How Music Works: A Physical Culture Theory
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Cham
Springer International Publishing AG
2021
|
| Subjects: | |
| Online Access: | BSB01 BSB01 |
| Physical Description: | 1 Online-Ressource (305 Seiten) |
| ISBN: | 9783030671556 |
Staff View
MARC
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| 505 | 8 | |a Intro -- Introduction -- Contents -- Part I -- Some Fundamentals of Musical Acoustics -- Play It Loud! -- The Mysterious Sound of Friction -- Linear Math and Nonlinear Nature -- Hermann von Helmholtz -- The First Synthesizers -- Voice from Impulses -- Unexpected Harmonicity -- Why Are Musical Instruments Such Complex Boxes? -- Who Wins the Game? -- Eigenmodes Versus Forced Oscillations -- What Makes a Musical Instrument Playable? -- Damping Is a Feature, Determining Who Wins the Game -- Synchronization as Output -- Some Fundamentals of Music Psychology -- Musical Instruments Treating the Psyche -- Music and Trance -- Aristoteles and the Beginning of Psychology -- Transcendental Aesthetic -- Transfer Effects of Music and Freedom of Will -- Music and Politics -- The Creation of Creativity -- Brain Activities -- The Split Between Hard and Soft Sciences -- Fusion of Senses -- Psychoacoustics -- Some Fundamentals of Comparative Musicology -- Music, DNA, and Sexulality -- Diversity and Change -- The Beginning of Comparative Musicology -- Ethnomusicology and Music Archiving -- Computational Music and Sound Archiving -- Part II -- Impulses -- What Is a Frequency? -- How to Deal with Many Frequencies: The Fourier Theorem -- Beyond Sinusoidals -- Damping -- Dispersion -- Linearity or Nonlinearity -- Impulse Pattern Formulation (IPF) -- Environmental Noise -- Musical Noise -- Initial Transients -- Information in Music -- Turbulence -- Turbulent and Laminar Flow -- Navier-Stokes Equation -- What Does Turbulence Lead To? -- Saxophone -- Saxophone Pitches Are Not Self-evident -- Blowing in a Saxophone -- Blowing Out of Normal Range -- Multiphonics -- Modeling Saxophones with Impulse Pattern Formulation -- The Beginning of the Tone -- The Saxophone Reed -- More Wind Instruments -- Recorder and Transverse Flute -- Free Reed Instruments | |
| 505 | 8 | |a Shawms, Oboes, Double-Reed Instruments -- Brass Instruments -- Articulation and Noise with Wind Instruments -- Friction Instruments -- Guitars and Plucked String Instruments -- Practical Consequences for Guitar Acoustics -- The Human Voice -- Neurophysiology of Music -- Self-organizing Models of the Brain -- Music and Consciousness -- Reconstructing Impulses-The Ear and the Auditory Pathway -- Transfer of Acoustic Electricity into Neural Electricity: The Inner Ear -- How Do We Hear a Pitch -- A Spatio-Temporal Pitch Theory -- How Do Tonal Systems Come into Place -- Loops in the Auditory Pathway -- Other Nerve Loops in the Auditory Pathway -- Models of Music Perception -- Timbre -- Multidimensionality of Timbre -- Music as Physical Adaption -- IPF Comparison of Bowed and Wind Instruments -- Neural Network Models of Timbre -- Rhythm, Musical Form, and Memory -- Neurophysiology of Time -- Musical Form as Tension -- Fractal Dimensions as Musical Density -- Musical Form as Neural Synchronization -- Efficient Coding -- Brain Interactions in Music Therapy -- Perception-by-Production as Self-organizing Process -- *-20pt Part III -- Music, Meaning, and Emotion -- Freedom! Jazz! Dance! Yeah! -- Slave to the Rhythm -- Politics and Philosophy -- Logic of Music -- Physical Culture Theory -- Predicting Culture -- Physical Modeling or Artificial Intelligence? -- Notions as Spatio-Temporal Patterns -- The Musical System -- Is Culture Conscious? -- Appendix Notes -- Appendix Discography -- Appendix References -- Blank Page -- Blank Page -- Blank Page -- Blank Page -- Blank Page -- Blank Page -- Blank Page -- Blank Page -- Blank Page -- Blank Page -- Blank Page | |
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| author | Bader, Rolf 1969- |
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| bvnumber | BV048935487 |
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| contents | Intro -- Introduction -- Contents -- Part I -- Some Fundamentals of Musical Acoustics -- Play It Loud! -- The Mysterious Sound of Friction -- Linear Math and Nonlinear Nature -- Hermann von Helmholtz -- The First Synthesizers -- Voice from Impulses -- Unexpected Harmonicity -- Why Are Musical Instruments Such Complex Boxes? -- Who Wins the Game? -- Eigenmodes Versus Forced Oscillations -- What Makes a Musical Instrument Playable? -- Damping Is a Feature, Determining Who Wins the Game -- Synchronization as Output -- Some Fundamentals of Music Psychology -- Musical Instruments Treating the Psyche -- Music and Trance -- Aristoteles and the Beginning of Psychology -- Transcendental Aesthetic -- Transfer Effects of Music and Freedom of Will -- Music and Politics -- The Creation of Creativity -- Brain Activities -- The Split Between Hard and Soft Sciences -- Fusion of Senses -- Psychoacoustics -- Some Fundamentals of Comparative Musicology -- Music, DNA, and Sexulality -- Diversity and Change -- The Beginning of Comparative Musicology -- Ethnomusicology and Music Archiving -- Computational Music and Sound Archiving -- Part II -- Impulses -- What Is a Frequency? -- How to Deal with Many Frequencies: The Fourier Theorem -- Beyond Sinusoidals -- Damping -- Dispersion -- Linearity or Nonlinearity -- Impulse Pattern Formulation (IPF) -- Environmental Noise -- Musical Noise -- Initial Transients -- Information in Music -- Turbulence -- Turbulent and Laminar Flow -- Navier-Stokes Equation -- What Does Turbulence Lead To? -- Saxophone -- Saxophone Pitches Are Not Self-evident -- Blowing in a Saxophone -- Blowing Out of Normal Range -- Multiphonics -- Modeling Saxophones with Impulse Pattern Formulation -- The Beginning of the Tone -- The Saxophone Reed -- More Wind Instruments -- Recorder and Transverse Flute -- Free Reed Instruments Shawms, Oboes, Double-Reed Instruments -- Brass Instruments -- Articulation and Noise with Wind Instruments -- Friction Instruments -- Guitars and Plucked String Instruments -- Practical Consequences for Guitar Acoustics -- The Human Voice -- Neurophysiology of Music -- Self-organizing Models of the Brain -- Music and Consciousness -- Reconstructing Impulses-The Ear and the Auditory Pathway -- Transfer of Acoustic Electricity into Neural Electricity: The Inner Ear -- How Do We Hear a Pitch -- A Spatio-Temporal Pitch Theory -- How Do Tonal Systems Come into Place -- Loops in the Auditory Pathway -- Other Nerve Loops in the Auditory Pathway -- Models of Music Perception -- Timbre -- Multidimensionality of Timbre -- Music as Physical Adaption -- IPF Comparison of Bowed and Wind Instruments -- Neural Network Models of Timbre -- Rhythm, Musical Form, and Memory -- Neurophysiology of Time -- Musical Form as Tension -- Fractal Dimensions as Musical Density -- Musical Form as Neural Synchronization -- Efficient Coding -- Brain Interactions in Music Therapy -- Perception-by-Production as Self-organizing Process -- *-20pt Part III -- Music, Meaning, and Emotion -- Freedom! Jazz! Dance! Yeah! -- Slave to the Rhythm -- Politics and Philosophy -- Logic of Music -- Physical Culture Theory -- Predicting Culture -- Physical Modeling or Artificial Intelligence? -- Notions as Spatio-Temporal Patterns -- The Musical System -- Is Culture Conscious? -- Appendix Notes -- Appendix Discography -- Appendix References -- Blank Page -- Blank Page -- Blank Page -- Blank Page -- Blank Page -- Blank Page -- Blank Page -- Blank Page -- Blank Page -- Blank Page -- Blank Page |
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| format | Electronic eBook |
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| id | DE-604.BV048935487 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T21:58:11Z |
| indexdate | 2024-07-10T09:50:21Z |
| institution | BVB |
| isbn | 9783030671556 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034199353 |
| oclc_num | 1245926604 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 1 Online-Ressource (305 Seiten) |
| psigel | ZDB-1-PQM ZDB-30-PQE BSB_NED_20231031 ZDB-30-PQE BSB_PDA_PQEMUS_Kauf ZDB-1-PQM BSB_PDA_PQM |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | Springer International Publishing AG |
| record_format | marc |
| spelling | Bader, Rolf 1969- Verfasser (DE-588)123732530 aut How Music Works A Physical Culture Theory Cham Springer International Publishing AG 2021 ©2021 1 Online-Ressource (305 Seiten) txt rdacontent c rdamedia cr rdacarrier Intro -- Introduction -- Contents -- Part I -- Some Fundamentals of Musical Acoustics -- Play It Loud! -- The Mysterious Sound of Friction -- Linear Math and Nonlinear Nature -- Hermann von Helmholtz -- The First Synthesizers -- Voice from Impulses -- Unexpected Harmonicity -- Why Are Musical Instruments Such Complex Boxes? -- Who Wins the Game? -- Eigenmodes Versus Forced Oscillations -- What Makes a Musical Instrument Playable? -- Damping Is a Feature, Determining Who Wins the Game -- Synchronization as Output -- Some Fundamentals of Music Psychology -- Musical Instruments Treating the Psyche -- Music and Trance -- Aristoteles and the Beginning of Psychology -- Transcendental Aesthetic -- Transfer Effects of Music and Freedom of Will -- Music and Politics -- The Creation of Creativity -- Brain Activities -- The Split Between Hard and Soft Sciences -- Fusion of Senses -- Psychoacoustics -- Some Fundamentals of Comparative Musicology -- Music, DNA, and Sexulality -- Diversity and Change -- The Beginning of Comparative Musicology -- Ethnomusicology and Music Archiving -- Computational Music and Sound Archiving -- Part II -- Impulses -- What Is a Frequency? -- How to Deal with Many Frequencies: The Fourier Theorem -- Beyond Sinusoidals -- Damping -- Dispersion -- Linearity or Nonlinearity -- Impulse Pattern Formulation (IPF) -- Environmental Noise -- Musical Noise -- Initial Transients -- Information in Music -- Turbulence -- Turbulent and Laminar Flow -- Navier-Stokes Equation -- What Does Turbulence Lead To? -- Saxophone -- Saxophone Pitches Are Not Self-evident -- Blowing in a Saxophone -- Blowing Out of Normal Range -- Multiphonics -- Modeling Saxophones with Impulse Pattern Formulation -- The Beginning of the Tone -- The Saxophone Reed -- More Wind Instruments -- Recorder and Transverse Flute -- Free Reed Instruments Shawms, Oboes, Double-Reed Instruments -- Brass Instruments -- Articulation and Noise with Wind Instruments -- Friction Instruments -- Guitars and Plucked String Instruments -- Practical Consequences for Guitar Acoustics -- The Human Voice -- Neurophysiology of Music -- Self-organizing Models of the Brain -- Music and Consciousness -- Reconstructing Impulses-The Ear and the Auditory Pathway -- Transfer of Acoustic Electricity into Neural Electricity: The Inner Ear -- How Do We Hear a Pitch -- A Spatio-Temporal Pitch Theory -- How Do Tonal Systems Come into Place -- Loops in the Auditory Pathway -- Other Nerve Loops in the Auditory Pathway -- Models of Music Perception -- Timbre -- Multidimensionality of Timbre -- Music as Physical Adaption -- IPF Comparison of Bowed and Wind Instruments -- Neural Network Models of Timbre -- Rhythm, Musical Form, and Memory -- Neurophysiology of Time -- Musical Form as Tension -- Fractal Dimensions as Musical Density -- Musical Form as Neural Synchronization -- Efficient Coding -- Brain Interactions in Music Therapy -- Perception-by-Production as Self-organizing Process -- *-20pt Part III -- Music, Meaning, and Emotion -- Freedom! Jazz! Dance! Yeah! -- Slave to the Rhythm -- Politics and Philosophy -- Logic of Music -- Physical Culture Theory -- Predicting Culture -- Physical Modeling or Artificial Intelligence? -- Notions as Spatio-Temporal Patterns -- The Musical System -- Is Culture Conscious? -- Appendix Notes -- Appendix Discography -- Appendix References -- Blank Page -- Blank Page -- Blank Page -- Blank Page -- Blank Page -- Blank Page -- Blank Page -- Blank Page -- Blank Page -- Blank Page -- Blank Page Music-Acoustics and physics Musikethnologie (DE-588)4127833-1 gnd rswk-swf Kulturtheorie (DE-588)4120627-7 gnd rswk-swf Akustik (DE-588)4000988-9 gnd rswk-swf Musikpsychologie (DE-588)4127817-3 gnd rswk-swf Musiktheorie (DE-588)4040876-0 gnd rswk-swf Electronic books Kulturtheorie (DE-588)4120627-7 s Musiktheorie (DE-588)4040876-0 s Musikethnologie (DE-588)4127833-1 s DE-604 Akustik (DE-588)4000988-9 s Musikpsychologie (DE-588)4127817-3 s Erscheint auch als Druck-Ausgabe Bader, Rolf How Music Works Cham : Springer International Publishing AG,c2021 9783030671549 |
| spellingShingle | Bader, Rolf 1969- How Music Works A Physical Culture Theory Intro -- Introduction -- Contents -- Part I -- Some Fundamentals of Musical Acoustics -- Play It Loud! -- The Mysterious Sound of Friction -- Linear Math and Nonlinear Nature -- Hermann von Helmholtz -- The First Synthesizers -- Voice from Impulses -- Unexpected Harmonicity -- Why Are Musical Instruments Such Complex Boxes? -- Who Wins the Game? -- Eigenmodes Versus Forced Oscillations -- What Makes a Musical Instrument Playable? -- Damping Is a Feature, Determining Who Wins the Game -- Synchronization as Output -- Some Fundamentals of Music Psychology -- Musical Instruments Treating the Psyche -- Music and Trance -- Aristoteles and the Beginning of Psychology -- Transcendental Aesthetic -- Transfer Effects of Music and Freedom of Will -- Music and Politics -- The Creation of Creativity -- Brain Activities -- The Split Between Hard and Soft Sciences -- Fusion of Senses -- Psychoacoustics -- Some Fundamentals of Comparative Musicology -- Music, DNA, and Sexulality -- Diversity and Change -- The Beginning of Comparative Musicology -- Ethnomusicology and Music Archiving -- Computational Music and Sound Archiving -- Part II -- Impulses -- What Is a Frequency? -- How to Deal with Many Frequencies: The Fourier Theorem -- Beyond Sinusoidals -- Damping -- Dispersion -- Linearity or Nonlinearity -- Impulse Pattern Formulation (IPF) -- Environmental Noise -- Musical Noise -- Initial Transients -- Information in Music -- Turbulence -- Turbulent and Laminar Flow -- Navier-Stokes Equation -- What Does Turbulence Lead To? -- Saxophone -- Saxophone Pitches Are Not Self-evident -- Blowing in a Saxophone -- Blowing Out of Normal Range -- Multiphonics -- Modeling Saxophones with Impulse Pattern Formulation -- The Beginning of the Tone -- The Saxophone Reed -- More Wind Instruments -- Recorder and Transverse Flute -- Free Reed Instruments Shawms, Oboes, Double-Reed Instruments -- Brass Instruments -- Articulation and Noise with Wind Instruments -- Friction Instruments -- Guitars and Plucked String Instruments -- Practical Consequences for Guitar Acoustics -- The Human Voice -- Neurophysiology of Music -- Self-organizing Models of the Brain -- Music and Consciousness -- Reconstructing Impulses-The Ear and the Auditory Pathway -- Transfer of Acoustic Electricity into Neural Electricity: The Inner Ear -- How Do We Hear a Pitch -- A Spatio-Temporal Pitch Theory -- How Do Tonal Systems Come into Place -- Loops in the Auditory Pathway -- Other Nerve Loops in the Auditory Pathway -- Models of Music Perception -- Timbre -- Multidimensionality of Timbre -- Music as Physical Adaption -- IPF Comparison of Bowed and Wind Instruments -- Neural Network Models of Timbre -- Rhythm, Musical Form, and Memory -- Neurophysiology of Time -- Musical Form as Tension -- Fractal Dimensions as Musical Density -- Musical Form as Neural Synchronization -- Efficient Coding -- Brain Interactions in Music Therapy -- Perception-by-Production as Self-organizing Process -- *-20pt Part III -- Music, Meaning, and Emotion -- Freedom! Jazz! Dance! Yeah! -- Slave to the Rhythm -- Politics and Philosophy -- Logic of Music -- Physical Culture Theory -- Predicting Culture -- Physical Modeling or Artificial Intelligence? -- Notions as Spatio-Temporal Patterns -- The Musical System -- Is Culture Conscious? -- Appendix Notes -- Appendix Discography -- Appendix References -- Blank Page -- Blank Page -- Blank Page -- Blank Page -- Blank Page -- Blank Page -- Blank Page -- Blank Page -- Blank Page -- Blank Page -- Blank Page Music-Acoustics and physics Musikethnologie (DE-588)4127833-1 gnd Kulturtheorie (DE-588)4120627-7 gnd Akustik (DE-588)4000988-9 gnd Musikpsychologie (DE-588)4127817-3 gnd Musiktheorie (DE-588)4040876-0 gnd |
| subject_GND | (DE-588)4127833-1 (DE-588)4120627-7 (DE-588)4000988-9 (DE-588)4127817-3 (DE-588)4040876-0 |
| title | How Music Works A Physical Culture Theory |
| title_auth | How Music Works A Physical Culture Theory |
| title_exact_search | How Music Works A Physical Culture Theory |
| title_exact_search_txtP | How Music Works A Physical Culture Theory |
| title_full | How Music Works A Physical Culture Theory |
| title_fullStr | How Music Works A Physical Culture Theory |
| title_full_unstemmed | How Music Works A Physical Culture Theory |
| title_short | How Music Works |
| title_sort | how music works a physical culture theory |
| title_sub | A Physical Culture Theory |
| topic | Music-Acoustics and physics Musikethnologie (DE-588)4127833-1 gnd Kulturtheorie (DE-588)4120627-7 gnd Akustik (DE-588)4000988-9 gnd Musikpsychologie (DE-588)4127817-3 gnd Musiktheorie (DE-588)4040876-0 gnd |
| topic_facet | Music-Acoustics and physics Musikethnologie Kulturtheorie Akustik Musikpsychologie Musiktheorie |
| work_keys_str_mv | AT baderrolf howmusicworksaphysicalculturetheory |