The Dialectics of Music: Adorno, Benjamin, and Deleuze
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1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
London
Bloomsbury Publishing Plc
2021
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Schlagworte: | |
Online-Zugang: | BSB01 |
Beschreibung: | 1 Online-Ressource (159 Seiten) |
ISBN: | 9781350174986 |
Internformat
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505 | 8 | |a Intro -- Half-Title -- Title -- Contents -- Prologue: On Presentation -- Introduction: Natural-History after the Brahmsian Mode -- I From the Lullaby to Electroacoustic Music -- Gould, the Benjaminian -- Trauergesang -- Industrial Production and The Ninth Symphony -- From Bird Song to Insect Noise -- Reconciling Winds -- Dynamic Contrast -- Blurring the Human/Animal Distinction -- The Spell of First and Second Nature -- The Instrument Is the Animation -- Tone Color -- Informal Music -- Regressive Consciousness and the Destruction of Memory -- Humanism Résumé -- Semblance, Praxis, and the Non-pulsed End of Dialectics -- The Nonidentity of Nature and History -- The Desecration of Silence -- Critique of Pseudo-Praxis -- The Mute Song of Justice -- II The Sorrow Song of Nature -- Wreckage Universalized -- Totality -- Plugging the Sorrow Song into the Trauergesang -- Anticipatory Echo -- Stomping Out the Dialectic -- Blind Myth -- Silent Torture -- Was die Mode streng geteilt -- Dreambird -- Forced Quantity -- Scatting across Cultures -- State of Nature -- Fateful Improvisation -- Weathering the Storm -- Bury Me Deep -- Transpositional Metaphysics -- Advanced Decay -- Fugitive Life -- Technical Ecology -- Decontextualization -- Moon Satellite -- Neutralization -- Co-enactment -- Stuffy Troubadour -- Planned Spontaneity -- Cruel Pragmatism -- Deferred Improvisation -- Variations from the Bottom -- III Music after Auschwitz -- Conatus -- Ontologization -- Infinite Schuld -- Der Ursprung des Übermenschen -- The Categorical Imperative of Music -- Little Hans's Lullaby -- The Most Advanced -- Aeon and Chronos -- Involuntary Reproduction -- Indifferenzpunkt -- Autumn Death -- Decasia: Part 1 -- Decasia: Part 2 -- Decasia: Part 3 -- Decasia: Part 4 -- Decasia: Part 5 -- Decasia: Part 6 -- Bibliography -- Index -- Copyright | |
650 | 4 | |a Music-Philosophy and aesthetics | |
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Datensatz im Suchindex
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author | Weiss, Joseph |
author_facet | Weiss, Joseph |
author_role | aut |
author_sort | Weiss, Joseph |
author_variant | j w jw |
building | Verbundindex |
bvnumber | BV048935492 |
collection | ZDB-1-PQM ZDB-30-PQE |
contents | Intro -- Half-Title -- Title -- Contents -- Prologue: On Presentation -- Introduction: Natural-History after the Brahmsian Mode -- I From the Lullaby to Electroacoustic Music -- Gould, the Benjaminian -- Trauergesang -- Industrial Production and The Ninth Symphony -- From Bird Song to Insect Noise -- Reconciling Winds -- Dynamic Contrast -- Blurring the Human/Animal Distinction -- The Spell of First and Second Nature -- The Instrument Is the Animation -- Tone Color -- Informal Music -- Regressive Consciousness and the Destruction of Memory -- Humanism Résumé -- Semblance, Praxis, and the Non-pulsed End of Dialectics -- The Nonidentity of Nature and History -- The Desecration of Silence -- Critique of Pseudo-Praxis -- The Mute Song of Justice -- II The Sorrow Song of Nature -- Wreckage Universalized -- Totality -- Plugging the Sorrow Song into the Trauergesang -- Anticipatory Echo -- Stomping Out the Dialectic -- Blind Myth -- Silent Torture -- Was die Mode streng geteilt -- Dreambird -- Forced Quantity -- Scatting across Cultures -- State of Nature -- Fateful Improvisation -- Weathering the Storm -- Bury Me Deep -- Transpositional Metaphysics -- Advanced Decay -- Fugitive Life -- Technical Ecology -- Decontextualization -- Moon Satellite -- Neutralization -- Co-enactment -- Stuffy Troubadour -- Planned Spontaneity -- Cruel Pragmatism -- Deferred Improvisation -- Variations from the Bottom -- III Music after Auschwitz -- Conatus -- Ontologization -- Infinite Schuld -- Der Ursprung des Übermenschen -- The Categorical Imperative of Music -- Little Hans's Lullaby -- The Most Advanced -- Aeon and Chronos -- Involuntary Reproduction -- Indifferenzpunkt -- Autumn Death -- Decasia: Part 1 -- Decasia: Part 2 -- Decasia: Part 3 -- Decasia: Part 4 -- Decasia: Part 5 -- Decasia: Part 6 -- Bibliography -- Index -- Copyright |
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format | Electronic eBook |
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institution | BVB |
isbn | 9781350174986 |
language | English |
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spelling | Weiss, Joseph Verfasser aut The Dialectics of Music Adorno, Benjamin, and Deleuze London Bloomsbury Publishing Plc 2021 ©2021 1 Online-Ressource (159 Seiten) txt rdacontent c rdamedia cr rdacarrier Intro -- Half-Title -- Title -- Contents -- Prologue: On Presentation -- Introduction: Natural-History after the Brahmsian Mode -- I From the Lullaby to Electroacoustic Music -- Gould, the Benjaminian -- Trauergesang -- Industrial Production and The Ninth Symphony -- From Bird Song to Insect Noise -- Reconciling Winds -- Dynamic Contrast -- Blurring the Human/Animal Distinction -- The Spell of First and Second Nature -- The Instrument Is the Animation -- Tone Color -- Informal Music -- Regressive Consciousness and the Destruction of Memory -- Humanism Résumé -- Semblance, Praxis, and the Non-pulsed End of Dialectics -- The Nonidentity of Nature and History -- The Desecration of Silence -- Critique of Pseudo-Praxis -- The Mute Song of Justice -- II The Sorrow Song of Nature -- Wreckage Universalized -- Totality -- Plugging the Sorrow Song into the Trauergesang -- Anticipatory Echo -- Stomping Out the Dialectic -- Blind Myth -- Silent Torture -- Was die Mode streng geteilt -- Dreambird -- Forced Quantity -- Scatting across Cultures -- State of Nature -- Fateful Improvisation -- Weathering the Storm -- Bury Me Deep -- Transpositional Metaphysics -- Advanced Decay -- Fugitive Life -- Technical Ecology -- Decontextualization -- Moon Satellite -- Neutralization -- Co-enactment -- Stuffy Troubadour -- Planned Spontaneity -- Cruel Pragmatism -- Deferred Improvisation -- Variations from the Bottom -- III Music after Auschwitz -- Conatus -- Ontologization -- Infinite Schuld -- Der Ursprung des Übermenschen -- The Categorical Imperative of Music -- Little Hans's Lullaby -- The Most Advanced -- Aeon and Chronos -- Involuntary Reproduction -- Indifferenzpunkt -- Autumn Death -- Decasia: Part 1 -- Decasia: Part 2 -- Decasia: Part 3 -- Decasia: Part 4 -- Decasia: Part 5 -- Decasia: Part 6 -- Bibliography -- Index -- Copyright Music-Philosophy and aesthetics Critical theory Adorno, Theodor W.,-1903-1969 Electronic books Erscheint auch als Druck-Ausgabe Weiss, Joseph The Dialectics of Music London : Bloomsbury Publishing Plc,c2021 |
spellingShingle | Weiss, Joseph The Dialectics of Music Adorno, Benjamin, and Deleuze Intro -- Half-Title -- Title -- Contents -- Prologue: On Presentation -- Introduction: Natural-History after the Brahmsian Mode -- I From the Lullaby to Electroacoustic Music -- Gould, the Benjaminian -- Trauergesang -- Industrial Production and The Ninth Symphony -- From Bird Song to Insect Noise -- Reconciling Winds -- Dynamic Contrast -- Blurring the Human/Animal Distinction -- The Spell of First and Second Nature -- The Instrument Is the Animation -- Tone Color -- Informal Music -- Regressive Consciousness and the Destruction of Memory -- Humanism Résumé -- Semblance, Praxis, and the Non-pulsed End of Dialectics -- The Nonidentity of Nature and History -- The Desecration of Silence -- Critique of Pseudo-Praxis -- The Mute Song of Justice -- II The Sorrow Song of Nature -- Wreckage Universalized -- Totality -- Plugging the Sorrow Song into the Trauergesang -- Anticipatory Echo -- Stomping Out the Dialectic -- Blind Myth -- Silent Torture -- Was die Mode streng geteilt -- Dreambird -- Forced Quantity -- Scatting across Cultures -- State of Nature -- Fateful Improvisation -- Weathering the Storm -- Bury Me Deep -- Transpositional Metaphysics -- Advanced Decay -- Fugitive Life -- Technical Ecology -- Decontextualization -- Moon Satellite -- Neutralization -- Co-enactment -- Stuffy Troubadour -- Planned Spontaneity -- Cruel Pragmatism -- Deferred Improvisation -- Variations from the Bottom -- III Music after Auschwitz -- Conatus -- Ontologization -- Infinite Schuld -- Der Ursprung des Übermenschen -- The Categorical Imperative of Music -- Little Hans's Lullaby -- The Most Advanced -- Aeon and Chronos -- Involuntary Reproduction -- Indifferenzpunkt -- Autumn Death -- Decasia: Part 1 -- Decasia: Part 2 -- Decasia: Part 3 -- Decasia: Part 4 -- Decasia: Part 5 -- Decasia: Part 6 -- Bibliography -- Index -- Copyright Music-Philosophy and aesthetics Critical theory Adorno, Theodor W.,-1903-1969 |
title | The Dialectics of Music Adorno, Benjamin, and Deleuze |
title_auth | The Dialectics of Music Adorno, Benjamin, and Deleuze |
title_exact_search | The Dialectics of Music Adorno, Benjamin, and Deleuze |
title_exact_search_txtP | The Dialectics of Music Adorno, Benjamin, and Deleuze |
title_full | The Dialectics of Music Adorno, Benjamin, and Deleuze |
title_fullStr | The Dialectics of Music Adorno, Benjamin, and Deleuze |
title_full_unstemmed | The Dialectics of Music Adorno, Benjamin, and Deleuze |
title_short | The Dialectics of Music |
title_sort | the dialectics of music adorno benjamin and deleuze |
title_sub | Adorno, Benjamin, and Deleuze |
topic | Music-Philosophy and aesthetics Critical theory Adorno, Theodor W.,-1903-1969 |
topic_facet | Music-Philosophy and aesthetics Critical theory Adorno, Theodor W.,-1903-1969 |
work_keys_str_mv | AT weissjoseph thedialecticsofmusicadornobenjaminanddeleuze |