Relays, signals, actuality: a return to Focillon: [Rezension von: Henri Focillon en son temps : la liberté des formes / Annamaria Ducci ; traduction de Sara Longo, révisée par Elise Koering. - Strasbourg : Presses universitaires de Strasbourg, 2021]
A review-essay on Annamaria Ducci’s intellectual biography Henri Focillon en son temps. La liberté des forms (2021) that extends this work by presenting a call for a ‘return to Focillon’ within art historical thought that begins with his ability to refocus us on the artwork itself and its capabiliti...
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Format: | Elektronisch Artikel |
Sprache: | English |
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December 2022
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Zusammenfassung: | A review-essay on Annamaria Ducci’s intellectual biography Henri Focillon en son temps. La liberté des forms (2021) that extends this work by presenting a call for a ‘return to Focillon’ within art historical thought that begins with his ability to refocus us on the artwork itself and its capabilities to magnetize content both within and without its historical milieu. Focillon’s real interest in the concept of a milieu and in the artwork’s ability to escape this originary context instigates a rethinking of the ontology, historiography, and the temporality of art. He challenges us to think and write through problematics, to experiment with both aesthetic agency and historical reception; to create new linkages between art and life, history and becoming, along the ἀκμή of the vie des formes—thus conceiving an artwork as a past-future event, as a ‘great ensemble’. Focillon posits that if the work of art is an event, then history is a modulated and controlled form of time as such, which itself is an actual-virtual movement or ‘becoming’. Ontologically art ‘goes further than…illustrate history’, he argues, which is why art historians must learn to encounter ‘modalities of life’ in order to write about how it creates ‘worlds’. Our ‘return to Focillon’ takes place within a threshold wherein the event of art is what matters most, that is, the capacities of a given formal property to harness and magnetize forces within and outside of itself in order to render humanist and post-humanist forces perceptible, sensible, and thinkable. |
Beschreibung: | 1 Online-Ressource (7 Seiten) |
ISSN: | 2042-4752 |
DOI: | 10.48352/uobxjah.00004180 |
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spelling | Emerling, Jae 1975- Verfasser (DE-588)140375171 aut Relays, signals, actuality: a return to Focillon [Rezension von: Henri Focillon en son temps : la liberté des formes / Annamaria Ducci ; traduction de Sara Longo, révisée par Elise Koering. - Strasbourg : Presses universitaires de Strasbourg, 2021] Jae Emerling Henri Focillon en son temps December 2022 1 Online-Ressource (7 Seiten) txt rdacontent c rdamedia cr rdacarrier A review-essay on Annamaria Ducci’s intellectual biography Henri Focillon en son temps. La liberté des forms (2021) that extends this work by presenting a call for a ‘return to Focillon’ within art historical thought that begins with his ability to refocus us on the artwork itself and its capabilities to magnetize content both within and without its historical milieu. Focillon’s real interest in the concept of a milieu and in the artwork’s ability to escape this originary context instigates a rethinking of the ontology, historiography, and the temporality of art. He challenges us to think and write through problematics, to experiment with both aesthetic agency and historical reception; to create new linkages between art and life, history and becoming, along the ἀκμή of the vie des formes—thus conceiving an artwork as a past-future event, as a ‘great ensemble’. Focillon posits that if the work of art is an event, then history is a modulated and controlled form of time as such, which itself is an actual-virtual movement or ‘becoming’. Ontologically art ‘goes further than…illustrate history’, he argues, which is why art historians must learn to encounter ‘modalities of life’ in order to write about how it creates ‘worlds’. Our ‘return to Focillon’ takes place within a threshold wherein the event of art is what matters most, that is, the capacities of a given formal property to harness and magnetize forces within and outside of itself in order to render humanist and post-humanist forces perceptible, sensible, and thinkable. (DE-588)4049712-4 Rezension gnd-content number:27 year:2022 Journal of art historiography Glasgow, 2022 Heft 27 (2022) (DE-604)BV035944348 2042-4752 (DE-600)2532257-6 Rezension von Ducci, Annamaria Henri Focillon en son temps 979-10-344-0079-9 (DE-604)BV047509200 https://doi.org/10.48352/uobxjah.00004180 Verlag kostenfrei Volltext |
spellingShingle | Emerling, Jae 1975- Relays, signals, actuality: a return to Focillon [Rezension von: Henri Focillon en son temps : la liberté des formes / Annamaria Ducci ; traduction de Sara Longo, révisée par Elise Koering. - Strasbourg : Presses universitaires de Strasbourg, 2021] |
subject_GND | (DE-588)4049712-4 |
title | Relays, signals, actuality: a return to Focillon [Rezension von: Henri Focillon en son temps : la liberté des formes / Annamaria Ducci ; traduction de Sara Longo, révisée par Elise Koering. - Strasbourg : Presses universitaires de Strasbourg, 2021] |
title_alt | Henri Focillon en son temps |
title_auth | Relays, signals, actuality: a return to Focillon [Rezension von: Henri Focillon en son temps : la liberté des formes / Annamaria Ducci ; traduction de Sara Longo, révisée par Elise Koering. - Strasbourg : Presses universitaires de Strasbourg, 2021] |
title_exact_search | Relays, signals, actuality: a return to Focillon [Rezension von: Henri Focillon en son temps : la liberté des formes / Annamaria Ducci ; traduction de Sara Longo, révisée par Elise Koering. - Strasbourg : Presses universitaires de Strasbourg, 2021] |
title_exact_search_txtP | Relays, signals, actuality: a return to Focillon [Rezension von: Henri Focillon en son temps : la liberté des formes / Annamaria Ducci ; traduction de Sara Longo, révisée par Elise Koering. - Strasbourg : Presses universitaires de Strasbourg, 2021] |
title_full | Relays, signals, actuality: a return to Focillon [Rezension von: Henri Focillon en son temps : la liberté des formes / Annamaria Ducci ; traduction de Sara Longo, révisée par Elise Koering. - Strasbourg : Presses universitaires de Strasbourg, 2021] Jae Emerling |
title_fullStr | Relays, signals, actuality: a return to Focillon [Rezension von: Henri Focillon en son temps : la liberté des formes / Annamaria Ducci ; traduction de Sara Longo, révisée par Elise Koering. - Strasbourg : Presses universitaires de Strasbourg, 2021] Jae Emerling |
title_full_unstemmed | Relays, signals, actuality: a return to Focillon [Rezension von: Henri Focillon en son temps : la liberté des formes / Annamaria Ducci ; traduction de Sara Longo, révisée par Elise Koering. - Strasbourg : Presses universitaires de Strasbourg, 2021] Jae Emerling |
title_short | Relays, signals, actuality: a return to Focillon |
title_sort | relays signals actuality a return to focillon rezension von henri focillon en son temps la liberte des formes annamaria ducci traduction de sara longo revisee par elise koering strasbourg presses universitaires de strasbourg 2021 |
title_sub | [Rezension von: Henri Focillon en son temps : la liberté des formes / Annamaria Ducci ; traduction de Sara Longo, révisée par Elise Koering. - Strasbourg : Presses universitaires de Strasbourg, 2021] |
topic_facet | Rezension |
url | https://doi.org/10.48352/uobxjah.00004180 |
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