The scattered court: Hindustani music in colonial Bengal
"How far did colonialism transform north Indian art music? In the period between the Mughal empire and the British Raj, did the political landscape bleed into aesthetics, music, dance, and poetry? The Scattered Court presents a new history of how Hindustani court music responded to the politica...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English Bengali Indic Urdu |
| Veröffentlicht: |
Chicago, IL ; London
The University of Chicago Press
2023
|
| Schriftenreihe: | Chicago studies in ethnomusicology
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "How far did colonialism transform north Indian art music? In the period between the Mughal empire and the British Raj, did the political landscape bleed into aesthetics, music, dance, and poetry? The Scattered Court presents a new history of how Hindustani court music responded to the political transitions of the nineteenth century. Examining musical culture through a diverse and multilingual archive, primarily using sources in Urdu, Bengali, and Hindi that have not been translated or critically examined before, challenges our assumptions about the period. The book presents a longer history of interactions between northern India and Bengal, with a core focus on the two courts of Wajid Ali Shah (1822-1887), the last ruler of the kingdom of Awadh. Wajid Ali Shah was one of the most colorful and controversial characters of the nineteenth century and has had a polarizing legacy. According to political histories and popular memory, he was a failure of a king, who was forced to surrender his kingdom to the East India Company, on the eve of the Indian Uprising of 1857. On the other hand, in musical histories, he is remembered either as a decadent aesthete or a path-breaking genius. The Scattered Court excavates the place of music in his court in Lucknow and his court-in-exile at Matiyaburj, Calcutta (1856-1887). The book charts the movement of musicians and dancers between these courts, as well as the transregional circulation of intellectual traditions and musical genres, and demonstrates the importance of the exile period for the rise of Calcutta as a celebrated center of Hindustani classical music. Since Lucknow is associated with late Mughal or Nawabi society, and Calcutta with colonial modernity, examining the relationship between the two cities sheds light on forms of continuity and transition over the nineteenth century, as artists and their patrons navigated political ruptures and social transformations. The Scattered Court challenges the existing historiography of Hindustani music and Indian culture under colonialism, by arguing that our focus on Anglophone sources and modernizing impulses has directed us away from the aesthetic subtleties, historical continuities, and emotional dimensions of nineteenth-century music"-- |
| Beschreibung: | 267 Seiten Illustrationen 23 cm |
| ISBN: | 9780226825458 9780226825434 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV048959861 | ||
| 003 | DE-604 | ||
| 005 | 20230907 | ||
| 007 | t | ||
| 008 | 230515s2023 a||| b||| 00||| eng d | ||
| 020 | |a 9780226825458 |c paperback |9 978-0-226-82545-8 | ||
| 020 | |a 9780226825434 |9 978-0-226-82543-4 | ||
| 035 | |a (OCoLC)1392151299 | ||
| 035 | |a (DE-599)BVBBV048959861 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 1 | |a eng |h ben |h inc |h urd | |
| 049 | |a DE-12 | ||
| 084 | |a MUS |q DE-12 |2 fid | ||
| 100 | 1 | |a Williams, Richard David |e Verfasser |0 (DE-588)1126068950 |4 aut | |
| 245 | 1 | 0 | |a The scattered court |b Hindustani music in colonial Bengal |c Richard David Williams |
| 264 | 1 | |a Chicago, IL ; London |b The University of Chicago Press |c 2023 | |
| 300 | |a 267 Seiten |b Illustrationen |c 23 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a Chicago studies in ethnomusicology | |
| 505 | 8 | |a Courts in crisis: listening to art music in Mughal Bengal -- The musical ascent of Calcutta -- Rethinking Nawabi decadence -- Music at Matiyaburj -- Songs from behind the curtain -- Shared tears | |
| 520 | 3 | |a "How far did colonialism transform north Indian art music? In the period between the Mughal empire and the British Raj, did the political landscape bleed into aesthetics, music, dance, and poetry? The Scattered Court presents a new history of how Hindustani court music responded to the political transitions of the nineteenth century. Examining musical culture through a diverse and multilingual archive, primarily using sources in Urdu, Bengali, and Hindi that have not been translated or critically examined before, challenges our assumptions about the period. The book presents a longer history of interactions between northern India and Bengal, with a core focus on the two courts of Wajid Ali Shah (1822-1887), the last ruler of the kingdom of Awadh. Wajid Ali Shah was one of the most colorful and controversial characters of the nineteenth century and has had a polarizing legacy. | |
| 520 | 3 | |a According to political histories and popular memory, he was a failure of a king, who was forced to surrender his kingdom to the East India Company, on the eve of the Indian Uprising of 1857. On the other hand, in musical histories, he is remembered either as a decadent aesthete or a path-breaking genius. The Scattered Court excavates the place of music in his court in Lucknow and his court-in-exile at Matiyaburj, Calcutta (1856-1887). The book charts the movement of musicians and dancers between these courts, as well as the transregional circulation of intellectual traditions and musical genres, and demonstrates the importance of the exile period for the rise of Calcutta as a celebrated center of Hindustani classical music. | |
| 520 | 3 | |a Since Lucknow is associated with late Mughal or Nawabi society, and Calcutta with colonial modernity, examining the relationship between the two cities sheds light on forms of continuity and transition over the nineteenth century, as artists and their patrons navigated political ruptures and social transformations. The Scattered Court challenges the existing historiography of Hindustani music and Indian culture under colonialism, by arguing that our focus on Anglophone sources and modernizing impulses has directed us away from the aesthetic subtleties, historical continuities, and emotional dimensions of nineteenth-century music"-- | |
| 546 | |a Text in English, with transliterations from Bengali, Hindustani, and Urdu | ||
| 600 | 0 | 7 | |a Vājid ʿAlī |c Oudh, König |d 1821-1896 |0 (DE-588)140622411 |2 gnd |9 rswk-swf |
| 648 | 7 | |a Geschichte 1856-1890 |2 gnd |9 rswk-swf | |
| 650 | 0 | 7 | |a Hindustanimusik |0 (DE-588)4467299-8 |2 gnd |9 rswk-swf |
| 651 | 7 | |a Bengalen |0 (DE-588)1054631026 |2 gnd |9 rswk-swf | |
| 651 | 7 | |a Indien |z Nord |0 (DE-588)4072768-3 |2 gnd |9 rswk-swf | |
| 653 | 0 | |a Hindustani music / India / Bengal / 19th century / History and criticism | |
| 653 | 0 | |a Hindustani music / Social aspects / India / Bengal / History / 19th century | |
| 653 | 2 | |a Oudh (Princely State) / Court and courtiers / History / 19th century | |
| 653 | 2 | |a Kolkata (India) / Court and courtiers / History / 19th century | |
| 653 | 1 | |a Wajid ʻAli Shah / King of Oudh / 1822-1887 | |
| 653 | 1 | |a Wajid ʻAli Shah / King of Oudh / 1822-1887 | |
| 653 | 0 | |a Courts and courtiers | |
| 653 | 0 | |a Hindustani music | |
| 653 | 2 | |a India / Bengal | |
| 653 | 2 | |a India / Kolkata | |
| 653 | 2 | |a India / Oudh (Princely State) | |
| 653 | 4 | |a 1800-1899 | |
| 653 | 6 | |a Criticism, interpretation, etc | |
| 653 | 6 | |a History | |
| 689 | 0 | 0 | |a Indien |z Nord |0 (DE-588)4072768-3 |D g |
| 689 | 0 | 1 | |a Bengalen |0 (DE-588)1054631026 |D g |
| 689 | 0 | 2 | |a Hindustanimusik |0 (DE-588)4467299-8 |D s |
| 689 | 0 | 3 | |a Geschichte 1856-1890 |A z |
| 689 | 0 | |5 DE-604 | |
| 689 | 1 | 0 | |a Vājid ʿAlī |c Oudh, König |d 1821-1896 |0 (DE-588)140622411 |D p |
| 689 | 1 | |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe, EPUB |z 978-0-226-82544-1 |
| 856 | 4 | 2 | |m Digitalisierung BSB München - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034223642&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 940 | 1 | |q BSB_NED_20230907 | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-034223642 | ||
| 942 | 1 | 1 | |c 780.9 |e 22/bsb |f 09034 |g 54 |
Datensatz im Suchindex
| _version_ | 1804185190930579456 |
|---|---|
| adam_text | Contents Note on Transliteration vii Introduction i 1 Courts in Crisis: Listening to Art Music in Mughal Bengal 24 2 The Musical Ascent of Calcutta 50 3 Rethinking Nawabi Decadence 64 4 Music at Matiyaburj 96 5 Songs from behind the Curtain 131 6 Shared Tears: Court Music in the Networked Sphere 156 Conclusion 192 Acknowledgments 199 Bibliography 203 Notes 223 Index 261
|
| adam_txt |
Contents Note on Transliteration vii Introduction i 1 Courts in Crisis: Listening to Art Music in Mughal Bengal 24 2 The Musical Ascent of Calcutta 50 3 Rethinking Nawabi Decadence 64 4 Music at Matiyaburj 96 5 Songs from behind the Curtain 131 6 Shared Tears: Court Music in the Networked Sphere 156 Conclusion 192 Acknowledgments 199 Bibliography 203 Notes 223 Index 261 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Williams, Richard David |
| author_GND | (DE-588)1126068950 |
| author_facet | Williams, Richard David |
| author_role | aut |
| author_sort | Williams, Richard David |
| author_variant | r d w rd rdw |
| building | Verbundindex |
| bvnumber | BV048959861 |
| contents | Courts in crisis: listening to art music in Mughal Bengal -- The musical ascent of Calcutta -- Rethinking Nawabi decadence -- Music at Matiyaburj -- Songs from behind the curtain -- Shared tears |
| ctrlnum | (OCoLC)1392151299 (DE-599)BVBBV048959861 |
| era | Geschichte 1856-1890 gnd |
| era_facet | Geschichte 1856-1890 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>05401nam a2200709 c 4500</leader><controlfield tag="001">BV048959861</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20230907 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">230515s2023 a||| b||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780226825458</subfield><subfield code="c">paperback</subfield><subfield code="9">978-0-226-82545-8</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780226825434</subfield><subfield code="9">978-0-226-82543-4</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1392151299</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV048959861</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="1" ind2=" "><subfield code="a">eng</subfield><subfield code="h">ben</subfield><subfield code="h">inc</subfield><subfield code="h">urd</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MUS</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Williams, Richard David</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1126068950</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The scattered court</subfield><subfield code="b">Hindustani music in colonial Bengal</subfield><subfield code="c">Richard David Williams</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Chicago, IL ; London</subfield><subfield code="b">The University of Chicago Press</subfield><subfield code="c">2023</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">267 Seiten</subfield><subfield code="b">Illustrationen</subfield><subfield code="c">23 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Chicago studies in ethnomusicology</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Courts in crisis: listening to art music in Mughal Bengal -- The musical ascent of Calcutta -- Rethinking Nawabi decadence -- Music at Matiyaburj -- Songs from behind the curtain -- Shared tears</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"How far did colonialism transform north Indian art music? In the period between the Mughal empire and the British Raj, did the political landscape bleed into aesthetics, music, dance, and poetry? The Scattered Court presents a new history of how Hindustani court music responded to the political transitions of the nineteenth century. Examining musical culture through a diverse and multilingual archive, primarily using sources in Urdu, Bengali, and Hindi that have not been translated or critically examined before, challenges our assumptions about the period. The book presents a longer history of interactions between northern India and Bengal, with a core focus on the two courts of Wajid Ali Shah (1822-1887), the last ruler of the kingdom of Awadh. Wajid Ali Shah was one of the most colorful and controversial characters of the nineteenth century and has had a polarizing legacy. </subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">According to political histories and popular memory, he was a failure of a king, who was forced to surrender his kingdom to the East India Company, on the eve of the Indian Uprising of 1857. On the other hand, in musical histories, he is remembered either as a decadent aesthete or a path-breaking genius. The Scattered Court excavates the place of music in his court in Lucknow and his court-in-exile at Matiyaburj, Calcutta (1856-1887). The book charts the movement of musicians and dancers between these courts, as well as the transregional circulation of intellectual traditions and musical genres, and demonstrates the importance of the exile period for the rise of Calcutta as a celebrated center of Hindustani classical music. </subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">Since Lucknow is associated with late Mughal or Nawabi society, and Calcutta with colonial modernity, examining the relationship between the two cities sheds light on forms of continuity and transition over the nineteenth century, as artists and their patrons navigated political ruptures and social transformations. The Scattered Court challenges the existing historiography of Hindustani music and Indian culture under colonialism, by arguing that our focus on Anglophone sources and modernizing impulses has directed us away from the aesthetic subtleties, historical continuities, and emotional dimensions of nineteenth-century music"--</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">Text in English, with transliterations from Bengali, Hindustani, and Urdu</subfield></datafield><datafield tag="600" ind1="0" ind2="7"><subfield code="a">Vājid ʿAlī</subfield><subfield code="c">Oudh, König</subfield><subfield code="d">1821-1896</subfield><subfield code="0">(DE-588)140622411</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1856-1890</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Hindustanimusik</subfield><subfield code="0">(DE-588)4467299-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Bengalen</subfield><subfield code="0">(DE-588)1054631026</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Indien</subfield><subfield code="z">Nord</subfield><subfield code="0">(DE-588)4072768-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Hindustani music / India / Bengal / 19th century / History and criticism</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Hindustani music / Social aspects / India / Bengal / History / 19th century</subfield></datafield><datafield tag="653" ind1=" " ind2="2"><subfield code="a">Oudh (Princely State) / Court and courtiers / History / 19th century</subfield></datafield><datafield tag="653" ind1=" " ind2="2"><subfield code="a">Kolkata (India) / Court and courtiers / History / 19th century</subfield></datafield><datafield tag="653" ind1=" " ind2="1"><subfield code="a">Wajid ʻAli Shah / King of Oudh / 1822-1887</subfield></datafield><datafield tag="653" ind1=" " ind2="1"><subfield code="a">Wajid ʻAli Shah / King of Oudh / 1822-1887</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Courts and courtiers</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Hindustani music</subfield></datafield><datafield tag="653" ind1=" " ind2="2"><subfield code="a">India / Bengal</subfield></datafield><datafield tag="653" ind1=" " ind2="2"><subfield code="a">India / Kolkata</subfield></datafield><datafield tag="653" ind1=" " ind2="2"><subfield code="a">India / Oudh (Princely State)</subfield></datafield><datafield tag="653" ind1=" " ind2="4"><subfield code="a">1800-1899</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">Criticism, interpretation, etc</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">History</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Indien</subfield><subfield code="z">Nord</subfield><subfield code="0">(DE-588)4072768-3</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Bengalen</subfield><subfield code="0">(DE-588)1054631026</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Hindustanimusik</subfield><subfield code="0">(DE-588)4467299-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Geschichte 1856-1890</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Vājid ʿAlī</subfield><subfield code="c">Oudh, König</subfield><subfield code="d">1821-1896</subfield><subfield code="0">(DE-588)140622411</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe, EPUB</subfield><subfield code="z">978-0-226-82544-1</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung BSB München - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034223642&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">BSB_NED_20230907</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034223642</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.9</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09034</subfield><subfield code="g">54</subfield></datafield></record></collection> |
| geographic | Bengalen (DE-588)1054631026 gnd Indien Nord (DE-588)4072768-3 gnd |
| geographic_facet | Bengalen Indien Nord |
| id | DE-604.BV048959861 |
| illustrated | Illustrated |
| index_date | 2024-07-03T22:00:05Z |
| indexdate | 2024-07-10T09:51:18Z |
| institution | BVB |
| isbn | 9780226825458 9780226825434 |
| language | English Bengali Indic Urdu |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034223642 |
| oclc_num | 1392151299 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 267 Seiten Illustrationen 23 cm |
| psigel | BSB_NED_20230907 |
| publishDate | 2023 |
| publishDateSearch | 2023 |
| publishDateSort | 2023 |
| publisher | The University of Chicago Press |
| record_format | marc |
| series2 | Chicago studies in ethnomusicology |
| spelling | Williams, Richard David Verfasser (DE-588)1126068950 aut The scattered court Hindustani music in colonial Bengal Richard David Williams Chicago, IL ; London The University of Chicago Press 2023 267 Seiten Illustrationen 23 cm txt rdacontent n rdamedia nc rdacarrier Chicago studies in ethnomusicology Courts in crisis: listening to art music in Mughal Bengal -- The musical ascent of Calcutta -- Rethinking Nawabi decadence -- Music at Matiyaburj -- Songs from behind the curtain -- Shared tears "How far did colonialism transform north Indian art music? In the period between the Mughal empire and the British Raj, did the political landscape bleed into aesthetics, music, dance, and poetry? The Scattered Court presents a new history of how Hindustani court music responded to the political transitions of the nineteenth century. Examining musical culture through a diverse and multilingual archive, primarily using sources in Urdu, Bengali, and Hindi that have not been translated or critically examined before, challenges our assumptions about the period. The book presents a longer history of interactions between northern India and Bengal, with a core focus on the two courts of Wajid Ali Shah (1822-1887), the last ruler of the kingdom of Awadh. Wajid Ali Shah was one of the most colorful and controversial characters of the nineteenth century and has had a polarizing legacy. According to political histories and popular memory, he was a failure of a king, who was forced to surrender his kingdom to the East India Company, on the eve of the Indian Uprising of 1857. On the other hand, in musical histories, he is remembered either as a decadent aesthete or a path-breaking genius. The Scattered Court excavates the place of music in his court in Lucknow and his court-in-exile at Matiyaburj, Calcutta (1856-1887). The book charts the movement of musicians and dancers between these courts, as well as the transregional circulation of intellectual traditions and musical genres, and demonstrates the importance of the exile period for the rise of Calcutta as a celebrated center of Hindustani classical music. Since Lucknow is associated with late Mughal or Nawabi society, and Calcutta with colonial modernity, examining the relationship between the two cities sheds light on forms of continuity and transition over the nineteenth century, as artists and their patrons navigated political ruptures and social transformations. The Scattered Court challenges the existing historiography of Hindustani music and Indian culture under colonialism, by arguing that our focus on Anglophone sources and modernizing impulses has directed us away from the aesthetic subtleties, historical continuities, and emotional dimensions of nineteenth-century music"-- Text in English, with transliterations from Bengali, Hindustani, and Urdu Vājid ʿAlī Oudh, König 1821-1896 (DE-588)140622411 gnd rswk-swf Geschichte 1856-1890 gnd rswk-swf Hindustanimusik (DE-588)4467299-8 gnd rswk-swf Bengalen (DE-588)1054631026 gnd rswk-swf Indien Nord (DE-588)4072768-3 gnd rswk-swf Hindustani music / India / Bengal / 19th century / History and criticism Hindustani music / Social aspects / India / Bengal / History / 19th century Oudh (Princely State) / Court and courtiers / History / 19th century Kolkata (India) / Court and courtiers / History / 19th century Wajid ʻAli Shah / King of Oudh / 1822-1887 Courts and courtiers Hindustani music India / Bengal India / Kolkata India / Oudh (Princely State) 1800-1899 Criticism, interpretation, etc History Indien Nord (DE-588)4072768-3 g Bengalen (DE-588)1054631026 g Hindustanimusik (DE-588)4467299-8 s Geschichte 1856-1890 z DE-604 Vājid ʿAlī Oudh, König 1821-1896 (DE-588)140622411 p Erscheint auch als Online-Ausgabe, EPUB 978-0-226-82544-1 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034223642&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Williams, Richard David The scattered court Hindustani music in colonial Bengal Courts in crisis: listening to art music in Mughal Bengal -- The musical ascent of Calcutta -- Rethinking Nawabi decadence -- Music at Matiyaburj -- Songs from behind the curtain -- Shared tears Vājid ʿAlī Oudh, König 1821-1896 (DE-588)140622411 gnd Hindustanimusik (DE-588)4467299-8 gnd |
| subject_GND | (DE-588)140622411 (DE-588)4467299-8 (DE-588)1054631026 (DE-588)4072768-3 |
| title | The scattered court Hindustani music in colonial Bengal |
| title_auth | The scattered court Hindustani music in colonial Bengal |
| title_exact_search | The scattered court Hindustani music in colonial Bengal |
| title_exact_search_txtP | The scattered court Hindustani music in colonial Bengal |
| title_full | The scattered court Hindustani music in colonial Bengal Richard David Williams |
| title_fullStr | The scattered court Hindustani music in colonial Bengal Richard David Williams |
| title_full_unstemmed | The scattered court Hindustani music in colonial Bengal Richard David Williams |
| title_short | The scattered court |
| title_sort | the scattered court hindustani music in colonial bengal |
| title_sub | Hindustani music in colonial Bengal |
| topic | Vājid ʿAlī Oudh, König 1821-1896 (DE-588)140622411 gnd Hindustanimusik (DE-588)4467299-8 gnd |
| topic_facet | Vājid ʿAlī Oudh, König 1821-1896 Hindustanimusik Bengalen Indien Nord |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034223642&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT williamsricharddavid thescatteredcourthindustanimusicincolonialbengal |