George Herbert and early modern musical culture:
Described by one contemporary as the 'sweet singer of The Temple', George Herbert has long been recognised as a lover of music. Nevertheless, Herbert's own participation in seventeenth-century musical culture has yet to be examined in detail. This is the first extended critical study...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore
Cambridge University Press
2023
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Described by one contemporary as the 'sweet singer of The Temple', George Herbert has long been recognised as a lover of music. Nevertheless, Herbert's own participation in seventeenth-century musical culture has yet to be examined in detail. This is the first extended critical study to situate Herbert's roles as priest, poet and musician in the context of the musico-poetic activities of members of his extended family, from the song culture surrounding William Herbert and Mary Sidney to the philosophy of his eldest brother Edward Herbert of Cherbury. It examines the secular visual music of the Stuart court masque as well as the sacred songs of the church. Arguing that Herbert's reading of Augustine helped to shape his musical thought, it explores the tension between the abstract ideal of music and its practical performance to articulate the distinctive theological insights Herbert derived from the musical culture of his time |
| Beschreibung: | xvi, 266 Seiten Notenbeispiele |
| ISBN: | 9781009098069 |
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| 505 | 8 | |a Measuring Well : Ethics and Incarnational Music -- Communities of Voices : Song Culture at Wilton House -- The Visual Music of the Masque -- Concord and Consent : The Music of Lord Herbert of Cherbury -- Double Motion : Attending to Church Music -- Singing the Psalms | |
| 520 | |a Described by one contemporary as the 'sweet singer of The Temple', George Herbert has long been recognised as a lover of music. Nevertheless, Herbert's own participation in seventeenth-century musical culture has yet to be examined in detail. This is the first extended critical study to situate Herbert's roles as priest, poet and musician in the context of the musico-poetic activities of members of his extended family, from the song culture surrounding William Herbert and Mary Sidney to the philosophy of his eldest brother Edward Herbert of Cherbury. It examines the secular visual music of the Stuart court masque as well as the sacred songs of the church. Arguing that Herbert's reading of Augustine helped to shape his musical thought, it explores the tension between the abstract ideal of music and its practical performance to articulate the distinctive theological insights Herbert derived from the musical culture of his time | ||
| 600 | 1 | 4 | |a Herbert, George / 1593-1633 / Knowledge / Music |
| 650 | 4 | |a Music / 17th century / History and criticism | |
| 650 | 4 | |a Music and literature / History / 17th century | |
| 650 | 4 | |a Music / Social aspects / History / 17th century | |
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents List of Figures List ofMusical Examples 1‘reface Acknowledgements page ix x xi xv Introduction i Music in The Temple Herbert and Early Modern Musical Culture Music and the Lyric Mode i J 8 18 Measuring Well: Ethics and Incarnational Music 24 Retuning the Sky Herben and Augustine’s De musica Right Measurement (I): Music and Number Right Measurement (II): Health and Affliction Music and Incarnation: Imitation and Participation 2 Communities of Voices: Song Culture at Wilton House Pembroke’s Poems (1660) and Song Culture at Wilton Herbert and the Wilton Coterie ‘The Passionate Shepherd’ ‘Who shall sing best thy name’: ‘The Dedication’ ‘Place me in thy consort’ 3 The Visual Music of the Masque Defining Ritual Space: Entering ‘The Church’ Music and Ritual Time ‘A kinde of harmonie in Sight’: Visual Proportion Proportion in Perspective The Visual Music of the Dance Participating in the Revels: Leaving ‘The Church’ vii 25 28 32 36 45 50 52 59 67 72 77 81 83 86 90 93 98 103
viii 4 Contents Concord and Consent: The Music of Lord Herbert of Cherbury Cherbury’s Cosmopolitan Music De veritate and Music Microcosm and Macrocosm: Cherbury’s Astrological Compositions Echoes and Resonances (I): Edward and George Herbert Echoes and Resonances (II): Echo Songs 5 Double Motion: Attending to Church Music Attending to Scripture Attending the Offices ‘A modest distinct song’ Herbert and the Church Music Controversy ‘The Call’ and the Commandment Anthem Verse and Dialogue Anthems Double Motion: Herbert’s Polyphony 6 Singing the Psalms Singing the Psalms in Early Modern England The Voice of ‘The 23 Psalme’ Measuring Time in ‘The 23 Psalme’ The Psalms of Ascent Making One Place Everywhere ‘Altogether with one voyce’ no III II7 123 128 I3I 139 I4I 143 146 Ijl 154 159 166 173 177 180 184 188 196 199 Epilogue 204 Notes Bibliography Index 209 242 261
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| adam_txt |
Contents List of Figures List ofMusical Examples 1‘reface Acknowledgements page ix x xi xv Introduction i Music in The Temple Herbert and Early Modern Musical Culture Music and the Lyric Mode i J 8 18 Measuring Well: Ethics and Incarnational Music 24 Retuning the Sky Herben and Augustine’s De musica Right Measurement (I): Music and Number Right Measurement (II): Health and Affliction Music and Incarnation: Imitation and Participation 2 Communities of Voices: Song Culture at Wilton House Pembroke’s Poems (1660) and Song Culture at Wilton Herbert and the Wilton Coterie ‘The Passionate Shepherd’ ‘Who shall sing best thy name’: ‘The Dedication’ ‘Place me in thy consort’ 3 The Visual Music of the Masque Defining Ritual Space: Entering ‘The Church’ Music and Ritual Time ‘A kinde of harmonie in Sight’: Visual Proportion Proportion in Perspective The Visual Music of the Dance Participating in the Revels: Leaving ‘The Church’ vii 25 28 32 36 45 50 52 59 67 72 77 81 83 86 90 93 98 103
viii 4 Contents Concord and Consent: The Music of Lord Herbert of Cherbury Cherbury’s Cosmopolitan Music De veritate and Music Microcosm and Macrocosm: Cherbury’s Astrological Compositions Echoes and Resonances (I): Edward and George Herbert Echoes and Resonances (II): Echo Songs 5 Double Motion: Attending to Church Music Attending to Scripture Attending the Offices ‘A modest distinct song’ Herbert and the Church Music Controversy ‘The Call’ and the Commandment Anthem Verse and Dialogue Anthems Double Motion: Herbert’s Polyphony 6 Singing the Psalms Singing the Psalms in Early Modern England The Voice of ‘The 23 Psalme’ Measuring Time in ‘The 23 Psalme’ The Psalms of Ascent Making One Place Everywhere ‘Altogether with one voyce’ no III II7 123 128 I3I 139 I4I 143 146 Ijl 154 159 166 173 177 180 184 188 196 199 Epilogue 204 Notes Bibliography Index 209 242 261 |
| any_adam_object | 1 |
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| author | Jackson, Simon 1983- |
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| contents | Measuring Well : Ethics and Incarnational Music -- Communities of Voices : Song Culture at Wilton House -- The Visual Music of the Masque -- Concord and Consent : The Music of Lord Herbert of Cherbury -- Double Motion : Attending to Church Music -- Singing the Psalms |
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| dewey-full | 780.9/032 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
| dewey-raw | 780.9/032 |
| dewey-search | 780.9/032 |
| dewey-sort | 3780.9 232 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
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| spelling | Jackson, Simon 1983- Verfasser (DE-588)1279131470 aut George Herbert and early modern musical culture Simon Jackson (University of Cambridge) Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore Cambridge University Press 2023 xvi, 266 Seiten Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Measuring Well : Ethics and Incarnational Music -- Communities of Voices : Song Culture at Wilton House -- The Visual Music of the Masque -- Concord and Consent : The Music of Lord Herbert of Cherbury -- Double Motion : Attending to Church Music -- Singing the Psalms Described by one contemporary as the 'sweet singer of The Temple', George Herbert has long been recognised as a lover of music. Nevertheless, Herbert's own participation in seventeenth-century musical culture has yet to be examined in detail. This is the first extended critical study to situate Herbert's roles as priest, poet and musician in the context of the musico-poetic activities of members of his extended family, from the song culture surrounding William Herbert and Mary Sidney to the philosophy of his eldest brother Edward Herbert of Cherbury. It examines the secular visual music of the Stuart court masque as well as the sacred songs of the church. Arguing that Herbert's reading of Augustine helped to shape his musical thought, it explores the tension between the abstract ideal of music and its practical performance to articulate the distinctive theological insights Herbert derived from the musical culture of his time Herbert, George / 1593-1633 / Knowledge / Music Music / 17th century / History and criticism Music and literature / History / 17th century Music / Social aspects / History / 17th century Music / 17th century / Philosophy and aesthetics (DE-588)4113937-9 Hochschulschrift gnd-content Erscheint auch als Online-Ausgabe 978-1-00-910688-7 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034200401&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Jackson, Simon 1983- George Herbert and early modern musical culture Measuring Well : Ethics and Incarnational Music -- Communities of Voices : Song Culture at Wilton House -- The Visual Music of the Masque -- Concord and Consent : The Music of Lord Herbert of Cherbury -- Double Motion : Attending to Church Music -- Singing the Psalms Herbert, George / 1593-1633 / Knowledge / Music Music / 17th century / History and criticism Music and literature / History / 17th century Music / Social aspects / History / 17th century Music / 17th century / Philosophy and aesthetics |
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| title | George Herbert and early modern musical culture |
| title_auth | George Herbert and early modern musical culture |
| title_exact_search | George Herbert and early modern musical culture |
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| title_full | George Herbert and early modern musical culture Simon Jackson (University of Cambridge) |
| title_fullStr | George Herbert and early modern musical culture Simon Jackson (University of Cambridge) |
| title_full_unstemmed | George Herbert and early modern musical culture Simon Jackson (University of Cambridge) |
| title_short | George Herbert and early modern musical culture |
| title_sort | george herbert and early modern musical culture |
| topic | Herbert, George / 1593-1633 / Knowledge / Music Music / 17th century / History and criticism Music and literature / History / 17th century Music / Social aspects / History / 17th century Music / 17th century / Philosophy and aesthetics |
| topic_facet | Herbert, George / 1593-1633 / Knowledge / Music Music / 17th century / History and criticism Music and literature / History / 17th century Music / Social aspects / History / 17th century Music / 17th century / Philosophy and aesthetics Hochschulschrift |
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