The Dialectics of Music: Adorno, Benjamin, and Deleuze
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
London
Bloomsbury Publishing Plc
2021
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| Subjects: | |
| Online Access: | BSB01 |
| Physical Description: | 1 Online-Ressource (159 Seiten) |
| ISBN: | 9781350174986 |
Staff View
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| 505 | 8 | |a Intro -- Half-Title -- Title -- Contents -- Prologue: On Presentation -- Introduction: Natural-History after the Brahmsian Mode -- I From the Lullaby to Electroacoustic Music -- Gould, the Benjaminian -- Trauergesang -- Industrial Production and The Ninth Symphony -- From Bird Song to Insect Noise -- Reconciling Winds -- Dynamic Contrast -- Blurring the Human/Animal Distinction -- The Spell of First and Second Nature -- The Instrument Is the Animation -- Tone Color -- Informal Music -- Regressive Consciousness and the Destruction of Memory -- Humanism Résumé -- Semblance, Praxis, and the Non-pulsed End of Dialectics -- The Nonidentity of Nature and History -- The Desecration of Silence -- Critique of Pseudo-Praxis -- The Mute Song of Justice -- II The Sorrow Song of Nature -- Wreckage Universalized -- Totality -- Plugging the Sorrow Song into the Trauergesang -- Anticipatory Echo -- Stomping Out the Dialectic -- Blind Myth -- Silent Torture -- Was die Mode streng geteilt -- Dreambird -- Forced Quantity -- Scatting across Cultures -- State of Nature -- Fateful Improvisation -- Weathering the Storm -- Bury Me Deep -- Transpositional Metaphysics -- Advanced Decay -- Fugitive Life -- Technical Ecology -- Decontextualization -- Moon Satellite -- Neutralization -- Co-enactment -- Stuffy Troubadour -- Planned Spontaneity -- Cruel Pragmatism -- Deferred Improvisation -- Variations from the Bottom -- III Music after Auschwitz -- Conatus -- Ontologization -- Infinite Schuld -- Der Ursprung des Übermenschen -- The Categorical Imperative of Music -- Little Hans's Lullaby -- The Most Advanced -- Aeon and Chronos -- Involuntary Reproduction -- Indifferenzpunkt -- Autumn Death -- Decasia: Part 1 -- Decasia: Part 2 -- Decasia: Part 3 -- Decasia: Part 4 -- Decasia: Part 5 -- Decasia: Part 6 -- Bibliography -- Index -- Copyright | |
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Record in the Search Index
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| contents | Intro -- Half-Title -- Title -- Contents -- Prologue: On Presentation -- Introduction: Natural-History after the Brahmsian Mode -- I From the Lullaby to Electroacoustic Music -- Gould, the Benjaminian -- Trauergesang -- Industrial Production and The Ninth Symphony -- From Bird Song to Insect Noise -- Reconciling Winds -- Dynamic Contrast -- Blurring the Human/Animal Distinction -- The Spell of First and Second Nature -- The Instrument Is the Animation -- Tone Color -- Informal Music -- Regressive Consciousness and the Destruction of Memory -- Humanism Résumé -- Semblance, Praxis, and the Non-pulsed End of Dialectics -- The Nonidentity of Nature and History -- The Desecration of Silence -- Critique of Pseudo-Praxis -- The Mute Song of Justice -- II The Sorrow Song of Nature -- Wreckage Universalized -- Totality -- Plugging the Sorrow Song into the Trauergesang -- Anticipatory Echo -- Stomping Out the Dialectic -- Blind Myth -- Silent Torture -- Was die Mode streng geteilt -- Dreambird -- Forced Quantity -- Scatting across Cultures -- State of Nature -- Fateful Improvisation -- Weathering the Storm -- Bury Me Deep -- Transpositional Metaphysics -- Advanced Decay -- Fugitive Life -- Technical Ecology -- Decontextualization -- Moon Satellite -- Neutralization -- Co-enactment -- Stuffy Troubadour -- Planned Spontaneity -- Cruel Pragmatism -- Deferred Improvisation -- Variations from the Bottom -- III Music after Auschwitz -- Conatus -- Ontologization -- Infinite Schuld -- Der Ursprung des Übermenschen -- The Categorical Imperative of Music -- Little Hans's Lullaby -- The Most Advanced -- Aeon and Chronos -- Involuntary Reproduction -- Indifferenzpunkt -- Autumn Death -- Decasia: Part 1 -- Decasia: Part 2 -- Decasia: Part 3 -- Decasia: Part 4 -- Decasia: Part 5 -- Decasia: Part 6 -- Bibliography -- Index -- Copyright |
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| format | Electronic eBook |
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| id | DE-604.BV048935492 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T21:58:11Z |
| indexdate | 2024-07-10T09:50:21Z |
| institution | BVB |
| isbn | 9781350174986 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034199358 |
| oclc_num | 1226906478 |
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| physical | 1 Online-Ressource (159 Seiten) |
| psigel | ZDB-1-PQM ZDB-30-PQE ZDB-1-PQM BSB_PDA_PQM |
| publishDate | 2021 |
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| publisher | Bloomsbury Publishing Plc |
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| spelling | Weiss, Joseph Verfasser aut The Dialectics of Music Adorno, Benjamin, and Deleuze London Bloomsbury Publishing Plc 2021 ©2021 1 Online-Ressource (159 Seiten) txt rdacontent c rdamedia cr rdacarrier Intro -- Half-Title -- Title -- Contents -- Prologue: On Presentation -- Introduction: Natural-History after the Brahmsian Mode -- I From the Lullaby to Electroacoustic Music -- Gould, the Benjaminian -- Trauergesang -- Industrial Production and The Ninth Symphony -- From Bird Song to Insect Noise -- Reconciling Winds -- Dynamic Contrast -- Blurring the Human/Animal Distinction -- The Spell of First and Second Nature -- The Instrument Is the Animation -- Tone Color -- Informal Music -- Regressive Consciousness and the Destruction of Memory -- Humanism Résumé -- Semblance, Praxis, and the Non-pulsed End of Dialectics -- The Nonidentity of Nature and History -- The Desecration of Silence -- Critique of Pseudo-Praxis -- The Mute Song of Justice -- II The Sorrow Song of Nature -- Wreckage Universalized -- Totality -- Plugging the Sorrow Song into the Trauergesang -- Anticipatory Echo -- Stomping Out the Dialectic -- Blind Myth -- Silent Torture -- Was die Mode streng geteilt -- Dreambird -- Forced Quantity -- Scatting across Cultures -- State of Nature -- Fateful Improvisation -- Weathering the Storm -- Bury Me Deep -- Transpositional Metaphysics -- Advanced Decay -- Fugitive Life -- Technical Ecology -- Decontextualization -- Moon Satellite -- Neutralization -- Co-enactment -- Stuffy Troubadour -- Planned Spontaneity -- Cruel Pragmatism -- Deferred Improvisation -- Variations from the Bottom -- III Music after Auschwitz -- Conatus -- Ontologization -- Infinite Schuld -- Der Ursprung des Übermenschen -- The Categorical Imperative of Music -- Little Hans's Lullaby -- The Most Advanced -- Aeon and Chronos -- Involuntary Reproduction -- Indifferenzpunkt -- Autumn Death -- Decasia: Part 1 -- Decasia: Part 2 -- Decasia: Part 3 -- Decasia: Part 4 -- Decasia: Part 5 -- Decasia: Part 6 -- Bibliography -- Index -- Copyright Music-Philosophy and aesthetics Critical theory Adorno, Theodor W.,-1903-1969 Electronic books Erscheint auch als Druck-Ausgabe Weiss, Joseph The Dialectics of Music London : Bloomsbury Publishing Plc,c2021 |
| spellingShingle | Weiss, Joseph The Dialectics of Music Adorno, Benjamin, and Deleuze Intro -- Half-Title -- Title -- Contents -- Prologue: On Presentation -- Introduction: Natural-History after the Brahmsian Mode -- I From the Lullaby to Electroacoustic Music -- Gould, the Benjaminian -- Trauergesang -- Industrial Production and The Ninth Symphony -- From Bird Song to Insect Noise -- Reconciling Winds -- Dynamic Contrast -- Blurring the Human/Animal Distinction -- The Spell of First and Second Nature -- The Instrument Is the Animation -- Tone Color -- Informal Music -- Regressive Consciousness and the Destruction of Memory -- Humanism Résumé -- Semblance, Praxis, and the Non-pulsed End of Dialectics -- The Nonidentity of Nature and History -- The Desecration of Silence -- Critique of Pseudo-Praxis -- The Mute Song of Justice -- II The Sorrow Song of Nature -- Wreckage Universalized -- Totality -- Plugging the Sorrow Song into the Trauergesang -- Anticipatory Echo -- Stomping Out the Dialectic -- Blind Myth -- Silent Torture -- Was die Mode streng geteilt -- Dreambird -- Forced Quantity -- Scatting across Cultures -- State of Nature -- Fateful Improvisation -- Weathering the Storm -- Bury Me Deep -- Transpositional Metaphysics -- Advanced Decay -- Fugitive Life -- Technical Ecology -- Decontextualization -- Moon Satellite -- Neutralization -- Co-enactment -- Stuffy Troubadour -- Planned Spontaneity -- Cruel Pragmatism -- Deferred Improvisation -- Variations from the Bottom -- III Music after Auschwitz -- Conatus -- Ontologization -- Infinite Schuld -- Der Ursprung des Übermenschen -- The Categorical Imperative of Music -- Little Hans's Lullaby -- The Most Advanced -- Aeon and Chronos -- Involuntary Reproduction -- Indifferenzpunkt -- Autumn Death -- Decasia: Part 1 -- Decasia: Part 2 -- Decasia: Part 3 -- Decasia: Part 4 -- Decasia: Part 5 -- Decasia: Part 6 -- Bibliography -- Index -- Copyright Music-Philosophy and aesthetics Critical theory Adorno, Theodor W.,-1903-1969 |
| title | The Dialectics of Music Adorno, Benjamin, and Deleuze |
| title_auth | The Dialectics of Music Adorno, Benjamin, and Deleuze |
| title_exact_search | The Dialectics of Music Adorno, Benjamin, and Deleuze |
| title_exact_search_txtP | The Dialectics of Music Adorno, Benjamin, and Deleuze |
| title_full | The Dialectics of Music Adorno, Benjamin, and Deleuze |
| title_fullStr | The Dialectics of Music Adorno, Benjamin, and Deleuze |
| title_full_unstemmed | The Dialectics of Music Adorno, Benjamin, and Deleuze |
| title_short | The Dialectics of Music |
| title_sort | the dialectics of music adorno benjamin and deleuze |
| title_sub | Adorno, Benjamin, and Deleuze |
| topic | Music-Philosophy and aesthetics Critical theory Adorno, Theodor W.,-1903-1969 |
| topic_facet | Music-Philosophy and aesthetics Critical theory Adorno, Theodor W.,-1903-1969 |
| work_keys_str_mv | AT weissjoseph thedialecticsofmusicadornobenjaminanddeleuze |