Theology and protest music:
"This interfaith collection of essays on theology in diverse genres of protest music examines Habakkuk, Brazilian eschatology, Black liberation, esoteric Islam in rap, heavy metal as anti-theology, Howard Thurman's relevance to jazz, Santería drumming, Jay-Z, Funkadelic, Marvin Gaye, Sweet...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Lanham ; Boulder ; New York ; London
Lexington Books/Fortress Academic
2023
|
| Schriftenreihe: | Theology, religion, and pop culture
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "This interfaith collection of essays on theology in diverse genres of protest music examines Habakkuk, Brazilian eschatology, Black liberation, esoteric Islam in rap, heavy metal as anti-theology, Howard Thurman's relevance to jazz, Santería drumming, Jay-Z, Funkadelic, Marvin Gaye, Sweet Honey in the Rock, and the social justice chorale movement"-- |
| Beschreibung: | xiv, 346 Seiten Illustrationen 24 cm |
| ISBN: | 9781978713444 |
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| 245 | 1 | 0 | |a Theology and protest music |c edited by Jonathan H. Harwell, Heidi M. Altman ; foreword by Jason C. Bivins |
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| 490 | 0 | |a Theology, religion, and pop culture | |
| 505 | 8 | 0 | |t How Long? Habakkuk the Prophet as Proto-Protest Singer |r Andrew Zack Lewis |t Already and Not Yet : Eschatology in Brazilian Protest Songs (1960s-1990s) |r Joêzer de Souza Mendonça and Allan Macedo de Novaes |t From "We Shall Overcome" to "We Gon' Be Alright" : How Social Movement Styles Influence Black Liberation Protest Music |r Shaonta' E. Allen |t A Continuing Call from the Voice in the Wilderness : Jay-Z's "Spiritual" |r Rev. Santarvis Brown and Brent Swanson |t From Ghetto to Gods, from Protest to Priest : The (Pro)creative Transformation of Self in Five Percenter Rap and Its Analogies to Sapiental Traditions in Islamic Theology |r Martin Abdel Matin Gansinger |t Wholeness and Hoeness : The Protest for Black Women's Sexual Liberation |r Ristina Gooden |t "To Rise Beyond Jesus" : Heavy Metal as Anti-Theological Protest |r Jackson T. Reinhardt |t Howard Thurman and the Meaning of Jazz |r Daryl Russell Grigsby |t Conjuring in the Concert Hall : Pedrito Martinez's Batá Drumming in Wynton Marsalis' Ochas Concert |r Hannah Marie Junco |t Free Your Mind : Funkadelic and the Nitty-Gritty Hermeneutic |r Kyle E. Brooks |t "Mother, Mother..." : Contemplating Wounds with Marvin Gaye's What's Going On, Fifty Years Later |r Carrie Rehak |t Singing the Stories of Our Lives : Protest and Praise |r Catherine Roma |
| 520 | 3 | |a "This interfaith collection of essays on theology in diverse genres of protest music examines Habakkuk, Brazilian eschatology, Black liberation, esoteric Islam in rap, heavy metal as anti-theology, Howard Thurman's relevance to jazz, Santería drumming, Jay-Z, Funkadelic, Marvin Gaye, Sweet Honey in the Rock, and the social justice chorale movement"-- | |
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Datensatz im Suchindex
| _version_ | 1804185190951550976 |
|---|---|
| adam_text | Contents Foreword Jason C. Bivins vii Introduction Heidi Μ. Altman and Jonathan H. Harwell xiii 1 How Long? Habakkuk the Prophet as Proto-Protest Singer Andrew Zack Lewis 2 Already and Not Yet: Eschatology in Brazilian Protest Songs (1960s-1990s) Joêzer de Souza Mendonça and Allan Macedo de Novaes 3 4 From “We Shall Overcome” to “We Gon’ Be Alright”: How Social Movement Styles Influence Black Liberation Protest Music Shaonta ’ E. Allen A Continuing Call from the Voice in the Wilderness: Jay-Z’s “Spiritual” Rev. Santarvis Brown and Brent Swanson 1 23 41 61 5 From Ghetto to Gods, from Protest to Priest: The (Pro)creative Transformation of Self in Five Percenter Rap and Its Analogies to Sapiential Traditions in Islamic Theology 79 Martin Abdel Matin Gansinger 6 Wholeness and Hoeness: The Protest for Black Women’s Sexual Liberation 111 Ristina Gooden v
Contents vi 7 “To Rise Beyond Jesus”: Heavy Metal as Anti-theological Protest Jackson T. Reinhardt 129 8 Howard Thurman and the Meaning of Jazz Daryl Russell Grigsby 165 9 Conjuring in the Concert Hall: Pedrito Martinez’s Batá Drumming in Wynton Marsalis’s Ochas Concert Hannah Marie Junco 10 Free Your Mind: Funkadelic and the Nitty-Gritty Hermeneutic Kyle E. Brooks 11 “Mother, Mother . . .”: Contemplating Wounds with Marvin Gaye’s What’s Going On, Fifty Years Later Carrie Rehak 12 Singing the Stories of Our Lives: Protest and Praise Catherine Roma 191 217 235 263 Epilogue: The Values of Sankofa՛. Sacred Songs to Restore Community Catherine Roma with Ysaye Maria Barnwell 301 Index 319 About the Editors and Contributors 343
|
| adam_txt |
Contents Foreword Jason C. Bivins vii Introduction Heidi Μ. Altman and Jonathan H. Harwell xiii 1 How Long? Habakkuk the Prophet as Proto-Protest Singer Andrew Zack Lewis 2 Already and Not Yet: Eschatology in Brazilian Protest Songs (1960s-1990s) Joêzer de Souza Mendonça and Allan Macedo de Novaes 3 4 From “We Shall Overcome” to “We Gon’ Be Alright”: How Social Movement Styles Influence Black Liberation Protest Music Shaonta ’ E. Allen A Continuing Call from the Voice in the Wilderness: Jay-Z’s “Spiritual” Rev. Santarvis Brown and Brent Swanson 1 23 41 61 5 From Ghetto to Gods, from Protest to Priest: The (Pro)creative Transformation of Self in Five Percenter Rap and Its Analogies to Sapiential Traditions in Islamic Theology 79 Martin Abdel Matin Gansinger 6 Wholeness and Hoeness: The Protest for Black Women’s Sexual Liberation 111 Ristina Gooden v
Contents vi 7 “To Rise Beyond Jesus”: Heavy Metal as Anti-theological Protest Jackson T. Reinhardt 129 8 Howard Thurman and the Meaning of Jazz Daryl Russell Grigsby 165 9 Conjuring in the Concert Hall: Pedrito Martinez’s Batá Drumming in Wynton Marsalis’s Ochas Concert Hannah Marie Junco 10 Free Your Mind: Funkadelic and the Nitty-Gritty Hermeneutic Kyle E. Brooks 11 “Mother, Mother . . .”: Contemplating Wounds with Marvin Gaye’s What’s Going On, Fifty Years Later Carrie Rehak 12 Singing the Stories of Our Lives: Protest and Praise Catherine Roma 191 217 235 263 Epilogue: The Values of Sankofa՛. Sacred Songs to Restore Community Catherine Roma with Ysaye Maria Barnwell 301 Index 319 About the Editors and Contributors 343 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author2 | Harwell, Jonathan H. 1972- Altman, Heidi M. 1965- |
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| author2_variant | j h h jh jhh h m a hm hma |
| author_GND | (DE-588)1206277580 (DE-588)1298957788 (DE-588)139087095 |
| author_additional | Andrew Zack Lewis Joêzer de Souza Mendonça and Allan Macedo de Novaes Shaonta' E. Allen Rev. Santarvis Brown and Brent Swanson Martin Abdel Matin Gansinger Ristina Gooden Jackson T. Reinhardt Daryl Russell Grigsby Hannah Marie Junco Kyle E. Brooks Carrie Rehak Catherine Roma |
| author_facet | Harwell, Jonathan H. 1972- Altman, Heidi M. 1965- |
| building | Verbundindex |
| bvnumber | BV048959868 |
| contents | How Long? Habakkuk the Prophet as Proto-Protest Singer Already and Not Yet : Eschatology in Brazilian Protest Songs (1960s-1990s) From "We Shall Overcome" to "We Gon' Be Alright" : How Social Movement Styles Influence Black Liberation Protest Music A Continuing Call from the Voice in the Wilderness : Jay-Z's "Spiritual" From Ghetto to Gods, from Protest to Priest : The (Pro)creative Transformation of Self in Five Percenter Rap and Its Analogies to Sapiental Traditions in Islamic Theology Wholeness and Hoeness : The Protest for Black Women's Sexual Liberation "To Rise Beyond Jesus" : Heavy Metal as Anti-Theological Protest Howard Thurman and the Meaning of Jazz Conjuring in the Concert Hall : Pedrito Martinez's Batá Drumming in Wynton Marsalis' Ochas Concert Free Your Mind : Funkadelic and the Nitty-Gritty Hermeneutic "Mother, Mother..." : Contemplating Wounds with Marvin Gaye's What's Going On, Fifty Years Later Singing the Stories of Our Lives : Protest and Praise |
| ctrlnum | (OCoLC)1401175930 (DE-599)BVBBV048959868 |
| era | Geschichte 1960- gnd |
| era_facet | Geschichte 1960- |
| format | Book |
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| record_format | marc |
| series2 | Theology, religion, and pop culture |
| spelling | Theology and protest music edited by Jonathan H. Harwell, Heidi M. Altman ; foreword by Jason C. Bivins Lanham ; Boulder ; New York ; London Lexington Books/Fortress Academic 2023 xiv, 346 Seiten Illustrationen 24 cm txt rdacontent n rdamedia nc rdacarrier Theology, religion, and pop culture How Long? Habakkuk the Prophet as Proto-Protest Singer Andrew Zack Lewis Already and Not Yet : Eschatology in Brazilian Protest Songs (1960s-1990s) Joêzer de Souza Mendonça and Allan Macedo de Novaes From "We Shall Overcome" to "We Gon' Be Alright" : How Social Movement Styles Influence Black Liberation Protest Music Shaonta' E. Allen A Continuing Call from the Voice in the Wilderness : Jay-Z's "Spiritual" Rev. Santarvis Brown and Brent Swanson From Ghetto to Gods, from Protest to Priest : The (Pro)creative Transformation of Self in Five Percenter Rap and Its Analogies to Sapiental Traditions in Islamic Theology Martin Abdel Matin Gansinger Wholeness and Hoeness : The Protest for Black Women's Sexual Liberation Ristina Gooden "To Rise Beyond Jesus" : Heavy Metal as Anti-Theological Protest Jackson T. Reinhardt Howard Thurman and the Meaning of Jazz Daryl Russell Grigsby Conjuring in the Concert Hall : Pedrito Martinez's Batá Drumming in Wynton Marsalis' Ochas Concert Hannah Marie Junco Free Your Mind : Funkadelic and the Nitty-Gritty Hermeneutic Kyle E. Brooks "Mother, Mother..." : Contemplating Wounds with Marvin Gaye's What's Going On, Fifty Years Later Carrie Rehak Singing the Stories of Our Lives : Protest and Praise Catherine Roma "This interfaith collection of essays on theology in diverse genres of protest music examines Habakkuk, Brazilian eschatology, Black liberation, esoteric Islam in rap, heavy metal as anti-theology, Howard Thurman's relevance to jazz, Santería drumming, Jay-Z, Funkadelic, Marvin Gaye, Sweet Honey in the Rock, and the social justice chorale movement"-- Geschichte 1960- gnd rswk-swf Religion (DE-588)4049396-9 gnd rswk-swf Protestsong (DE-588)4176005-0 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf Protest songs / History and criticism Music / Religious aspects Music / Political aspects Theology Protest songs Criticism, interpretation, etc (DE-588)4143413-4 Aufsatzsammlung gnd-content USA (DE-588)4078704-7 g Protestsong (DE-588)4176005-0 s Religion (DE-588)4049396-9 s Geschichte 1960- z DE-604 Harwell, Jonathan H. 1972- (DE-588)1206277580 edt Altman, Heidi M. 1965- (DE-588)1298957788 edt Bivins, Jason 1969- (DE-588)139087095 wpr Erscheint auch als Online-Ausgabe 978-1-978713-45-1 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034223648&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Theology and protest music How Long? Habakkuk the Prophet as Proto-Protest Singer Already and Not Yet : Eschatology in Brazilian Protest Songs (1960s-1990s) From "We Shall Overcome" to "We Gon' Be Alright" : How Social Movement Styles Influence Black Liberation Protest Music A Continuing Call from the Voice in the Wilderness : Jay-Z's "Spiritual" From Ghetto to Gods, from Protest to Priest : The (Pro)creative Transformation of Self in Five Percenter Rap and Its Analogies to Sapiental Traditions in Islamic Theology Wholeness and Hoeness : The Protest for Black Women's Sexual Liberation "To Rise Beyond Jesus" : Heavy Metal as Anti-Theological Protest Howard Thurman and the Meaning of Jazz Conjuring in the Concert Hall : Pedrito Martinez's Batá Drumming in Wynton Marsalis' Ochas Concert Free Your Mind : Funkadelic and the Nitty-Gritty Hermeneutic "Mother, Mother..." : Contemplating Wounds with Marvin Gaye's What's Going On, Fifty Years Later Singing the Stories of Our Lives : Protest and Praise Religion (DE-588)4049396-9 gnd Protestsong (DE-588)4176005-0 gnd |
| subject_GND | (DE-588)4049396-9 (DE-588)4176005-0 (DE-588)4078704-7 (DE-588)4143413-4 |
| title | Theology and protest music |
| title_alt | How Long? Habakkuk the Prophet as Proto-Protest Singer Already and Not Yet : Eschatology in Brazilian Protest Songs (1960s-1990s) From "We Shall Overcome" to "We Gon' Be Alright" : How Social Movement Styles Influence Black Liberation Protest Music A Continuing Call from the Voice in the Wilderness : Jay-Z's "Spiritual" From Ghetto to Gods, from Protest to Priest : The (Pro)creative Transformation of Self in Five Percenter Rap and Its Analogies to Sapiental Traditions in Islamic Theology Wholeness and Hoeness : The Protest for Black Women's Sexual Liberation "To Rise Beyond Jesus" : Heavy Metal as Anti-Theological Protest Howard Thurman and the Meaning of Jazz Conjuring in the Concert Hall : Pedrito Martinez's Batá Drumming in Wynton Marsalis' Ochas Concert Free Your Mind : Funkadelic and the Nitty-Gritty Hermeneutic "Mother, Mother..." : Contemplating Wounds with Marvin Gaye's What's Going On, Fifty Years Later Singing the Stories of Our Lives : Protest and Praise |
| title_auth | Theology and protest music |
| title_exact_search | Theology and protest music |
| title_exact_search_txtP | Theology and protest music |
| title_full | Theology and protest music edited by Jonathan H. Harwell, Heidi M. Altman ; foreword by Jason C. Bivins |
| title_fullStr | Theology and protest music edited by Jonathan H. Harwell, Heidi M. Altman ; foreword by Jason C. Bivins |
| title_full_unstemmed | Theology and protest music edited by Jonathan H. Harwell, Heidi M. Altman ; foreword by Jason C. Bivins |
| title_short | Theology and protest music |
| title_sort | theology and protest music |
| topic | Religion (DE-588)4049396-9 gnd Protestsong (DE-588)4176005-0 gnd |
| topic_facet | Religion Protestsong USA Aufsatzsammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034223648&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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