How Music Works: A Physical Culture Theory
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cham
Springer International Publishing AG
2021
|
| Schlagworte: | |
| Online-Zugang: | BSB01 BSB01 |
| Beschreibung: | 1 Online-Ressource (305 Seiten) |
| ISBN: | 9783030671556 |
Internformat
MARC
| LEADER | 00000nmm a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV048935487 | ||
| 003 | DE-604 | ||
| 005 | 20231031 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 230509s2021 |||| o||u| ||||||eng d | ||
| 020 | |a 9783030671556 |q electronic bk. |9 978-3-030-67155-6 | ||
| 035 | |a (ZDB-1-PQM)EBC6539059 | ||
| 035 | |a (ZDB-30-PAD)EBC6539059 | ||
| 035 | |a (ZDB-89-EBL)EBL6539059 | ||
| 035 | |a (OCoLC)1245926604 | ||
| 035 | |a (DE-599)BVBBV048935487 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 | ||
| 084 | |a MUS |q DE-12 |2 fid | ||
| 100 | 1 | |a Bader, Rolf |d 1969- |e Verfasser |0 (DE-588)123732530 |4 aut | |
| 245 | 1 | 0 | |a How Music Works |b A Physical Culture Theory |
| 264 | 1 | |a Cham |b Springer International Publishing AG |c 2021 | |
| 264 | 4 | |c ©2021 | |
| 300 | |a 1 Online-Ressource (305 Seiten) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 505 | 8 | |a Intro -- Introduction -- Contents -- Part I -- Some Fundamentals of Musical Acoustics -- Play It Loud! -- The Mysterious Sound of Friction -- Linear Math and Nonlinear Nature -- Hermann von Helmholtz -- The First Synthesizers -- Voice from Impulses -- Unexpected Harmonicity -- Why Are Musical Instruments Such Complex Boxes? -- Who Wins the Game? -- Eigenmodes Versus Forced Oscillations -- What Makes a Musical Instrument Playable? -- Damping Is a Feature, Determining Who Wins the Game -- Synchronization as Output -- Some Fundamentals of Music Psychology -- Musical Instruments Treating the Psyche -- Music and Trance -- Aristoteles and the Beginning of Psychology -- Transcendental Aesthetic -- Transfer Effects of Music and Freedom of Will -- Music and Politics -- The Creation of Creativity -- Brain Activities -- The Split Between Hard and Soft Sciences -- Fusion of Senses -- Psychoacoustics -- Some Fundamentals of Comparative Musicology -- Music, DNA, and Sexulality -- Diversity and Change -- The Beginning of Comparative Musicology -- Ethnomusicology and Music Archiving -- Computational Music and Sound Archiving -- Part II -- Impulses -- What Is a Frequency? -- How to Deal with Many Frequencies: The Fourier Theorem -- Beyond Sinusoidals -- Damping -- Dispersion -- Linearity or Nonlinearity -- Impulse Pattern Formulation (IPF) -- Environmental Noise -- Musical Noise -- Initial Transients -- Information in Music -- Turbulence -- Turbulent and Laminar Flow -- Navier-Stokes Equation -- What Does Turbulence Lead To? -- Saxophone -- Saxophone Pitches Are Not Self-evident -- Blowing in a Saxophone -- Blowing Out of Normal Range -- Multiphonics -- Modeling Saxophones with Impulse Pattern Formulation -- The Beginning of the Tone -- The Saxophone Reed -- More Wind Instruments -- Recorder and Transverse Flute -- Free Reed Instruments | |
| 505 | 8 | |a Shawms, Oboes, Double-Reed Instruments -- Brass Instruments -- Articulation and Noise with Wind Instruments -- Friction Instruments -- Guitars and Plucked String Instruments -- Practical Consequences for Guitar Acoustics -- The Human Voice -- Neurophysiology of Music -- Self-organizing Models of the Brain -- Music and Consciousness -- Reconstructing Impulses-The Ear and the Auditory Pathway -- Transfer of Acoustic Electricity into Neural Electricity: The Inner Ear -- How Do We Hear a Pitch -- A Spatio-Temporal Pitch Theory -- How Do Tonal Systems Come into Place -- Loops in the Auditory Pathway -- Other Nerve Loops in the Auditory Pathway -- Models of Music Perception -- Timbre -- Multidimensionality of Timbre -- Music as Physical Adaption -- IPF Comparison of Bowed and Wind Instruments -- Neural Network Models of Timbre -- Rhythm, Musical Form, and Memory -- Neurophysiology of Time -- Musical Form as Tension -- Fractal Dimensions as Musical Density -- Musical Form as Neural Synchronization -- Efficient Coding -- Brain Interactions in Music Therapy -- Perception-by-Production as Self-organizing Process -- *-20pt Part III -- Music, Meaning, and Emotion -- Freedom! Jazz! Dance! Yeah! -- Slave to the Rhythm -- Politics and Philosophy -- Logic of Music -- Physical Culture Theory -- Predicting Culture -- Physical Modeling or Artificial Intelligence? -- Notions as Spatio-Temporal Patterns -- The Musical System -- Is Culture Conscious? -- Appendix Notes -- Appendix Discography -- Appendix References -- Blank Page -- Blank Page -- Blank Page -- Blank Page -- Blank Page -- Blank Page -- Blank Page -- Blank Page -- Blank Page -- Blank Page -- Blank Page | |
| 650 | 4 | |a Music-Acoustics and physics | |
| 650 | 0 | 7 | |a Musikethnologie |0 (DE-588)4127833-1 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Kulturtheorie |0 (DE-588)4120627-7 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Akustik |0 (DE-588)4000988-9 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Musikpsychologie |0 (DE-588)4127817-3 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Musiktheorie |0 (DE-588)4040876-0 |2 gnd |9 rswk-swf |
| 653 | 6 | |a Electronic books | |
| 689 | 0 | 0 | |a Kulturtheorie |0 (DE-588)4120627-7 |D s |
| 689 | 0 | 1 | |a Musiktheorie |0 (DE-588)4040876-0 |D s |
| 689 | 0 | 2 | |a Musikethnologie |0 (DE-588)4127833-1 |D s |
| 689 | 0 | |5 DE-604 | |
| 689 | 1 | 0 | |a Akustik |0 (DE-588)4000988-9 |D s |
| 689 | 1 | 1 | |a Musikpsychologie |0 (DE-588)4127817-3 |D s |
| 689 | 1 | 2 | |a Musikethnologie |0 (DE-588)4127833-1 |D s |
| 689 | 1 | |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |a Bader, Rolf |t How Music Works |d Cham : Springer International Publishing AG,c2021 |z 9783030671549 |
| 912 | |a ZDB-1-PQM |a ZDB-30-PQE | ||
| 940 | 1 | |q BSB_NED_20231031 | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-034199353 | ||
| 942 | 1 | 1 | |c 780 |e 22/bsb |
| 966 | e | |u https://ebookcentral.proquest.com/lib/bsb/detail.action?docID=6539059 |l BSB01 |p ZDB-30-PQE |q BSB_PDA_PQEMUS_Kauf |x Aggregator |3 Volltext | |
| 966 | e | |u https://ebookcentral.proquest.com/lib/bsmfidmusic/detail.action?docID=6539059 |l BSB01 |p ZDB-1-PQM |q BSB_PDA_PQM |x Aggregator |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804185131352588288 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Bader, Rolf 1969- |
| author_GND | (DE-588)123732530 |
| author_facet | Bader, Rolf 1969- |
| author_role | aut |
| author_sort | Bader, Rolf 1969- |
| author_variant | r b rb |
| building | Verbundindex |
| bvnumber | BV048935487 |
| collection | ZDB-1-PQM ZDB-30-PQE |
| contents | Intro -- Introduction -- Contents -- Part I -- Some Fundamentals of Musical Acoustics -- Play It Loud! -- The Mysterious Sound of Friction -- Linear Math and Nonlinear Nature -- Hermann von Helmholtz -- The First Synthesizers -- Voice from Impulses -- Unexpected Harmonicity -- Why Are Musical Instruments Such Complex Boxes? -- Who Wins the Game? -- Eigenmodes Versus Forced Oscillations -- What Makes a Musical Instrument Playable? -- Damping Is a Feature, Determining Who Wins the Game -- Synchronization as Output -- Some Fundamentals of Music Psychology -- Musical Instruments Treating the Psyche -- Music and Trance -- Aristoteles and the Beginning of Psychology -- Transcendental Aesthetic -- Transfer Effects of Music and Freedom of Will -- Music and Politics -- The Creation of Creativity -- Brain Activities -- The Split Between Hard and Soft Sciences -- Fusion of Senses -- Psychoacoustics -- Some Fundamentals of Comparative Musicology -- Music, DNA, and Sexulality -- Diversity and Change -- The Beginning of Comparative Musicology -- Ethnomusicology and Music Archiving -- Computational Music and Sound Archiving -- Part II -- Impulses -- What Is a Frequency? -- How to Deal with Many Frequencies: The Fourier Theorem -- Beyond Sinusoidals -- Damping -- Dispersion -- Linearity or Nonlinearity -- Impulse Pattern Formulation (IPF) -- Environmental Noise -- Musical Noise -- Initial Transients -- Information in Music -- Turbulence -- Turbulent and Laminar Flow -- Navier-Stokes Equation -- What Does Turbulence Lead To? -- Saxophone -- Saxophone Pitches Are Not Self-evident -- Blowing in a Saxophone -- Blowing Out of Normal Range -- Multiphonics -- Modeling Saxophones with Impulse Pattern Formulation -- The Beginning of the Tone -- The Saxophone Reed -- More Wind Instruments -- Recorder and Transverse Flute -- Free Reed Instruments Shawms, Oboes, Double-Reed Instruments -- Brass Instruments -- Articulation and Noise with Wind Instruments -- Friction Instruments -- Guitars and Plucked String Instruments -- Practical Consequences for Guitar Acoustics -- The Human Voice -- Neurophysiology of Music -- Self-organizing Models of the Brain -- Music and Consciousness -- Reconstructing Impulses-The Ear and the Auditory Pathway -- Transfer of Acoustic Electricity into Neural Electricity: The Inner Ear -- How Do We Hear a Pitch -- A Spatio-Temporal Pitch Theory -- How Do Tonal Systems Come into Place -- Loops in the Auditory Pathway -- Other Nerve Loops in the Auditory Pathway -- Models of Music Perception -- Timbre -- Multidimensionality of Timbre -- Music as Physical Adaption -- IPF Comparison of Bowed and Wind Instruments -- Neural Network Models of Timbre -- Rhythm, Musical Form, and Memory -- Neurophysiology of Time -- Musical Form as Tension -- Fractal Dimensions as Musical Density -- Musical Form as Neural Synchronization -- Efficient Coding -- Brain Interactions in Music Therapy -- Perception-by-Production as Self-organizing Process -- *-20pt Part III -- Music, Meaning, and Emotion -- Freedom! Jazz! Dance! Yeah! -- Slave to the Rhythm -- Politics and Philosophy -- Logic of Music -- Physical Culture Theory -- Predicting Culture -- Physical Modeling or Artificial Intelligence? -- Notions as Spatio-Temporal Patterns -- The Musical System -- Is Culture Conscious? -- Appendix Notes -- Appendix Discography -- Appendix References -- Blank Page -- Blank Page -- Blank Page -- Blank Page -- Blank Page -- Blank Page -- Blank Page -- Blank Page -- Blank Page -- Blank Page -- Blank Page |
| ctrlnum | (ZDB-1-PQM)EBC6539059 (ZDB-30-PAD)EBC6539059 (ZDB-89-EBL)EBL6539059 (OCoLC)1245926604 (DE-599)BVBBV048935487 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>05797nmm a2200589 c 4500</leader><controlfield tag="001">BV048935487</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20231031 </controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">230509s2021 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9783030671556</subfield><subfield code="q">electronic bk.</subfield><subfield code="9">978-3-030-67155-6</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-1-PQM)EBC6539059</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-30-PAD)EBC6539059</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-89-EBL)EBL6539059</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1245926604</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV048935487</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MUS</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Bader, Rolf</subfield><subfield code="d">1969-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)123732530</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">How Music Works</subfield><subfield code="b">A Physical Culture Theory</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Cham</subfield><subfield code="b">Springer International Publishing AG</subfield><subfield code="c">2021</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2021</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (305 Seiten)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Intro -- Introduction -- Contents -- Part I -- Some Fundamentals of Musical Acoustics -- Play It Loud! -- The Mysterious Sound of Friction -- Linear Math and Nonlinear Nature -- Hermann von Helmholtz -- The First Synthesizers -- Voice from Impulses -- Unexpected Harmonicity -- Why Are Musical Instruments Such Complex Boxes? -- Who Wins the Game? -- Eigenmodes Versus Forced Oscillations -- What Makes a Musical Instrument Playable? -- Damping Is a Feature, Determining Who Wins the Game -- Synchronization as Output -- Some Fundamentals of Music Psychology -- Musical Instruments Treating the Psyche -- Music and Trance -- Aristoteles and the Beginning of Psychology -- Transcendental Aesthetic -- Transfer Effects of Music and Freedom of Will -- Music and Politics -- The Creation of Creativity -- Brain Activities -- The Split Between Hard and Soft Sciences -- Fusion of Senses -- Psychoacoustics -- Some Fundamentals of Comparative Musicology -- Music, DNA, and Sexulality -- Diversity and Change -- The Beginning of Comparative Musicology -- Ethnomusicology and Music Archiving -- Computational Music and Sound Archiving -- Part II -- Impulses -- What Is a Frequency? -- How to Deal with Many Frequencies: The Fourier Theorem -- Beyond Sinusoidals -- Damping -- Dispersion -- Linearity or Nonlinearity -- Impulse Pattern Formulation (IPF) -- Environmental Noise -- Musical Noise -- Initial Transients -- Information in Music -- Turbulence -- Turbulent and Laminar Flow -- Navier-Stokes Equation -- What Does Turbulence Lead To? -- Saxophone -- Saxophone Pitches Are Not Self-evident -- Blowing in a Saxophone -- Blowing Out of Normal Range -- Multiphonics -- Modeling Saxophones with Impulse Pattern Formulation -- The Beginning of the Tone -- The Saxophone Reed -- More Wind Instruments -- Recorder and Transverse Flute -- Free Reed Instruments</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Shawms, Oboes, Double-Reed Instruments -- Brass Instruments -- Articulation and Noise with Wind Instruments -- Friction Instruments -- Guitars and Plucked String Instruments -- Practical Consequences for Guitar Acoustics -- The Human Voice -- Neurophysiology of Music -- Self-organizing Models of the Brain -- Music and Consciousness -- Reconstructing Impulses-The Ear and the Auditory Pathway -- Transfer of Acoustic Electricity into Neural Electricity: The Inner Ear -- How Do We Hear a Pitch -- A Spatio-Temporal Pitch Theory -- How Do Tonal Systems Come into Place -- Loops in the Auditory Pathway -- Other Nerve Loops in the Auditory Pathway -- Models of Music Perception -- Timbre -- Multidimensionality of Timbre -- Music as Physical Adaption -- IPF Comparison of Bowed and Wind Instruments -- Neural Network Models of Timbre -- Rhythm, Musical Form, and Memory -- Neurophysiology of Time -- Musical Form as Tension -- Fractal Dimensions as Musical Density -- Musical Form as Neural Synchronization -- Efficient Coding -- Brain Interactions in Music Therapy -- Perception-by-Production as Self-organizing Process -- *-20pt Part III -- Music, Meaning, and Emotion -- Freedom! Jazz! Dance! Yeah! -- Slave to the Rhythm -- Politics and Philosophy -- Logic of Music -- Physical Culture Theory -- Predicting Culture -- Physical Modeling or Artificial Intelligence? -- Notions as Spatio-Temporal Patterns -- The Musical System -- Is Culture Conscious? -- Appendix Notes -- Appendix Discography -- Appendix References -- Blank Page -- Blank Page -- Blank Page -- Blank Page -- Blank Page -- Blank Page -- Blank Page -- Blank Page -- Blank Page -- Blank Page -- Blank Page</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Music-Acoustics and physics</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musikethnologie</subfield><subfield code="0">(DE-588)4127833-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kulturtheorie</subfield><subfield code="0">(DE-588)4120627-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Akustik</subfield><subfield code="0">(DE-588)4000988-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musikpsychologie</subfield><subfield code="0">(DE-588)4127817-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musiktheorie</subfield><subfield code="0">(DE-588)4040876-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">Electronic books</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Kulturtheorie</subfield><subfield code="0">(DE-588)4120627-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Musiktheorie</subfield><subfield code="0">(DE-588)4040876-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Musikethnologie</subfield><subfield code="0">(DE-588)4127833-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Akustik</subfield><subfield code="0">(DE-588)4000988-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Musikpsychologie</subfield><subfield code="0">(DE-588)4127817-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="2"><subfield code="a">Musikethnologie</subfield><subfield code="0">(DE-588)4127833-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="a">Bader, Rolf</subfield><subfield code="t">How Music Works</subfield><subfield code="d">Cham : Springer International Publishing AG,c2021</subfield><subfield code="z">9783030671549</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-1-PQM</subfield><subfield code="a">ZDB-30-PQE</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">BSB_NED_20231031</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034199353</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780</subfield><subfield code="e">22/bsb</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://ebookcentral.proquest.com/lib/bsb/detail.action?docID=6539059</subfield><subfield code="l">BSB01</subfield><subfield code="p">ZDB-30-PQE</subfield><subfield code="q">BSB_PDA_PQEMUS_Kauf</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://ebookcentral.proquest.com/lib/bsmfidmusic/detail.action?docID=6539059</subfield><subfield code="l">BSB01</subfield><subfield code="p">ZDB-1-PQM</subfield><subfield code="q">BSB_PDA_PQM</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| id | DE-604.BV048935487 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T21:58:11Z |
| indexdate | 2024-07-10T09:50:21Z |
| institution | BVB |
| isbn | 9783030671556 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034199353 |
| oclc_num | 1245926604 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 1 Online-Ressource (305 Seiten) |
| psigel | ZDB-1-PQM ZDB-30-PQE BSB_NED_20231031 ZDB-30-PQE BSB_PDA_PQEMUS_Kauf ZDB-1-PQM BSB_PDA_PQM |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | Springer International Publishing AG |
| record_format | marc |
| spelling | Bader, Rolf 1969- Verfasser (DE-588)123732530 aut How Music Works A Physical Culture Theory Cham Springer International Publishing AG 2021 ©2021 1 Online-Ressource (305 Seiten) txt rdacontent c rdamedia cr rdacarrier Intro -- Introduction -- Contents -- Part I -- Some Fundamentals of Musical Acoustics -- Play It Loud! -- The Mysterious Sound of Friction -- Linear Math and Nonlinear Nature -- Hermann von Helmholtz -- The First Synthesizers -- Voice from Impulses -- Unexpected Harmonicity -- Why Are Musical Instruments Such Complex Boxes? -- Who Wins the Game? -- Eigenmodes Versus Forced Oscillations -- What Makes a Musical Instrument Playable? -- Damping Is a Feature, Determining Who Wins the Game -- Synchronization as Output -- Some Fundamentals of Music Psychology -- Musical Instruments Treating the Psyche -- Music and Trance -- Aristoteles and the Beginning of Psychology -- Transcendental Aesthetic -- Transfer Effects of Music and Freedom of Will -- Music and Politics -- The Creation of Creativity -- Brain Activities -- The Split Between Hard and Soft Sciences -- Fusion of Senses -- Psychoacoustics -- Some Fundamentals of Comparative Musicology -- Music, DNA, and Sexulality -- Diversity and Change -- The Beginning of Comparative Musicology -- Ethnomusicology and Music Archiving -- Computational Music and Sound Archiving -- Part II -- Impulses -- What Is a Frequency? -- How to Deal with Many Frequencies: The Fourier Theorem -- Beyond Sinusoidals -- Damping -- Dispersion -- Linearity or Nonlinearity -- Impulse Pattern Formulation (IPF) -- Environmental Noise -- Musical Noise -- Initial Transients -- Information in Music -- Turbulence -- Turbulent and Laminar Flow -- Navier-Stokes Equation -- What Does Turbulence Lead To? -- Saxophone -- Saxophone Pitches Are Not Self-evident -- Blowing in a Saxophone -- Blowing Out of Normal Range -- Multiphonics -- Modeling Saxophones with Impulse Pattern Formulation -- The Beginning of the Tone -- The Saxophone Reed -- More Wind Instruments -- Recorder and Transverse Flute -- Free Reed Instruments Shawms, Oboes, Double-Reed Instruments -- Brass Instruments -- Articulation and Noise with Wind Instruments -- Friction Instruments -- Guitars and Plucked String Instruments -- Practical Consequences for Guitar Acoustics -- The Human Voice -- Neurophysiology of Music -- Self-organizing Models of the Brain -- Music and Consciousness -- Reconstructing Impulses-The Ear and the Auditory Pathway -- Transfer of Acoustic Electricity into Neural Electricity: The Inner Ear -- How Do We Hear a Pitch -- A Spatio-Temporal Pitch Theory -- How Do Tonal Systems Come into Place -- Loops in the Auditory Pathway -- Other Nerve Loops in the Auditory Pathway -- Models of Music Perception -- Timbre -- Multidimensionality of Timbre -- Music as Physical Adaption -- IPF Comparison of Bowed and Wind Instruments -- Neural Network Models of Timbre -- Rhythm, Musical Form, and Memory -- Neurophysiology of Time -- Musical Form as Tension -- Fractal Dimensions as Musical Density -- Musical Form as Neural Synchronization -- Efficient Coding -- Brain Interactions in Music Therapy -- Perception-by-Production as Self-organizing Process -- *-20pt Part III -- Music, Meaning, and Emotion -- Freedom! Jazz! Dance! Yeah! -- Slave to the Rhythm -- Politics and Philosophy -- Logic of Music -- Physical Culture Theory -- Predicting Culture -- Physical Modeling or Artificial Intelligence? -- Notions as Spatio-Temporal Patterns -- The Musical System -- Is Culture Conscious? -- Appendix Notes -- Appendix Discography -- Appendix References -- Blank Page -- Blank Page -- Blank Page -- Blank Page -- Blank Page -- Blank Page -- Blank Page -- Blank Page -- Blank Page -- Blank Page -- Blank Page Music-Acoustics and physics Musikethnologie (DE-588)4127833-1 gnd rswk-swf Kulturtheorie (DE-588)4120627-7 gnd rswk-swf Akustik (DE-588)4000988-9 gnd rswk-swf Musikpsychologie (DE-588)4127817-3 gnd rswk-swf Musiktheorie (DE-588)4040876-0 gnd rswk-swf Electronic books Kulturtheorie (DE-588)4120627-7 s Musiktheorie (DE-588)4040876-0 s Musikethnologie (DE-588)4127833-1 s DE-604 Akustik (DE-588)4000988-9 s Musikpsychologie (DE-588)4127817-3 s Erscheint auch als Druck-Ausgabe Bader, Rolf How Music Works Cham : Springer International Publishing AG,c2021 9783030671549 |
| spellingShingle | Bader, Rolf 1969- How Music Works A Physical Culture Theory Intro -- Introduction -- Contents -- Part I -- Some Fundamentals of Musical Acoustics -- Play It Loud! -- The Mysterious Sound of Friction -- Linear Math and Nonlinear Nature -- Hermann von Helmholtz -- The First Synthesizers -- Voice from Impulses -- Unexpected Harmonicity -- Why Are Musical Instruments Such Complex Boxes? -- Who Wins the Game? -- Eigenmodes Versus Forced Oscillations -- What Makes a Musical Instrument Playable? -- Damping Is a Feature, Determining Who Wins the Game -- Synchronization as Output -- Some Fundamentals of Music Psychology -- Musical Instruments Treating the Psyche -- Music and Trance -- Aristoteles and the Beginning of Psychology -- Transcendental Aesthetic -- Transfer Effects of Music and Freedom of Will -- Music and Politics -- The Creation of Creativity -- Brain Activities -- The Split Between Hard and Soft Sciences -- Fusion of Senses -- Psychoacoustics -- Some Fundamentals of Comparative Musicology -- Music, DNA, and Sexulality -- Diversity and Change -- The Beginning of Comparative Musicology -- Ethnomusicology and Music Archiving -- Computational Music and Sound Archiving -- Part II -- Impulses -- What Is a Frequency? -- How to Deal with Many Frequencies: The Fourier Theorem -- Beyond Sinusoidals -- Damping -- Dispersion -- Linearity or Nonlinearity -- Impulse Pattern Formulation (IPF) -- Environmental Noise -- Musical Noise -- Initial Transients -- Information in Music -- Turbulence -- Turbulent and Laminar Flow -- Navier-Stokes Equation -- What Does Turbulence Lead To? -- Saxophone -- Saxophone Pitches Are Not Self-evident -- Blowing in a Saxophone -- Blowing Out of Normal Range -- Multiphonics -- Modeling Saxophones with Impulse Pattern Formulation -- The Beginning of the Tone -- The Saxophone Reed -- More Wind Instruments -- Recorder and Transverse Flute -- Free Reed Instruments Shawms, Oboes, Double-Reed Instruments -- Brass Instruments -- Articulation and Noise with Wind Instruments -- Friction Instruments -- Guitars and Plucked String Instruments -- Practical Consequences for Guitar Acoustics -- The Human Voice -- Neurophysiology of Music -- Self-organizing Models of the Brain -- Music and Consciousness -- Reconstructing Impulses-The Ear and the Auditory Pathway -- Transfer of Acoustic Electricity into Neural Electricity: The Inner Ear -- How Do We Hear a Pitch -- A Spatio-Temporal Pitch Theory -- How Do Tonal Systems Come into Place -- Loops in the Auditory Pathway -- Other Nerve Loops in the Auditory Pathway -- Models of Music Perception -- Timbre -- Multidimensionality of Timbre -- Music as Physical Adaption -- IPF Comparison of Bowed and Wind Instruments -- Neural Network Models of Timbre -- Rhythm, Musical Form, and Memory -- Neurophysiology of Time -- Musical Form as Tension -- Fractal Dimensions as Musical Density -- Musical Form as Neural Synchronization -- Efficient Coding -- Brain Interactions in Music Therapy -- Perception-by-Production as Self-organizing Process -- *-20pt Part III -- Music, Meaning, and Emotion -- Freedom! Jazz! Dance! Yeah! -- Slave to the Rhythm -- Politics and Philosophy -- Logic of Music -- Physical Culture Theory -- Predicting Culture -- Physical Modeling or Artificial Intelligence? -- Notions as Spatio-Temporal Patterns -- The Musical System -- Is Culture Conscious? -- Appendix Notes -- Appendix Discography -- Appendix References -- Blank Page -- Blank Page -- Blank Page -- Blank Page -- Blank Page -- Blank Page -- Blank Page -- Blank Page -- Blank Page -- Blank Page -- Blank Page Music-Acoustics and physics Musikethnologie (DE-588)4127833-1 gnd Kulturtheorie (DE-588)4120627-7 gnd Akustik (DE-588)4000988-9 gnd Musikpsychologie (DE-588)4127817-3 gnd Musiktheorie (DE-588)4040876-0 gnd |
| subject_GND | (DE-588)4127833-1 (DE-588)4120627-7 (DE-588)4000988-9 (DE-588)4127817-3 (DE-588)4040876-0 |
| title | How Music Works A Physical Culture Theory |
| title_auth | How Music Works A Physical Culture Theory |
| title_exact_search | How Music Works A Physical Culture Theory |
| title_exact_search_txtP | How Music Works A Physical Culture Theory |
| title_full | How Music Works A Physical Culture Theory |
| title_fullStr | How Music Works A Physical Culture Theory |
| title_full_unstemmed | How Music Works A Physical Culture Theory |
| title_short | How Music Works |
| title_sort | how music works a physical culture theory |
| title_sub | A Physical Culture Theory |
| topic | Music-Acoustics and physics Musikethnologie (DE-588)4127833-1 gnd Kulturtheorie (DE-588)4120627-7 gnd Akustik (DE-588)4000988-9 gnd Musikpsychologie (DE-588)4127817-3 gnd Musiktheorie (DE-588)4040876-0 gnd |
| topic_facet | Music-Acoustics and physics Musikethnologie Kulturtheorie Akustik Musikpsychologie Musiktheorie |
| work_keys_str_mv | AT baderrolf howmusicworksaphysicalculturetheory |