Overtone singing: harmonic dimensions of the human voice
"Ethnomusicologist and vocalist Mark van Tongeren offers a fascinating insight into timeless and universal aspects of the human ability to sing many tones at once. Grounded in a decades-long practical and theoretical study of music, he draws upon fieldwork and interviews with Eastern and Wester...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Newark ; Callicoon ; Matsalu
Terra Nova Press
2022
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Ethnomusicologist and vocalist Mark van Tongeren offers a fascinating insight into timeless and universal aspects of the human ability to sing many tones at once. Grounded in a decades-long practical and theoretical study of music, he draws upon fieldwork and interviews with Eastern and Western musicians and composers across the spectrum from archaic traditions to contemporary experiments. This copiously illustrated book examines claims about the healing effects of overtones, juxtaposing local and global practices and transforming some of our core ideas about sound and music. An indispensable guide for musicians, listeners and scholars seeking a deeper understanding of the nature of the human voice and its harmonic possibilities"--Back cover |
| Beschreibung: | 352 Seiten Illustrationen, Porträts 23 cm |
| ISBN: | 9781949597226 |
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Datensatz im Suchindex
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|---|---|
| adam_text | CONTENTS FOREWORD by Trän Quang Hai PRELUDE: Meeting With A Tuvan shepherd INTRODUCTION: Where Art Meets Science And Contemplation 9 11 15 PART ONE: PHYSICS CHAPTER 1 - SINGING HARMONICS The sonic library Vowels, timbre and harmonics Speaking in chords The harmonic series The voice Mouth shape and resonance The mouth as a filter Elementary techniques of overtone singing Singing the overtone series Throat singing Defining overtone and throat singing Deep modes of chanting Swollen veins The female voice Oktavist multiphonic growls, anyone? Musical architecture CHAPTER 2 - LISTENING TO HARMONICS Harmonics’ hidden history Harmonics at the opera (I) Paraphony The cycle of creation and perception Unusual acoustic phenomena Space and sound 25 25 27 28 30 33 37 38 41 49 50 52 54 57 58 59 60 65 65 67 67 70 72 74 PART TWO: EAST CHAPTER 3 - TUVAN THROAT SINGING Three children and a bull Throat singing in everyday life Two outstanding musician-composers Styles and techniques A teacher and expert 80 83 84 86 92 95
Education: Now and then A proto-musical sound world The world of spirits and sound A whole gamut of wheezes Throat singing in ritual, healing and shamanising In previous centuries Live at the Bolshoi Khunashtaar-ool: Khöömei redefined Cultural authorities and musical hierarchies From Vladivostok to Havana Tuvan city blues The Tuva Ensemble Tuva in turmoil A musical lineage continued Huun-Huur-Tu: Back (and forth) to the roots Women and khöömei A concert by full moon Kongar-ool Ondar: Mixed feelings Tradition in motion CHAPTER 4 - OVERTONE SINGING IN OTHER TRADITIONAL MUSICS Mongolia: Nature sounds and metal music Mongolian and Tuvan throat singing Techniques of Mongolian khöömii Gone with the wind Metal mouth music Epics and harmonics Epics and throat singing in the Republic of Altai Echoes from the past Going to Kyzyl Song for the River Katun The Republic of Khakassia: The spirits return Receiving a gift from the spirits The Republic of Kalmykia: Epics and ideology The Republic of Bashkortostan: An independent case? Tibet: Sound and symbol An eyewitness account Sects and colleges Sutras, mudras and mantras A tool for the mind: The harmonic as symbol A different reality Inner Mongolia: Reinventing khoomii Sardinia, Italy: The quintina or virtual voice South Africa: The human voice as a type of musical bow American barbershop: Linking Africa and Europe Idiosyncrasies 98 100 101 105 107 110 113 115 116 118 123 127 130 132 135 139 144 145 148 154 155 157 158 161 165 166 169 170 172 174 175 178 180 183 186 187 189 190 194 196 197 200 205 209 210
PART THREE: WEST CHAPTER 5-А HISTORY OF OVERTONE SINGING IN THE WEST The Tortoise, His Dreams and Journeys Tuning up to the cosmos: Stockhausen’s Stimmung Trials and errors: A Vietnamese in Paris The 1970s: Extending vocal technique Stratos: Singing the voice David Hykes: Solar winds rainbow voices Michael Vetter: Zen and sound The snowball effect Globalisation and cross-fertilisation Out of Tuva Yat-Kha and the Global East From deep valleys to high peaks: Urban yodelling Harmonics at the opera (II) Shostakovich and the frozen song of Odna Toby Twining: Requiem for a Millennium Scoring for overtones Rollin Rachele: Harmonic divergence Hefele’s viral, solo polyphonies Evening out differences Beyond singing: Natascha Nikeprelevic The stepchild of European music 215 216 217 222 225 227 228 235 240 242 244 247 250 252 255 257 260 263 266 268 270 274 PART FOUR: METAPHYSICS CHAPTER 6 - BODY, MIND AND BEYOND Unusual experiences New musical phenomena? Meditation: Listening to overtones Christian chants and Buddhist mantras Music, medicine, therapy and healing Therapy and healing with timbre and overtones How to make your bones sing The law of octaves The Greek legacy Silent harmonics Music makes the world go round The dance of molecules The Pythagorean attitude Sound as a pivot to consciousness 278 281 284 286 290 294 295 301 304 307 309 311 312 314 317
PART FIVE: QUINTESSENCE CHAPTER 7 - THE GREAT REALM Traditions and Metaphysics Universals and differences Dimensions of the spiritual Thinking music and nature Physics Versus Metaphysics A ‘theory of musical relativity’ A subliminal driving force Paradigm shift The ancient marriage between music and physics reversed Mixed-up modernities and traditions The New Age dilemma The Quintessence of Science, Sound and Self Timbre: A paradox for the senses The Great Realm 324 326 326 328 332 333 333 337 339 340 342 343 348 348 351 Coda 353 Acknowledgements About Pronunciations and Transliterations Endnotes Bibliography Sources: Audio Recordings Sources: Audiovisual Media Online Videos Index Anthology of Overtone Singing: The Audio Recordings 356 358 360 366 373 374 375 376 379
|
| adam_txt |
CONTENTS FOREWORD by Trän Quang Hai PRELUDE: Meeting With A Tuvan shepherd INTRODUCTION: Where Art Meets Science And Contemplation 9 11 15 PART ONE: PHYSICS CHAPTER 1 - SINGING HARMONICS The sonic library Vowels, timbre and harmonics Speaking in chords The harmonic series The voice Mouth shape and resonance The mouth as a filter Elementary techniques of overtone singing Singing the overtone series Throat singing Defining overtone and throat singing Deep modes of chanting Swollen veins The female voice Oktavist multiphonic growls, anyone? Musical architecture CHAPTER 2 - LISTENING TO HARMONICS Harmonics’ hidden history Harmonics at the opera (I) Paraphony The cycle of creation and perception Unusual acoustic phenomena Space and sound 25 25 27 28 30 33 37 38 41 49 50 52 54 57 58 59 60 65 65 67 67 70 72 74 PART TWO: EAST CHAPTER 3 - TUVAN THROAT SINGING Three children and a bull Throat singing in everyday life Two outstanding musician-composers Styles and techniques A teacher and expert 80 83 84 86 92 95
Education: Now and then A proto-musical sound world The world of spirits and sound A whole gamut of wheezes Throat singing in ritual, healing and shamanising In previous centuries Live at the Bolshoi Khunashtaar-ool: Khöömei redefined Cultural authorities and musical hierarchies From Vladivostok to Havana Tuvan city blues The Tuva Ensemble Tuva in turmoil A musical lineage continued Huun-Huur-Tu: Back (and forth) to the roots Women and khöömei A concert by full moon Kongar-ool Ondar: Mixed feelings Tradition in motion CHAPTER 4 - OVERTONE SINGING IN OTHER TRADITIONAL MUSICS Mongolia: Nature sounds and metal music Mongolian and Tuvan throat singing Techniques of Mongolian khöömii Gone with the wind Metal mouth music Epics and harmonics Epics and throat singing in the Republic of Altai Echoes from the past Going to Kyzyl Song for the River Katun The Republic of Khakassia: The spirits return Receiving a gift from the spirits The Republic of Kalmykia: Epics and ideology The Republic of Bashkortostan: An independent case? Tibet: Sound and symbol An eyewitness account Sects and colleges Sutras, mudras and mantras A tool for the mind: The harmonic as symbol A different reality Inner Mongolia: Reinventing khoomii Sardinia, Italy: The quintina or virtual voice South Africa: The human voice as a type of musical bow American barbershop: Linking Africa and Europe Idiosyncrasies 98 100 101 105 107 110 113 115 116 118 123 127 130 132 135 139 144 145 148 154 155 157 158 161 165 166 169 170 172 174 175 178 180 183 186 187 189 190 194 196 197 200 205 209 210
PART THREE: WEST CHAPTER 5-А HISTORY OF OVERTONE SINGING IN THE WEST The Tortoise, His Dreams and Journeys Tuning up to the cosmos: Stockhausen’s Stimmung Trials and errors: A Vietnamese in Paris The 1970s: Extending vocal technique Stratos: Singing the voice David Hykes: Solar winds rainbow voices Michael Vetter: Zen and sound The snowball effect Globalisation and cross-fertilisation Out of Tuva Yat-Kha and the Global East From deep valleys to high peaks: Urban yodelling Harmonics at the opera (II) Shostakovich and the frozen song of Odna Toby Twining: Requiem for a Millennium Scoring for overtones Rollin Rachele: Harmonic divergence Hefele’s viral, solo polyphonies Evening out differences Beyond singing: Natascha Nikeprelevic The stepchild of European music 215 216 217 222 225 227 228 235 240 242 244 247 250 252 255 257 260 263 266 268 270 274 PART FOUR: METAPHYSICS CHAPTER 6 - BODY, MIND AND BEYOND Unusual experiences New musical phenomena? Meditation: Listening to overtones Christian chants and Buddhist mantras Music, medicine, therapy and healing Therapy and healing with timbre and overtones How to make your bones sing The law of octaves The Greek legacy Silent harmonics Music makes the world go round The dance of molecules The Pythagorean attitude Sound as a pivot to consciousness 278 281 284 286 290 294 295 301 304 307 309 311 312 314 317
PART FIVE: QUINTESSENCE CHAPTER 7 - THE GREAT REALM Traditions and Metaphysics Universals and differences Dimensions of the spiritual Thinking music and nature Physics Versus Metaphysics A ‘theory of musical relativity’ A subliminal driving force Paradigm shift The ancient marriage between music and physics reversed Mixed-up modernities and traditions The New Age dilemma The Quintessence of Science, Sound and Self Timbre: A paradox for the senses The Great Realm 324 326 326 328 332 333 333 337 339 340 342 343 348 348 351 Coda 353 Acknowledgements About Pronunciations and Transliterations Endnotes Bibliography Sources: Audio Recordings Sources: Audiovisual Media Online Videos Index Anthology of Overtone Singing: The Audio Recordings 356 358 360 366 373 374 375 376 379 |
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| id | DE-604.BV048936123 |
| illustrated | Illustrated |
| index_date | 2024-07-03T21:58:19Z |
| indexdate | 2024-07-10T09:50:22Z |
| institution | BVB |
| isbn | 9781949597226 |
| language | English |
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| physical | 352 Seiten Illustrationen, Porträts 23 cm |
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| publisher | Terra Nova Press |
| record_format | marc |
| spelling | Tongeren, Mark C. van Verfasser (DE-588)1297345525 aut Overtone singing harmonic dimensions of the human voice Mark Van Tongeren ; foreword by Tran Quang Hai Newark ; Callicoon ; Matsalu Terra Nova Press 2022 352 Seiten Illustrationen, Porträts 23 cm txt rdacontent sti rdacontent n rdamedia nc rdacarrier "Ethnomusicologist and vocalist Mark van Tongeren offers a fascinating insight into timeless and universal aspects of the human ability to sing many tones at once. Grounded in a decades-long practical and theoretical study of music, he draws upon fieldwork and interviews with Eastern and Western musicians and composers across the spectrum from archaic traditions to contemporary experiments. This copiously illustrated book examines claims about the healing effects of overtones, juxtaposing local and global practices and transforming some of our core ideas about sound and music. An indispensable guide for musicians, listeners and scholars seeking a deeper understanding of the nature of the human voice and its harmonic possibilities"--Back cover Obertonsingen (DE-588)4210281-9 gnd rswk-swf Singstimme (DE-588)4156941-6 gnd rswk-swf Musikethnologie (DE-588)4127833-1 gnd rswk-swf Physiologie (DE-588)4045981-0 gnd rswk-swf Musikalische Akustik (DE-588)4123807-2 gnd rswk-swf Throat singing / History and criticism Folk music / Russia (Federation) / Tuva / History and criticism Tuvinian (Turkic people) / Russia (Federation) / Tuva / Music / History and criticism Harmonics (Music) Music / Acoustics and physics Singing / History PERFORMING ARTS / General Folk music Singing Throat singing Russia (Federation) / Tuva Criticism, interpretation, etc History Obertonsingen (DE-588)4210281-9 s Musikethnologie (DE-588)4127833-1 s DE-604 Singstimme (DE-588)4156941-6 s Physiologie (DE-588)4045981-0 s Musikalische Akustik (DE-588)4123807-2 s Trân, Quang Hai 1944- (DE-588)174062702 wpr Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034199976&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Tongeren, Mark C. van Overtone singing harmonic dimensions of the human voice Obertonsingen (DE-588)4210281-9 gnd Singstimme (DE-588)4156941-6 gnd Musikethnologie (DE-588)4127833-1 gnd Physiologie (DE-588)4045981-0 gnd Musikalische Akustik (DE-588)4123807-2 gnd |
| subject_GND | (DE-588)4210281-9 (DE-588)4156941-6 (DE-588)4127833-1 (DE-588)4045981-0 (DE-588)4123807-2 |
| title | Overtone singing harmonic dimensions of the human voice |
| title_auth | Overtone singing harmonic dimensions of the human voice |
| title_exact_search | Overtone singing harmonic dimensions of the human voice |
| title_exact_search_txtP | Overtone singing harmonic dimensions of the human voice |
| title_full | Overtone singing harmonic dimensions of the human voice Mark Van Tongeren ; foreword by Tran Quang Hai |
| title_fullStr | Overtone singing harmonic dimensions of the human voice Mark Van Tongeren ; foreword by Tran Quang Hai |
| title_full_unstemmed | Overtone singing harmonic dimensions of the human voice Mark Van Tongeren ; foreword by Tran Quang Hai |
| title_short | Overtone singing |
| title_sort | overtone singing harmonic dimensions of the human voice |
| title_sub | harmonic dimensions of the human voice |
| topic | Obertonsingen (DE-588)4210281-9 gnd Singstimme (DE-588)4156941-6 gnd Musikethnologie (DE-588)4127833-1 gnd Physiologie (DE-588)4045981-0 gnd Musikalische Akustik (DE-588)4123807-2 gnd |
| topic_facet | Obertonsingen Singstimme Musikethnologie Physiologie Musikalische Akustik |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034199976&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT tongerenmarkcvan overtonesingingharmonicdimensionsofthehumanvoice AT tranquanghai overtonesingingharmonicdimensionsofthehumanvoice |