The print in the Codex, part 2 of 2: [introduction]
The following paper by Silvia Massa was first presented at a session sponsored by the Bibliographical Society of America that I chaired on 10 February 2021 at the 109th College Art Association Annual Conference. Entitled ‘The Print in the Codex’, the session considered books transformed through the...
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| Format: | Elektronisch Artikel |
| Sprache: | English |
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December 2022
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| Zusammenfassung: | The following paper by Silvia Massa was first presented at a session sponsored by the Bibliographical Society of America that I chaired on 10 February 2021 at the 109th College Art Association Annual Conference. Entitled ‘The Print in the Codex’, the session considered books transformed through the incorporation of independently printed images. This is the second of two papers from the session to appear in this journal; Sarah Schaefer’s study of the impact of extra-illustration on printing history, ‘Bibles Unbound: The Material Semantics of Nineteenth-Century Scriptural Illustration’, appeared in the June 2022 issue. |
| Beschreibung: | 1 Online-Ressource (1 Seiten) |
| ISSN: | 2042-4752 |
| DOI: | 10.48352/uobxjah.00004162 |
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| 520 | 3 | |a The following paper by Silvia Massa was first presented at a session sponsored by the Bibliographical Society of America that I chaired on 10 February 2021 at the 109th College Art Association Annual Conference. Entitled ‘The Print in the Codex’, the session considered books transformed through the incorporation of independently printed images. This is the second of two papers from the session to appear in this journal; Sarah Schaefer’s study of the impact of extra-illustration on printing history, ‘Bibles Unbound: The Material Semantics of Nineteenth-Century Scriptural Illustration’, appeared in the June 2022 issue. | |
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| spelling | Musto, Jeanne-Marie Verfasser aut The print in the Codex, part 2 of 2 [introduction] guest edited by Jeanne-Marie Musto December 2022 1 Online-Ressource (1 Seiten) txt rdacontent c rdamedia cr rdacarrier The following paper by Silvia Massa was first presented at a session sponsored by the Bibliographical Society of America that I chaired on 10 February 2021 at the 109th College Art Association Annual Conference. Entitled ‘The Print in the Codex’, the session considered books transformed through the incorporation of independently printed images. This is the second of two papers from the session to appear in this journal; Sarah Schaefer’s study of the impact of extra-illustration on printing history, ‘Bibles Unbound: The Material Semantics of Nineteenth-Century Scriptural Illustration’, appeared in the June 2022 issue. number:27 year:2022 Journal of art historiography Glasgow, 2022 Heft 27 (2022) (DE-604)BV035944348 2042-4752 (DE-600)2532257-6 https://doi.org/10.48352/uobxjah.00004162 Verlag kostenfrei Volltext |
| spellingShingle | Musto, Jeanne-Marie The print in the Codex, part 2 of 2 [introduction] |
| title | The print in the Codex, part 2 of 2 [introduction] |
| title_auth | The print in the Codex, part 2 of 2 [introduction] |
| title_exact_search | The print in the Codex, part 2 of 2 [introduction] |
| title_exact_search_txtP | The print in the Codex, part 2 of 2 [introduction] |
| title_full | The print in the Codex, part 2 of 2 [introduction] guest edited by Jeanne-Marie Musto |
| title_fullStr | The print in the Codex, part 2 of 2 [introduction] guest edited by Jeanne-Marie Musto |
| title_full_unstemmed | The print in the Codex, part 2 of 2 [introduction] guest edited by Jeanne-Marie Musto |
| title_short | The print in the Codex, part 2 of 2 |
| title_sort | the print in the codex part 2 of 2 introduction |
| title_sub | [introduction] |
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