On minimalism: documenting a musical movement
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oakland
University of California Press
[2023]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | xvi, 449 Seiten Illustrationen 23 cm |
| ISBN: | 9780520382084 9780520382077 |
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| adam_text | Contents Foreword by Joan La Barbara xiii Introduction i PART ONE 9 i. Improvisation and Experimentation 15 Amiri Baraka on Miles Davis’s “penchant for minimalism” 16 John Coltrane on his recent music ( DownBeat, i960) 18 Dom Cerulli’s liner notes to John Coltrane’s Africa/Brass (1961) 20 Henry Flynt on La Monte Young in the early ’60s 21 Jonathan Cott profiles Yoko Ono ( Rolling Stone, 1971) 26 The New York Times on John Cage’s marathon of Erik Satie’s Vexations (1963) 29 2. Dream Music 32 Jill Johnston on La Monte Young and Dream Music ( Village Voice, 1964) 33 The Theatre of Eternal Music at the East End Theatre (1963) 37 Tony Conrad replies to critic Peter Yates (196y) 40 Kate Lloyd on Four Evenings of Music with La Monte Young ( Vogue, 1966) 43
Tim Souster on “sustained sounds in “pop and “serious” music (1969) 46 John Cale, Tony Conrad, and Lou Reed on the early history of the Velvet Underground 48 3. Loops and Process 52 Alfred Frankenstein on the premiere of In C (San Francisco Chronicle, 1964) 53 Janet Rotter on the Columbia recording of In C (Glamour, 1969) 54 Terry Riley’s notes on Poppy NoGood’s Phantom Band (1967) yy Carman Moore reviews Steve Reich’s tape music (Village Voice, 1966) y6 Steve Reich, “Music as a Gradual Process” (1968/1971) y8 Philip Glass, “Program Notes” (1972) 60 Michael Nyman interviews British composers on discipline and process (1971) 62 Henry Higuera on Mother Mallard’s Portable Masterpiece Company (1972) 64 Sally Banes on Meredith Monk’s Our Lady of Late (1974) 66 4. Altered States 69 Terry Riley’s liner notes for A Rainbow in Curved Air (1969) 70 Marcus Boon interviews Jon Hassell on hashish at the Dream House 71 Robert Palmer on the musical trend of trance (New York Times, 197y) 72 Tom Johnson reviews Éliane Radigue’s Psi 847 (Village Voice, 197y) 7y Annea Lockwood and Julie Winter describe their 1970s healing group 77 Charlie Morrow on Rhys Chatham’s chanting (1974) 78 Linda Cousins interviews Edward Larry Gordon (Laraaji) on “celestial vibration” (1978) 79 Pauline Oliveros, “On Sonic Meditation” (1976) 81 5. Gurus and Teachers 87 La Monte Toting on Pandit Pran Nath (Village Voice, 1970) 88 Alice Coltrane’s liner notes to Journey in Satchidananda (1971) 94 Chungliang Al Huang on Pauline Oliveros and the Ş Ensemble (1973) 96
6. 7. San Diego Magazine interviews Pauline Oliveros (1979) 97 Tricycle: The Buddhist Review interviews Philip Glass (1991) 99 Cultural Fusion 104 Carman Moore on Terry Jennings and his All-Star Band (Village Voice, 1968) 105 Angela Dews profiles Alice Coltrane (Essence, 1971) 106 Steve Reich, “A Composer Looks East” (New York Times, 1973) 109 Jan Bruér’s liner notes to Don Cherry’s Organic Music Society (1973) IĪ2 Arnie Passman on Terry Riley (Berkeley Barb, 1974) ny Across the Arts Robert Morris, Blank Form” (i960) 119 Yvonne Rainer, “A Quasi Survey of Some ‘Minimalist’ Tendencies in the Quantitatively Minimal Dance Activity Midst the Plethora, or an Analysis of Trio A” (1966) 120 Alfred Frankenstein on “extended timers” at the Whitney (San Francisco Examiner, 1969) 121 Lizzie Borden on Charlemagne Palestine’s body-as-instrument (1974) John Rockwell on Yoshi Wada’s Earth Horns (New York Times, 1974) 8. 123 125 Deborah Jowitt on Laura Dean and Steve Reich’s Drumming (Village Voice, 197y) 126 Joan La Barbara on Alvin Lucier’s “sound geographies” (197y) 129 Amanda Smith profiles Meredith Monk (Ms. magazine, 1977) 131 Ensembles 134 Steve Reich, “Notes on the Ensemble” (1973) 13y Meredith Monk on Dolmen Music (1980) 138 Willoughby Sharp interviews the Philip Glass Ensemble (1974) 139 PART TWO 9. 118 163 1976 167 Tim Page on the ECM release о/Music for 18 Musicians (1978) 168 Steve Reich’s program note for Music for 18 Musicians (1976) 170 John Rockwell on Einstein on the Beach (Village Voice, 1976) 172
Henry Flynt on Catherine Christer Hennix’s The Electric Harpsichord 10. The New Downtown ii. 179 186 Rhys Chatham on “Post ’60s Traditionalism” (EAR Magazine, 1978) 187 Peter Gordon replies to Rhys Chatham (TAR Magazine, 1978) 188 Julius Eastman, “The Composer as Weakling” (EAR Magazine, 1979) 189 PeterZummo profiles Arthur Russell (S0H0 Weekly News, 1977) 191 Lee Ranaldo on Rhys Chatham’s Guitar Trio 192 Beth Anderson’s “Report from the Front” on the festival New Music, New York (1979) 196 Wim Mertens interviews John Cage about Glenn Branca’s performance at New Music America (1982) 198 Instruments and Environments 203 Ellen Fullman on her Long String Instrument (1987) 204 James Fulkerson on Phill Niblock’s music (1982) 207 Yoshi Wada’s liner notes to Lament for the Rise and Fall of the Elephantine Crocodile (1982/2007) 208 Eliot Handelman interviews Maryanne Amacher (1991) 211 12. Ambient and New Age 216 Anthony Korner interviews Brian Eno (1986) 217 Stephen Hill, “New Age Made Simple” (1988) 220 Dean Suzuki Bob Doerschuk interview Harold Budd (1986) 225 Paul Bowler interviews Midori Takada on Through the Looking Glass (2018) 229 13. Canons 232 Tom Johnson, What Is Minimalism Really About?” (Village Voice, 1977) 233 Tim Page and Mark Abbott, “Aspects of Minimalism,” WKCR festival playlist (1980) 236 Peter Goodman, “Minimalist Music: Is Less More—or a Bore? (Newsday, 1984) 218 Alan Licht, “Minimal Top Ten” (1996) 247
14. 15. Backlash 253 Beth Anderson on the first night of New Music, New York at the Kitchen (1979) 254 Ian MacDonald on minimalism ¿The Face, 1987) 25ƒ Charlemagne Palestine, interviewed by Alan Licht (1989) 26y Politics, Identity, and Expression 268 Rudy Koopmans interviews Louis Andriessen, Reinbert de Leeuw, and Misha Mengelberg “on the occasion of a concert tour by Phil Glass (1976) 269 Renate Strauss profiles Julius Eastman (Buffalo Evening News, 1976) 274 Julius Eastman introduces his concert at Northwestern University (1980) 278 K. Robert Schwarz profiles John Adams (198y) 279 Steve Reich’s program note for Different Trains (1988) 284 16. Postminimalists 286 Kyle Gann, “Enough of Nothing: Postminimalism” (Village Voice, 1991) 287 Libby Van Cleve interviews Michael Gordon on his 198y composition Thou Shalt. /Thou Shalt Not! (1997) 291 Libby Van Cleve interviews David Lang (1997) 292 Julia Wolfe’s program note for Lick (1994) 294 Elodie Lauten, “Composer’s Notes (2009) 294 Kalvos Damian interview Ann Southam (1998) 297 John Adams on the music of Ingram Marshall (1984) 299 Elena Dubinets interviews Alexandre RabinovitchBarakovsky (2010) 300 Elena Dubinets interviews Sergei Zagny (2020) 302 Elena Dubinets interviews Nikolai Korndorf (2000) 3oy 17. Spiritual Minimalism 307 John Rockwell on mystical minimalism (New York Times, 1993) 308 Jamie McCarthy interviews Arvo Part (1986) 311 Paul Jamrozy on Henryk Gorecki’s Symphony No. 3 (The Wire, 2014; 318
18. Popular Culture 321 Stephen Holden on disco ¿High Fidelity, 1979! 322 Kenny Berkowitz on minimalism’s impact on techno ¿Option, 1997) 324 PART THREE 331 19. Histories Arnold Dreyblatt, “An Open Letter to La Monte Young and Tony Conrad” (2000) 335 336 Nico Muhly on Philip Glass’s Music in 12 Parts (2017) 339 Jace Clayton, “Reverence Is a Form of Forgetting” (2020) 341 David Toop, “Black Minimalism (2018) 346 20. Silences 357 Alex Ross, “Silent Song ¿The New Yorker, 2016) 358 Jürg Frey, “And On It Went (2004) 361 Eva-Maria Houben, “Presence—Silence—Disappearance” (2010) 364 21. Futures 371 Brandon Stosuy interviews Sunn O)))’s Stephen O’Malley ¿The Believer, 2006) 372 Randy Gibson, “On Tuning (2018) 37y Philip Sherburne on ambient jazz ¿Pitchfork, 2021) 3 79 Steve Smith profiles Sarah Hennies¿New York Times, 2020) 3 84 Éliane Radigue, “The Mysterious Power of the Infinitesimal” (2009) 388 Acknowledgments Listening Guide Notes Bibliography Index 393 393 401 431 441
|
| adam_txt |
Contents Foreword by Joan La Barbara xiii Introduction i PART ONE 9 i. Improvisation and Experimentation 15 Amiri Baraka on Miles Davis’s “penchant for minimalism” 16 John Coltrane on his recent music ("DownBeat, i960) 18 Dom Cerulli’s liner notes to John Coltrane’s Africa/Brass (1961) 20 Henry Flynt on La Monte Young in the early ’60s 21 Jonathan Cott profiles Yoko Ono ("Rolling Stone, 1971) 26 The New York Times on John Cage’s marathon of Erik Satie’s Vexations (1963) 29 2. Dream Music 32 Jill Johnston on La Monte Young and Dream Music ("Village Voice, 1964) 33 The Theatre of Eternal Music at the East End Theatre (1963) 37 Tony Conrad replies to critic Peter Yates (196y) 40 Kate Lloyd on Four Evenings of Music with La Monte Young ("Vogue, 1966) 43
Tim Souster on “sustained sounds" in “pop" and “serious” music (1969) 46 John Cale, Tony Conrad, and Lou Reed on the early history of the Velvet Underground 48 3. Loops and Process 52 Alfred Frankenstein on the premiere of In C (San Francisco Chronicle, 1964) 53 Janet Rotter on the Columbia recording of In C (Glamour, 1969) 54 Terry Riley’s notes on Poppy NoGood’s Phantom Band (1967) yy Carman Moore reviews Steve Reich’s tape music (Village Voice, 1966) y6 Steve Reich, “Music as a Gradual Process” (1968/1971) y8 Philip Glass, “Program Notes” (1972) 60 Michael Nyman interviews British composers on discipline and process (1971) 62 Henry Higuera on Mother Mallard’s Portable Masterpiece Company (1972) 64 Sally Banes on Meredith Monk’s Our Lady of Late (1974) 66 4. Altered States 69 Terry Riley’s liner notes for A Rainbow in Curved Air (1969) 70 Marcus Boon interviews Jon Hassell on hashish at the Dream House 71 Robert Palmer on the musical trend of trance (New York Times, 197y) 72 Tom Johnson reviews Éliane Radigue’s Psi 847 (Village Voice, 197y) 7y Annea Lockwood and Julie Winter describe their 1970s healing group 77 Charlie Morrow on Rhys Chatham’s chanting (1974) 78 Linda Cousins interviews Edward Larry Gordon (Laraaji) on “celestial vibration” (1978) 79 Pauline Oliveros, “On Sonic Meditation” (1976) 81 5. Gurus and Teachers 87 La Monte Toting on Pandit Pran Nath (Village Voice, 1970) 88 Alice Coltrane’s liner notes to Journey in Satchidananda (1971) 94 Chungliang Al Huang on Pauline Oliveros and the Ş Ensemble (1973) 96
6. 7. San Diego Magazine interviews Pauline Oliveros (1979) 97 Tricycle: The Buddhist Review interviews Philip Glass (1991) 99 Cultural Fusion 104 Carman Moore on Terry Jennings and his All-Star Band (Village Voice, 1968) 105 Angela Dews profiles Alice Coltrane (Essence, 1971) 106 Steve Reich, “A Composer Looks East” (New York Times, 1973) 109 Jan Bruér’s liner notes to Don Cherry’s Organic Music Society (1973) IĪ2 Arnie Passman on Terry Riley (Berkeley Barb, 1974) ny Across the Arts Robert Morris, "Blank Form” (i960) 119 Yvonne Rainer, “A Quasi Survey of Some ‘Minimalist’ Tendencies in the Quantitatively Minimal Dance Activity Midst the Plethora, or an Analysis of Trio A” (1966) 120 Alfred Frankenstein on “extended timers” at the Whitney (San Francisco Examiner, 1969) 121 Lizzie Borden on Charlemagne Palestine’s body-as-instrument (1974) John Rockwell on Yoshi Wada’s Earth Horns (New York Times, 1974) 8. 123 125 Deborah Jowitt on Laura Dean and Steve Reich’s Drumming (Village Voice, 197y) 126 Joan La Barbara on Alvin Lucier’s “sound geographies” (197y) 129 Amanda Smith profiles Meredith Monk (Ms. magazine, 1977) 131 Ensembles 134 Steve Reich, “Notes on the Ensemble” (1973) 13y Meredith Monk on Dolmen Music (1980) 138 Willoughby Sharp interviews the Philip Glass Ensemble (1974) 139 PART TWO 9. 118 163 1976 167 Tim Page on the ECM release о/Music for 18 Musicians (1978) 168 Steve Reich’s program note for Music for 18 Musicians (1976) 170 John Rockwell on Einstein on the Beach (Village Voice, 1976) 172
Henry Flynt on Catherine Christer Hennix’s The Electric Harpsichord 10. The New Downtown ii. 179 186 Rhys Chatham on “Post ’60s Traditionalism” (EAR Magazine, 1978) 187 Peter Gordon replies to Rhys Chatham (TAR Magazine, 1978) 188 Julius Eastman, “The Composer as Weakling” (EAR Magazine, 1979) 189 PeterZummo profiles Arthur Russell (S0H0 Weekly News, 1977) 191 Lee Ranaldo on Rhys Chatham’s Guitar Trio 192 Beth Anderson’s “Report from the Front” on the festival New Music, New York (1979) 196 Wim Mertens interviews John Cage about Glenn Branca’s performance at New Music America (1982) 198 Instruments and Environments 203 Ellen Fullman on her Long String Instrument (1987) 204 James Fulkerson on Phill Niblock’s music (1982) 207 Yoshi Wada’s liner notes to Lament for the Rise and Fall of the Elephantine Crocodile (1982/2007) 208 Eliot Handelman interviews Maryanne Amacher (1991) 211 12. Ambient and New Age 216 Anthony Korner interviews Brian Eno (1986) 217 Stephen Hill, “New Age Made Simple” (1988) 220 Dean Suzuki Bob Doerschuk interview Harold Budd (1986) 225 Paul Bowler interviews Midori Takada on Through the Looking Glass (2018) 229 13. Canons 232 Tom Johnson, "What Is Minimalism Really About?” (Village Voice, 1977) 233 Tim Page and Mark Abbott, “Aspects of Minimalism,” WKCR festival playlist (1980) 236 Peter Goodman, “Minimalist Music: Is Less More—or a Bore?" (Newsday, 1984) 218 Alan Licht, “Minimal Top Ten” (1996) 247
14. 15. Backlash 253 Beth Anderson on the first night of New Music, New York at the Kitchen (1979) 254 Ian MacDonald on minimalism ¿The Face, 1987) 25ƒ Charlemagne Palestine, interviewed by Alan Licht (1989) 26y Politics, Identity, and Expression 268 Rudy Koopmans interviews Louis Andriessen, Reinbert de Leeuw, and Misha Mengelberg “on the occasion of a concert tour by Phil Glass" (1976) 269 Renate Strauss profiles Julius Eastman (Buffalo Evening News, 1976) 274 Julius Eastman introduces his concert at Northwestern University (1980) 278 K. Robert Schwarz profiles John Adams (198y) 279 Steve Reich’s program note for Different Trains (1988) 284 16. Postminimalists 286 Kyle Gann, “Enough of Nothing: Postminimalism” (Village Voice, 1991) 287 Libby Van Cleve interviews Michael Gordon on his 198y composition Thou Shalt.'/Thou Shalt Not! (1997) 291 Libby Van Cleve interviews David Lang (1997) 292 Julia Wolfe’s program note for Lick (1994) 294 Elodie Lauten, “Composer’s Notes" (2009) 294 Kalvos Damian interview Ann Southam (1998) 297 John Adams on the music of Ingram Marshall (1984) 299 Elena Dubinets interviews Alexandre RabinovitchBarakovsky (2010) 300 Elena Dubinets interviews Sergei Zagny (2020) 302 Elena Dubinets interviews Nikolai Korndorf (2000) 3oy 17. Spiritual Minimalism 307 John Rockwell on mystical minimalism (New York Times, 1993) 308 Jamie McCarthy interviews Arvo Part (1986) 311 Paul Jamrozy on Henryk Gorecki’s Symphony No. 3 (The Wire, 2014; 318
18. Popular Culture 321 Stephen Holden on disco ¿High Fidelity, 1979! 322 Kenny Berkowitz on minimalism’s impact on techno ¿Option, 1997) 324 PART THREE 331 19. Histories Arnold Dreyblatt, “An Open Letter to La Monte Young and Tony Conrad” (2000) 335 336 Nico Muhly on Philip Glass’s Music in 12 Parts (2017) 339 Jace Clayton, “Reverence Is a Form of Forgetting” (2020) 341 David Toop, “Black Minimalism" (2018) 346 20. Silences 357 Alex Ross, “Silent Song" ¿The New Yorker, 2016) 358 Jürg Frey, “And On It Went" (2004) 361 Eva-Maria Houben, “Presence—Silence—Disappearance” (2010) 364 21. Futures 371 Brandon Stosuy interviews Sunn O)))’s Stephen O’Malley ¿The Believer, 2006) 372 Randy Gibson, “On Tuning" (2018) 37y Philip Sherburne on ambient jazz ¿Pitchfork, 2021) 3 79 Steve Smith profiles Sarah Hennies¿New York Times, 2020) 3 84 Éliane Radigue, “The Mysterious Power of the Infinitesimal” (2009) 388 Acknowledgments Listening Guide Notes Bibliography Index 393 393 401 431 441 |
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| physical | xvi, 449 Seiten Illustrationen 23 cm |
| psigel | BSB_NED_20230727 |
| publishDate | 2023 |
| publishDateSearch | 2023 |
| publishDateSort | 2023 |
| publisher | University of California Press |
| record_format | marc |
| spelling | O'Brien, Kerry Verfasser (DE-588)1246864401 aut On minimalism documenting a musical movement Kerry O'Brien, William Robin Oakland University of California Press [2023] © 2023 xvi, 449 Seiten Illustrationen 23 cm txt rdacontent sti rdacontent n rdamedia nc rdacarrier Minimal music (DE-588)4346530-4 gnd rswk-swf Geschichte (DE-588)4020517-4 gnd rswk-swf Minimal music / History and criticism Ambient music / History and criticism Ambient music Minimal music Criticism, interpretation, etc Minimal music (DE-588)4346530-4 s Geschichte (DE-588)4020517-4 s DE-604 Robin, William Verfasser (DE-588)1078046719 aut Erscheint auch als Online-Ausgabe 978-0-520-38209-1 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034223641&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | O'Brien, Kerry Robin, William On minimalism documenting a musical movement Minimal music (DE-588)4346530-4 gnd Geschichte (DE-588)4020517-4 gnd |
| subject_GND | (DE-588)4346530-4 (DE-588)4020517-4 |
| title | On minimalism documenting a musical movement |
| title_auth | On minimalism documenting a musical movement |
| title_exact_search | On minimalism documenting a musical movement |
| title_exact_search_txtP | On minimalism documenting a musical movement |
| title_full | On minimalism documenting a musical movement Kerry O'Brien, William Robin |
| title_fullStr | On minimalism documenting a musical movement Kerry O'Brien, William Robin |
| title_full_unstemmed | On minimalism documenting a musical movement Kerry O'Brien, William Robin |
| title_short | On minimalism |
| title_sort | on minimalism documenting a musical movement |
| title_sub | documenting a musical movement |
| topic | Minimal music (DE-588)4346530-4 gnd Geschichte (DE-588)4020517-4 gnd |
| topic_facet | Minimal music Geschichte |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034223641&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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