Towards a truly global art history: [Rezension von: 20th century Indian art : modern, post-independence, contemporary / Partha Mitter, Parul Dave Mukherji, Rakhee Balaram. - London : Thames and Hudson, 2022]
The present review of 20th Century Indian Art focuses on the book’s contribution to debates around ‘global art history’ and ‘world art studies’. What methodological breakthroughs can be gained from the comparative study of regions outside Europe and the USA? Issues such as hybridity and syncretism,...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch Artikel |
| Sprache: | English |
| Veröffentlicht: |
December 2022
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | The present review of 20th Century Indian Art focuses on the book’s contribution to debates around ‘global art history’ and ‘world art studies’. What methodological breakthroughs can be gained from the comparative study of regions outside Europe and the USA? Issues such as hybridity and syncretism, primitivism and folk art, nationalism and regional identities, authenticity and derivativeness, belatedness and modernization, are common to discussions of art history in various contexts traditionally regarded as peripheral or marginal. Inverting the vantage point of historical analysis, and examining them from the position of the formerly colonized, undermines established categories and generates novel insights. Such shifts in perspective tend to inflect differently, and may even alter radically, the understanding of terms like primitivism, Orientalism and even art and craft. The article underscores the importance of rethinking commonly held presumptions about dislocation, appropriation, precedence, deviation. Only when art historians can look at the discipline from a multiplicity of cultural and geographical perspectives will it be possible to establish a truly global art history. |
| Beschreibung: | 1 Online-Ressource (7 Seiten) |
| ISSN: | 2042-4752 |
| DOI: | 10.48352/uobxjah.00004178 |
Internformat
MARC
| LEADER | 00000nma a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV048960642 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 230515s2022 |||| o||u| ||||||eng d | ||
| 024 | 7 | |a 10.48352/uobxjah.00004178 |2 doi | |
| 035 | |a (OCoLC)1379383442 | ||
| 035 | |a (DE-599)BVBBV048960642 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-Y3 |a DE-255 |a DE-Y7 |a DE-Y2 | ||
| 100 | 1 | |a Cardoso, Rafael |d 1964- |e Verfasser |0 (DE-588)1031750371 |4 aut | |
| 245 | 1 | 0 | |a Towards a truly global art history |b [Rezension von: 20th century Indian art : modern, post-independence, contemporary / Partha Mitter, Parul Dave Mukherji, Rakhee Balaram. - London : Thames and Hudson, 2022] |c Rafael Cardoso |
| 246 | 1 | 3 | |a 20th century Indian art |
| 246 | 1 | 3 | |a Twentieth century Indian art |
| 264 | 1 | |c December 2022 | |
| 300 | |a 1 Online-Ressource (7 Seiten) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 520 | 3 | |a The present review of 20th Century Indian Art focuses on the book’s contribution to debates around ‘global art history’ and ‘world art studies’. What methodological breakthroughs can be gained from the comparative study of regions outside Europe and the USA? Issues such as hybridity and syncretism, primitivism and folk art, nationalism and regional identities, authenticity and derivativeness, belatedness and modernization, are common to discussions of art history in various contexts traditionally regarded as peripheral or marginal. Inverting the vantage point of historical analysis, and examining them from the position of the formerly colonized, undermines established categories and generates novel insights. Such shifts in perspective tend to inflect differently, and may even alter radically, the understanding of terms like primitivism, Orientalism and even art and craft. The article underscores the importance of rethinking commonly held presumptions about dislocation, appropriation, precedence, deviation. Only when art historians can look at the discipline from a multiplicity of cultural and geographical perspectives will it be possible to establish a truly global art history. | |
| 655 | 7 | |0 (DE-588)4049712-4 |a Rezension |2 gnd-content | |
| 773 | 1 | 8 | |g number:27 |g year:2022 |
| 773 | 0 | 8 | |t Journal of art historiography |d Glasgow, 2022 |g Heft 27 (2022) |w (DE-604)BV035944348 |x 2042-4752 |o (DE-600)2532257-6 |
| 787 | 0 | 8 | |i Rezension von |a Mitter, Partha |t 20th century Indian art |z 978-0-500-02332-7 |w (DE-604)BV048206157 |
| 856 | 4 | 0 | |u https://doi.org/10.48352/uobxjah.00004178 |x Verlag |z kostenfrei |3 Volltext |
| 912 | |a ebook | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-034224415 | ||
| 941 | |h 27 |j 2022 | ||
Datensatz im Suchindex
| _version_ | 1804185192339865600 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| article_link | (DE-604)BV035944348 |
| author | Cardoso, Rafael 1964- |
| author_GND | (DE-588)1031750371 |
| author_facet | Cardoso, Rafael 1964- |
| author_role | aut |
| author_sort | Cardoso, Rafael 1964- |
| author_variant | r c rc |
| building | Verbundindex |
| bvnumber | BV048960642 |
| collection | ebook |
| ctrlnum | (OCoLC)1379383442 (DE-599)BVBBV048960642 |
| doi_str_mv | 10.48352/uobxjah.00004178 |
| format | Electronic Article |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02707nma a2200373 c 4500</leader><controlfield tag="001">BV048960642</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">230515s2022 |||| o||u| ||||||eng d</controlfield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.48352/uobxjah.00004178</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1379383442</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV048960642</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-Y3</subfield><subfield code="a">DE-255</subfield><subfield code="a">DE-Y7</subfield><subfield code="a">DE-Y2</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Cardoso, Rafael</subfield><subfield code="d">1964-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1031750371</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Towards a truly global art history</subfield><subfield code="b">[Rezension von: 20th century Indian art : modern, post-independence, contemporary / Partha Mitter, Parul Dave Mukherji, Rakhee Balaram. - London : Thames and Hudson, 2022]</subfield><subfield code="c">Rafael Cardoso</subfield></datafield><datafield tag="246" ind1="1" ind2="3"><subfield code="a">20th century Indian art</subfield></datafield><datafield tag="246" ind1="1" ind2="3"><subfield code="a">Twentieth century Indian art</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="c">December 2022</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (7 Seiten)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">The present review of 20th Century Indian Art focuses on the book’s contribution to debates around ‘global art history’ and ‘world art studies’. What methodological breakthroughs can be gained from the comparative study of regions outside Europe and the USA? Issues such as hybridity and syncretism, primitivism and folk art, nationalism and regional identities, authenticity and derivativeness, belatedness and modernization, are common to discussions of art history in various contexts traditionally regarded as peripheral or marginal. Inverting the vantage point of historical analysis, and examining them from the position of the formerly colonized, undermines established categories and generates novel insights. Such shifts in perspective tend to inflect differently, and may even alter radically, the understanding of terms like primitivism, Orientalism and even art and craft. The article underscores the importance of rethinking commonly held presumptions about dislocation, appropriation, precedence, deviation. Only when art historians can look at the discipline from a multiplicity of cultural and geographical perspectives will it be possible to establish a truly global art history.</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4049712-4</subfield><subfield code="a">Rezension</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="773" ind1="1" ind2="8"><subfield code="g">number:27</subfield><subfield code="g">year:2022</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="t">Journal of art historiography</subfield><subfield code="d">Glasgow, 2022</subfield><subfield code="g">Heft 27 (2022)</subfield><subfield code="w">(DE-604)BV035944348</subfield><subfield code="x">2042-4752</subfield><subfield code="o">(DE-600)2532257-6</subfield></datafield><datafield tag="787" ind1="0" ind2="8"><subfield code="i">Rezension von</subfield><subfield code="a">Mitter, Partha</subfield><subfield code="t">20th century Indian art</subfield><subfield code="z">978-0-500-02332-7</subfield><subfield code="w">(DE-604)BV048206157</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.48352/uobxjah.00004178</subfield><subfield code="x">Verlag</subfield><subfield code="z">kostenfrei</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ebook</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034224415</subfield></datafield><datafield tag="941" ind1=" " ind2=" "><subfield code="h">27</subfield><subfield code="j">2022</subfield></datafield></record></collection> |
| genre | (DE-588)4049712-4 Rezension gnd-content |
| genre_facet | Rezension |
| id | DE-604.BV048960642 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T22:00:20Z |
| indexdate | 2024-07-10T09:51:19Z |
| institution | BVB |
| issn | 2042-4752 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034224415 |
| oclc_num | 1379383442 |
| open_access_boolean | 1 |
| owner | DE-Y3 DE-255 DE-Y7 DE-Y2 |
| owner_facet | DE-Y3 DE-255 DE-Y7 DE-Y2 |
| physical | 1 Online-Ressource (7 Seiten) |
| psigel | ebook |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| record_format | marc |
| spelling | Cardoso, Rafael 1964- Verfasser (DE-588)1031750371 aut Towards a truly global art history [Rezension von: 20th century Indian art : modern, post-independence, contemporary / Partha Mitter, Parul Dave Mukherji, Rakhee Balaram. - London : Thames and Hudson, 2022] Rafael Cardoso 20th century Indian art Twentieth century Indian art December 2022 1 Online-Ressource (7 Seiten) txt rdacontent c rdamedia cr rdacarrier The present review of 20th Century Indian Art focuses on the book’s contribution to debates around ‘global art history’ and ‘world art studies’. What methodological breakthroughs can be gained from the comparative study of regions outside Europe and the USA? Issues such as hybridity and syncretism, primitivism and folk art, nationalism and regional identities, authenticity and derivativeness, belatedness and modernization, are common to discussions of art history in various contexts traditionally regarded as peripheral or marginal. Inverting the vantage point of historical analysis, and examining them from the position of the formerly colonized, undermines established categories and generates novel insights. Such shifts in perspective tend to inflect differently, and may even alter radically, the understanding of terms like primitivism, Orientalism and even art and craft. The article underscores the importance of rethinking commonly held presumptions about dislocation, appropriation, precedence, deviation. Only when art historians can look at the discipline from a multiplicity of cultural and geographical perspectives will it be possible to establish a truly global art history. (DE-588)4049712-4 Rezension gnd-content number:27 year:2022 Journal of art historiography Glasgow, 2022 Heft 27 (2022) (DE-604)BV035944348 2042-4752 (DE-600)2532257-6 Rezension von Mitter, Partha 20th century Indian art 978-0-500-02332-7 (DE-604)BV048206157 https://doi.org/10.48352/uobxjah.00004178 Verlag kostenfrei Volltext |
| spellingShingle | Cardoso, Rafael 1964- Towards a truly global art history [Rezension von: 20th century Indian art : modern, post-independence, contemporary / Partha Mitter, Parul Dave Mukherji, Rakhee Balaram. - London : Thames and Hudson, 2022] |
| subject_GND | (DE-588)4049712-4 |
| title | Towards a truly global art history [Rezension von: 20th century Indian art : modern, post-independence, contemporary / Partha Mitter, Parul Dave Mukherji, Rakhee Balaram. - London : Thames and Hudson, 2022] |
| title_alt | 20th century Indian art Twentieth century Indian art |
| title_auth | Towards a truly global art history [Rezension von: 20th century Indian art : modern, post-independence, contemporary / Partha Mitter, Parul Dave Mukherji, Rakhee Balaram. - London : Thames and Hudson, 2022] |
| title_exact_search | Towards a truly global art history [Rezension von: 20th century Indian art : modern, post-independence, contemporary / Partha Mitter, Parul Dave Mukherji, Rakhee Balaram. - London : Thames and Hudson, 2022] |
| title_exact_search_txtP | Towards a truly global art history [Rezension von: 20th century Indian art : modern, post-independence, contemporary / Partha Mitter, Parul Dave Mukherji, Rakhee Balaram. - London : Thames and Hudson, 2022] |
| title_full | Towards a truly global art history [Rezension von: 20th century Indian art : modern, post-independence, contemporary / Partha Mitter, Parul Dave Mukherji, Rakhee Balaram. - London : Thames and Hudson, 2022] Rafael Cardoso |
| title_fullStr | Towards a truly global art history [Rezension von: 20th century Indian art : modern, post-independence, contemporary / Partha Mitter, Parul Dave Mukherji, Rakhee Balaram. - London : Thames and Hudson, 2022] Rafael Cardoso |
| title_full_unstemmed | Towards a truly global art history [Rezension von: 20th century Indian art : modern, post-independence, contemporary / Partha Mitter, Parul Dave Mukherji, Rakhee Balaram. - London : Thames and Hudson, 2022] Rafael Cardoso |
| title_short | Towards a truly global art history |
| title_sort | towards a truly global art history rezension von 20th century indian art modern post independence contemporary partha mitter parul dave mukherji rakhee balaram london thames and hudson 2022 |
| title_sub | [Rezension von: 20th century Indian art : modern, post-independence, contemporary / Partha Mitter, Parul Dave Mukherji, Rakhee Balaram. - London : Thames and Hudson, 2022] |
| topic_facet | Rezension |
| url | https://doi.org/10.48352/uobxjah.00004178 |
| work_keys_str_mv | AT cardosorafael towardsatrulyglobalarthistoryrezensionvon20thcenturyindianartmodernpostindependencecontemporaryparthamitterparuldavemukherjirakheebalaramlondonthamesandhudson2022 AT cardosorafael 20thcenturyindianart AT cardosorafael twentiethcenturyindianart |