Words, Music and Gender:
Musicians, teachers and those who love music will find in this volume some answers to the question of how gender affects its practice, performance and reception. What was performing like for female rock singers in the 20th century? How did Bowie change our concept of performer identity? Just how sex...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Newcastle-upon-Tyne
Cambridge Scholars Publishing
2020
|
| Ausgabe: | 1st ed |
| Schlagworte: | |
| Online-Zugang: | DE-12 |
| Zusammenfassung: | Musicians, teachers and those who love music will find in this volume some answers to the question of how gender affects its practice, performance and reception. What was performing like for female rock singers in the 20th century? How did Bowie change our concept of performer identity? Just how sexist are the lyrics in glam metal songs? Is rap as homophobic as has been thought? Can female metal singers growl as well as men? Are LGBTQ+ issues reflected in 21st century music? Did Canadian New Wave groups tackle major social issues? How do Shakespeare and Joyce use musical puns and allusions? From Indian thumri, through French opera, Irish folk songs, and pop, all the way to metal and rap, the 17 contributions gathered here will challenge and inform, while confirming that our music shapes our habits, language, ideas and gendered selves |
| Beschreibung: | 1 Online-Ressource (296 Seiten) |
| ISBN: | 9781527558434 |
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| 505 | 8 | |a Intro -- Dedication -- Table of Contents -- Introduction -- The Mask Behind the Man -- Gut Level -- Bad Reputation or Sexism? -- Breaking Taboos in 19803 Toronto New Wave Music -- Girls, Girls, Girls -- Homophobia in Rap -- American Popular Music and Its Influence on English Vocabulary -- You Scream like a Girl -- The Adaptation of Lyrics, Music and Performance of the Hindustani Genre thumri -- The Female Voice in Slovenian Jazz -- "A vos jeux, mes amis" -- Music in the Nightingale -- Evoking Music, Evoking Memories -- Music as Faux Escape in Miriam Toews's A Complicated Kindness -- Alice Munro's "The Bear Came Over the Mountain" -- The Aesthetics of Challenged Masculinities -- Music and Femininity in Adrienne Rich's "Transcendental Etude" -- Contributors -- Index | |
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| contents | Intro -- Dedication -- Table of Contents -- Introduction -- The Mask Behind the Man -- Gut Level -- Bad Reputation or Sexism? -- Breaking Taboos in 19803 Toronto New Wave Music -- Girls, Girls, Girls -- Homophobia in Rap -- American Popular Music and Its Influence on English Vocabulary -- You Scream like a Girl -- The Adaptation of Lyrics, Music and Performance of the Hindustani Genre thumri -- The Female Voice in Slovenian Jazz -- "A vos jeux, mes amis" -- Music in the Nightingale -- Evoking Music, Evoking Memories -- Music as Faux Escape in Miriam Toews's A Complicated Kindness -- Alice Munro's "The Bear Came Over the Mountain" -- The Aesthetics of Challenged Masculinities -- Music and Femininity in Adrienne Rich's "Transcendental Etude" -- Contributors -- Index |
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| spelling | Gadpaille, Michelle Verfasser aut Words, Music and Gender 1st ed Newcastle-upon-Tyne Cambridge Scholars Publishing 2020 ©2020 1 Online-Ressource (296 Seiten) txt rdacontent c rdamedia cr rdacarrier Intro -- Dedication -- Table of Contents -- Introduction -- The Mask Behind the Man -- Gut Level -- Bad Reputation or Sexism? -- Breaking Taboos in 19803 Toronto New Wave Music -- Girls, Girls, Girls -- Homophobia in Rap -- American Popular Music and Its Influence on English Vocabulary -- You Scream like a Girl -- The Adaptation of Lyrics, Music and Performance of the Hindustani Genre thumri -- The Female Voice in Slovenian Jazz -- "A vos jeux, mes amis" -- Music in the Nightingale -- Evoking Music, Evoking Memories -- Music as Faux Escape in Miriam Toews's A Complicated Kindness -- Alice Munro's "The Bear Came Over the Mountain" -- The Aesthetics of Challenged Masculinities -- Music and Femininity in Adrienne Rich's "Transcendental Etude" -- Contributors -- Index Musicians, teachers and those who love music will find in this volume some answers to the question of how gender affects its practice, performance and reception. What was performing like for female rock singers in the 20th century? How did Bowie change our concept of performer identity? Just how sexist are the lyrics in glam metal songs? Is rap as homophobic as has been thought? Can female metal singers growl as well as men? Are LGBTQ+ issues reflected in 21st century music? Did Canadian New Wave groups tackle major social issues? How do Shakespeare and Joyce use musical puns and allusions? From Indian thumri, through French opera, Irish folk songs, and pop, all the way to metal and rap, the 17 contributions gathered here will challenge and inform, while confirming that our music shapes our habits, language, ideas and gendered selves Geschichte gnd rswk-swf Gender identity in music Internationaler Vergleich (DE-588)4120509-1 gnd rswk-swf Unterhaltungsmusik (DE-588)4061916-3 gnd rswk-swf Geschlechterforschung (DE-588)4482930-9 gnd rswk-swf Electronic books (DE-588)4143413-4 Aufsatzsammlung gnd-content Unterhaltungsmusik (DE-588)4061916-3 s Geschlechterforschung (DE-588)4482930-9 s Internationaler Vergleich (DE-588)4120509-1 s Geschichte z DE-604 Kennedy, Victor Sonstige oth Erscheint auch als Druck-Ausgabe Gadpaille, Michelle Words, Music and Gender Newcastle-upon-Tyne : Cambridge Scholars Publishing,c2020 9781527556959 |
| spellingShingle | Gadpaille, Michelle Words, Music and Gender Intro -- Dedication -- Table of Contents -- Introduction -- The Mask Behind the Man -- Gut Level -- Bad Reputation or Sexism? -- Breaking Taboos in 19803 Toronto New Wave Music -- Girls, Girls, Girls -- Homophobia in Rap -- American Popular Music and Its Influence on English Vocabulary -- You Scream like a Girl -- The Adaptation of Lyrics, Music and Performance of the Hindustani Genre thumri -- The Female Voice in Slovenian Jazz -- "A vos jeux, mes amis" -- Music in the Nightingale -- Evoking Music, Evoking Memories -- Music as Faux Escape in Miriam Toews's A Complicated Kindness -- Alice Munro's "The Bear Came Over the Mountain" -- The Aesthetics of Challenged Masculinities -- Music and Femininity in Adrienne Rich's "Transcendental Etude" -- Contributors -- Index Gender identity in music Internationaler Vergleich (DE-588)4120509-1 gnd Unterhaltungsmusik (DE-588)4061916-3 gnd Geschlechterforschung (DE-588)4482930-9 gnd |
| subject_GND | (DE-588)4120509-1 (DE-588)4061916-3 (DE-588)4482930-9 (DE-588)4143413-4 |
| title | Words, Music and Gender |
| title_auth | Words, Music and Gender |
| title_exact_search | Words, Music and Gender |
| title_exact_search_txtP | Words, Music and Gender |
| title_full | Words, Music and Gender |
| title_fullStr | Words, Music and Gender |
| title_full_unstemmed | Words, Music and Gender |
| title_short | Words, Music and Gender |
| title_sort | words music and gender |
| topic | Gender identity in music Internationaler Vergleich (DE-588)4120509-1 gnd Unterhaltungsmusik (DE-588)4061916-3 gnd Geschlechterforschung (DE-588)4482930-9 gnd |
| topic_facet | Gender identity in music Internationaler Vergleich Unterhaltungsmusik Geschlechterforschung Aufsatzsammlung |
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