Music in the Making of Modern Japan: Essays on Reception, Transformation and Cultural Flows
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cham
Springer International Publishing AG
2021
|
| Schriftenreihe: | Pop Music, Culture and Identity Ser
|
| Schlagworte: | |
| Online-Zugang: | BSB01 |
| Beschreibung: | 1 Online-Ressource (222 Seiten) |
| ISBN: | 9783030738273 |
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| 505 | 8 | |a Intro -- Acknowledgements -- Note on Transliteration -- Praise for Music in the Making of Modern Japan -- Contents -- Notes on Contributors -- 1 Introduction -- Affective Media: Towards a Definition -- Three Stages of Affective Media -- Conclusion -- References -- Part I Reception -- 2 Western Art Music in Pre-Edo and Meiji Japan: Historical Reception, Cultural Change and Education -- Introduction -- The Introduction of European Music by the Jesuits -- The Meiji Era: Re-introducing Western Music -- Conclusion -- References -- 3 Western Musical Elements in Japanese Koto Music: Affective Media in Sonic, Visual and Behavioural Context -- Introduction -- Sonic Culture -- Visual Culture -- Behavioural Culture -- Conclusion -- References -- 4 Guitar Making and Intercultural Communication in Japan and Australia -- Introduction -- The Electric Guitar and Manufacturing -- The Acoustic Guitar and Luthiery -- Summary -- References -- Part II Transformation -- 5 Black Intentions: Ishii Maki, Hirose Ryōhei, Shinohara Makoto and the Japanese Avant-Garde -- Introduction -- The Recorder -- The European Context -- Hybridity -- Avant-Garde Japanese Composers -- Japanese Legacies -- Beyond Japan -- References -- 6 Scarlett, an American Musical Made in Japan -- or, How Japanese Learned to Stop Worrying and Love Integrated Musicals -- Introduction -- Scarlett's Pre-history: How Japanese Worried About "Myūjikarusu" -- A Three-Way Struggle for Artistic Hegemony: How Japanese Learned to Love Integrated Musicals -- After the Success of the Tokyo Production: How an American Integrated Musical Was Unpopular in the US in the Early 1970s -- References -- 7 "Like Some Cat from Japan": Sukita Masayoshi's Photographs of David Bowie as Japan's First Appearance in the History of Rock Music -- Introduction -- Bowie's Antitheatrical Aesthetics | |
| 505 | 8 | |a Japanese Rock: Antitheatricality and Language Barriers -- Visuality -- Conclusion -- References -- Part III Cultural Flows -- 8 The Flow of Jazz in Japan: Why Jazz Resonates so Far from Home -- Introduction: How Jazz Travels -- How Jazz Imports -- The Spatiality of Jazz -- Jazz Identity and Infinity -- Importing Jazz Consciousness -- Thirdspaces and Jazz People -- Levelling Jazz up -- Assimilating Jazz Attitudes -- Schooling Jazz and Jazz Media -- Transforming Jazz or not -- Concluding Reflections -- References -- 9 Juna's Groove and Emi's Beat: Women and Popular Music in Modern Japan -- Introduction -- Popular Musical Genres and Mimicry in Japan -- Juna's Story -- Emi's Story -- Reflections on Being a Woman in Japan's Music World -- Thoughts on Japanese and Foreign Musicians -- Advice for Future Generations -- Conclusion -- References -- 10 Manufacturing Identity: Femininity, Discourse and Representation in Japanese Popular Music -- Introduction -- Popular Culture, Westernization and Gender -- The Importation of French "Idol" Culture -- Conclusion -- References -- Index | |
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| author | Hibino, Kei |
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| contents | Intro -- Acknowledgements -- Note on Transliteration -- Praise for Music in the Making of Modern Japan -- Contents -- Notes on Contributors -- 1 Introduction -- Affective Media: Towards a Definition -- Three Stages of Affective Media -- Conclusion -- References -- Part I Reception -- 2 Western Art Music in Pre-Edo and Meiji Japan: Historical Reception, Cultural Change and Education -- Introduction -- The Introduction of European Music by the Jesuits -- The Meiji Era: Re-introducing Western Music -- Conclusion -- References -- 3 Western Musical Elements in Japanese Koto Music: Affective Media in Sonic, Visual and Behavioural Context -- Introduction -- Sonic Culture -- Visual Culture -- Behavioural Culture -- Conclusion -- References -- 4 Guitar Making and Intercultural Communication in Japan and Australia -- Introduction -- The Electric Guitar and Manufacturing -- The Acoustic Guitar and Luthiery -- Summary -- References -- Part II Transformation -- 5 Black Intentions: Ishii Maki, Hirose Ryōhei, Shinohara Makoto and the Japanese Avant-Garde -- Introduction -- The Recorder -- The European Context -- Hybridity -- Avant-Garde Japanese Composers -- Japanese Legacies -- Beyond Japan -- References -- 6 Scarlett, an American Musical Made in Japan -- or, How Japanese Learned to Stop Worrying and Love Integrated Musicals -- Introduction -- Scarlett's Pre-history: How Japanese Worried About "Myūjikarusu" -- A Three-Way Struggle for Artistic Hegemony: How Japanese Learned to Love Integrated Musicals -- After the Success of the Tokyo Production: How an American Integrated Musical Was Unpopular in the US in the Early 1970s -- References -- 7 "Like Some Cat from Japan": Sukita Masayoshi's Photographs of David Bowie as Japan's First Appearance in the History of Rock Music -- Introduction -- Bowie's Antitheatrical Aesthetics Japanese Rock: Antitheatricality and Language Barriers -- Visuality -- Conclusion -- References -- Part III Cultural Flows -- 8 The Flow of Jazz in Japan: Why Jazz Resonates so Far from Home -- Introduction: How Jazz Travels -- How Jazz Imports -- The Spatiality of Jazz -- Jazz Identity and Infinity -- Importing Jazz Consciousness -- Thirdspaces and Jazz People -- Levelling Jazz up -- Assimilating Jazz Attitudes -- Schooling Jazz and Jazz Media -- Transforming Jazz or not -- Concluding Reflections -- References -- 9 Juna's Groove and Emi's Beat: Women and Popular Music in Modern Japan -- Introduction -- Popular Musical Genres and Mimicry in Japan -- Juna's Story -- Emi's Story -- Reflections on Being a Woman in Japan's Music World -- Thoughts on Japanese and Foreign Musicians -- Advice for Future Generations -- Conclusion -- References -- 10 Manufacturing Identity: Femininity, Discourse and Representation in Japanese Popular Music -- Introduction -- Popular Culture, Westernization and Gender -- The Importation of French "Idol" Culture -- Conclusion -- References -- Index |
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| era | Geschichte 1800-2020 gnd |
| era_facet | Geschichte 1800-2020 |
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| illustrated | Not Illustrated |
| index_date | 2024-07-03T21:58:11Z |
| indexdate | 2024-07-10T09:50:21Z |
| institution | BVB |
| isbn | 9783030738273 |
| language | English |
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| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | Springer International Publishing AG |
| record_format | marc |
| series2 | Pop Music, Culture and Identity Ser |
| spelling | Hibino, Kei Verfasser aut Music in the Making of Modern Japan Essays on Reception, Transformation and Cultural Flows Cham Springer International Publishing AG 2021 ©2021 1 Online-Ressource (222 Seiten) txt rdacontent c rdamedia cr rdacarrier Pop Music, Culture and Identity Ser Intro -- Acknowledgements -- Note on Transliteration -- Praise for Music in the Making of Modern Japan -- Contents -- Notes on Contributors -- 1 Introduction -- Affective Media: Towards a Definition -- Three Stages of Affective Media -- Conclusion -- References -- Part I Reception -- 2 Western Art Music in Pre-Edo and Meiji Japan: Historical Reception, Cultural Change and Education -- Introduction -- The Introduction of European Music by the Jesuits -- The Meiji Era: Re-introducing Western Music -- Conclusion -- References -- 3 Western Musical Elements in Japanese Koto Music: Affective Media in Sonic, Visual and Behavioural Context -- Introduction -- Sonic Culture -- Visual Culture -- Behavioural Culture -- Conclusion -- References -- 4 Guitar Making and Intercultural Communication in Japan and Australia -- Introduction -- The Electric Guitar and Manufacturing -- The Acoustic Guitar and Luthiery -- Summary -- References -- Part II Transformation -- 5 Black Intentions: Ishii Maki, Hirose Ryōhei, Shinohara Makoto and the Japanese Avant-Garde -- Introduction -- The Recorder -- The European Context -- Hybridity -- Avant-Garde Japanese Composers -- Japanese Legacies -- Beyond Japan -- References -- 6 Scarlett, an American Musical Made in Japan -- or, How Japanese Learned to Stop Worrying and Love Integrated Musicals -- Introduction -- Scarlett's Pre-history: How Japanese Worried About "Myūjikarusu" -- A Three-Way Struggle for Artistic Hegemony: How Japanese Learned to Love Integrated Musicals -- After the Success of the Tokyo Production: How an American Integrated Musical Was Unpopular in the US in the Early 1970s -- References -- 7 "Like Some Cat from Japan": Sukita Masayoshi's Photographs of David Bowie as Japan's First Appearance in the History of Rock Music -- Introduction -- Bowie's Antitheatrical Aesthetics Japanese Rock: Antitheatricality and Language Barriers -- Visuality -- Conclusion -- References -- Part III Cultural Flows -- 8 The Flow of Jazz in Japan: Why Jazz Resonates so Far from Home -- Introduction: How Jazz Travels -- How Jazz Imports -- The Spatiality of Jazz -- Jazz Identity and Infinity -- Importing Jazz Consciousness -- Thirdspaces and Jazz People -- Levelling Jazz up -- Assimilating Jazz Attitudes -- Schooling Jazz and Jazz Media -- Transforming Jazz or not -- Concluding Reflections -- References -- 9 Juna's Groove and Emi's Beat: Women and Popular Music in Modern Japan -- Introduction -- Popular Musical Genres and Mimicry in Japan -- Juna's Story -- Emi's Story -- Reflections on Being a Woman in Japan's Music World -- Thoughts on Japanese and Foreign Musicians -- Advice for Future Generations -- Conclusion -- References -- 10 Manufacturing Identity: Femininity, Discourse and Representation in Japanese Popular Music -- Introduction -- Popular Culture, Westernization and Gender -- The Importation of French "Idol" Culture -- Conclusion -- References -- Index Geschichte 1800-2020 gnd rswk-swf Music-Social aspects-Japan Kulturaustausch (DE-588)4165964-8 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Japan (DE-588)4028495-5 gnd rswk-swf Westliche Welt (DE-588)4079237-7 gnd rswk-swf Electronic books Westliche Welt (DE-588)4079237-7 g Musik (DE-588)4040802-4 s Rezeption (DE-588)4049716-1 s Japan (DE-588)4028495-5 g Kulturaustausch (DE-588)4165964-8 s Geschichte 1800-2020 z DE-604 Ralph, Barnaby Sonstige oth Johnson, Henry Sonstige oth Erscheint auch als Druck-Ausgabe Hibino, Kei Music in the Making of Modern Japan Cham : Springer International Publishing AG,c2021 9783030738266 |
| spellingShingle | Hibino, Kei Music in the Making of Modern Japan Essays on Reception, Transformation and Cultural Flows Intro -- Acknowledgements -- Note on Transliteration -- Praise for Music in the Making of Modern Japan -- Contents -- Notes on Contributors -- 1 Introduction -- Affective Media: Towards a Definition -- Three Stages of Affective Media -- Conclusion -- References -- Part I Reception -- 2 Western Art Music in Pre-Edo and Meiji Japan: Historical Reception, Cultural Change and Education -- Introduction -- The Introduction of European Music by the Jesuits -- The Meiji Era: Re-introducing Western Music -- Conclusion -- References -- 3 Western Musical Elements in Japanese Koto Music: Affective Media in Sonic, Visual and Behavioural Context -- Introduction -- Sonic Culture -- Visual Culture -- Behavioural Culture -- Conclusion -- References -- 4 Guitar Making and Intercultural Communication in Japan and Australia -- Introduction -- The Electric Guitar and Manufacturing -- The Acoustic Guitar and Luthiery -- Summary -- References -- Part II Transformation -- 5 Black Intentions: Ishii Maki, Hirose Ryōhei, Shinohara Makoto and the Japanese Avant-Garde -- Introduction -- The Recorder -- The European Context -- Hybridity -- Avant-Garde Japanese Composers -- Japanese Legacies -- Beyond Japan -- References -- 6 Scarlett, an American Musical Made in Japan -- or, How Japanese Learned to Stop Worrying and Love Integrated Musicals -- Introduction -- Scarlett's Pre-history: How Japanese Worried About "Myūjikarusu" -- A Three-Way Struggle for Artistic Hegemony: How Japanese Learned to Love Integrated Musicals -- After the Success of the Tokyo Production: How an American Integrated Musical Was Unpopular in the US in the Early 1970s -- References -- 7 "Like Some Cat from Japan": Sukita Masayoshi's Photographs of David Bowie as Japan's First Appearance in the History of Rock Music -- Introduction -- Bowie's Antitheatrical Aesthetics Japanese Rock: Antitheatricality and Language Barriers -- Visuality -- Conclusion -- References -- Part III Cultural Flows -- 8 The Flow of Jazz in Japan: Why Jazz Resonates so Far from Home -- Introduction: How Jazz Travels -- How Jazz Imports -- The Spatiality of Jazz -- Jazz Identity and Infinity -- Importing Jazz Consciousness -- Thirdspaces and Jazz People -- Levelling Jazz up -- Assimilating Jazz Attitudes -- Schooling Jazz and Jazz Media -- Transforming Jazz or not -- Concluding Reflections -- References -- 9 Juna's Groove and Emi's Beat: Women and Popular Music in Modern Japan -- Introduction -- Popular Musical Genres and Mimicry in Japan -- Juna's Story -- Emi's Story -- Reflections on Being a Woman in Japan's Music World -- Thoughts on Japanese and Foreign Musicians -- Advice for Future Generations -- Conclusion -- References -- 10 Manufacturing Identity: Femininity, Discourse and Representation in Japanese Popular Music -- Introduction -- Popular Culture, Westernization and Gender -- The Importation of French "Idol" Culture -- Conclusion -- References -- Index Music-Social aspects-Japan Kulturaustausch (DE-588)4165964-8 gnd Musik (DE-588)4040802-4 gnd Rezeption (DE-588)4049716-1 gnd |
| subject_GND | (DE-588)4165964-8 (DE-588)4040802-4 (DE-588)4049716-1 (DE-588)4028495-5 (DE-588)4079237-7 |
| title | Music in the Making of Modern Japan Essays on Reception, Transformation and Cultural Flows |
| title_auth | Music in the Making of Modern Japan Essays on Reception, Transformation and Cultural Flows |
| title_exact_search | Music in the Making of Modern Japan Essays on Reception, Transformation and Cultural Flows |
| title_exact_search_txtP | Music in the Making of Modern Japan Essays on Reception, Transformation and Cultural Flows |
| title_full | Music in the Making of Modern Japan Essays on Reception, Transformation and Cultural Flows |
| title_fullStr | Music in the Making of Modern Japan Essays on Reception, Transformation and Cultural Flows |
| title_full_unstemmed | Music in the Making of Modern Japan Essays on Reception, Transformation and Cultural Flows |
| title_short | Music in the Making of Modern Japan |
| title_sort | music in the making of modern japan essays on reception transformation and cultural flows |
| title_sub | Essays on Reception, Transformation and Cultural Flows |
| topic | Music-Social aspects-Japan Kulturaustausch (DE-588)4165964-8 gnd Musik (DE-588)4040802-4 gnd Rezeption (DE-588)4049716-1 gnd |
| topic_facet | Music-Social aspects-Japan Kulturaustausch Musik Rezeption Japan Westliche Welt |
| work_keys_str_mv | AT hibinokei musicinthemakingofmodernjapanessaysonreceptiontransformationandculturalflows AT ralphbarnaby musicinthemakingofmodernjapanessaysonreceptiontransformationandculturalflows AT johnsonhenry musicinthemakingofmodernjapanessaysonreceptiontransformationandculturalflows |