engagement with visual and installation arts. Anne Carson/Antiquity offers the first collective study of the author's classicism, while drawing attention to one of the most avant-garde, multifaceted readings of the classical past" Carson, Anne 1950- (DE-588)122416309 gnd rswk-swf Antike Motiv (DE-588)4251540-3 gnd rswk-swf Carson, Anne / 1950- / Criticism and interpretation Carson, Anne / 1950- Criticism, interpretation, etc Literaturwissenschaft, modern (DE-2581)TH000012898 gbd Rezeption & Wirkungsgeschichte (DE-2581)TH000005250 gbd Carson, Anne 1950- (DE-588)122416309 p Antike Motiv (DE-588)4251540-3 s DE-604 Jansen, Laura 1974- Sonstige (DE-588)1049414187 oth Äquivalent Druck-Ausgabe, Hardcover 978-1-350-17475-7 Erscheint auch als Online-Ausgabe, PDF 978-1-3501-7476-4 Erscheint auch als Online-Ausgabe 978-1-3501-7477-1 |
| spellingShingle | Anne Carson/Antiquity Introduction On Anne Carson/ Antiquity / Laura Jansen -- The Beginning of Now / Anna Jackson -- Chimeras: Empty Space and Melting Borders / Phoebe Giannisi -- Carson for the non-Classicist / Rebecca Kosick -- Écriture and the Budding Classicist / Anastasia-Erasmia Peponi -- Erring and Whatever / Gillian Sze -- The Gift of Residue / Laura Jansen -- Carson Fragment / Sean Gurd -- Shades / Elizabeth D. Harvey -- The Paratextual Cosmos / Paschalis Nikolaou -- An Essay on An Essay on Irony / Yopie Prins -- The Stesichorean Ethos / P. J. Finglass -- Cunning Intelligence / Ian Rae -- Mythopoetic Immersions / Vanda Zajko -- Deadly Erotic Tangos and Animal Affinity / Hannah Silverblank -- Poetry and Profit / Ella Haselswerdt and Mathura Umachandran -- More Spectres of Dying Empire / Kay Gabriel -- Translation, Transcreation, Transgression / Susan Bassnett -- Translating the Canon, Filling the Absence / Eugenia Nicolaci -- Translation Catastrophes: Pinplay / Grace Zanotti -- There it Lies Untranslatable / Elena Theodorakopoulos Carson, Anne 1950- (DE-588)122416309 gnd Antike Motiv (DE-588)4251540-3 gnd |
| subject_GND | (DE-588)122416309 (DE-588)4251540-3 |
| title | Anne Carson/Antiquity |
| title_alt | Anne Carson |
| title_auth | Anne Carson/Antiquity |
| title_exact_search | Anne Carson/Antiquity |
| title_exact_search_txtP | Anne Carson/Antiquity |
| title_full | Anne Carson/Antiquity edited by Laura Jansen |
| title_fullStr | Anne Carson/Antiquity edited by Laura Jansen |
| title_full_unstemmed | Anne Carson/Antiquity edited by Laura Jansen |
| title_short | Anne Carson/Antiquity |
| title_sort | anne carson antiquity |
| topic | Carson, Anne 1950- (DE-588)122416309 gnd Antike Motiv (DE-588)4251540-3 gnd |
| topic_facet | Carson, Anne 1950- Antike Motiv |
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